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2021To Top

Clark, Leah (2021). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Leiden: Brill (In Press).

King, Helen (2021). A history of our own? Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, (In Press).

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids/Fluid Bodies. London: Routledge, (In Press).

Kolassa, Alexander (2021). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association (In press).

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters (In press).

Swift, Laura (2021). Negotiating Hegemony in Early Greek Poetry. In: Borrello, Sara; Ciucciove, Roberto; Di Iorio, Luigi and Zucchetti, Emilio eds. Antonio Gramsci and the Ancient World. London: Routledge (In Press).

Swift, Laura (2021). Sappho and the Gods. In: Finglass, Patrick and Kelly, Adrian eds. The Cambridge Companion to Sappho. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 209–222.

2020To Top

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

King, Edmund G.C. and Smialkowska, Monika eds. (2020). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean.
Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean (Volume 1 & 2). Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Cambridge: Cambridge University Press.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2020). Art in Theory: The West in the World - An Anthology of Changing Ideas. Wiley-Blackwell.

Alexiou, Katerina; Zamenopoulos, Theodore; Hale, Vera; West, Susie and de Sousa, Sophia (2020). Empowering design practices: exploring relations between architecture, faith, society and community. Open Arts Journal(9), article no. 5.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2020). Understanding the phenomenology of reading through modelling. Semantic Web Journal (Early Access).

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 9(1) pp. 40–68.

Aylett, Sam (2020). The impact of architecture and space on understanding historical progress at the Museum of London. The Open University.

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. PhD thesis The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) pp. 91–116.

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review (Early access).

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review (Early Access).

Barlow, Helen and Herbert, Trevor eds. (2020) Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century, Cambridge University Press.

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources, 36(2) pp. 124–147.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. Contemporary China Centre, University of Westminster.

Barnes, Amy Jane; Charnley, Kim; Dohmen, Renate and Lotz, Nicole (2020). Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable. Open Arts Journal, 9 pp. 91–118.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brown, Richard Danson (2020). A. D. Cousins and Daniel Derrin, eds., Shakespeare and the Soliloquy in Early Modern English Drama. Spenser Review, 50(2), article no. 8.

Brunet, Luc-Andre (2020). ‘“A Bridge to Better Relations between London and Vichy”: South Africa and Commonwealth Diplomacy during the Second World War. In: Dubow, Saul and Drayton, Richard eds. Commonwealth History in the Twenty-First Century. Basingstoke: Palgrave Macmillan, (In Press).

Brunton, Deborah (2020). [Book Review] War Against Smallpox. Edward Jenner and the Global Spread of Vaccination by Michael Bennett. Social History of Medicine (Early Access).

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Campbell, Siobhan (2020). Writing in a Time of Violence: Padraic Fiacc’s Demotic Aesthetic. PNReview, 46(4)

Campbell, Siobhan and Jensen, Meg (2020). Writing-based interventions: from Communities of Practice to Life Stories. Writing in Education(82) (In Press).

Charlesworth, Amy and Begonia, Marissa (2020). 'Whose Housework, Whose Artwork? The Voice of Domestic Workers’. In: Deepwell, Katy ed. Feminist Art Activisms And Artivisms. Plural. Amsterdam: Valiz.

Charnley, Kim (2020). Art, design and modernity: the Bauhaus and beyond. Open Arts Journal, 9 pp. 43–56.

Clark, Leah R. and Campbell, Caroline (2020). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, vol. 2. London: Bloomsbury, (In Press).

Clarke, Martin V. (2020). Hearing and Believing: Listening Experiences as Religious Experiences in Nineteenth-Century British Methodism. Nineteenth-Century Music Review (Early access).

Clarke, Martin V. (2020). Churches and Devotional Practice. In: Watt, Paul; Collins, Sarah and Allis, Michael eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford: Oxford University Press.

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century, 29

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

Dohmen, Renate (2020). Art, industry and the laws of nature: the South Kensington method revisited. Open Arts Journal(9) pp. 23–42.

Dohmen, Renate (2020). The Artist as Postindian Warrior: Saviourism, Appropriation and Care in the Art of Kent Monkman. Journal of Global Studies and Contemporary Art (In Press).

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Fear, Trevor (2020). The Role of Quintus Dellius in the meeting of Antony and Cleopatra at Tarsus. Phoenix, 74(1-2) (In press).

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Demiroglu, O. Cenk; Kiesling, Brady and Talatas, Linda (2020). Semantically geo-annotating an ancient Greek "travel guide" Itineraries, Chronotopes, Networks, and Linked Data. In: Proceedings of the 4th ACM SIGSPATIAL Workshop on Geospatial Humanities, ACM.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Golding, Rosemary (2020). ‘Appeasing the unstrung mental faculties’: listening to music in nineteenth-century lunatic asylums. Nineteenth-Century Music Review (Early Access).

Gouly, Daniel (2020). SoundCloud, Sampling and Sonic Experimentation: Knowledge Transmission in Hip-Hop’s Underground. PhD thesis The Open University.

Graham, Emma-Jayne (2020). Reassembling Religion in Roman Italy. Routledge.

Graham, Emma-Jayne (2020). Hand in hand: Rethinking anatomical votives as material things. In: Gasparini, V; Patzelt, M; Raja, R; Rieger, A-K; Rupke, J and Urciuoli, E eds. Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History and Classics. De Gruyter, pp. 209–236.

Graham, Emma-Jayne (2020). Mobility impairment: identifying lived experiences in Roman Italy. In: Laes, Christian ed. A Cultural History of Disability in Antiquity. London: Bloomsbury, pp. 31–45.

Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis The Open University.

Gupta, Suman (2020). Digital India and the Poor: Policy, Technology and Society. Routledge.

Gustar, Andrew (2020). The laws of musical fame and obscurity. Significance, 17(5) pp. 14–17.

Hamer, Laura (2020). [Book Review] Paul Dukas, Composer and Critic. Music & Letters, 101(1) pp. 172–174.

Haslam, Sara (2020). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities, 41 pp. 305–321.

Haywood, Jan (2020). The use(s) of inscriptions in Herodotus’ Histories. American Journal of Philology (In press).

Haywood, Jan (2020). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell (In Press).

Haywood, Jan (2020). Alice Oswald's Memorial, a new Iliad. In: Silva, Maria de Fátima; Bouvier, David and Augusto, Maria das Graças eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing (In Press), pp. 73–90.

Hazareesingh, Sandip (2020). 'I remember when it used to rain well and we could trust the weather'. Women's stories of changing farming lives in southern India. Open University, Milton Keynes, UK.

Hazareesingh, Sandip (2020). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies (Early Access).

Herbert, Trevor (2020). Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850. Nineteenth-Century Music Review, 17(3) pp. 427–444.

Hogan, Edward (2020). Loops and reels: narrative disruption in film, fiction, and cinemagoing history. Writing in Practice, 6 (In press).

Hogan, Edward (2020). The Electric. London: John Murray (In Press).

Hope, Valerie (2020). Life at Sea, Death on Land: the Funerary Commemoration of the Sailors of Roman Misenum. In: Bargfeldt, Niels and Hjarl Petersen, Jane eds. Reflections: Harbour City Deathscapes in Roman Italy and Beyond. Rome: Quasar, pp. 79–98.

Hope, Valerie (2020). Octavia: a Roman mother in mourning. In: Sharrock, Alison and Keith, Alison eds. Maternal conceptions in classical literature and philosophy. University of Toronto Press.

Hughes, Jessica (2020). A Sense of Disruption. Material Religion (Early Access).

Johnson, David (2020). Stuart Hood’s search for community: Novels beyond the nation. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 207–224.

Johnson, David and Hutchison, David (2020). Introduction. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 1–7.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Edmund and Smialkowska, Monika (2020). Introduction. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Edmund G.C. (2020). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2020). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–426.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales.

Lymberopoulou, Angeliki (2020). ‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’
Communal Patronage of Church Decoration in Rural Venetian Crete. In: The Art of the Poor The Aestehtic Material Culture of the Lower Classes in Europe 1300-1600 (Duits, Rembrandt ed.), Bloomsbury, London, pp. 53–63.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

Lymberopoulou, Angeliki (2020). Hell on Crete. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, Volume 1. Cambridge: Cambridge University Press, pp. 117–190.

Lymberopoulou, Angeliki (2020). Representations of Donors in Monumental Art of Venetian Crete. In: Privatporträt. Die Darstellung realer Personen in spätantiken und byzantinischen Kunst, Akten des Internationalen Workshops an der Österreichischen Akademie der Wissenschaften in Wien 14.-15. Februar 2013 (Tsamakda, Vasiliki and Zimmermann, Norbert eds.), Archäologische Forschungen, Verlag der Österreichischen Adademie der Wissenschaften, Vienna, pp. 209–218.

Lymberopoulou, Angeliki and Duits, Rembrandt (2020). Hell in the Byzantine World: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean
Volume 2. A Catalogue of the Cretan Material. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 2. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki and Panou, Eirini (2020). Introduction. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in the Venetian Crete and the Eastern Mediterranean Volume 1: Essays, Volume 1. Cambridge: Cambridge University Press, pp. 1–18.

Mackie, Robin and Roberts, Gerrylynn (2020). Consultancy as a Career in Late Nineteenth and Twentieth Century Britain. Ambix, 67(3) pp. 214–233.

Marsden, Richard (2020). Towsey, Reading History in Britain and America, c.1750-1840. Scottish Historical Review, 99(1) pp. 164–165.

Marsden, Richard (2020). In defiance of discipline: antiquarianism, archaeology and history in late nineteenth-century Scotland. Journal of Scottish Historical Studies, 40(2) pp. 103–133.

Miller, David Lee; Anderson, Judith H.; Brown, Richard Danson; Dolven, Jeff; Gross, Ken; Nohrnberg, James and Ramachandran, Ayesha (2020). Responses to Harry R. Berger, Resisting Allegory: interpretive delirium in Spenser's "Faerie Queene". Spenser Review, 50(2), article no. 50.2.2..

Mombauer, Annika (2020). Helmuth von Moltke (der Jüngere). In: Grawe, Lukas ed. Die militärische Elite des Kaiserreichs. Darmstadt: wbg Theiss, pp. 227–238.

Moohan, Elaine (2020). Medieval fragments from Glasgow's archives. The Innes Review (In press).

Murray, Andrew (2020). Rebellion, Dialogue and the Use of the “Common Good” in Philip the Bold’s Ordinances. Publications du Centre Européen d'Etudes Bourguignonnes, 60 pp. 63–78.

Murray, Andrew (2020). Statues. In: Bradshaw, Alan and Hietanen, Joel eds. The Dictionary of Coronavirus Culture. London: Repeater Books.

Murray, Andrew (2020). Political Emotion in the Mourners of Philip the Bold's Tomb. In: Ekardt, Philipp; Fehrenbach, Frank and Zumbusch, Cornelia eds. Politische Emotionen in den Künsten. Mnemosyne (7). Berlin: De Gruyter, pp. 25–42.

Neale, Derek (2020). 'Last' scenes: Experiments with the poetic and phatic, gender and genre. Liminalities: the journal of performance studies, 16(4)

Neale, Derek (2020). Introduction. Writing in Practice: the journal of creative writing research, 6

Neale, Derek (2020). Introduction. In: Neale, Derek ed. Writing Talk: Interviews with writers about the creative process. London: Routledge, pp. 1–17.

Neale, Derek, Gilbert, Francis, Brayfield, Celia and Melrose, Andrew (eds.) (2020) Writing in Practice: The Journal of Creative Writing Research. (Vol. 6) National Association of Writers in Education.

