Items Authored or Edited by Gillian Perry

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Jump to: 2013 | 2011 | 2010 | 2009 | 2008 | 2007 | 2005 | 2004 | 2003 | 2001 | 2000 | 1999 | 1997 | 1995 | 1994 | 1993 | 1979

Number of items: 31.

2013

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. London: Reaktion books Ltd (forthcoming).

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the Portrait in the Country House in the Long Eighteenth Century. Manchester: Manchester University Press (In Press).

2011

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

2010

Perry, Gill (2010). Portraiture and Celebrity in the Eighteenth Century: The Actress as a Work of Art. In: Paparo, Jenifer ed. Portrait. Petit genres. Vancouver: Contemporary Art Gallery, Vancouver, pp. 36–55.

2009

Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

2008

Perry, Gill (2008). Installations and exploding homes. In: Bindman, David and Stephens, Chris eds. The History of British Art: 1870-Now. The History of British Art (3). London: Tate, pp. 227–228.

2007

Perry, Gill (2007). Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768-1820. New Haven, USA: Yale University Press.

2005

Perry, Gill (2005). Playing with Paint: 'Pink Onions'. In: Bjerkhof, Sven ed. Matisse masterpieces at the Statens Museum for Kunst. Copenhagen, Denmark: Statens Museum for Kunst, pp. 88–106.

2004

Perry, Gill (2004). Dream houses: installations and the Home. In: Perry, Gill and Wood, Paul eds. Themes in contemporary art. New Haven: Yale University Press, pp. 231–276.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Perry, Gillian (2004). The expanding field: Anna Madieta's Silueta series. In: Gaiger, Jason ed. Frameworks for Modern Art. Yale University Press, pp. 152–205.

Perry, Gillian (2004). Gender and the Fauves: Flirting with 'wild beasts'. In: Edwards, Steve and Paul, Wood eds. Art and the Avant-Gardes. Yale University Press, pp. 62–83.

2003

Perry, Gill (2003). Ambiguity and desire in late eighteenth century portraits of the actress. In: Asleson, Robyn ed. Notorious muse: the actress in British art and culture 1776-1812. Studies in British Art. London, UK: Yale University Press, pp. 57–80.

2001

Perry, Gillian (2001). Women Painting Women: Gender, Modernism and Feminine Art, c.1910-1930. In: Hjort, Oystein; Jensen, Niels Marup and Christensen, Hans Dam eds. Rethinking art between the wars: new perspectives in art history. Copenhagen, Denmark: Museum Tusculanum Press, pp. 47–72.

Perry, Gill (2001). The spectacle of the muse: exhibiting the actress at the Royal Academy. In: Solkin, David H ed. Art on the Line: the Royal Academy Exhibitions at Somerset House 1780-1836. New Haven: Yale University Press, pp. 111–125.

2000

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge c. 1790-1900. Manchester: Manchester University Press.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

1999

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Perry, Gill and King, Catherine (1999). Introduction. In: King, Catherine ed. Views of Difference: Different Views of Art. Art and its Histories (5). New: Yale University Press, pp. 7–22.

Perry, Gill (1999). Exhibiting 'les Indépendants': Gauguin and the Café Volpini show. In: Wood, Paul ed. The Challenge of the Avant-Garde. Art and its Histories (4). New Haven: Yale University Press, pp. 164–181.

1997

Perry, Gill (1997). Suzanne Valadon, Emilie Charmy, Paula Modersohn-Becker, Marie Laurencin, Jacqueline Marvel, Marevna. In: Gaze, Delia ed. The Dictionary of Women Artists. London, U.K.: Fitzroy Dearborn, pp. 919–921.

Perry, Gillian (1997). Artistic training and Modernism: women artists in France 1900-1930. In: Gaze, Delia ed. The Dictionary of Women Artists. London: Fitzroy Dearborn, pp. 92–95.

1995

Perry, Gillian (1995). Women Artists and the Parisian Avant-Garde: Modernism and 'feminine' art 1900-1920s. Manchester: Manchester University Press.

1994

Perry, Gillian (1994). Expressionism. In: Crystal, David ed. Cambridge Biographical Encylopedia. Cambridge University Press, pp. 1130–1132.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

1993

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Perry, Gill (1993). 'The ascent to nature' - some metaphors of 'Nature' in early expressionist art'. In: Behr, Shulamith; Fanning, David and Jarman, Douglas eds. Expressionism Reassessed. Manchester: Manchester University Press, pp. 53–64.

1979

Perry, Gillian (1979). Paula Modersohn-Becker: Her life and work. Women's Press Ltd.

This list was generated on Tue Jun 18 22:37:49 2013 BST.

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