The Open UniversitySkip to content
 

Items Authored or Edited by Charles Harrison

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0 [Create Shortened URL] SURL
Group by: Published Date | Item Type | Authors/Editors/Creators | No Grouping
Jump to: 2007 | 2006 | 2005 | 2004 | 2002 | 2001 | 2000
Number of items: 15.

2007

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). A Place to Work. Museum International, 59(3) pp. 31–40.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). Emergency Conditionals. In: Goldie, Peter and Schellekens, Elisabeth eds. Philosophy and Conceptual Art. Oxford: Oxford University Press, pp. 257–266.

Harrison, Charles (2007). The printed picture in Renaissance Europe. In: Woods, Kim ed. Making Renaissance Art. New Haven and London: Yale University Press in association with the Open University, pp. 210–247.

Harrison, Charles (2007). Partial accounting. In: Salas, Charles G. ed. The life and the work: art and biography. Los Angeles: Getty Research Institute, pp. 97–107.

2006

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2006). Voices Off: Reflections on Conceptual Art. Critical Inquiry, 33(1) pp. 113–135.

Ramsden, Mel; Harrison, Charles and Baldwin, Michael (2006). Art and Language: Homes for Homes II. Zurich, Switzerland: JRP-Ringier.

Harrison, Charles (2006). Specialisation, self-criticism and the boundaries of practice. In: Buchmann, S; Lehnhardt, M; Linger, M and Smolik, N eds. Querdurch: Kunst + Wissenschaft. Hamburg: Hochschule fur Bildende Kunste, Hamburg, pp. 17–32.

2005

Harrison, Charles (2005). Scenes and details: a Rothko sketchbook from the late 1930s. In: Phillips, Glenn and Crow, Thomas eds. Seeing Rothko. Issues & Debates (13). Los Angeles, USA: Getty Research Institute, pp. 178–231.

Harrison, Charles (2005). Saving pictures. In: Alexander, Darsie ed. Slideshow: projected images in contemporary art. Pennsylvania: Pennsylvania State University Press and Baltimore Museum of Art, pp. 32–48.

Harrison, Charles (2005). Painting the difference: sex and spectator in modern art. Chicago. USA: University of Chicago Press.

2004

Harrison, Charles (2004). Gute Grunde: die Arbeit von Gerry Schum/Grounds for optimism: the work of Gerry Schum. In: Groos, Ulricke; Hess, Barbara and Wevers, Ursula eds. Fernsehgalerie Ready Gerry Schum to videogalerie Shoot schum. Dusseldorf and Cologne: Snoeck, pp. 48–57.

2002

Harrison, Charles (2002). Sentir la terre bouger (Feeling the earth move). In: Nancy, J.-L. ed. Sans commune mesure: image et texte dans l'art actuel. Paris: Editions Leo Scheer, pp. 114–127.

Wood, Paul and Harrison, Charles eds. (2002). Art in Theory 1900-2000. Oxford: Blackwell.

2001

Harrison, Charles (2001). Conceptual art and painting: further essays on Art & Language. Cambridge, USA: The MIT Press.

2000

Harrison, Charles; Wood, Paul J. and Gaiger, Jason eds. (2000). Art in Theory 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell.

This list was generated on Fri Dec 19 22:18:41 2014 GMT.

Policies | Disclaimer

© The Open University   + 44 (0)870 333 4340   general-enquiries@open.ac.uk