Perkins, Phil (2020). Jean Gran-Aymerich, Les vases de bucchero: le monde étrusque entre orient et occident (Bibliotheca archaeologica 55). Rome: «L'Erma» di Bretschneider, 2017. pp. 287; 392 pp. of plates; illus., maps. 1 CD-ROM. isbn9788891308177. €450.00. (Review). Journal of Roman Studies (Early access).

Perkins, Phil (2020). The Etruscan pithos revolution. In: Gleba, Margarita ed. Making Cities. McDonald Institute Conversations. Cambridge: McDonald Institute, (In press).

Perry, Gill (2020). All at Sea: Bad Girls, Hut Myths and Tracey Emin's 'Property by the Sea'. In: Kokoli, Alexandra and Cherry, Deborah eds. Tracey Emin: Art into Life. Bloomsbury.

Pinto, Angelo (2020). The Symphony as a Novel: Mahler’s Tenth. PhD thesis The Open University.

Plassart, Anna and Bonin, Hugo (2020). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History (Early Access).

Plastow, Christine (2020). Homicide in the Attic Orators: Rhetoric, Ideology, and Context. Routledge (In Press).

Plastow, Christine (2020). [Book Review] N. Morley, Classics: Why it Matters. Cambridge: Polity Press, 2018. Pp. 143. Journal of Hellenic Studies, 140 pp. 308–309.

Prescott, Lynda (2020). Small Presses and Little Magazines: a Print Culture Perspective on Modernism. In: Poplawski, Paul ed. Yearbook of English Studies, Volume 50. Modern Humanities Research Association, (In press).

Probert, Thomas (2020). The Impact of Participating in British Counterinsurgency Campaigns on British Armed Forces Personnel: The Malayan Emergency as a Case-Study. PhD thesis The Open University.

Reardon, Joanne (2020). Ekphrasis in Still Life with Black Birds: Finding a new space - art and prose in collaboration. Writing in Practice, 6 pp. 40–52.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Roberts, Barbara (2020). Amulets in late Roman Italy. The Open University.

Rodgers, Michael (2020). Nabokov's Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, Marie; Loison-Charles, Julie and Poulin, Isabelle eds. The Five Senses in Nabokov's Work. Palgrave Macmillan, pp. 53–68.

Rowland, David (2020). Composers, publishers and the market in late Georgian Britain. In: Sala, Massimiliano ed. Music publishing and composers (1750-1850). Speculum Musicae (37). Turnhout: Brepols, pp. 85–112.

Ryland-Epton, Louise (2020). ‘The source of all local authority': the role of Gloucestershire magistrates in local government 1800-1834. Midland History, 45(3) pp. 326–340.

Ryland‐Epton, Louise (2020). The Impact of Back Benchers in the Creation of Social Reform: The Indefatigable and Honourable Exertions of Mr Gilbert*. Parliamentary History, 39(2) pp. 276–290.

Shaw, Samuel and Pezzini, Barbara (2020). Exhibitions and the Market for Modern British Art: Independent Art of Today at Agnew's Gallery, 1906. Art History, 43(4) pp. 710–740.

Sobotta, Monika (2020). The Reception of Katherine Mansfield in Germany. PhD thesis The Open University.

Swift, Laura (2020). Phoenician Women. In: Markantonatos, Andreas ed. The Brill Companion to Euripides. Brill's Companions to Classical Studies. Leiden: Brill, pp. 342–358.

Taylor, Clare (2020). Revisiting London paper hangings tradesmen I: Crompton & Spinnage, c.1750-c.1770. The Wallpaper History Review, 2020 pp. 44–50.

Taylor, James (2020). Loudon Sainthill’s “Antipodean” Vision for Michael Benthall’s Tempest. Shakespeare, 16(1) pp. 68–79.

Thompson, Marie (2020). Sounding the Arcane: Contemporary Music, Gender and Reproduction. Contemporary Music Review (Early Access).

Thompson, Marie (2020). Your womb, the perfect classroom: pre-natal sound systems and uterine audiophilia. Feminist Review, 125 (In press).

Thompson, Marie (2020). Sonic Feminisms: Doing Gender in Neoliberal Times. In: Bull, Michael and Corbussen, Marcel eds. The Bloomsbury Handbook of Sonic Methodologies. Bloomsbury.

Thompson, Marie (2020). Sound Studies. In: van Orden, Kate ed. Music. Oxford Bibliographies.

Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text, 15(1)

Trott, Vincent (2020). Humour, Neutrality and Preparedness: American Satirical Magazines and the First World War, 1914-1917. War in History (Early access).

Trott, Vincent (2020). The poetic marketplace. In: Potter, Jane ed. A Cambridge History of First World War Poetry. Cambridge: Cambridge University Press, (In Press).

Vincent, David (2020). A History of Solitude. Cambridge: Polity Press.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press.

Watson, Nicola J. (2020). Afterword. Nineteenth-Century Contexts (Early access).

Watts, Stephen and Johnson, David (2020). Translated by Stuart Hood. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 172–187.

Haslam, Sara, ed. Helena. By Evelyn Waugh (1950). UK, Oxford University Press (2020).

Wilkinson, Louise J. and Wolfson, Sara J. (2020). Introduction: premodern queenship and diplomacy. Women's History Review (Early Access).

Winters, Ben (2020). Influence. In: Kristiansen, Morten and Jones, Joseph E. eds. Richard Strauss in Context. Composers in Context. Cambridge: Cambridge University Press, pp. 311–319.

Winters, Ben (2020). Analogue Authenticity and the Sound of Wes Anderson. In: Vernallis, Carol; Rogers, Holly and Perrott, Lisa eds. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. New Approaches to Sound, Music and Media. Bloomsbury Press, pp. 50–55.

Wolfson, Sara (2020). 'Practical proselytising: the impact of counter-Reformation Catholicism at the Caroline court, 1625-1626'. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History. Boydell and Brewer.

Wolfson, Sara (2020). The Welcoming Journey of Queen Henrietta Maria and Stuart–Bourbon Relations, 1625–1626. In: Conava-Green, Marie-Claude and Wolfson, Sara eds. The Wedding of Charles I and Henrietta Maria, 1625: Celebrations and Controversy. European Festival Series: 1450-1700. Turnhout, Belgium: Brepols Publishers, pp. 179–204.

Yamagata, Naoko (2020). Suicide in Homer and the Tale of the Heike. Yearbook of Ancient Greek Epic, 4 pp. 72–94.

Yamagata, Naoko (2020). Thetis: the goddess between four worlds. In: Christopoulos, M. and Païzi-Apostolopoulou, M. eds. The Upper and the Under World in Homeric and Archaic Epic: Proceedings of the 13th International Symposium on the Odyssey, Ithaca, August 25-29, 2017. Ithaca, Greece: Centre for Odyssean Studies, pp. 11–30.

Yamagata, Naoko (2020). Homeric Summaries in Plato. In: de Fátima Silva, M; Bouvier, D and das Graças Augusto, M eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 22–33.

2019To Top

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2019). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press (In Press).

Neale, Derek ed. (2019). Writing Talk- How stories are found and made. London: Routledge (In Press).

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Archibald, Zosia and Haywood, Jan (2019). Preface. In: Archibald, Zosia and Haywood, Jan eds. The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales, ix-xxvii.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Elton; Simon, Rainer; Vitale, Valeria; Kahn, Rebecca and Isaksen, Leif (2019). Revisiting Linking Early Geospatial Documents with Recogito. e-Perimetron, 14(3) pp. 150–163.

Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28.

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. University of Sheffield; Birkbeck University.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Benzan, Carla (2019). Coming to Life at the Sacro Monte of Varallo: the sacred image al vivo in post-Tridentine Italy. In: Balfe, Thomas; Woodall, Joanna and Zittel, Claus eds. Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800. Intersections: Interdisciplinary studies in early modern culture (61). Leiden: Brill, pp. 224–246.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2019). Caring to turn back: overhearing Spenser in Donne. In: Ryzhik, Yulia ed. Spenser and Donne: Thinking Poets. The Manchester Spenser, 1. Manchester: Manchester University Press, pp. 13–31.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Brunet, Luc-André (2019). Unhelpful Fixer? Canada, the Euromissile Crisis, and Pierre Trudeau’s Peace Initiative, 1983-84. International History Review, 41(6) pp. 1145–1167.

Bullock, Emily (2019). Portfolio of short stories: 2015-2019. (Various Publishers).

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork University Press, pp. 111–126.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 (In Press).

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Clark, Leah R. (2019). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections (Early Access).

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury, (In Press).

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols (In Press).

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing, (In Press).

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

Cradduck, Lucinda (2019). Spirituality in the Music of Edmund Rubbra. PhD thesis The Open University.

Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36.

Donnachie, Ian (2019). ‘We must give them an education, large, liberal and comprehensive’. Catherine Vale Whitwell: teacher, artist, author, feminist and Owenite communitarian. Women's History Review, 28(4) pp. 552–565.

Donnachie, Ian (2019). Catherine Vale Whitwell (1789-1873), educationist and communitarian. Oxford Dictionary of National Biography, OUP.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Edinburgh, Kerri-Anne (2019). A Study of the Experience of Listening to Music in World War Two Britain. PhD thesis The Open University.

Emsley, Clive (2019). British Police in Postwar Vienna: Chasing the Real Harry Lime. History Today, 69(2) pp. 40–53.

Faire, Lucy and Mchugh, Denise (2019). Twelve shades of grey: encountering urban colour in the street in British provincial towns, c. 1945–1970. Urban History, 46(2) pp. 288–308.

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis The Open University.

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Graham, Emma-Jayne (2019). Pilgrimage, mobile behaviours and the creation of religious place in early Roman Latium. In: Kuuliala, Jenni and Rantala, Jussi eds. Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages. Routledge, pp. 15–36.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Gupta, Suman and Gupta, Ayan-Yue (2019). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies (Early Access).

Gustar, Andrew (2019). Fame, Obscurity and Power Laws in Music History. Empirical Musicology Review, 14(3-4) pp. 186–215.

Gustar, Andrew (2019). The Bad Nauheim Hotels in The Good Soldier: A Re-evaluation. Last Post: A literary journal from the Ford Madox Ford Society, 1(2) pp. 22–52.

Hack, Karl (2019). Unfinished Decolonisation and Globalisation. Journal of Imperial and Commonwealth History, 47(5) pp. 818–850.

Hack, Karl (2019). We Meet Again: Britain and Singapore 1945-1946. In: Koh, Tommy and Wightman, Scott eds. 200 years of Singapore and the United Kingdom. Singapore: Straits Times Press, pp. 118–125.

Hall, Edith and Stead, Henry (2019). A People's History of Classics: Class and Greco-Roman Antiquity in Britain 1689-1939. London: Routledge (In Press).

Hamer, Laura (2019). Women on the Podium: Issues and Strategies of Women Orchestral Conductors. Estudios bandísticos, 3(1) pp. 21–39.

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. PhD thesis The Open University.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Haslam, Sara (2019). Ford Studies in the Twenty-first Century: Bibliography, Criticism and the Gaps on the Map. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Companion to Ford Madox Ford. Routledge, pp. 1–22.

Haslam, Sara and Saunders, Max (2019). Ford's Letters. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 25–38.

Haslam, Sara; Saunders, Max and Skinner, Paul (2019). Editing Ford. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 441–460.

Herbert, Trevor (2019). Solo and ensemble brass instrument recordings. Early Music, 47(2) pp. 277–280.

