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Allen, Gemma (2013). The Cooke sisters: education, piety and politics in early modern England. Politics, Culture & Society in Early Modern Britain. Manchester University Press.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Bakogianni, Anastasia (2011). Electra Ancient and Modern: Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies Supplement, 113. London: Institute of Classical Studies.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Beinart, William and Hughes, Lotte (2007). Environment and Empire. Oxford History of the British Empire Companion Series. Oxford, UK: Oxford University Press.

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Blackburn, Kevin and Hack, Karl (2005). Did Singapore have to fall? Churchill and the impregnable fortress. London, UK: Routledge.

Bridges, Emma (2014). Imagining Xerxes: Ancient Perspectives on a Persian King. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brunet, Luc-Andre (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunton, Deborah (2013). Health and Wellness in the 19th Century. Health and Wellness in Daily Life. Santa Barbara: ABC Clio.

Bullock, Emily (2015). The Longest Fight. Myriad Editions.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Butt, John and Donnachie, Ian (1979). Industrial Archaeology in the British Isles. London: Paul Elek Ltd.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

De Renzi, Silvia (2000). Instruments in Print: Books from the Whipple Collection. Cambridge, U.K.: Whipple Museum for the History of Science.

Dobson, Michael and Watson, Nicola J. (2002). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Donnachie, Ian (1979). A History of the Brewing Industry in Scotland. Edinburgh: John Donald Publishers Ltd.

Donnachie, Ian (1993). History Bibliography: Industrial Archaeology. Curriculum support series, 16 (3). Dundee: Scottish Consultative Council on the Curriculum.

Donnachie, Ian; Graves, Adrian; Howe, Alexia and Richards, Eric (1988). That Land of Exiles: Scots in Australia. Edinburgh: Her Majesty's Stationery Office.

Donnachie, Ian and Hewitt, George (1993). Historic New Lanark: the Dale and Owen Industrial Community since 1785. Edinburgh: Edinburgh University Press.

Donnachie, Ian and Hewitt, George (2001). Collins Dictionary of Scottish history. London and Glasgow, UK: Collins.

Donnachie, Ian and Hewitt, George (2007). The Birlinn companion to Scottish history. Edinburgh, UK: Birlinn Limited.

Donnachie, Ian and Hewitt, George (1989). A Companion to Scottish History from the Reformation to the Present. London: B.T.Batsford Ltd.

Donnachie, Ian and Hewitt, George (2015). Historic New Lanark: The Dale and Owen Industrial Community since 1785 (2nd ed). Edinburgh Classic Editions. Edinburgh: Edinburgh University Press.

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

Emsley, Clive (2005). Hard Men: Violence in England since 1750. London, UK: Hambledon Press.

Emsley, Clive (2004). Crime and Society in England, 1750-1900. 3rd edition. Themes in British Social History. Harlow, UK: Pearson Longman.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Gaiger, Jason (2008). Aesthetics and Painting. Continuum Aesthetics. London: Continuum International Publishing Group.

Godfrey, Barry and Lawrence, Paul (2005). Crime and justice 1750-1950. Cullompton, Devon, UK: Willan Publishing.

Godfrey, Barry S.; Williams, Chris A. and Lawrence, Paul (2007). History and Crime. Key approaches to criminology. London, UK: Sage.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate.

Goodrich, Amanda (2005). Debating England's Aristocracy in the 1790s: Pamphlets, Polemics and Political Ideas. The Royal Historical Society Studies in History. Woodbridge, U.K.: The Boydell Press.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Greenwell, Bill (2006). Impossible Objects. Blaenau Ffestiniog: Cinnamon Press.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl and Blackburn, Kevin (2012). War Memory and the Making of Modern Malaysia and Singapore. Singapore: NUS Press.

Hack, Karl; Brocheux, Pierre; El Mechat, Samia; Frey, Marc; Nanta, Arnaud; Randrianja, Solofo and Regnault, Jean-Marc (2012). Les Décolonisations au XX Siècle: La Fin des Empires Européens et Japonais. Paris: Armand Colin.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Harrison, Charles (2005). Painting the difference: sex and spectator in modern art. Chicago. USA: University of Chicago Press.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Hazareesingh, Sandip (2007). The colonial city and the challenge of modernity: Urban hegemonies and civic contestations in Bombay (1900-1925). New Perspectives in South Asian History, 18. Andhra Pradesh, India: Orient Longman.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

Hogan, Edward (2020). The Electric. London: John Murray (In Press).

Holmes, Janice (2001). Religious revivals in Britain and Ireland, 1859-1905. Dublin, Ireland: Irish Academic Press.

