Currently browsing: Items authored or edited by Angeliki Lymberopoulou https://orcid.org/0000-0002-8194-4032

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Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean.
Volume 1 Essays.
Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean
Volume 2. A Catalogue of the Cretan Material.
Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki and Panou, Eirini (2020). Introduction. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in the Venetian Crete and the Eastern Mediterranean Volume 1: Essays, Volume 1. Cambridge: Cambridge University Press, pp. 1–18.

Lymberopoulou, Angeliki (2020). Hell on Crete. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, Volume 1. Cambridge: Cambridge University Press, pp. 117–190.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

2019To Top

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

2018To Top

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

2015To Top

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

2013To Top

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Lymberopoulou, Angeliki (2013). Regional Byzantine Monumental Art from Venetian Crete. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine Art and Renaissance Europe. Farnham: Ashgate, pp. 61–99.

2012To Top

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

2011To Top

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

2010To Top

Lymberopoulou, Angeliki (2010). Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle. In: James, Liz ed. A Companium to Byzantium. Oxford, UK: Wiley-Blackwell.

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 Sep 2008, Krakow, Poland.

2007To Top

Lymberopoulou, Angeliki (2007). 'Fish on a Dish' and its Table Companions in fourteenth-century Wall-Paintings on Venetian-dominated Crete. In: Eat, Drink, and Be Merry (Luke 12:19) – Food and Wine in Byzantium (Brubaker, Leslie and Linardou, Kallirroe eds.), Publications of the Society for the Promotion of Byzantine Studies, Ashgate.

Lymberopoulou, Angeliki (2007). 'Pro anima mea', but do not touch my icons: provisions for personal icons in wills from Venetian-dominated Crete. In: The kindness of strangers. Charity in the pre-modern Mediterranean (Stathakopoulos, Dionysios ed.), King's College London, Occasional Publications, London, UK, pp. 71–89.

Lymberopoulou, Angeliki (2007). Audiences and markets for Cretan icons. In: Woods, Kim W; Richardson, Carol M and Lymberopoulou, Angeliki eds. Viewing Renaissance Art. London: Yale University Press, pp. 171–208.

Lymberopoulou, Angeliki (2007). The painter Angelos and post-Byzantine Art. In: Richardson, Carol M ed. Locating Renaissance Art. London: Yale University Press, pp. 175–212.

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