Hope, Valerie M. (2019). An Emperor's Tears: the significance of the public mourning of the Julio-Claudian emperors. Thersites: Journal for Transcultural Presences and Diachronic identities from antiquity to date, 9 pp. 117–146.

Hughes, Jessica (2019). Tiny and Fragmented Votive Offerings from Classical Antiquity. In: Martin, S. Rebecca and Langin-Hooper, Stephanie M. eds. The Tiny and the Fragmented : Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press, pp. 48–71.

Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

Kolassa, Alexander (2019). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack (In Press).

Lawrence, Paul (2019). Historical Criminology and the Explanatory Power of the Past. Criminology and Criminal Justice, 19(4) pp. 493–511.

Lawrence, Paul (2019). Policing, ‘Science’ and the Curious Case of Photo-FIT. The Historical Journal (In Press).

Lee, Catherine and Logan, Anne (2019). Women’s agency, activism and organisation. Women's History Review, 28(6) pp. 831–834.

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics (In Press).

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Mackie, Robin (2019). Succession and inheritance in Scottish business families, c.1875-1935. Business History (Early Access).

Marsden, Richard (2019). National histories and national identities: Brexit and devolution, past and future. OpenTALKS History Lecture, Open University.

McBride, Terence (2019). Scottishness and ‘foreigners’: the role of a developing Scottish ‘machinery of government’ before 1939. Historical Research, 92(256) pp. 410–431.

McEneaney, Sinead (2019). Home Sweet Home? Housing Activism and Political Commemoration in Sixties Ireland. History Workshop Journal, 87(1) pp. 5–26.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 pp. 237–269.

Plassart, Anna, ed. Letters of Sidney. By John Millar (1796). History of European Ideas 45:2, 191-231 (2019).

Plassart, Anna, ed. Letters of Crito. By John Millar (1796). History of European Ideas 45:2, 148-190 (2019).

Moohan, Elaine and Elliott, Kenneth (2019). Robert Johnson Complete Works (Musica Scotica vol. 8). Musica Scotica Editions of Early Scottish Music, 8. Glasgow: Musica Scotica (In Press).

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

Neale, Derek (2019). Introduction. Writing in Practice, 5

Neale, Derek, Etter, Carrie, Cashdan, Liz and Melrose, Andrew (eds.) (2019) Writing in Practice: The Journal of Creative Writing Research. (Vol. 5) National Association of Writers in Education.

O'Reilly, Sally (2019). Inventing Shakespeare: re-imagining a national icon. Writing in Practice, 5

Parmar, Maya (2019). Reading Cultural Representations of the Double Diaspora: Britain, East Africa, Gujarat. Cham: Palgrave Macmillan.

Paul, Joanna (2019). Drones Over Pompeii: Cinematic Perspectives on Antiquity in the Digital Era. Classical Receptions Journal, 11(3) pp. 274–295.

Paul, Joanna (2019). Archaeology, historical fiction and Classical Reception Studies. In: Witcher, Robert and van Helden, Daniël P. eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Routledge, pp. 255–262.

Plassart, Anna (2019). James Mill, the Scottish Enlightenment and the Problem of Civil Religion. Modern Intellectual History, 16(3) pp. 679–711.

Plassart, Anna (2019). Edmund Burke, Poland, and the Commonwealth of Europe. The Historical Journal (In press).

Plassart, Anna (2019). Introduction: Millar and his Circle. History of European Ideas, 45(2) pp. 128–147.

Plassart, Anna and Forbes, Suzanne (2019). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique (In Press).

Plastow, Christine (2019). Doctors in Attic Forensic Oratory. Greek, Roman, and Byzantine Studies, 59(4) pp. 575–595.

Plastow, Christine (2019). Use and Abuse of Law in the Athenian Courts. Mnemosyne supplements. History and archaeology of classical antiquity, 419. Bryn Mawr Classical Review, 2019(10), article no. 10.

Plastow, Christine (2019). The Devil's in the Detail: Including 'irrelevant' details in homicide narratives. In: Edwards, Mike and Spatharas, Dimos eds. Forensic Narratives in Athenian Courts. Routledge, pp. 40–54.

Plastow, Christine (2019). Space, place, and identity in Antiphon 'On the Murder of Herodes'. In: Filonik, Jakub; Griffith-Williams, Brenda and Kucharski, Janek eds. The Making of Identities in Athenian Oratory. Routledge, pp. 191–205.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic.

Rowland, David (2019). British Listeners c1780-1830. Nineteenth-Century Music Review (In Press).

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Slight, John (2019). Reactions to the Ottoman Jihad fatwa in the British Empire, 1914-1918. In: Johnson, Robert and Kitchen, James E. eds. The Great War in the Middle East. Routledge.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Swift, Laura (2019). Archilochus: The Poems: Introduction, Text, Translation, and Commentary. Oxford University Press.

Swift, Laura (2019). Ajax the Hero. In: Stuttard, David ed. Looking at Ajax. Bloomsbury Academic, pp. 29–41.

Thompson, Marie (2019). Spinoza and musical power. Textual Practice, 33(5) pp. 803–820.

Tickell, Alex (2019). Introduction. In: Tickell, Alex ed. The Oxford History of the Novel in English Volume 10: The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, xvii-xxxiv.

Tickell, Alex (2019). Life-Writing, Testimony and Biographical Fiction. In: Tickell, Alex ed. The Oxford History of the Novel in English: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 428–442.

Tickell, Alex and Gabriel, Sharmani (2019). History, Memory, and Cultural Identity in the Novel of South East Asia. In: Tickell, Alex ed. The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, pp. 398–413.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

Trott, Vincent (2019). [Book Review] Words and the First World War: language, memory, vocabulary, by Julian Walker. First World War Studies, 10(1) pp. 160–161.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Vincent, David (2019). ‘The Modern History of Literacy'. In: Rury, John L. and Tamura, Eileen eds. The Oxford Handbook of the History of Education. Oxford: Oxford University Press, pp. 507–522.

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

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Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

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Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

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Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

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Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Droy, Laurence; Hughes, Lotte; Lamont, Mark; Nguura, Peter; Parsitau, Damaris and Wamue Ngare, Grace (2018). Alternative Rites of Passage in FGM/C Abandonment Campaigns in Africa: A research opportunity. LIAS Working Paper Series, Vol. 1, University of Leicester.

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Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

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Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

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Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

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Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

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Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

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Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. PhD thesis The Open University.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stead, Henry (2018). Kane O’Hara’s Midas: The Irish Origins of Classical Burlesque. In: Macintosh, Fiona; McConnell, Justine; Harrison, Stephen and Kenward, Claire eds. Epic Performances from the Middle Ages into the Twenty-First Century. Oxford University Press, pp. 461–475.

Stead, Henry (2018). Classics down the mineshaft: a buried history. In: Richardson, Edmund ed. Classics in Extremis: The Edges of Classical Reception. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim (2018). Cut in Alabaster: a Material of Sculpture and its European Traditions 1330-1530. Brepolis.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017To Top

Attfield, Nicholas and Winters, Ben eds. (2017). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? PhD thesis University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-Andre (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-Andre (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 1–22.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clarke, Martin (2017). Listening to a singing people: accounts of Methodist hymn-singing. In: Barlow, Helen and Rowland, David eds. Listening to music: people, practices and experiences. The Open University.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Coffey, Helen (2017). Opera for the House of Brunswick-Lüneburg: Italian Singers at the Hanover Court. In: Kaufold, Claudia; Strohmann, Nicole K. and Timms, Colin eds. Agostino Steffani: European Composer, Hanoverian Diplomat and Bishop in the Age of Leibniz. Goettingen: Vandenhoeck & Ruprecht, pp. 107–122.

Crone, Rosalind (2017). Popular education in the British Isles during the nineteenth century. Revue d'histoire du XIXe siècle, 55 pp. 139–142.

Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167.

Dooley, James (2017). arK1a. Self-published.

Dooley, James (2017). rive: splitting sound and light. [Performance]

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Emsley, Clive (2017). Exporting British Policing during the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Academic.

Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. PhD thesis The Open University.

Golding, Rosemary (2017). The Society of Arts and the Challenge of Professional Music Education in 1860s Britain. Journal of Historical Research in Music Education, 38(2) pp. 128–150.

Graham, Emma-Jayne (2017). [Book Review] Reviving Roman Religion: Sacred Trees in the Roman World. Material Religion, 13(4) pp. 532–534.

Graham, Emma-Jayne (2017). Babes in arms? Sensory dissonance and the ambiguities of votive objects. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, Oxon: Routledge, pp. 120–136.

Graham, Emma-Jayne (2017). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne and Draycott, Jane (2017). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

Griffin, Julian Marc (2017). Out of Johnson's Shadow: James Boswell as Travel Writer. PhD thesis The Open University.

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2017). The Art of Counterinsurgency: Phase Analysis with Primary Reference to Malaya (1948-60), and Secondary Reference to Kenya (1952-60). In: Thomas, Martin and Curless, Gareth eds. Decolonization and Conflict: Colonial Comparisons and Legacies. London: Bloomsbury, pp. 177–196.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hayes, Tracy L. (2017). "Only the rames of a man": Investigating Masculinities in the Novels of Thomas Hardy. PhD thesis The Open University.

Hazareesingh, Sandip (2017). The creation of a conflictual border: India-Pakistan. Open University, Milton Keynes.

Hazareesingh, Sandip and Patent, Volker (2017). Peace movements in contemporary India and Pakistan. Open University, Milton Keynes.

Holmes, Janice (2017). John Bunyan's The Pilgrim's Progress in Nineteenth-Century Ulster. In: Gudmundsson, David; Maurits, Alexander and Nykvist, Martin eds. Classics in Northern European Church History over 500 Years: essays in honour of Anders Jarlert. Frankfurt am Main: Peter Lang, pp. 61–84.

Holmes, Janice (2017). The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies. In: Spiritual and Ecclesiastical Biographies. Research, Results, and Reading (Jarlert, Anders ed.), Konferenser (Conferences), Kungl. Vitterhets Historie och Antikvitets Akademien (Royal Swedish Academy of Letters, History and Antiquities), Stockholm, pp. 105–120.

Holmes, Janice (2017). Methodists and Holiness. In: Larsen, Timothy and Ledger-Lomas, Michael eds. The Oxford History of Protestant Dissenting Traditions Volume III: The Nineteenth Century. Oxford: Oxford University Press, pp. 124–149.

Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

Hughes, Jessica (2017). 'Souvenirs of the Self': Personal Belongings as Votive Offerings in Ancient Religion. Religion in the Roman Empire, 3(2) pp. 181–201.

Hughes, Jessica (2017). Studying Votives Across Cultures. Material Religion, 13(1) pp. 104–106.

Hughes, Lotte (2017). Implementing cultural rights (nature, issues at stake and challenges) - Report 2010 (A/HRC/14/36). In: Belder, Lucky and Porsdam, Helle eds. Negotiating Cultural Rights: Issues at Stake, Challenges and Recommendations. Edward Elgar, pp. 37–58.

Hughes, Lotte (2017). Memorialization and Mau Mau: A Critical Review. In: MacArthur, Julie ed. Dedan Kimathi on Trial: Colonial Justice and Popular Memory in Kenya's Mau Mau rebellion. Research in International Studies, Global and Comparative Studies, (17). Ohio University Press, pp. 339–374.

