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Items Authored or Edited by Benjamin Winters

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Number of items: 16.


Winters, Ben (2015). The sound of satire; or, trading places with Mozart. In: Evans, Mark ed. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press.


Winters, Benjamin (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.


Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben (2012). ‘It’s all really happening’: sonic shaping in the films of Wes Anderson. In: Wierzbicki, James ed. Music, Sound, and Filmmakers: Sonic Style in Cinema. Routledge Music and Screen Media Series. Abingdon: Routledge, pp. 45–60.

Winters, Ben (2012). 'Music and Narrative', Music, Sound, and the Moving Image Special Issue Vol. 6 Issue 1 (Spring 2012). Liverpool University Press.

Winters, Benjamin (2012). Music and Narrative: An Introduction. Music, Sound, and the Moving Image, 6(1) pp. 3–7.

Winters, Ben (2012). Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt. Cambridge Opera Journal, 23(1-2) pp. 51–82.


Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.


Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244. file


Winters, Ben (2009). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26. file

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127. file

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.


Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140. file

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

This list was generated on Mon Nov 30 22:48:42 2015 GMT.

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