Currently browsing: Items authored or edited by Adam Linson

Linson, Adam; Dobbyn, Chris; Lewis, George and Laney, Robin (2015). A Subsumption Agent for Collaborative Free Improvisation. Computer Music Journal, 39(4) pp. 96–115.

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Linson, Adam (2014). Investigating the cognitive foundations of collaborative musical free improvisation: Experimental case studies using a novel application of the subsumption architecture. PhD thesis The Open University.

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Linson, Adam (2013). The expressive stance: intentionality, expression, and machine art. International Journal of Machine Consciousness, 5(2) pp. 195–216.

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Linson, Adam; Dobbyn, Chris and Laney, Robin (2013). A parsimonious cognitive architecture for human-computer interactive musical free improvisation. Advances in Intelligent Systems and Computing, 196 pp. 219–224.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Critical issues in evaluating freely improvising interactive music systems. In: International Conference on Computational Creativity (ICCC) 2012, 30 May - 01 Jun 2012, Dublin, Ireland.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Improvisation without representation: artificial intelligence and music. In: Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 Mar 2012, Ewing, New Jersey, USA.

Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test. In: Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 Jul 2012, Birmingham, UK.

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Linson, Adam (2011). Unnecessary constraints: a challenge to some assumptions of digital musical instrument design. In: International Computer Music Conference 2011, 31 Jul - 5 Aug 2011, University of Huddersfield, UK.

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