Hughes, Lotte (2017). Mau Mau: The Divisive Heritage of Liberation Struggle in Kenya. In: Walters, Diana; Laven, Daniel and Davis, Peter eds. Heritage and Peacebuilding. Heritage Matters. Woodbridge, Suffolk: The Boydell Press, pp. 179–190.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2017). Anti-apartheid people's histories and post-apartheid nationalist biographies. In: Choudry, Aziz and Vally, Salim eds. Reflections on Knowledge, Learning and Social Movements: History's Schools. London and New York: Routledge, pp. 88–103.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Lamont, Mark (2017). Ruin, or repair? Infrastructural Sociality and an Economy of Disappearances along a Rural Road in Kenya. In: Beck, Karl; Klaeger, Gabriel and Stasik, Michael eds. The Making of the African Road. Africa-Europe Group for Interdisciplinary Studies (18). Brill, pp. 171–196.

Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

Mombauer, Annika (2017). The German centenary of the First World War. War & Society, 36(4) pp. 276–288.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

Neale, Derek (2017). Creativity and Research in the 21st Century. Writing in Education, 73(3) pp. 2–4.

Neale, Derek (2017). Split digraphs, fronted adverbials and the problems of later creative writing study. Writing in Education, 72(6) pp. 6–7.

Neale, Derek (2017). Creative Writing and social entrepreneurship. Writing in Education, 75 pp. 4–6.

Neale, Derek (2017). Creative Writing Higher Education News. Writing in Education, 71 pp. 6–7.

Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

Paul, Joanna (2017). The Half-Blood Hero: Percy Jackson and Mythmaking in the Twenty-First Century. In: Zajko, Vanda and Hoyle, Helena eds. A Handbook to the Reception of Classical Mythology. Wiley-Blackwell, pp. 231–242.

Perkins, Phil (2017). DNA and Etruscan identity. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 109–118.

Perkins, Phil (2017). The landscape and environment of Etruria. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 1239–1250.

Plassart, Anna and White, Rebekah C. (2017). Théodore Flournoy on synesthetic personification. Journal of the History of the Neurosciences: Basic and Clinical Perspectives, 26(1) pp. 1–14.

Richards, Fiona (2017). Sensibility and listening in England before and after the Great War. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Richardson, Heather (2017). It's Mr Otello... Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Richardson, Heather (2017). Shake Hole. Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). All the rules we could ask for. In: Anderson, Linda and Sherratt-Bado, Dawn Miranda eds. Female Lines: New Writing by Women from Northern Ireland. Dublin: New Island.

Robson, James (2017). Aristophanes. In: Burgess, J.; Kneebone, E.; Liapis, V. and Swift, L. eds. The Literary Encyclopedia, Volume 1.1.1: Archaic, Classical, Hellenistic and Imperial Greek Writing and Culture, 800-100 B.C.E., Volume 1.1.1. The Literary Encyclopedia.

Robson, James (2017). Humouring the masses: The Theatre Audience and the Highs and Lows of Aristophanic Comedy. In: Grig, Lucy ed. Popular Culture in the Ancient World. Cambridge: Cambridge University Press, pp. 66–87.

Rothe, Ursula (2017). Ethnicity. In: Harlow, Mary ed. A Cultural History of Dress and Fashion, Vol. 1: Antiquity. Bloomsbury.

Rowland, David (2017). London's Art Music and provincial listeners in England c.1700-1850. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). Introduction. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). The development of piano technique in England c. 1790-1810. In: Zur Entwicklung des Klavierspiels von Carl Philipp Emanuel Bach bis Clara Schumann (Philipsen, Christian; Lustig, Monika and Omonsky, Ute eds.), Michaelsteiner Konferenzberichte, Wissner Verlag, Kloster Michaelstein, Augsburg, Michaelstein, pp. 237–249.

Rowland, David (2017). Piano sonority and melody c.1800-1835. In: The lyric and the vocal element in instrumental music of the nineteenth century (Stepien-Kutera, Kamila ed.), Narodowy Instytut Fryderyka Chopina, Warsaw, pp. 39–61.

Shi, Lijing; Stickler, Ursula and Lloyd, Mair E. (2017). The Interplay between attention, experience and skills in online language teaching. Language Learning in Higher Education. Journal of the European Confederation of Language Centres in Higher Education (CercleS), 7(1) pp. 205–238.

Charnley, Kim, ed. Delirium and Resistance. By Gregory Sholette . Pluto Press (2017).

Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2017). Linked Data Annotation Without the Pointy Brackets: Introducing Recogito 2. Journal of Map & Geography Libraries: Advances in Geospatial Information, Collections & Archives, 13(1) pp. 111–132.

Sinha, Bijon Kumar (2017). The Crete and Cretans of Euripides: Perceptions and Representations. PhD thesis The Open University.

Slight, John (2017). Pilgrimage to Mecca by British converts to Islam in the interwar period. In: Flaskerud, Ingvild and Natvig, Richard J. eds. Muslim Pilgrimage in Europe. Routledge Studies in Pilgrimage, Religious Travel and Tourism. Routledge, pp. 70–82.

Stadtler, Florian (2017). ‘Home’ front: Indian soldiers and civilians in Britain, 1939–45. In: Roy, Kaushik and Rand, Gavin eds. Culture, Conflict and the Military in Colonial South Asia. War and Society in South Asia. Routledge, pp. 258–276.

Swift, Laura (2017). Narratorial Authority and its Subversion in Archilochus. In: Bakker, Egbert ed. Authorship and Greek Song: Authority, Authenticity, and Performance. Brill, pp. 161–177.

Tackley, Catherine (2017). “Art or Debauchery?”: the reception of Ellington in the UK. In: Howland, John ed. Duke Ellington Studies. Cambridge University Press, pp. 76–107.

Thompson, Marie (2017). Whiteness and the Ontological Turn in Sound Studies. Parallax, 23(3) pp. 266–282.

Thompson, Marie (2017). Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism. New York: Bloomsbury.

Thompson, Marie (2017). To soothe or remove? Affect, revanchism and the weaponized use of classical music. Communication and the Public, 2(4) pp. 272–283.

Thompson, Marie (2017). Experimental music and the question of what can a body do? In: Moisala, Pirkko; Leppänen, Taru; Tiainen, Milla and Väätäinen, Hanna eds. Musical Encounters with Deleuze and Guattari. Bloomsbury, pp. 149–168.

Trott, Vincent (2017). Publishers, Readers and the Great War: Literature and Memory since 1918. Bloomsbury Academic.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

Wainwright, Leon (2017). Bodily relations and reciprocity in the art of Sonia Khurana. Cultural Dynamics, 29(4) pp. 255–274.

Williams, Sean (2017). Reinterpreting Koenig’s Funktion pieces: historic reconstruction and recontextualisation. In: Tracking the Creative Process in Music, 14-16 Sep 2017, University of Huddersfield.

Winters, Ben (2017). Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 531–542.

Winters, Ben (2017). Korngold's Violanta: Venice, carnival, and the masking of identities. In: Winters, Ben and Attfield, Nicholas eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 51–74.

Woods, Kim (2017). The activation of the image: expatriate carvers and kneeling effigies in late Gothic Spain. The Sculpture Journal, 26(1) pp. 11–24.

Woods, Kim (2017). The Tree of Jesse Gates from Scarisbrick Hall. In: Davies, Glyn and Townsend, Eleanor eds. A Reservoir of Ideas: Essays in honour of Paul Williamson. London: Paul Holberton Publishing in association with V&A publishing, pp. 235–244.

Yamagata, Naoko (2017). ホメーロスと『平家物語』における生死の選択―英雄美女が死を選ぶ時 [Choices of Life and Death in Homer and the Tale of the Heike: When Heroes and Heroines commit suicide]. Journal of Classical Studies, 65 pp. 1–11.

2016To Top

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

McKellar, Elizabeth and Holder, Julian eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogenous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barlow, Helen (2016). From the Band of Musick to the Concert Party, ca. 1780–1918: Musical Entertainment in the British Army. Music in Art, 41

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Betts, Eleanor (2016). Places of transition and deposition: phenomena of water in the sacred landscape of Iron Age Central Adriatic Italy. Accordia Research Papers, 14 pp. 63–83.

Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Chambers, Helen (2016). ‘Le traducteur E. M. (une femme)’: Conrad, The Hueffers and the 1903 Maupassant translations. In: Becquet, Alexandra and Davison-Pégon, Claire eds. Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris. International Ford Madox Ford Studies (15). Amsterdam: Brill Rodopi, pp. 155–173.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Charnley, Kim (2016). Failure, Revolution and Institutional Critique. Art & the Public Sphere, 5(1) pp. 35–52.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) pp. 91–127.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clarke, Martin (2016). "And can it be": analysing the words, music and contexts of an iconic Methodist hymn. Yale Journal of Music and Religion, 2(1), article no. 2.

Clarke, Martin V. (2016). [Digital Resource Review] Digital Hymnology: Canterbury Dictionary of Hymnology, Hymn Tune Index, Hymnary.org. Nineteenth-Century Music Review, 13(2) pp. 421–430.

Crone, Rosalind (2016). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. In: de Bellaigue, Christina ed. Home Education in Historical Perspective: Domestic pedagogies in England and Wales, 1750-1900. Routledge.

Crone, Rosalind (2016). Literacy. In: John, Juliet ed. Oxford Bibliographies: Victorian Literature. Oxford: Oxford University Press.

De Renzi, Silvia (2016). [Book Review] Forensic Medicine and Death Investigation in Medieval England, written by Sara M. Butler, 2015. Early Science and Medicine, 21(1) pp. 87–89.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

Dooley, James (2016). entryiseasierthantheexit_exit. [Audio]

Dooley, James (2016). entryiseasierthantheexit_entry. Self-published.

Dooley, James (2016). esthesis. Vimeo.

Dooley, James and Di Donato, Balandino (2016). Equinode II. Integra Lab, Birmingham.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

Emsley, Clive (2016). Crime and Policing in Wartime. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. Oxford: Oxford University Press, pp. 519–536.

Fear, Trevor (2016). New Voices in Classical Reception Studies Vol. 11 (2016). The Open University.

Fentress, Elizabeth and Perkins, Phil (2016). Cosa and the Ager Cosanus. In: Cooley, Alison E. ed. A Companion to Roman Italy. Chichester: Wiley-Blackwell, pp. 378–400.

Gibson, Jonathan (2016). From Palatino to Cresci: Italian Writing Books and the Italian Scripts of Early Modern English Letters. In: Daybell, James and Gordon, Andrew eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, pp. 29–47.

Golding, Rosemary (2016). Seeking a Philosophy of Music in Higher Education: The Case of Mid-nineteenth Century Edinburgh. Philosophy of Music Education Review, 24(2) pp. 191–212.

Graham, Emma-Jayne (2016). Wombs and Tombs in the Roman World. Material Religion, 12(1) pp. 251–254.

Graham, Emma-Jayne (2016). Mobility impairment in the sanctuaries of early Roman Italy. In: Laes, Christian ed. Disability in Antiquity. Rewriting Antiquity. London and New York: Routledge, pp. 248–266.

Graham, Emma-Jayne and Hope, Valerie M. (2016). Funerary practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 159–180.

Gupta, Suman (2016). Philology of the Contemporary World: On Storying the Financial Crisis. Philology, 2016(2) pp. 275–296.

Hamer, Laura (2016). [Review-Article] 'Paths to the Podium' Review-Article of The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars by Jeanice Brooks. Journal of the Royal Musical Association, 141(2) pp. 495–504.

Hamer, Laura (2016). [Book Review] La Grande Guerre en musique, Vie et création musicales en France pendant la Première Guerre mondiale by Florence Doé de Maindreville and Stephan Etcharry (eds.). H-France Review, 16(43)

Haywood, Jan (2016). Character and Motivation in Aeschylus' Persae. Syllecta Classica, 27 pp. 29–63.

