Currently browsing: Items authored or edited by Derek Matravers

58 items in this list.
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2020To Top

Matravers, Derek (2020). Laying the Foundation for a Legal and Political Framework to Protect Cultural Heritage at Risk in Zones of Armed Conflict. In: Laying the Foundation for a Legal and Political Framework to Protect Cultural Heritage at Risk in Zones of Armed Conflict (Cuno, James and Weiss, Thomas eds.), J. Paul Getty Trust Occasional Papers in Cultural Heritage Policy, Getty Trust, Los Angeles, pp. 54–64.

Matravers, Derek (2020). The Reconstruction of Damaged or Destroyed Heritage. In: Bicknell, Jeanette; Judkins, Jennifer and Korsmeyer, Carolyn eds. Philosophical Perspectives on Ruins, Monuments, and Memorials. New York: Routledge, pp. 189–200.

2019To Top

Frowe, Helen and Matravers, Derek (2019). Conflict and Cultural heritage: A Moral Analysis of the Challenges of Heritage Protection. J. Paul Getty Trust Occasional Papers in Cultural Heritage Policy, No.3, Getty Publications, Los Angeles.

2018To Top

Matravers, Derek (2018). The History Plays: Fiction or Non-Fiction? In: Bourne, Craig and Caddick-Bourne, Emily eds. The Routledge Companion to Shakespeare and Philosophy. Routledge Philosophy Companions. London: Routledge, pp. 591–602.

Matravers, Derek (2018). What is the Object of an Empathetic Emotion? In: Matravers, Derek and Waldon, Anik eds. Philosophical Perspectives on Empathy: Theoretical Approaches and Emerging Challenges. New York: Routledge.

Matravers, Derek (2018). Visualizing and Visualizing Representations. Journal of Aesthetics and Art Criticism, 76(3) pp. 275–284.

2017To Top

Matravers, Derek (2017). Empathy. Key Concepts in Philosophy. Cambridge: Polity Press.

Matravers, Derek (2017). Empathy in the Aesthetic Tradition. In: Maibom, Heidi ed. The Routledge Handbook of Philosophy of Empathy. London and New York: Routledge, pp. 77–85.

2016To Top

Matravers, Derek (2016). Life and Narrative. In: Dodd, Julian ed. Art, Mind, and Narrative: Themes From the Work of Peter Goldie. Oxford: Oxford University Press, pp. 35–46.

Matravers, Derek (2016). What Difference (If Any) Is There Between Reading as Fiction and Reading as Non-Fiction? In: Selleri, Andrea and Gaydon, Philip eds. Literary Studies and the Philosophy of Literature: New Interdisciplinary Directions. London: Palgrave Macmillan, pp. 169–184.

2015To Top

Matravers, Derek (2015). The Aesthetic Experience. In: Ribeiro, Anna Christina ed. The Bloomsbury Companion to Aesthetics. London: Bloomsbury Academic (Reprint Edition), pp. 74–83.

2014To Top

Matravers, Derek (2014). Fiction and Narrative. Oxford: Oxford University Press.

2013To Top

Matravers, Derek (2013). Negative Emotions and Creativity. In: Levinson, Jerrold ed. Suffering Art Gladly: The Paradox of Negative Emotions in Art. Houndmills: Palgrave Macmillan, pp. 207–223.

Matravers, Derek (2013). Art, expression, and emotion. In: Gaut, Berys and McIver Lopes, Dominic eds. The Routledge Companion to Aesthetics (3rd Edn.). Routledge Philosophy Companions. Abingdon: Routledge, pp. 404–414.

Matravers, Derek (2013). Wollheim. In: Gaut, Berys and McIver Lopes, Dominic eds. The Routledge Companion to Aesthetics (3rd ed). Routledge Philosophy Companions. Abingdon: Routledge, pp. 200–209.

2012To Top

Matravers, Derek (2012). Wonder and cognition. In: Vasalou, Sophia ed. Practices of Wonder: Cross Disciplinary Perspectives. Eugene, OR: Pickwick Publications, pp. 166–178.

2011To Top

Matravers, Derek (2011). Empathy as a route to knowledge. In: Coplan, Amy and Goldie, Peter eds. Empathy: Philosophical and Psychological Perspectives. Oxford, UK: Oxford University Press, pp. 19–30.

Matravers, Derek (2011). Pictorial representation and psychology. In: Schellekens, Elisabeth and Goldie, Peter eds. The Aesthetic Mind: Philosophy and Psychology. New York, USA: Oxford University Press, pp. 427–438.

Matravers, Derek (2011). Imagination, fiction, and documentary. In: Carroll, Noel and Gibson, John eds. Narrative, Emotion, and Insight. Studies of the Greater Philadelphia Philosophy Consortium. Pennsylvania, USA: Penn State University Press, pp. 173–184.

Matravers, Derek (2011). Arousal theories. In: Gracyk, Theodore and Kania, Andrew eds. Routledge Companion to Philosophy and Music. Routledge Philosophy Companions. Abingdon, UK and New York, USA: Taylor & Francis, pp. 212–223.

Matravers, Derek and Coplan, Amy (2011). Film, literature and non-cognitive affect. In: Carel, Havi and Tuck, Greg eds. New Takes in Film-Philosophy. Basingstoke: Palgrave Macmillan, pp. 117–134.

