Currently browsing: Items authored or edited by Jason Toynbee

Toynbee, Jason (2007). Bob Marley: Herald of A Postcolonial World? Celebrities. Cambridge, UK: Polity.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Hesmondhalgh, David and Toynbee, Jason eds. (2008). The Media and Social Theory. Culture, Economy and the Social. Abingdon, Oxon: Routledge.

Gillespie, Marie and Toynbee, Jason eds. (2006). Analysing Media Texts. Understanding Media, 4. Maidenhead: Open University Press.

Bennett, Andy; Shank, Barry and Toynbee, Jason eds. (2005). The Popular Music Studies Reader. Abingdon, U.K.: Routledge.

Toynbee, Jason (2011). Music, culture and creativity. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed.). Abingdon: Routledge, pp. 161–171.

Toynbee, Jason and Dueck, Byron (2011). Migrating music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. CRESC. Abingdon, U.K and New York, NY, U.S.: Routledge, pp. 1–18.

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Toynbee, Jason and Dueck, Byron (2011). Migrating Music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. Routledge, pp. 1–18.

Toynbee, Jason (2010). Reggae open source: how the absence of copyright enabled the emergence of popular music in Jamaica. In: Bently, Lionel; Davis, Jennifer and Ginsburg, Jane C. eds. Copyright and Piracy: an Interdisciplinary Critique. Cambridge Intellectual Property and Information Law (13). Cambridge: Cambridge University Press, pp. 357–373.

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Toynbee, Jason (2010). Creativity and intellectual property rights. In: Anheier, Helmut K. and Isar, Yudhishthir Raj eds. Cultures and Globalization: Cultural Expression, Creativity and Innovation. The Cultures and Globalization Series (3). London: Sage, pp. 86–98.

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Toynbee, Jason (2009). Continuing the struggle in hard times. In: Pugh, Jonathan ed. What is Radical Politics Today? Basingstoke: Palgrave Macmillan, pp. 112–119.

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Toynbee, Jason (2008). Media making and social reality. In: Hesmondhalgh, David and Toynbee, Jason eds. The Media and Social Theory. Culture, Economy and the Social (1). Abingdon, Oxon: Routledge, pp. 265–279.

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Hesmondhalgh, David and Toynbee, Jason (2008). Why media studies needs better social theory. In: Hesmondhalgh, David and Toynbee, Jason eds. The Media and Social Theory. Culture, Economy and the Social (1). London: Routledge, pp. 1–24.

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Toynbee, Jason (2004). Authorship meets downpression: translating The Wailers into rock. In: Weisbard, Eric ed. This is pop: in search of the elusive at Experience Music Project. Cambridge, MA, USA: Harvard University Press, pp. 173–186.

Toynbee, Jason (2004). Musicians. In: Frith, Simon and Marshall, Lee eds. Music and Copyright, 2nd ed. Edinburgh, UK: Edinburgh University Press, pp. 123–138.

Toynbee, Jason (2003). Music, culture and creativity. In: Clayton, Martin; Middleton, Richard and Herbert, Trevor eds. The cultural study of music. New York, NY, USA: Routledge, pp. 102–112.

Toynbee, Jason (2002). Fingers to the bone or spaced out on creativity? Labour process and ideology in the production of pop. In: Beck, Andrew ed. Cultural work: understanding the cultural industries. London, UK: Routledge, pp. 39–55.

Toynbee, Jason (2002). Mainstreaming: from hegemonic centre to global networks. In: Hesmondhalgh, David and Negus, Keith eds. Popular Music Studies. London, UK: Hodder Arnold, pp. 149–163.

Toynbee, Jason (2013). Race, history, and black British jazz. Black Music Research Journal, 33(1) pp. 1–25.

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Toynbee, Jason and Vis, Farida (2010). World music at the BBC World Service, 1942-2008: public diplomacy, cosmopolitanism, contradiction. Media, Culture and Society, 32(4) pp. 547–564.

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Toynbee, Jason (2006). Copyright, the work and phonographic orality in music. Social and Legal Studies, 15(1) pp. 77–99.

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Quirk, Tim and Toynbee, Jason (2005). Going through the motions: popular music performance in journalism and academic discourse. Popular Music, 24(3) pp. 399–413.

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