Currently browsing: Items authored or edited by Alessandra Campoli https://orcid.org/0000-0003-4846-486X

Campoli, Alessandra (2020). Art, Myth and Memory: An Investigation into the Relationship Between Ancient Myths, Collective and Cultural Memory and the Visual Arts. Visual Review: International Visual Culture Review, 7(2) pp. 199–206.

Campoli, Alessandra (2020). Persephone has Crossed the Border: Myth and Contemporary Art Practice. In: GKA 2020 - VI International Congress on Visual Studies, 2020, University of Paris, Diderot.

Campoli, Alessandra (2019). Myth, Collective Memory and Art Practice. In: Conference Proceedings: IV International Conference on Memory Studies, 2019, Istanbul, Dakam.

Campoli, Alessandra (2019). From modern ruins to human decay: Creative practices and 'students' as researchers. In: Ruination and Decay. Humanities and Arts Research Cluster Conference, 2019, University of the Highlands and Islands, Inverness.

Campoli, Alessandra (2019). Ritual Art of the Kingdom of Mithila. Rituality, Art Practice and Sustainable Development: A Case Study from Southern Nepal. In: 17th Rural Entrepreneurship Conference, 2019, University of the Highlands and Islands, Inverness.

Campoli, Alessandra (2015). A Ghostly Feminine Melancholy: Representing Decay And Experiencing Loss In Thai Horror Films. Plaridel, 12(2) pp. 14–35.

• Download Published Version (PDF / 995kB)

Campoli, Alessandra (2014). Toward the Margins: Dark Memories of a Futuristic Megalopolis. In: Between Places and Spaces:Landscapes of Liminality, 2014, Trinity College, Dublin.

Campoli, Alessandra (2013). Edges: Written and Visual Reflections on Marginal Space and its Exploration. Interartive. A Platform for Contemporary Art and Thought, 55

Campoli, Alessandra (2012). Immaginario gotico nella Tailandia contemporanea, tra mito, cinema e pratica artistica [Haunted Femininity: Gothic Imagery in Contemporary Thailand, between Myth, Visual Culture and Creative Practice]. In: Cinema e diversità culturale, 2012, University of Rome.

Campoli, Alessandra (2011). Mae Nak: Donne Vampiro e Spiriti Irati dal Lontano Oriente. Rome: Exorma.

Campoli, Alessandra (2011). The Dark Side of the Land of Smile: Gothic Myths and Haunted Geography in Thailand. In: “GothicLimit/Gothic Ltd”: Tenth Biennial Conference of the International Gothic Association, 2011, University of Heidelberg, Germany.

Campoli, Alessandra (2011). The Global Gothic: an Intermedial and Transcultural Phenomenon. In: Symposium on Transmediality, 2011, Linnaeus University, Vaxjo.

Campoli, Alessandra (2010). Tropical Melancholy: the Ephemeral in Thai Contemporary Visual Imagination. In: ACSA Asian Cultural Studies Association: The Visual Imagination: Across Boundaries, 2010, Assumption University, Bangkok.

Campoli, Alessandra (2010). When Death Crosses the Borders: Female Ghosts in South East Asian Contemporary Imagery. In: Transgression and its Limits, 2010, University of Stirling, Stirling.

Campoli, Alessandra (2009). The Ephemeral Body: Aesthetics of the Body in the New Media Arts of Continental Southeast Asia. In: ISEA International Symposium for Electronic Arts, 2009, Belfast.

Campoli, Alessandra (2008). Ritual Art of the Kingdom of Mithila: Traditional Paintings by Janakpur Women in Nepal. Vajra Publications.

Campoli, Alessandra (2007). Chintamani: Il Gioiello degli Dei. In: Macioce, Stefania ed. Ori nell'Arte: Per una storia del potere segreto delle gemme. Roma: Logart Press, pp. 144–161.

Campoli, Alessandra (2006). La Montagna Divina: Iconografia e Mito. Vajra Publications.

Campoli, Alessandra (2004). Le Stregonerie di Salvator Rosa. In: Macioce, Stefania ed. L'Incantesimo di Circe. Temi di magia nella pittura di Dosso Dossi e Salvator Rosa. Roma: Logart Press, pp. 158–185.