2010To Top

Matravers, Derek (2010). Why we should give up on the imagination. Midwest Studies in Philosophy, 34(1) pp. 190–199.

Matravers, Derek (2010). Expression in the arts. In: Goldie, Peter ed. The Oxford Handbook of Philosophy of Emotion. Oxford Handbooks in Philosophy. Oxford, United Kingdom: Oxford University Press, USA, pp. 617–634.

Matravers, Derek (2010). La expresión como forma de aparecer. In: Alcaraz, María José and Carreño, Francisca Pérez eds. Significado, emoción y valor: Ensayos sobre filosofía de la música. Madrid: Machado Libros.

2008To Top

Crilly, Nathan; Good, David; Matravers, Derek and Clarkson, P. John (2008). Design as communication: exploring the validity and utility of relating intention to interpretation. Design Studies, 29(5) pp. 425–457.

2007To Top

Matravers, Derek (2007). Expression in Music. In: Stock, Kathleen ed. Philosophers on Music: Experience, Meaning, and Work. Oxford, UK: Oxford University Press, pp. 95–116.

Matravers, Derek (2007). The Dematerialization of the art object. In: Goldie, Peter and Schellekens, Elisabeth eds. Philosophy and Conceptual Art. Oxford, UK: Oxford University Press, pp. 18–32.

Matravers, Derek (2007). Richard Wollheim. In: Costello, Diarmuid and Vickery, Jonathan eds. Art: Key Contemporary Thinkers. Oxford: Berg, pp. 140–143.

Matravers, Derek (2007). Institutional definitions and reasons. The British Journal of Aesthetics, 47(3) pp. 251–257.

2006To Top

Matravers, Derek (2006). Pictures, knowledge, and power: the case of T.J. Clark. In: Kieran, Matthew and Lopes, Dominic eds. Knowing Art: Essays in Aesthetics and Epistemology. Philosophical Studies Series (107). Dortrecht, Netherlands: Springer, pp. 19–35.

Matravers, Derek (2006). Some questions about radical externalism. Journal of Consciousness Studies, 13(7-8) pp. 95–108.

Matravers, Derek (2006). Aesthetics (Twentieth Century). In: Grayling, A.C.; Pyle, Andrew and Naomi, Goulder eds. The Continuum Encyclopedia of British Philosophy. London: Continuum.

2005To Top

Matravers, Derek and Levinson, Jerrold (2005). Aesthetic properties 1 - Derek Matravers. Supplementary Volume - Proceedings of the Aristotelian Society, 79(1) pp. 191–210.

Matravers, Derek (2005). The challenge of irrationalism and how not to meet it. In: Kieran, Matthew ed. Contemporary debates in aesthetics and the philosophy of art. Contemporary Debates in Philosophy. Oxford, UK: Blackwell.

Matravers, Derek (2005). Ought Painting to Die? In: Van Eck, Caroline and Winters, Edward eds. Dealing with the Visual: Art History, Aesthetics and Visual Culture. Histories of Vision. Aldershot, UK: Ashgate.

2003To Top

Matravers, Derek (2003). The Experience of emotion in music. Journal of Aesthetics and Art Criticism, 61(4) pp. 353–363.

Matravers, Derek (2003). Fictional assent and the (so-called) 'puzzle of imaginative resistance'. In: Kieran, Matthew and Lopes, Dominic McIver eds. Imagination, philosophy and the arts. London, UK: Routledge, pp. 91–106.

Matravers, Derek (2003). The Aesthetic Experience. British Journal of Aesthetics, 43(2) pp. 158–174.

2000To Top

Matravers, Derek (2000). The institutional theory of art: a protean creature. British Journal of Aesthetics, 40(2) pp. 242–250.

1999To Top

Matravers, Derek (1999). Justice and moral theory. Skepsis: A Journal for Philosophy and Interdisciplinary Research, 10 pp. 71–82.

Matravers, Derek (1999). Revising principles of architecture. Journal of Architecture, 4(1) pp. 39–45.

1998To Top

Matravers, Derek (1998). Art and Emotion. Oxford: Oxford University Press.

1997To Top

Matravers, Derek (1997). Truth in fiction: a reply to New. Journal of Aesthetics and Art Criticism, 55(4) pp. 423–425.

Matravers, Derek (1997). The paradox of fiction: the report versus the perceptual model. In: Hjort, Mette and Laver, Sue eds. Emotion and the Arts. Oxford: Oxford University Press, pp. 78–92.

1996To Top

Matravers, Derek (1996). Aesthetic concepts and aesthetic experience. British Journal of Aesthetics, 36(3) pp. 265–277.

1995To Top

Matravers, Derek (1995). Is boring art just boring? Journal of Aesthetics and Art Criticism, 53(4) pp. 425–426.

Matravers, Derek (1995). Beliefs and the fictional narrators. Analysis, 55(2) pp. 121–122.

1994To Top

Matravers, Derek (1994). Why some modern art is junk. Cogito, 8(1) pp. 19–25.

1993To Top

1991To Top

Matravers, Derek (1991). Art and the feelings and emotions. British Journal of Aesthetics, 31(4) pp. 322–331.

Matravers, Derek (1991). Whose afraid of Virginia Woolf? Ratio, 4(1) pp. 25–37.

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