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Number of items: 13.


Woods, Kim (2013). Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine art and Renaissance Europe. Ashgate, pp. 135–157.

Woods, Kim (2013). Sculpture by the Master of Elsloo in England. In: Interdisciplinary Research on the Late Medieval Sculptor Master of Elsloo in an International Perspective, 20-21 October 2011 , Brussels KIK-IRPA.


Woods, Kim (2012). The Master of Rimini and the tradition of alabaster carving in the early 15th century Netherlands. Nederlands Kunsthistorisch Jaarboek, 62

Woods, Kim (2012). The fortunes of art in alabaster: a historiographical analysis. In: From Major to Minor: the minor arts and their current status in art history, March 2011, Princeton, USA.


Woods, Kim (2010). The supply of alabaster in Northern and Mediterranean Europe in the Later Middle Ages. In: Kirby, Jo; Nash, Susie and Cannon, Joanna eds. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London, UK: Archeype Publications, pp. 86–93.


Woods, Kim W. (2007). Imported Images: Netherlandish Late Gothic Sculpture in England, c.1400-c.1550. Donington: Paul Watkins Publishing.

Woods, Kim (2007). The Mercers' Christ re-examined. In: Marks, Richard ed. Late Gothic England: Art and Display. Donington, UK: Shaun Tyas, pp. 57–69.

Woods, Kim W.; Richardson, Carol M. and Lymberopoulou, Angeliki eds. (2007). Viewing Renaissance Art. Yale University Press.


Woods, Kim (2006). A passion altarpiece restored. Apollo pp. 40–45.


Woods, Kim W. (2005). Themes iconographiques et sources. In: D'Hainaut-Zveny, Brigitte and Schmitt, Jean-Claude eds. Miroirs du Sacre: les retables sculptes a Bruxelles XVe - XVIe Siecles. Brussels: CFC-Editions, pp. 77–93.

Woods, Kim (2005). Centres of excellence. In: Van de Velde, Carl; Beeckman, Hans; Van Acker, Joris and Verhaege, Frans eds. Constructing wooden images: organization of labour and working process of late Gothic carved altarpieces in the Low Countries. Brussels: Brussels University Press, pp. 51–74.


Woods, Kim W. (2003). Questions d'attribution stylistique: retables inedits en Angleterre. In: Guillot de Suduiraut, Sophie ed. Retables brabançons des XVe et XVIe siècles. Paris, France: Musee du Louvre, pp. 345–376.


Woods, Kim W. (2002). The pre-reformation altarpiece of Long Melford Church. Antiquaries Journal, 82 pp. 93–104.

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