Currently browsing: Items authored or edited by Dan Cavedon-Taylor https://orcid.org/0000-0003-4474-1700

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Cavedon-Taylor, Dan (2022). Life Through a Lens: Aesthetic Virtue and Salience vs Kantian Disinterest. In: Archer, Sophie ed. Salience: A Philosophical Inquiry. London: Routledge.

Cavedon-Taylor, Dan (2021). High-Level Perception and Multimodal Perception. In: Logue, Heather and Richardson, Louise eds. Purpose and Procedure in Philosophy of Perception. Oxford, UK: Oxford University Press, pp. 147–173.

Cavedon-Taylor, Dan (2021). Are the Psychophysical Laws Fine-Tuned? International Journal for Philosophy of Religion, 89 pp. 285–292.

Cavedon-Taylor, Dan (2020). “Categories of Art” at 50: An Introduction. Journal of Aesthetics and Art Criticism, 78(1) pp. 65–66.

Cavedon-Taylor, Dan (2018). Odors, Objects and Olfaction. American Philosophical Quarterly, 55(1) pp. 81–94.

Cavedon-Taylor, Dan (2017). Touching Voids: On the Varieties of Absence Perception. Review of Philosophy and Psychology, 8(2) pp. 355–366.

Cavedon-Taylor, Dan (2015). Photographic Phenomenology as Cognitive Phenomenology. The British Journal of Aesthetics, 55(1) pp. 71–89.

Cavedon-Taylor, Dan (2014). Belief, Experience and the Act of Picture-Making. Philosophical Explorations, 17(1) pp. 35–48.

Cavedon-Taylor, Dan (2013). Photographically Based Knowledge. Episteme, 10(3) pp. 283–297.

Cavedon-Taylor, Dan (2013). Seeing and Retinal Stability. Philosophical Psychology, 26(2) pp. 263–266.

Cavedon-Taylor, Dan (2011). The Space of Seeing-In. The British Journal of Aesthetics, 51(3) pp. 271–278.

Cavedon-Taylor, Dan (2011). Perceptual Content and Sensorimotor Expectations. The Philosophical Quarterly, 61(243) pp. 383–391.

Cavedon-Taylor, Dan (2010). In Defence of Fictional Incompetence. Ratio, 23(2) pp. 141–150.

Cavedon-Taylor, Dan (2009). Still Epiphenomenal Qualia: Response to Muller. Philosophia, 37(1) pp. 105–107.

Cavedon-Taylor, Dan (2009). The Epistemic Status of Photographs and Paintings: A Response to Cohen and Meskin. The Journal of Aesthetics and Art Criticism, 67(2) pp. 230–235.

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