Hope, Valerie (2007). Death in Ancient Rome: A sourcebook. London, UK: Routledge.

Hope, Valerie M. (2001). Constructing identity: the Roman funerary monuments of Aquileia, Mainz and Nimes. British Archaeological Reports, International Series (960). Oxford, UK: Archaeopress.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

Hughes, Lotte (2006). Moving the Maasai: A Colonial Misadventure. St Antony's Series. Basingstoke, UK: Palgrave Macmillan.

Hughes, Lotte (2003). The No-Nonsense Guide to Indigenous Peoples. The No-Nonsense Guides. London and Oxford, UK: New Internationalist Verso.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (1996). Shakespeare and South Africa. Oxford: Clarendon Press.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

King, Helen (2007). Midwifery, Obstetrics and the Rise of Gynaecology: The Uses of a Sixteenth-Century Compendium. Women and Gender in the Early Modern World. Aldershot: Ashgate.

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen and Dasen, Véronique (2008). La Médecine dans l' Antiquité grecque et romaine. Lausanne: Editions BHMS.

Lawrence, Paul; Williams, Chris and Godfrey, Barry (2008). History and Crime. Key Approaches to Criminology. London: Sage.

Layton-Jones, Katy and Lee, Robert (2008). Places of Health and Amusement: Liverpool’s Historic Parks and Gardens. Informed Conservation. Swindon: English Heritage.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean
Volume 2. A Catalogue of the Cretan Material.
Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Mitchell, Stuart (2006). The brief and turbulent life of modernising conservatism. Newcastle: Cambridge Scholars Publishing.

Mombauer, Annika (2001). Helmuth von Moltke and the origins of the First World War. New Studies in European History. Cambridge, UK: Cambridge University Press.

Mombauer, Annika (2014). Die Julikrise. Europas Weg in den Ersten Weltkrieg. Beck'sche Reihe Wissen. Munich: C.H. Beck Verlag.

Moohan, Elaine and Elliott, Kenneth (2019). Robert Johnson Complete Works (Musica Scotica vol. 8). Musica Scotica Editions of Early Scottish Music, 8. Glasgow: Musica Scotica (In Press).

Neale, Derek (2012). The Book of Guardians. London: Salt.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Norman, Diana (1999). Siena and the Virgin: Art and Politics in a Late-Medieval City State. London and New Haven, USA: Yale University Press.

O'Day, Rosemary (1995). The Longman Companion to the Tudor Age. Longman companions to history. London: Longman.

O'Day, Rosemary (2000). The professions in Early Modern England, 1450-1800: servants of the commonweal. Themes In British Social History. London: Longman / Pearson Education.

O'Reilly, Sally (2015). Dark Aemilia. Brighton: Myriad.

Owens, W. R. and Furbank, P. N. (1985). A KWIC Concordance to Daniel Defoe's 'Moll Flanders'. Garland Reference Library of the Humanities. New York and London: Garland.

Pacheco, Anita (2007). William Shakespeare: Coriolanus. Writers and their Work. Tavistock, Devon: Northcote House.

Parsonage, Catherine (2005). The Evolution of Jazz in Britain, 1880-1935. Ashgate Popular and Folk Music Series. Aldershot: Ashgate.

Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press.

Perkins, Phil (1999). Etruscan Settlement, Society and Material Culture in Central Coastal Etruria. British Archaeological Reports International Series (788). Oxford: J. and E. Hedges.

Perkins, Philip (2007). Etruscan Bucchero in the British Museum. British Museum Research Publication, 165. London, UK: The British Museum Press.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Pierson, Stacey and Barnes, Amy Jane (2002). A Collector's Vision: Ceramics for the Qianlong Emperor. London: Percival David Foundation of Chinese Art.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

Ramsden, Mel; Harrison, Charles and Baldwin, Michael (2006). Art and Language: Homes for Homes II. Zurich, Switzerland: JRP-Ringier.

Ravenhill-Johnson, Annie and James, Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London: Anthem Press.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richardson, Carol M. (2009). Reclaiming Rome: Cardinals in the Fifteenth Century. Studies in Intellectual History, 173. Leiden: Brill.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Robson, James (2006). Humour, obscenity and Aristophanes. Drama - studien zum antiken drama und seiner rezeption, 1. Tuebingen, Germany: Gunter Narr Verlag.

Robson, James (2009). Aristophanes: An Introduction. London: Duckworth.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press.

Rothe, Ursula (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire. British Archaeological Reports, 2009 (S2038). Oxford: Archaeopress.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic (In Press).

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2015). The British Empire and the Hajj, 1865-1956. Cambridge, MA: Harvard University Press.

Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Sweeney, Emma (2016). Owl Song at Dawn. Legend Press.

Swift, L. A. (2010). The hidden chorus: echoes of genre in tragic lyric. Oxford Classical Monographs. Oxford: Oxford University Press.

Swift, Laura (2008). Euripides: Ion. Duckworth Companions to Greek and Roman Drama. London: Duckworth.

Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

Tackley, Catherine (2012). Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Studies in Recorded Jazz. New York: Oxford University Press.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Tickell, Alex (2007). Arundhati Roy's The God of Small Things. Routledge Guides to Literature. Abingdon: Routledge.

Tickell, Alex (2012). Terrorism, Insurgency and Indian-English Literature, 1830-1947. Routledge Research in Postcolonial Literatures. London: Routledge.

Vincent, David (2016). Privacy: A Short History. Cambridge: Polity Press.

Vincent, David (2020). A History of Solitude. Cambridge: Polity Press.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press (In Press).

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Yamagata, Naoko (1994). Homeric Morality. Mnemosyne, Bibliotheca Classica Batava Supplementum. Brill Academic Publishers.

Yeh, Jane (2005). Marabou. Manchester, UK: Carcanet Press.

Yeh, Jane (2012). The Ninjas. Manchester, UK: Carcanet Press.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

Younger, Neil (2012). War and Politics in the Elizabethan Counties. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Edited BookTo Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Attfield, Nicholas and Winters, Ben eds. (2017). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. (2014). Elizabeth I's Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Barker, Hannah and Vincent, David eds. (2001). Language, print and electoral politics, 1790-1832. Parlimentary History Record Series. UK: The Boydell Press/The Parlimentary History Yearbook Trust.

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

Bessel, Richard and Emsley, Clive eds. (2000). Patterns of Provocation: Police and Public Disorder. UK: Berghahn Books.

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: Collected Documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2019). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press (In Press).

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Chin, C. C. and Hack, Karl eds. (2004). Dialogues with Chin Peng: New light on the Malayan communist party. Singapore: Singapore University Press.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Wahtley, Christopher A. eds. (1998). Major Documents. Modern Scottish History: 1707 to the Present, 5. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Transformation of Scotland, 1707-1850. Modern Scottish History: 1707 to the Present, 1. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Modernisation of Scotland, 1850 to the Present. Modern Scottish History: 1707 to the Present, 2. East Linton, East Lothian: Tuckwell Press.

Crone, Rosalind ed. (2014). Policing Entertainment. The Making of the Modern Police (4). London: Pickering & Chatto.

Crone, Rosalind; Gange, David and Jones, Katy eds. (2007). New Perspectives in British Cultural History. Newcastle: Cambridge Scholars Publishing.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

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Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

King, Edmund (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund and Smialkowska, Monika (2020). Introduction. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Edmund G.C. (2020). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

King, Helen (1994). Producing woman: Hippocratic gynaecology. In: Archer, Leonie; Fischler, Susan and Wyke, Maria eds. Women in Ancient Societies: an Illusion of the Night:. New York: Macmillan, pp. 102–114.

King, Helen (2012). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60.

King, Helen (1995). Conversion disorder and hysteria. In: Berrios, G. E. and Porter, Roy eds. History of Clinical Psychiatry: the Origin and History of Psychiatric Disorders. London: Athlone Press, pp. 442–450.

King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

King, Helen (2020). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids/Fluid Bodies. London: Routledge, (In Press).

King, Helen (2002). The power of paternity: the Father of Medicine meets the Prince of Physicians. In: Cantor, David ed. Reinventing Hippocrates. The History of Medicine in Context. Aldershot: Ashgate, pp. 21–36.

King, Helen (1995). Half-human creatures. In: Cherry, John ed. Mythical Beasts. London: British Museum Press, pp. 138–166.

King, Helen (2007). When is a foetus not a foetus? Diagnosing false conceptions in early modern France. In: Dasen, Veronique ed. L' Embryon humain à travers l' histoire: Images, savoirs et rites. Testimonia. Gollion: Infolio, pp. 223–238.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

King, Helen (2006). The origins of medicine in the second century AD. In: Goldhill, Simon and Osborne, Robin eds. Rethinking revolutions through Ancient Greece. Cambridge: Cambridge University Press, pp. 246–263.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48.

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282.

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen (2013). Female fluids in the Hippocratic corpus: how solid was the humoral body? In: Horden, Peregrine and Hsu, Elisabeth eds. The Body in Balance: Humoral Medicines in Practice. Epistemologies of Healing (13). Oxford: Berghahn Books, pp. 25–49.