Haywood, Jan (2016). Divine Narratives in Xenophon's Anabasis. Histos, 10 pp. 85–110.

Hazareesingh, Sandip (2016). 'Your Foreign Plants are Very Delicate': Peasant Crop Ecologies and the Subversion of Colonial Cotton Designs in Dharwar, western India, 1830-1880. In: Hazareesingh, Sandip and Maat, Harro eds. Local Subversions of Colonial Cultures: Commodities and Anti-Commodities in Global History. Cambridge Imperial and Post-Colonial Studies. London, UK: Palgrave Macmillan.

Herbert, T. (2016). A Tudor manuscript granting livery to the King’s ‘Shakbots’. Historic Brass Society Journal, 28 pp. 191–198.

Herbert, T. (2016). Carl Florian Mandel and the production, consumption and status of "military" brass-wind instruments in the nineteenth century. In: Libin, L. ed. Instrumental Odyssey: A Tribute to Herbert Heyde. Bucina: The Historic Brass Society Series (9). New York: Pendragon Press.

Herbert, Trevor (2016). Adolphe Sax, his saxhorns and their international influence. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, 70 pp. 65–76.

Herbert, Trevor (2016). Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41(1-2) pp. 65–81.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

Hughes, Lotte (2016). Rights, Wrongs and Reciprocity: Change and Continuity among Kenya's Maasai. In: Berman, Bruce J.; Laliberté, André and Larin, Stephen J. eds. The Moral Economies of Ethnic and Nationalist Claims. Ethnicity and Democratic Governance. Vancouver, Canada: UBC Press, pp. 70–100.

Hyde, Colin and Barnes, Amy Jane (2016). Displaying Ghost Signs Online. In: Schutt, Stefan; Roberts, Sam and White, Leanne eds. Advertising and Public Memory: Social, Cultural and Historical Perspectives on Ghost Signs. Routledge Research in Cultural and Media Studies. Routledge.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

Lawrence, Paul (2016). The Historiography of Crime and Criminal Justice. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. The Oxford Handbooks in Criminology and Criminal Justice. Oxford: Oxford University Press, pp. 17–37.

Layton-Jones, Katy (2016). Beyond the metropolis: the changing nature of urban Britain, 1780-1880. Manchester University Press.

Layton-Jones, Katy (2016). What has the future of urban parks to do with their past? In: von Lunen, Alexander and Griffiths, Sam eds. Spatial Cultures: Towards a New Social Morphology of Cities Past and Present. Design and Built Environment. Abingdon and New York: Routledge, pp. 128–138.

Marsden, Richard (2016). Who was St David? OpenLearn, Open University in Wales, Cardiff.

Marsden, Richard A. (2016). Innes, Cosmo Nelson (1798-1874), antiquary. In: Cannadine, David ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press.

Masterson, Mark and Robson, James (2016). Foreword: The Book and its Influence. In: Dover, K. J. ed. Greek Homosexuality (3rd edition). London: Bloomsbury, xv-xxvii.

McEneaney, Sinead (2016). Righting Women in the 1960s: Gender, Power and Conservatism in the Pages of The New Guard. In: Ritchie, Rachel; Hawkins, Sue; Phillips, Nicola and Kleinberg, S. Jay eds. Women in Magazines: Research, Representation, Production and Consumption. Routledge Research in Gender and History. Routledge, pp. 92–103.

McKellar, Elizabeth (2016). Writing the New Urbanism: Architecture and Guidebooks to London and Paris, c.1650-1730. In: Arnold, Dana and Cohen, Jean-Louis eds. Paris-Londres. Paris: INHA & Infolio, pp. 15–69.

McKellar, Elizabeth (2016). Georgian London before 'Georgian London': Beresford Chancellor, Rasmussen and the 'The true and sad story of Regent's Street. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 38–51.

McKellar, Elizabeth and Holder, Julian (2016). Chapter 1: Introduction: reappraising the Neo-Georgian. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 1–12.

Mombauer, Annika (2016). Sir Edward Grey, Germany, and the Origins of the First World War: A Re-Evaluation. The International History Review, 38(2) pp. 301–325.

Neale, Derek (2016). Fruitful reflections: research, assessment and farewells. Writing in Education, 74 pp. 5–6.

Neale, Derek (2016). Six short stories. Cut a long story Ltd, Folkestone, UK.

Neale, Derek (2016). El cuento en la academia: mimesis, diégesis y el rol del drama y el cine. In: Angel, Marcos and Fernández, Gerardo Argüelles eds. Recetas para el misterio: ensayos de escritura creativa. Autores, Textos y Temas. Literatura (44). Mexico city, Mexico; Buenos Aires, Argentina; Barcelona and Madrid, Spain: Anthropos, pp. 47–67.

Neale, Derek (2016). Creativity and Creative Writing. In: Demjén, Zsófia and Seargeant, Philip eds. Creativity in Language: From Everday Style to Verbal Art. Milton Keynes: The Open University, pp. 121–172.

O'Shea, Helen (2016). Irish Legal Geographies in the Era of Emergency: Independent Ireland, Colonial Kenya and the British Colonial Legal Service. Éire-Ireland: An Interdisciplinary Journal of Irish Studies, 51(1 & 2) pp. 243–265.

O'Shea, Helen (2016). Colonial Reparations, Collective Redress and the Colonial Legal Service in the Post-War British Empire. In: 3rd Academic International Conference on Interdisciplinary Legal Studies (Chhina, Ramandeep ed.), FLE Learning, Oxford, pp. 16–24.

Parmar, Maya (2016). Book Review: 'New postcolonial British genres: shifting the boundaries'. Journal of Postcolonial Writing, 52(6) p. 752.

Parmar, Maya (2016). Writing South-Asian Diasporic Identity Anew. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Palgrave Macmillan UK, pp. 235–252.

Payne, Emily; Schuling, Floris; Stroud, Rachel and Williams, Sean (2016). Performing Notations: Relational Approaches to Musical Materials. In: Royal Musical Association Conference 2016, 3-5 Sep 2016, The Guildhall, London.

Perkins, Philip (2016). Bucchero in context. In: Bell, Sinclair and Carpino, Alexandra A. eds. A Companion to the Etruscans. Chichester: Wiley-Blackwell, pp. 224–236.

Perry, Gill (2016). In Your Face: Immediacy, Masculinity and Skin. In: Bird, Jon and Perry, Gill eds. Leon Golub: Powerplay – The Political Portraits. Reaktion Books, pp. 34–53.

Perry, Gill (2016). Drawn-Out Games. In: Petherbridge, Deanna ed. Deanna Petherbridge: Drawing and Dialogue. Manchester Whitworth Gallery and Circa Press, pp. 30–40.

Prescott, Lynda (2016). Using collaboration to foster academic integrity. Open Learning: The Journal of Open and Distance Learning, 31(2) pp. 152–162.

Prescott, Lynda (2016). The Short Story Anthology: Shaping the Canon. In: Head, Dominic ed. The Cambridge History of the English Short Story. Cambridge: Cambridge University Press, pp. 564–580.

Prescott, Lynda; Hewings, Ann and Seargeant, Philip (2016). Introduction: Futures for English Studies. In: Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. Futures for English Studies: Teaching Language, Literature and Creative Writing. Basingstoke: Palgrave Macmilan, pp. 1–8.

Richardson, Heather (2016). Studio Notes. National Museums of Northern Ireland.

Rienties, Bart; Boroowa, Avinash; Cross, Simon; Farrington-Flint, Lee; Herodotou, Christothea; Prescott, Lynda; Mayles, Kevin; Olney, Tom; Toetenel, Lisette and Woodthorpe, John (2016). Reviewing three case-studies of learning analytics interventions at the open university UK. In: Proceedings of the Sixth International Conference on Learning Analytics & Knowledge, ACM International Conference Proceeding Series, ACM, New York, pp. 534–535.

Robson, James (2016). The Frogs and Thesmophoriazusae. In: Singh, Alexandre ed. Causeries. Rotterdam, Netherlands: Witte de With Center for Contemporary Art, pp. 154–166.

Robson, James (2016). Aristophanes, Gender and Sexuality. In: Walsh, Philip ed. Brill's Companion to the Reception of Aristophanes. Brill's Companions to Classical Reception. Leiden and Boston: Brill, pp. 44–66.

Rodgers, Michael (2016). The Will to Disempower? Nabokov and his Readers. In: Rodgers, Michael and Sweeney, Susan Elizabeth eds. Nabokov and the Question of Morality: Aesthetics, Metaphysics and the Ethics of Fiction. Palgrave Macmillan, pp. 51–69.

Rowland, David (2016). Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing. Early Music, 44(3) pp. 461–471.

Rowland, David (2016). European music publishing during the Napoleonic wars. In: Jardin, Étienne ed. Music and War in Europe from the French Revolution to WWI. Music, criticism and politics (2). Turnhaut: Brepols, pp. 223–232.

Shaw, Samuel (2016). "Characters in Search of an Author": The Single-Figure Study and the Pritzker Collection. In: Collins, Ian and Hughes, Eleanor eds. Modernism and Memory: Rhoda Pritzker and the Art of Collecting. New Haven: Yale University Press, pp. 93–126.

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Slight, John (2016). British Colonial Knowledge and the Hajj in the Age of Empire. In: Ryad, Umar ed. The Hajj and Europe in the Age of Empire. Leiden Studies in Islam and Society. Leiden: Brill, pp. 81–111.

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Sweeney, Emma Claire (2016). The Roseate Tern. Jigsaw Journal.

Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

Swift, Laura (2016). Visual Imagery in Parthenaic Song. In: Cazzato, Vanessa and Lardinois, André eds. The Look of Lyric: Greek Song and the Visual. Studies in Archaic and Classical Greek Song (1). Leiden: Brill, pp. 255–287.

Swift, Laura (2016). Medea. In: McClure, Laura ed. A Companion to Euripides. Blackwell Companions to the Ancient World. Chichester: Wiley-Blackwell, pp. 80–91.

Swift, Laura (2016). Poetics and precedents in Archilochus’ erotic imagery. In: Swift, Laura and Carey, Chris eds. Iambus and Elegy: New Approaches. Oxford: Oxford University Press, pp. 253–270.

Taylor, Clare (2016). ‘Modern Swedish rococo’: the Neo-Georgian interior in Britain, c 1920–c 1945. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: A Reappraisal. Swindon: Historic England, pp. 151–166.

Thompson, Marie (2016). Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism. Contemporary Music Review, 35(1) pp. 85–101.

Tickell, Alex (2016). Introduction. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Basingstoke: Palgrave Macmillan, pp. 1–18.

Tickell, Alex (2016). 'An Idea Whose Time Has Come': Indian Fiction in English After 1991. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan, pp. 37–58.

Trott, Vincent (2016). "The market is flooded with them": Richard Aldington's Death of a Hero and the War Books Boom. In: Wilson, Nicola ed. The Book World: Selling and Distributing British Literature, 1900 - 1940. Leiden: Brill, 95 -116.

Vincent, David (2016). Privacy: A Short History. Cambridge: Polity Press.

Vincent, David (2016). Working-class autobiography in the nineteenth century. In: Smyth, Adam ed. A History of English Autobiography. Cambridge: Cambridge University Press, pp. 165–178.

Wainwright, Leon (2016). Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion. In: Bernier, Celeste-Marie and Durkin, Hannah eds. Visualising Slavery: Art Across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool: Liverpool University Press, pp. 168–183.

Wainwright, Leon and Zijlmans, Kitty (2016). Open Arts Journal Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean. The Open University.

