Currently browsing: Items authored or edited by Alexander Kolassa https://orcid.org/0000-0001-9837-581X

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; de Castro, Paulo F. and Everett, William A. eds. Intertextuality in Music: Dialogic Composition. London: Routledge, pp. 114–128.

Kolassa, Alexander (2021). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association (In press).

• Request a copy from the authorAccepted Manuscript (PDF)
  This file is not available for public download

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters (In press).

Kolassa, Alexander (2020). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack, 11(1-2) pp. 23–38.

• Download Accepted Manuscript (PDF / 432kB)

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

• Download Accepted Manuscript (PDF / 496kB)

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

• Download Accepted Manuscript (PDF / 337kB)

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

• Download Accepted Manuscript (PDF / 725kB)

Kolassa, Alexander (2015). Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack. Journal of Sonic Studies, 9