The Open UniversitySkip to content
 

Open Research Online
Items Authored or Edited by Laura Hamer

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [Create Shortened URL] SURL
Group by: Published Date | Item Type | Authors/Editors/Creators | No Grouping
Jump to: 2019 | 2018 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009
Number of items: 12.

2019

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

2018

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41. file

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138. file

2014

Hamer, Laura and Dingle, Christopher (2014). 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. Studies in the Digital Humanities

2013

Hamer, Laura and Murray, Christopher Brent (2013). Olivier Messiaen and the prix de Rome as a Rite of Passage. In: Dingle, Christopher and Fallon, Robert eds. Messiaen Perspectives 1: Sources and Influence. Farnham: Ashgate, pp. 13–43.

2012

Hamer, Laura (2012). Negating Gender Politics and Challenging the Establishment: Women and the Prix de Rome, 1919-1939’. Women’s History, 70(Autumn) pp. 4–12.

Hamer, Laura (2012). Armande de Polignac: An Aristocratic Compositrice in Fin-de-siècle Paris. In: Fryer, Paul ed. Women in the Arts in the Belle Époque: Essays on Influential Artists, Writers and Performers. Jefferson, North Carolina and London: McFarland, pp. 165–185.

Hamer, Laura (2012). Entre Satie et Stravinsky: les modèles néoclassiques de Germaine Tailleferre. In: Terrien, Pascal ed. Musique française : esthétique et identité en mutation 1892-1992. Paris: Delatour France, pp. 89–96.

2011

Hamer, Laura (2011). On the conductor’s podium: Jane Evrard and the Orchestre féminin de Paris. The Musical Times, 152(1916) pp. 81–100.

2010

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

2009

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 Jul 2009, Salzburg Universität, Austria.

This list was generated on Tue Sep 24 00:25:56 2019 BST.

Policies | Disclaimer

© The Open University   contact the OU