Walder, Dennis (2016). Bart Moore-Gilbert (1952-2015). The Journal of Commonwealth Literature, 51(1) pp. 182–185.

Walder, Dennis (2016). Editorial. Journal of Southern African Studies, 42(6) pp. 1027–1031.

Watson, Nicola J. (2016). At Juliet's Tomb: Anglophone Travel-writing and Shakespeare's Verona, 1814-1914. In: Bigliazzi, Silvia and Calvi, Lisanna eds. Shakespeare, Romeo & Juliet, and Civic Life: The Boundaries of Civic Space. Routledge Studies in Shakespeare. New York: Routledge, pp. 224–237.

West, Susie (2016). Finding Wroth's Loughton Hall. Sidney Journal, 34(1) pp. 15–32.

Williams, Chris A. (2016). Risk on the Roads: Police, Motor Traffic and the Management of Space, c. 1900–50. In: Crook, Tom and Esbester, Mike eds. Governing Risks in Modern Britain: Danger, Safety and Accidents, c. 1800–2000. London: Palgrave Macmillan, pp. 195–219.

Williams, Sean (2016). Interpretation and Performance Practice in Realizing Stockhausen's Studie II. Journal of the Royal Musical Association, 141(2) pp. 445–481.

Williams, Sean (2016). The Hohner Electronium: a 1950s portable monophonic valve synthesizer. In: Alternative Histories of Electronic Music, 14-15 Apr 2016, Scinece Museum, London.

Williams, Sean (2016). Stockhausen Concerts Database report. In: Performance Studies Network conference 2016, 14-17 Jul 2016, Bath Spa University.

Williams, Sean (2016). The mythical Modul 69A Klangwandler and the viability of composer designed instruments. In: Music and Sonic Art conference 2016, 1-3 Jul 2016, Karlsruhe, Germany.

Williams, Sean and Green, Owen (2016). Negotiating sonic space for group electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 26-29 Jul 2014, Karlsruhe, Germany.

Winters, Ben (2016). The Composer and the Studio: Korngold and Warner Bros. In: Cooke, Mervyn and Ford, Fiona eds. The Cambridge Companion to Film Music. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 51–66.

Winters, Ben (2016). The sound of satire; or, trading places with Mozart. In: Evans, Mark and Hayward, Philip eds. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, pp. 29–50.

Wolfson, Sara (2016). Review of "On display: Henrietta Maria and the materials of magnificence at the Stuart Court" by Erin Griffey, and "Queenship and revolution in early modern Europe: Henrietta Maria and Marie Antoinette", by Carolyn Harris. Royal Stuart Journal, 7

Wolfson, Sara (2016). Review of Erin Griffey, on display Henrietta Maria and the materials of magnificence at the Stuart Court (Yale: Yale University Press, 2016) in The Art Newspaper, Vol. XXVI, No. 285 (December, 2016). The Art Newspaper, 26(285)

Wood, Paul (2016). Art history in the wake of the global turn edited by Jill H. Casid and Aruna D’Souza. Visual Studies, 31(4) pp. 362–363.

Woods, Kim (2016). Plantagenets in alabaster. In: Crooks, Peter; Green, David and Ormorod, W. Mark eds. The Plantagenet Empire, 1259-1453. Harlaxton Medieval studies, XXVI. Donington: Shaun Tyas Publishing, pp. 89–108.

Yamagata, Naoko (2016). ホメーロスと『平家物語』における戦争の「報道」[“Reportage” of War in Homer and the Tale of the Heike]. ペディラヴィウム [Pedilavium], 71 pp. 46–60.

2015To Top

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

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Devlin, Zoë L. and Graham, Emma-Jayne eds. (2015). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology, 9. Oxford: Oxbow.

Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. (2015). Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon, New York: Routledge.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Stead, Henry and Hall, Edith eds. (2015). Greek and Roman Classics in the British Struggle for Social Reform. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Allington, Daniel; Dueck, Byron and Jordanous, Anna (2015). Networks of value in electronic music: SoundCloud, London, and the importance of place. Cultural Trends, 24(3) pp. 211–222.

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Benatti, Francesca and Tonra, Justin (2015). English Bards and Unknown Reviewers: a Stylometric Analysis of Thomas Moore and the Christabel Review. Breac: A Digital Journal of Irish Studies, October

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

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Boehmer, Elleke and Tickell, Alex (2015). The 1990s: An Increasingly Postcolonial Decade. Journal of Commonwealth Literature, 50(3) pp. 315–352.

Brown, Simon; Barlow, Helen; Adamou, Alessandro and d'Aquin, Mathieu (2015). The Listening Experience Database Project: Collating the Responses of the "Ordinary Listener" to Prompt New Insights into Musical Experience. The International Journal of the Humanties: Annual Review, 13 pp. 17–32.

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Buongiovanni, Claudio and Hughes, Jessica (2015). Introduction: Entering the siren's city. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 1–18.

Burrows, Donald (2015). G. F. Handel: L'Allegro, il Penseroso ed il Moderato. Novello and Company, London.

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Coffey, Helen (2015). Music for an Elector and King: the Hanover Hofkapelle during the reigns of George I and II. In: Händel und die Musikgeschichte des Hauses Hannover, 10-11 Jun 2014, Halle, Saale, Georg-Friedrich-Händel-Gesellschaft e. V., pp. 135–152.

Colley, Gerald (2015). Electrifying the streets : the surface-contact controversy in five English towns 1880-1920. PhD thesis The Open University.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

Crone, Rosalind (2015). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. Oxford Review of Education, 41(4) pp. 482–500.

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da Sousa Correa, Delia (2015). Music and Literature. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. Blackwell Encyclopedia of Victorian Literature. Blackwell, (In Press).

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, pp. 99–113.

Doloughan, Fiona (2015). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory, 45(1)

Doloughan, Fiona J. (2015). English as a Literature in Translation. London: Bloomsbury.

Doloughan, Fiona J. (2015). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta, Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247.

Donnachie, Ian and Hewitt, George (2015). Historic New Lanark: The Dale and Owen Industrial Community since 1785 (2nd ed). Edinburgh Classic Editions. Edinburgh: Edinburgh University Press.

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Fear, Trevor (2015). New Voices in Classical Reception Studies Vol. 10 (2015). The Open University.

Goodrich, Amanda (2015). Radical Popular Attitudes to the Monarchy in Britain during the French Revolution. In: Gestrich, Andreas and Schaich, Michael eds. The Hanoverian Succession: Dynastic Politics and Monarchical Culture. Ashgate, pp. 261–278.

Graham, Emma-Jayne (2015). Embodying death in archaeology. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology 9. Oxford: Oxbow Books, pp. 1–17.

Graham, Emma-Jayne (2015). Corporeal concerns: the role of the body in the transformation of Roman mortuary practices. In: Devlin, Zoë L. and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology (9). Oxford: Oxbow, pp. 41–62.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing, 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2015). Philology and Global English Studies: Retracings. London: Palgrave Macmillan.

Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Hack, Karl (2015). Detention, Deportation and Resettlement: British Counterinsurgency and Malaya’s Rural Chinese, 1948–60. Journal of Imperial and Commonwealth History, 43(5) pp. 611–640.

Hack, Karl (2015). The Malayan Emergency: British Counterinsurgency Phases and the Triumph of Geo-demographic Control, 1948-60. In: Fremont-Barnes, Gregory ed. A History of Counterinsurgency: From South Africa to Algeria, 1900 to 1954. Santa Barbara, California: ABC-Clio, pp. 125–176.

Hack, Karl (2015). Tropical transitions in colonial counter-insurgency: From Malayan Emergency to post-colonial partnership. In: Johnson, Robert and Clack, Timothy eds. At the End of Military Intervention: Historical, Theoretical, and Applied Approaches to Transition, Handover, and Withdrawal. Oxford: Oxford University Press, pp. 61–85.

Hamer, Laura (2015). [Book Review] Perspectives on the Performance of French Piano Music by Scott McCarrey and Lesley A. Wright (eds.). Music & Letters, 96(1) pp. 133–135.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

Hughes, Jessica and Graham, Emma-Jayne (2015). The votives project. Material Religion, 11(1) pp. 129–131.

Hughes, Lotte and Fouere, Marie-Aude (2015). Heritage and memory in East Africa today: a review of recent developments in cultural heritage research and memory studies. Azania: Archaeological Research in Africa, 50(4) pp. 542–558.

James, Paula (2015). Hercules as a Symbol of Labour: A Nineteenth-century Class-conflicted Hero. In: Stead, Henry and Hall, Edith eds. Greek and Roman classics in the British struggle for social reform. Bloomsbury Studies in Classical Reception. London, New York: Bloomsbury Academic, pp. 138–154.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2015). Coriolanus in South Africa. In: Smith, Bruce R. ed. The World's Shakespeare, 1660-Present. The Cambridge Guide to the Worlds of Shakespeare, 2. Cambridge, UK: Cambridge University Press, pp. 1235–1241.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Kenkel, Frauke and Rothe, Ursula (2015). Tall Zar‘ā, Jordanien: Landwirtschaftlicher Komplex, ländliche Villa im orientalischen Stil oder Klosteranlage? Die Ausgrabungen im Areal III: Die Arbeiten des Jahres 2014. e-Forschungsberichte des Deutschen Archäologischen Instituts, 2 pp. 23–27.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Kolassa, Alexander (2015). Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack. Journal of Sonic Studies, 9

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Mathematics and Computation in Music (Collins, Tom; Meredith, David and Volk, Anja eds.), Lecture Notes in Computer Science, Springer International Publishing, Cham, Switzerland, pp. 193–198.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

Marsden, Richard (2015). [Book Review] Remembering the Past in Nineteenth-Century Scotland: Commemoration, Nationality and Memory. Journal of Scottish Historical Studies, 35(2) pp. 247–249.

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Neale, Derek (2015). The 'Start Writing Fiction' MOOC: Teaching a class of twenty-five thousand. Writing in Education(67) pp. 58–61.

Neale, Derek, Butt, Maggie, Whitehead, Harry and Brayfield, Celia (eds.) (2016) Writing in Practice: The Journal of Creative Writing Research. (Vol. 1) National Association of Writers in Education.

O'Reilly, Sally (2015). Dark Aemilia. Brighton: Myriad.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Paul, Joanna (2015). ‘‘Time is only a mode of thought, you know’: Ancient History, Empire, and Imagination in E. Nesbit’s Stories for Children’. In: Maurice, Lisa ed. The Reception of Ancient Greece and Rome in Children’s Literature: Eagles and Heroes. Metaforms (6). Leiden: Brill, pp. 30–55.

Perry, Gill (2015). 'A lady on the stage and an actress off it’: Performance and femininity in images of Elizabeth Farren, Countess of Derby. In: Lloyd, Stephen ed. Art, Animals and Politics: Knowsley and the Earls of Derby. London: Unicorn Press, pp. 61–80.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Richards, Fiona (2015). "The streaming of the sun and the flowing of the stars": D.H. Lawrence and Peter Sculthorpe. Journal of D.H.Lawrence Studies, 3(3) pp. 33–50.

Richards, Fiona (2015). “the whole landscape dazzling and shrilling”: Soundscapes of war and peace in David Malouf’s Fly Away Peter. Southerly, 75(3) pp. 155–168.

Richards, Fiona (2015). The Goat-God in England: A Musical Context for Lawrence's Fascination with Pan. D.H.Lawrence Review, 40(1) pp. 90–106.

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Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18.

