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2020

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625: celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers (In Press).

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

King, Edmund G.C. and Smialkowska, Monika eds. (2020). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2020). Art in Theory: The West in the World - An Anthology of Changing Ideas. Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online.

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 19(1) (In Press).

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. PhD thesis. The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) (In Press).

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review (Early access).

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review (Early Access).

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources pp. 1–24.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. Contemporary China Centre, University of Westminster.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brunet, Luc-Andre (2020). ‘“A Bridge to Better Relations between London and Vichy”: South Africa and Commonwealth Diplomacy during the Second World War. In: Dubow, Saul and Drayton, Richard eds. Commonwealth History in the Twenty-First Century. Basingstoke: Palgrave Macmillan, (In Press).

Clark, Leah R. and Campbell, Caroline (2020). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, vol. 2. London: Bloomsbury, (In Press).

Clarke, Martin V. (2020). Hearing and Believing: Listening Experiences as Religious Experiences in Nineteenth-Century British Methodism. Nineteenth-Century Music Review (Early access).

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century, 29

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Gouly, Daniel (2020). SoundCloud, Sampling and Sonic Experimentation: Knowledge Transmission in Hip-Hop’s Underground. PhD thesis. The Open University.

Graham, Emma-Jayne (2020). Reassembling Religion in Roman Italy. Routledge.

Graham, Emma-Jayne (2020). Hand in hand: Rethinking anatomical votives as material things. In: Gasparini, V; Patzelt, M; Raja, R; Rieger, A-K; Rupke, J and Urciuoli, E eds. Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History and Classics. De Gruyter, pp. 209–236.

Graham, Emma-Jayne (2020). Mobility impairment: identifying lived experiences in Roman Italy. In: Laes, Christian ed. A Cultural History of Disability in Antiquity. London: Bloomsbury, pp. 31–45.

Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis. The Open University.

Haywood, Jan (2020). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell (In Press).

Hazareesingh, Sandip (2020). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies (Early Access).

Hogan, Edward (2020). Loops and reels: narrative disruption in film, fiction, and cinemagoing history. Writing in Practice, 6 (In press).

Hogan, Edward (2020). The Electric. London: John Murray (In Press).

Hope, Valerie (2020). Life at Sea, Death on Land: the Funerary Commemoration of the Sailors of Roman Misenum. In: Bargfeldt, Niels and Hjarl Petersen, Jane eds. Reflections: Harbour City Deathscapes in Roman Italy and Beyond. Rome: Quasar, pp. 79–98.

Hope, Valerie (2020). Octavia: a Roman mother in mourning. In: Sharrock, Alison and Keith, Alison eds. Maternal conceptions in classical literature and philosophy. University of Toronto Press.

Hughes, Jessica (2020). A Sense of Disruption. Material Religion (Early Access).

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Edmund and Smialkowska, Monika (2020). Introduction. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Edmund G.C. (2020). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan (In Press).

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids/Fluid Bodies. London: Routledge, (In Press).

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, (In Press).

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales (In Press).

Marsden, Richard (2020). [Book Review] Reading History in Britain and America, c.1750-1840. By M. Towsey. Scottish Historical Review, 99 (In Press).

Miller, David Lee; Anderson, Judith H.; Brown, Richard Danson; Dolven, Jeff; Gross, Ken; Nohrnberg, James and Ramachandran, Ayesha (2020). Responses to Harry R. Berger, Resisting Allegory: interpretive delirium in Spenser's "Faerie Queene". Spenser Review, 50(2), article no. 50.2.2..

Mombauer, Annika (2020). Helmuth von Moltke (der Jüngere). In: Grawe, Lukas ed. Die militärische Elite des Kaiserreichs. Darmstadt: wbg Theiss, pp. 227–238.

Moohan, Elaine (2020). Medieval fragments from Glasgow's archives. The Innes Review (In press).

Neale, Derek (2020). 'Last' scenes: Experiments with the poetic and phatic, gender and genre. Liminalities: the journal of performance studies (In Press).

Neale, Derek (2020). Introduction. In: Neale, Derek ed. Writing Talk: Interviews with writers about the creative process. London: Routledge, pp. 1–17.

Perkins, Phil (2020). Jean Gran-Aymerich, Les vases de bucchero: le monde étrusque entre orient et occident (Bibliotheca archaeologica 55). Rome: «L'Erma» di Bretschneider, 2017. pp. 287; 392 pp. of plates; illus., maps. 1 CD-ROM. isbn9788891308177. €450.00. (Review). Journal of Roman Studies (Early access).

