The Open UniversitySkip to content
 

Items Authored or Edited by David Rowland

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [Create Shortened URL] SURL
Group by: Published Date | Item Type | Authors/Editors/Creators | No Grouping
Jump to: R
Number of items: 14.

R

Rowland, David (2013). Haydn's music and Clementi's publishing circle. In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library Publishing, pp. 92–111. file

Rowland, David (2013). Chopin Rondos. Edition Peters (in press), London.

Rowland, David (2012). Dussek in London's commercial world. In: Stewart-MacDonald, Rohan and Illiano, Roberto eds. Jan Ladislav Dussek: A Bohemian Composer «en voyage» through Europe. Quaderni Clementiani ( 4). Bologna: Ut Orpheus Edizioni, pp. 87–111.

Rowland, David (2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.

Rowland, David (2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources of Chopin's Style, Inspirations and Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Rowland, David (2010). Clementi & Co. in international markets. In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5). Bologna: Ut Orpheus Edizioni, pp. 525–542.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Rowland, David (2009). Piano businesses in England and France. In: Getreau, Florence ed. Le pianoforte en France 1780-1820. Musique Images Instruments (11). Paris: CNRS Editions, pp. 127–135.

Rowland, David (2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions. Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.

Rowland, David (2005). Performance practices in the nineteenth-century concerto. In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.

Rowland, David (2005). The Performance of Chopin's works for piano and orchestra. In: Szklener, Artur ed. Chopin in performance: History, theory, practice. Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.

Rowland, David (2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002. Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.

Rowland, David (2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.

This list was generated on Thu Sep 25 22:38:25 2014 BST.

Policies | Disclaimer

© The Open University   + 44 (0)870 333 4340   general-enquiries@open.ac.uk