Robson, James (2015). Fantastic sex: fantasies of sexual assault in Aristophanes. In: Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon: Routledge, pp. 315–331.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

Shaw, Samuel (2015). "Scarcely a scholar": William Rothenstein and the Artist as Art-writer in English Periodicals, ca.1890–1910. Visual Resources, 31(1-2) pp. 45–60.

Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2015). Linking early geospatial documents, one place at a time: annotation of geographic documents with Recogito. e-Perimetron, 10(2) pp. 49–59.

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Swift, Laura (2015). Lyric visions of epic combat: the spectacle of war in archaic personal song. In: Bakogianni, Anastasia and Hope, Valerie eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury Academic, pp. 93–109.

Swift, Laura (2015). Stesichorus on Stage. In: Finglass, P. J. and Kelly, A. eds. Stesichorus in Context. Cambridge University Press, pp. 125–144.

Tickell, Alex (2015). An Interview with Manju Kapur. Journal of Postcolonial Writing, 51(3) pp. 340–350.

Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250.

Tickell, Alex (2015). Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga's The White Tiger. In: Malreddy, Pavan Kumar; Heidemann, Birte; Laursen, Ole Birk and Wilson, Janet eds. Reworking Postcolonialism: Globalisation, Labour and Rights. Palgrave Macmillan, pp. 150–164.

Towheed, Shafquat (2015). Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914–1918. In: Towheed, Shafquat and King, Edmund G.C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Palgrave Macmillan, pp. 78–95.

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Vincent, David (2015). I Hope I Don’t Intrude. Privacy and its Dilemmas in Nineteenth-Century Britain. Oxford: Oxford University Press.

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Walder, Dennis (2015). Athol Fugard. In: Middeke, Martin; Schnierer, Peter Paul and Homann, Greg eds. The Methuen Drama Guide to Contemporary South African Theatre. Methuen Drama. London and New York: Bloomsbury, pp. 125–144.

Watson, Nicola (2015). Epistolary fiction. In: Garside, Peter and O'Brien, Karen eds. The Oxford History of the Novel in English, Volume 2. Oxford: Oxford University Press, pp. 370–384.

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West, Susie (2015). Looking back from 1700: problems in locating the country house library. In: Dimmock, Matthew; Hadfield, Andrew and Healy, Margaret eds. The Intellectual Culture of the English Country House, 1500-1700. Manchester: Manchester University Press, pp. 178–194.

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Wilding, Alexandra (2015). Aspirations and identities: Proxenia at Oropos during the fourth to second centuries BC. Bulletin of the Institute of Classical Studies, 58(2) pp. 55–81.

Williams, Sean (2015). Osaka Expo '70: The promise and reality of a spherical sound stage. In: Insonic, 26-28 Nov 2015, Karlsruhe, Germany.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. Edinburgh College of Art.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 Oct 2015, Paris, France.

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

Yamagata, Naoko (2015). 'From Our Own Correspondent: Authorial Commentary on the "Spectacles of War" in Homer and in the Tale of the Heike'. In: Bakogianni, Anastasia and Hope, Valerie M. eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 43–55.

Younger, Neil (2015). Drama, politics, and news in the Earl of Sussex's entertainment of Elizabeth at New Hall, 1579. The Historical Journal, 58(2) pp. 343–366.

2014To Top

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. (2014). Elizabeth I's Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan.

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Crone, Rosalind ed. (2014). Policing Entertainment. The Making of the Modern Police (4). London: Pickering & Chatto.

Godfrey, Barry and Lawrence, Paul eds. (2014). Crime and Justice since 1750 (2nd ed). Abingdon: Routledge.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Lawrence, Paul ed. (2014). Policing the Poor. The Making of the Modern Police, 3. London: Pickering & Chatto.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Adamou, Alessandro; d'Aquin, Mathieu; Barlow, Helen and Brown, Simon (2014). LED: curated and crowdsourced linked data on music listening experiences. In: Proceedings of the ISWC 2014 Posters & Demonstrations Track, CEUR Workshop Proceedings, CEUR-WS.org, pp. 93–96.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan (2014). Introduction. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan, xix-xxv.

Baker, Patty; King, Helen and Totelin, Laurence (2014). Teaching ancient medicine: the issues of abortion. In: Rabinowitz, Nancy Sorkin and McHardy, Fiona eds. From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom. Columbus, OH: Ohio State University Press, pp. 71–91.

Barker, Elton and Christensen, Joel (2014). Even Herakles had to die: Homeric ‘heroism’, mortality and the epic tradition. Trends in Classics, 6(2) pp. 249–277.

Barnes, Amy Jane (2014). Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Routledge.

Barnes, Amy Jane (2014). Forum: Museums and Mental Health. Introduction. Museum Worlds: Advances in Research, 2(1) pp. 133–135.

Barnes, Amy Jane (2014). What makes a good museum? The Art Fund knows. The Conversation.

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33.

Benton, Tim (2014). Dom-Ino and the Phantom Pilotis. In: Weaver, Thomas ed. AA Files. AA Files, 69 (69). London: Architectural Association, pp. 13–37.

Bolick, Laura (2014). Culture, humanism and intellect: Cardinal Bessarion as patron of the arts. PhD thesis The Open University.

Bridges, Emma (2014). Imagining Xerxes: Ancient Perspectives on a Persian King. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Brown, Simon; Adamou, Alessandro; Barlow, Helen and d'Aquin, Mathieu (2014). Building listening experience Linked Data through crowd-sourcing and reuse of library data. In: Proceedings of the 1st International Workshop on Digital Libraries for Musicology - DLfM '14, DLfM '14, ACM, pp. 1–8.

Bullock, Emily; Harlow, Nicky; Richardson, Heather and Sweeney, Emma (2014). Articulating the Other. Writing in Education, 62 pp. 52–55.

Burrows, Donald (2014). The Power of Music - the significance of "Alexander's Feast" in Handel's London career. In: ed. Händel-Jahrbuch 2014, 60. Bärenreiter, pp. 243–252.

Burrows, Donald (2014). Handel, the British Court and the London public. In: Marx, H. J. and Sandberger, Wolfberger eds. Göttinger Händel-Beiträge XV. Göttingen: Vandenhoeck & Ruprecht, pp. 109–118.

Campbell, Siobhán (2014). Filíocht Nua: New Poetry. New Hibernia Review, 18(4) pp. 36–43.

Campbell, Siobhán (2014). Seamus Heaney's 'Casualty' - Causal or Casual? Poetry Ireland Review(113) pp. 133–134.

Carter, Warren (2014). Painting the Revolution: State, Politics and Ideology in Mexican Muralism. Third Text, 28(3) pp. 282–291.

Charlesworth, Amy (2014). Navigating spheres, shifts in emphasis: The documentary, the video essay and the social. Art & the Public Sphere, 3(1) pp. 31–44.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Coatalen, Guillaume and Gibson, Jonathan (2014). Six Holograph Letters in French from Queen Elizabeth I to the Duke of Anjou: Texts and Analysis. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 27–62.

Coombes, Annie E.; Hughes, Lotte and Karega-Munene (2014). Managing Heritage, Making Peace: History, Identity and Memory in Contemporary Kenya. London: I B Tauris.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

Donnachie, Ian (2014). 'Overwhelmed with poverty, divisions and distress': Robert Owen's Tour of Ireland, 1822-3. History Ireland, 22(3) pp. 24–27.

Donnachie, Ian (2014). People, places and spaces. Education in Robert Owen's New Society. In: Mills, Sarah and Kraftl, Peter eds. Informal Education, Childhood and Youth. Geographies, Histories, Practices. Basingstoke: Palgrave Macmillan Ltd, pp. 81–96.

Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

Fear, Trevor (2014). New Voices in Classical Reception Studies Vol. 9 (2014). The Open University.

Gibson, Jonathan (2014). 'Dedans la plie de mon fidelle affection': Familiarity and Materiality in Elizabeth’s Letters to Anjou. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I's Foreign Correspondence Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 63–89.

Golding, Rosemary (2014). Organ Recitals, education, repertoire, and a new musical public in nineteenth-century Edinburgh. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(24) pp. 89–113.

Goodrich, Amanda (2014). Radical “Citizens of the World,” 1790–95: The Early Career of Henry Redhead Yorke. Journal of British Studies, 53(3) pp. 611–635.

Graham, Emma-Jayne (2014). Infant votives and swaddling in Hellenistic Italy. In: Carroll, Maureen and Graham, Emma-Jayne eds. Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series (96). Ann Arbor: Journal of Roman Archaeology, pp. 23–46.

Graham, Emma-Jayne and Carroll, Maureen (2014). Introduction: Infant health and death in Roman Italy and beyond. In: Carroll, Maureen and Graham, Emma-Jayne eds. Infant health and death in Roman Italy and beyond. Journal of Roman Archaeology Supplementary Series (96). Portsmouth, Rhode Island: Journal of Roman Archaeology, pp. 9–22.

Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

Gustar, Andrew James (2014). Statistics in Historical Musicology. PhD thesis The Open University.

Hamer, Laura (2014). [Book Review] Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 by Barbara L. Kelly. H-France Review, 14(158)

Hamer, Laura (2014). [Book Review] The Musical Legacy of Wartime France by Leslie A. Sprout. H-France Review, 14(153)

Hamer, Laura (2014). [Book Review] Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head. Women's History Review, 23(3) pp. 505–507.

Hamer, Laura and Dingle, Christopher (2014). 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. Studies in the Digital Humanities

Hazareesingh, Sandip (2014). The everyday lives of ancient Colombians. Open University, Milton Keynes.

Hope, Valerie (2014). Inscriptions and Identity. In: Millet, Martin; Revell, Louise and Moore, Alison eds. The Oxford Handbook of Roman Britain. Oxford: Oxford University Press.

Hughes, Jessica (2014). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Supplements to the Memoirs of the American Academy in Rome (10). Ann Arbor, MI: University of Michigan Press, pp. 103–116.

Isaksen, Leif; Simon, Rainer; Barker, Elton T. E. and de Soto Cañamares, Pau (2014). Pelagios and the emerging graph of ancient world data. In: WebSci '14: Proceedings of the 2014 ACM conference on Web science, ACM, pp. 197–201.

James, Paula (2014). Book Review: Literature and Identity in The Golden Ass of Apuleius. Ancient Narrative, 11 pp. 229–236.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Yamagata, Naoko, ed. A New Interpretation of Sophocles’ Oedipus Tyrannus: In the Light and Darkness of Apollo. By Shigenari Kawashima (2014). Edwin Mellen Press (2014). Translated from Japanese [日本語]

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387.

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

King, Helen and Toner, Jerry (2014). Medicine and the senses: humours, potions and spells. In: Toner, Jerry ed. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE. A Cultural History of the Senses. London: Bloomsbury, pp. 139–161.

Lamont, Mark (2014). 3 Malinowski and the "Native Question". In: Darnell, Regna and Gleach, Frederic W. eds. Anthropologists and Their Traditions Across National Borders. Histories of Anthropology Annual. University of Nebraska Press, pp. 69–110.

Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

Lawrence, Paul (2014). The British police. In: Bruinsma, Gerben and Weisburd, David eds. Encyclopedia of Criminology and Criminal Justice. New York: Springer-Verlag, pp. 203–213.

Lawrence, Paul (2014). General Introduction [to the series]. In: Dodsworth, Francis ed. The Making of the Modern Police, 1780-1914: volume 1 - "The 'Idea' of Policing. London: Routledge, vii-xxiii.

Layton-Jones, Katy (2014). The Parks Conundrum. Context: Institute of Historic Building Conservation(133) pp. 18–21.