Pinto, Angelo (2020). The Symphony as a Novel: Mahler’s Tenth. PhD thesis. The Open University.

Plassart, Anna and Bonin, Hugo (2020). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History (Early Access).

Plastow, Christine (2020). Homicide in the Attic Orators: Rhetoric, Ideology, and Context. Routledge (In Press).

Prescott, Lynda (2020). Small Presses and Little Magazines: a Print Culture Perspective on Modernism. In: Poplawski, Paul ed. Yearbook of English Studies, Volume 50. Modern Humanities Research Association, (In press).

Reardon, Joanne (2020). Ekphrasis in Still Life with Black Birds: Finding a new space - art and prose in collaboration. Writing in Practice, 6 pp. 40–52.

Reardon, Joanne (2020). The Weight of Bones. Gwynedd: Leaf by Leaf, imprint of Cinnamon Press.

Rodgers, Michael (2020). Nabokov's Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, Marie; Loison-Charles, Julie and Poulin, Isabelle eds. The Five Senses in Nabokov's Work. Palgrave Macmillan, pp. 53–68.

Sobotta, Monika (2020). The Reception of Katherine Mansfield in Germany. PhD thesis. The Open University.

Taylor, James (2020). Loudon Sainthill’s “Antipodean” Vision for Michael Benthall’s Tempest. Shakespeare, 16(1) pp. 68–79.

Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text (In press).

Trott, Vincent (2020). The poetic marketplace. In: Potter, Jane ed. A Cambridge History of First World War Poetry. Cambridge: Cambridge University Press, (In Press).

Vincent, David (2020). A History of Solitude. Cambridge: Polity Press.

Watson, N. J. (2020). The Author’s Effects: On the Writer’s House Museum. Oxford, New York: Oxford University Press (In Press).

Winters, Ben (2020). Analogue Authenticity and the Sound of Wes Anderson. In: Vernallis, Carol; Rogers, Holly and Perrott, Lisa eds. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. New Approaches to Sound, Music and Media. Bloomsbury Press, pp. 50–55.

Wolfson, Sara (2020). 'Practical proselytising: the impact of counter-Reformation Catholicism at the Caroline court, 1625-1626'. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History. Boydell and Brewer.

Wolfson, Sara (2020). The Welcoming Journey of Queen Henrietta Maria and Stuart–Bourbon Relations, 1625–1626. In: Conava-Green, Marie-Claude and Wolfson, Sara eds. The Wedding of Charles I and Henrietta Maria, 1625: Celebrations and Controversy. European Festival Series: 1450-1700. Turnhout, Belgium: Brepols Publishers, (In Press).

2019

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2019). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press (In Press).

Neale, Derek ed. (2019). Writing Talk- How stories are found and made. London: Routledge (In Press).

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Archibald, Zosia and Haywood, Jan (2019). Preface. In: Archibald, Zosia and Haywood, Jan eds. The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales, ix-xxvii.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Elton; Simon, Rainer; Vitale, Valeria; Kahn, Rebecca and Isaksen, Leif (2019). Revisiting Linking Early Geospatial Documents with Recogito. e-Perimetron, 14(3) pp. 150–163.

Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28.

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. University of Sheffield; Birkbeck University.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Caring to turn back: overhearing Spenser in Donne. In: Ryzhik, Yulia ed. Spenser and Donne: Thinking Poets. The Manchester Spenser, 1. Manchester: Manchester University Press, pp. 13–31.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Brunet, Luc-André (2019). Unhelpful Fixer? Canada, the Euromissile Crisis, and Pierre Trudeau’s Peace Initiative, 1983-84. International History Review, 41(6) pp. 1145–1167.

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork University Press, pp. 111–126.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 (In Press).

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Clark, Leah R. (2019). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections (Early Access).

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury, (In Press).

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols (In Press).

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing, (In Press).

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

Cradduck, Lucinda (2019). Spirituality in the Music of Edmund Rubbra. PhD thesis. The Open University.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36.

Donnachie, Ian (2019). ‘We must give them an education, large, liberal and comprehensive’. Catherine Vale Whitwell: teacher, artist, author, feminist and Owenite communitarian. Women's History Review, 28(4) pp. 552–565.

Donnachie, Ian (2019). Catherine Vale Whitwell (1789-1873), educationist and communitarian. Oxford Dictionary of National Biography, OUP.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Edinburgh, Kerri-Anne (2019). A Study of the Experience of Listening to Music in World War Two Britain. PhD thesis. The Open University.