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17.

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Helen (2005). Introduction: what is health? In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 1–11.

King, Helen (2005). Women's health and recovery in the Hippocratic corpus. In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 150–161.

King, Helen (2007). Ancient medicine. In: Malti-Douglas, Fedwa ed. Encyclopedia of sex and gender, Volume 3. Detroit: Macmillan Reference USA, pp. 982–985.

King, Helen (1993). The politick midwife: models of midwifery in the work of Elizabeth Cellier. In: Marland, Hilary ed. The Art of Midwifery: Early Modern Midwives in Europe. Wellcome Institute Series in the History of Medicine. London: Routledge, pp. 115–130.

King, Helen (2004). Cellier, Elizabeth (fl. 1668–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 10. Oxford, UK: Oxford University Press, pp. 807–808.

King, Helen (2004). Hodges, Nathaniel (1629–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 27. Oxford, UK: Oxford University Press, p. 456.

King, Helen (2010). Engendrer "la femme": Jacques Dubois et Diane de Poitiers. In: McClive, Cathy and Pellegrin, Nicole eds. Femmes en Fleurs, Femmes en Corps : Sang, Santé, Sexualité du Moyen Âge aux Lumières. L'école de Genre. Nouvelles Recherches (4). Saint-Étienne: Publications de l'Université de Saint-Etienne, pp. 125–138.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (2012). Knowing the body: renaissance medicine and the classics. In: Olmos, Paula ed. Greek Science in the Long Run: Essays on the Greek Scientific Tradition (4th c. BCE – 16th c. CE). Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 281–300.

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

King, Helen (1994). Sowing the field: Greek and Roman sexology. In: Porter, Roy and Teich, Mikulas eds. Sexual Knowledge, Sexual Science: the History of Attitudes to Sexuality. Cambridge: Cambridge University Press, pp. 29–46.

King, Helen (1995). Medical texts as a source for women's history. In: Powell, Anton ed. The Greek World. Routledge Worlds. London: Routledge, pp. 199–218.

King, Helen (2005). The mathematics of sex: one to two, or two to one? In: Soergel, Philip M. and Barnes, Andrew eds. Sexuality and culture in medieval and renaissance Europe. Studies in Medieval and Renaissance History, 2 (3). New York, NY U.S.: AMS Press, pp. 47–58.

King, Helen (2002). The limits of normality in Hippocratic gynaecology. In: Thivel, Antoine and Zucker, Arnaud eds. Le normal et le pathologique dans la Collection hippocratique. Nice: Publications de le Faculté des Lettres, Arts et Sciences Humaines de Nice, pp. 563–574.

King, Helen (2020). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–426.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales.

King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

King, Helen (1995). Food and blood in Hippokratic gynaecology. In: Wilkins, John; Harvey, David and Dobson, Michael J. eds. Food in Antiquity. Exeter: University of Exeter Press, pp. 351–358.

King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

King, Helen and Toner, Jerry (2014). Medicine and the senses: humours, potions and spells. In: Toner, Jerry ed. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE. A Cultural History of the Senses. London: Bloomsbury, pp. 139–161.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

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Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

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Laurence, Anne (2009). Using buildings to understand social history: Britain and Ireland in the seventeenth century. In: Harvey, Karen ed. History and Material Culture. Routledge Guides to Using Historical Sources. London, UK: Routledge, pp. 103–122.

Laurence, Anne (2011). Exploiting Dante: Dante and his women popularizers, 1850-1910. In: Havely, Nick ed. Dante in the Nineteenth Century: Reception, Canonicity, Popularization. Cultural Interactions: Studies in the Relationship between the Arts (19). Oxford/Bern: Peter Lang, pp. 281–301.

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Laurence, Anne (2008). Real and imagined communities in the lives of women in seventeenth-century Ireland: identity and gender. In: Tarbin, Stephanie and Broomhall, Susan eds. Women, Identities and Communities in Early Modern Europe. Aldershot, UK: Ashgate, pp. 13–27.

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Lawrence, Paul (2011). The Police and Vagrants in France and England during the Nineteenth Century. In: Antonielli, Livio ed. Polizia, ordine pubblico e crimine tra città e campagna: un confronto comparative. Stato, esercito controllo del territorio. Manelli: Rubbettino, pp. 49–60.

Lawrence, Paul (2010). Cop Culture? Les Récits de Vie Oraux et Écrits Des Policiers Anglais. In: Berlière, Jean Marc and Lévy, René eds. Le témoin, le sociologue et l'historien: Quand les policiers se mettent à table. Paris: Nouveau Monde éditions, pp. 227–239.

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