Loftus, Donna (2014). Work, poverty and modernity in Mayhew's London. Journal of Victorian Culture, 19(4) pp. 507–519.

Marsden, Richard (2014). The real reason Yes Scotland avoids Braveheart nostalgia. The Conversation.

Marsden, Richard A. (2014). Cosmo Innes and the Defence of Scotland's Past c.1825-1875. Farnham: Ashgate.

Mays, S.; Robson-Brown, K.; Vincent, S.; Eyers, J.; King, H. and Roberts, A. (2014). An infant femur bearing cut marks from Roman Hambleden, England. International Journal of Osteoarchaeology, 24(1) pp. 111–115.

McKellar, Elizabeth (2014). Defining the Boundaries of London: Perambulation and the City in the Long Eighteenth Century. In: Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers Papers from the Third EAHN International Meeting (Rosso, Michela ed.), pp. 437–447.

Mombauer, Annika (2014). Julikrise und Kriegsschuld - Thesen und Stand der Forschung. Aus Politik und Zeitgeschichte, 64(16-17) pp. 10–16.

Mombauer, Annika (2014). Der hundertjaehrige Krieg um die Kriegsschuld. Geschichte in Wissenschaft und Unterricht, 65(5/6) pp. 303–337.

Mombauer, Annika (2014). Die Julikrise. Europas Weg in den Ersten Weltkrieg. Beck'sche Reihe Wissen. Munich: C.H. Beck Verlag.

Norman, Diana (2014). The Sicilian Connection: Imperial Themes in Simone Martini’s St. Louis of Toulouse Altarpiece. Gesta, 53(1) pp. 25–45.

O'Shea, Helen (2014). Ireland and the End of the British Empire: The Republic and its Role in the Cyprus Emergency. London: I.B. Tauris.

Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61.

Parmar, Maya (2014). Memorialising 40 years since Idi Amin's expulsion: digital ‘memory mania’ to the ‘right to be forgotten’. South Asian Popular Culture, 12(1) pp. 1–14.

Perkins, Phil (2014). Oinochoe di bucchero, tipo B di Batignani, decorata con un fregio di sfingi e volatile modellato sul coperchio. In: Bruschetti, Paolo; Giulierini, Paolo; Gialluca, Bruno; Reynolds, Suzanne and Swaddling, Judith eds. Seduzione Etrusca: Dai segreti di Holkham Hall alle meraviglie del British Museum. Milan: Skira, pp. 417–418.

Perkins, Phil (2014). Oinochoe di bucchero decorate con un fregio di volatili, tipo A di Batignani. In: Bruschetti, Paolo; Giulierini, Paolo; Gialluca, Bruno; Reynolds, Suzanne and Swaddling, Judith eds. Seduzione Etrusca: Dai segreti di Holkham Hall alle meraviglie del British Museum. Milan: Skira, pp. 418–419.

Perkins, Phil (2014). Processes of urban development in northern and central Etruria in the Orientalizing and Archaic periods. In: Robinson, Elizabeth C. ed. Papers on Italian urbanism in the first Millennium B.C. Journal of Roman Archaeology supplementary Series, Supplement (97). Portsmouth, Rhode Island: Journal of Roman Archaeology, pp. 62–80.

Plassart, Anna (2014). Scottish perspectives on war and patriotism in the 1790s. The Historical Journal, 57(1) pp. 107–129.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 Apr 2014, London, UK.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.

Richardson, Heather (2014). Sparta. Incubator Journal(3) pp. 18–25.

Robson, James (2014). Slipping one in: the introduction of obscene lexical items in Aristophanes. In: Olson, S. Douglas ed. Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin: De Gruyter, pp. 29–50.

Rothe, Ursula (2014). Ethnicity in the Roman north-west. In: McInerney, Jeremy ed. A Companion to Ethnicity in the Ancient Mediterranean. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 497–513.

Rowland, David (2014). Nineteenth-century pianists and Baroque music. Musurgia. Analyse et pratique musicales, 21(1-2) pp. 79–90.

Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178.

Simon, Rainer; Pilgerstorfer, Peter; Isaksen, Leif and Barker, Elton (2014). Towards semi-automatic annotation of toponyms on old maps. e-Perimetron, 9(3) pp. 105–112.

Slight, John (2014). British Understandings of the Sanussiyya Sufi Order’s Jihad against Egypt, 1915–17. The Round Table: The Commonwealth Journal of International Affairs, 103(2) pp. 233–242.

Swift, Laura (2014). Telephus on Paros: genealogy and myth in the 'new Archilochus' poem (P. Oxy. 4708). Classical Quarterly, 64(2) pp. 433–447.

Swift, Laura (2014). The animal fable and Greek iambus: ainoi and half-ainoi in Archilochus. In: Werner, C. and Sebastini, B. eds. Gêneros poéticos na Grécia antiga: Confluências e fronteiras. São Paulo: Humanitas, pp. 49–77.

Tackley, Catherine (2014). Race, identity and the meaning of Jazz in 1940s Britain. In: Stratton, Jon and Zuberi, Nabeel eds. Black Popular Music in Britain Since 1945. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 11–26.

Tackley, Catherine (2014). Tiger Bay and the roots/routes of black British jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 43–62.

Taylor, Clare (2014). “Painted paper of Pekin”: the taste for eighteenth-century Chinese papers in Britain, c.1918-c.1945. In: Huang, Michelle Ying-ling ed. The Reception of Chinese Art across Cultures. Cambridge: Cambridge Scholars Publishing, pp. 44–64.

Vincent, David (2014). ‘The invention of counting: the statistical measurement of literacy in nineteenth-century England’. Comparative Education, 50(3) pp. 266–281.

Wainwright, Leon (2014). Disturbing pasts: memories, controversies and creativity. Open Arts Journal(3)

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. The Encyclopedia of Aesthetics, Second Edition, Volume 3. New York: Oxford University Press, pp. 199–203.

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. Encyclopedia of Aesthetics (2nd ed.). Oxford: Oxford University Press.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University.

Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Williams, Chris A. (2014). Police Control Systems in Britain, 1775–1975: From Parish Constable to National Computer. Manchester: Manchester University Press.

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 Apr 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). Separation/Integration. The University of Edinburgh.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Strict serialism or structured improvisation?: The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne. In: Centre for Musical Performance as Creative Practice 3, 17-20 Jul 2014, Cambridge, United Kingdom.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14 Jun 2014, Karlsruhe, Germany.

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. Science Museum, London.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

Winters, Ben (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Wolfson, Sara (2014). Kevin Sharpe, Reading Authority and Representing Rule in Early Modern England (Bloomsbury: London, 2013) in Reviews in History (2014). Reviews in History, article no. 1643.

Woods, Kim (2014). Altarpieces in alabaster. In: Fajt, Jiri and Hörsch, Markus eds. Niederländische Skulpturenexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert. Studia Jagellonica Lipsiensia. Ostfildern: Jan Thorbecke Verlag, pp. 41–58.

Yamagata, Naoko (2014). Camilla and Tomoe: female warriors in Virgil and in medieval Japan. Proceedings of the Virgil Society, 28 pp. 81–98.

Yamagata, Naoko (2014). The Justice of Zeus revisited. In: Christopoulos, Menelaos and Paizi-Apostolopoulou, Machi eds. Crime and Punishment in Homeric and Archaic Epic: Proceedings of the 12th International Symposium on the Odyssey, Ithaca, September 3-7, 2013. Ithaca, Greece: Centre for Odyssean Studies, pp. 47–56.

2013To Top

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Mombauer, Annika ed. (2013). The Origins of the First World War: diplomatic and military documents. Manchester: Manchester University Press.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Thompson, Marie and Biddle, Ian eds. (2013). Sound, Music, Affect: Theorizing Sonic Experience. New York: Bloomsbury.

Wilson, Janet; Kimber, Gerri and da Sousa Correa, Delia eds. (2013). Katherine Mansfield and the (Post)Colonial. Katherine Mansfield Studies, 5. Edinburgh: Edinburgh University Press.

Allen, Gemma (2013). The Cooke sisters: education, piety and politics in early modern England. Politics, Culture & Society in Early Modern Britain. Manchester University Press.

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Bakogianni, Anastasia (2013). ‘Who rules this nation? (Ποιός κυβερνά αυτόν τον τόπο;): political intrigue and the struggle for power in Michael Cacoyannis’ Iphigenia (1977)’. In: Bakogianni, Anastasia ed. Dialogues with the Past: Classical Reception Theory and Practice. BICS Supplement, 1 (126.1). London: Institute of Classical Studies, pp. 225–249.

Bakogianni, Anastasia (2013). Demotic power to the people: the triumph of dimotiki, the triumph of Medea. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A Democratic Turn? Classical Presences. Oxford: Oxford University Press, pp. 197–212.

Bakogianni, Anastasia (2013). Annihilating Clytemnestra: the severing of the mother-daughter bond in Michael Cacoyannis’ Iphigenia (1977). In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Classical Presences. Oxford: Oxford University Press, pp. 207–234.

Barker, Elton (2013). All mod cons: power, openness and text in a digital turn. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A ‘Democratic Turn’? Oxford: Oxford University Press, pp. 411–426.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Writing space, living space: time, agency and place relations in Herodotus’s Histories. In: Heirman, Jo and Klooster, Jacqueline eds. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Ghent: Academia Press, pp. 229–247.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Extracting, investigating and representing geographical concepts in Herodotus: the case of the Black Sea. In: The Bosporus: Gateway between the Ancient West and East (1st Millennium BC–5th Century AD) (Tsetskhladze, Gocha R.; Atasoy, Sümer; Avram, Alexandru; Dönmez, Şevket and Hargrave, James eds.), BAR International Series, Archaeopress, Oxford, pp. 7–17.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World.

Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan and Pelling, Chris (2013). On using a digital resources for the study of an ancient text: the case of Herodotus’ Histories. In: Dunn, Stuart and Mahony, Simon eds. The Digital Classicist. Bulletin of the Institute of Classical Studies Supplement (122). Institute of Classical Studies, University of London, pp. 45–62.

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2012To Top

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi.

Horstmansoff, Manfred; King, Helen and Zittel, Claus eds. (2012). Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture, 25. Leiden: Brill.

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Allen, Richard (2012). Raja Rao and world literature. Summerhill: Journal of the Indian Institute for Advanced Study, 18(2)

Alzola Romero, Aaron (2012). One laptop per college student? Exploring the links between access to IT hardware and academic performance in higher education e-learning programs. Journal of Distance Education, 26(1)

Bainbridge, Emma and Stadtler, Florian (2012). Calling from London, talking to India: South Asian networks at the BBC and the case of G.V. Desani. In: Nasta, Susheila ed. India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave Macmillan, pp. 164–178.

Barker, Elton; Bissell, Christopher; Hardwick, Lorna; Jones, Allan; Ridge, Mia and Wolffe, John (2012). Digital technologies: help or hindrance for the humanities? Arts and Humanities in Higher Education, 11(1-2) pp. 185–200.

Barker, Emma (2012). Reading the Greuze Girl: the daughter's seduction. Representations, 117 pp. 86–119.

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) pp. 9–24.

Barnes, Amy Jane (2012). A Trojan Horse? An icon of the anti-establishment at the Victoria & Albert Museum. Museum and Society, 10(2) pp. 69–80.

Dudley, Sandra H.; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2012). Narrating Objects, Collecting Stories. Abingdon: Routledge.

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Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

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2011To Top

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan.

Emsley, Clive ed. (2011). Theories and Origins of the Modern Police. The History of Policing, 1. Farnham: Ashgate.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica. Mexico: Fondo de Cultura Economica.

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

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