Emsley, Clive (2019). British Police in Postwar Vienna: Chasing the Real Harry Lime. History Today, 69(2) pp. 40–53.

Faire, Lucy and Mchugh, Denise (2019). Twelve shades of grey: encountering urban colour in the street in British provincial towns, c. 1945–1970. Urban History, 46(2) pp. 288–308.

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis. The Open University.

Golding, Rosemary (2019). ‘Appeasing the unstrung mental faculties’: listening to music in nineteenth-century lunatic asylums. Nineteenth-Century Music Review (In Press).

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Graham, Emma-Jayne (2019). Pilgrimage, mobile behaviours and the creation of religious place in early Roman Latium. In: Kuuliala, Jenni and Rantala, Jussi eds. Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages. Routledge, pp. 15–36.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Gupta, Suman and Gupta, Ayan-Yue (2019). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies (Early Access).

Hack, Karl (2019). Unfinished Decolonisation and Globalisation. Journal of Imperial and Commonwealth History, 47(5) pp. 818–850.

Hack, Karl (2019). We Meet Again: Britain and Singapore 1945-1946. In: Koh, Tommy and Wightman, Scott eds. 200 years of Singapore and the United Kingdom. Singapore: Straits Times Press, pp. 118–125.

Hall, Edith and Stead, Henry (2019). A People's History of Classics: Class and Greco-Roman Antiquity in Britain 1689-1939. London: Routledge (In Press).

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. PhD thesis. The Open University.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Haslam, Sara (2019). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities (Early Access).

Haslam, Sara (2019). Ford Studies in the Twenty-first Century: Bibliography, Criticism and the Gaps on the Map. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Companion to Ford Madox Ford. Routledge, pp. 1–22.

Haslam, Sara and Saunders, Max (2019). Ford's Letters. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 25–38.

Haslam, Sara; Saunders, Max and Skinner, Paul (2019). Editing Ford. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 441–460.

Hughes, Jessica (2019). Tiny and Fragmented Votive Offerings from Classical Antiquity. In: Martin, S. Rebecca and Langin-Hooper, Stephanie M. eds. The Tiny and the Fragmented : Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press, pp. 48–71.

Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Johnson, David (2019). Frantz Fanon. In: ed. Routledge Handbook of Marxism and Post-Marxism. Routledge, (In Press).

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

Kolassa, Alexander (2019). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack (In Press).

Lawrence, Paul (2019). Historical Criminology and the Explanatory Power of the Past. Criminology and Criminal Justice, 19(4) pp. 493–511.

Lawrence, Paul (2019). Policing, ‘Science’ and the Curious Case of Photo-FIT. The Historical Journal (In Press).

Lee, Catherine and Logan, Anne (2019). Women’s agency, activism and organisation. Women's History Review, 28(6) pp. 831–834.

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics (In Press).

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Mackie, Robin (2019). Succession and inheritance in Scottish business families, c.1875-1935. Business History (Early Access).

Marsden, Richard (2019). National histories and national identities: Brexit and devolution, past and future. OpenTALKS History Lecture, Open University.

McBride, Terence (2019). Scottishness and ‘foreigners’: the role of a developing Scottish ‘machinery of government’ before 1939. Historical Research, 92(256) pp. 410–431.

McEneaney, Sinead (2019). Home Sweet Home? Housing Activism and Political Commemoration in Sixties Ireland. History Workshop Journal, 87(1) pp. 5–26.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 pp. 237–269.

Plassart, Anna, ed. Letters of Sidney. By John Millar (1796). History of European Ideas 45:2, 191-231 (2019).

Plassart, Anna, ed. Letters of Crito. By John Millar (1796). History of European Ideas 45:2, 148-190 (2019).

Moohan, Elaine and Elliott, Kenneth (2019). Robert Johnson Complete Works (Musica Scotica vol. 8). Musica Scotica Editions of Early Scottish Music, 8. Glasgow: Musica Scotica (In Press).

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

Neale, Derek (2019). Introduction. Writing in Practice, 5

O'Reilly, Sally (2019). Inventing Shakespeare: re-imagining a national icon. Writing in Practice, 5

Parmar, Maya (2019). Reading Cultural Representations of the Double Diaspora: Britain, East Africa, Gujarat. Cham: Palgrave Macmillan.

Paul, Joanna (2019). Drones Over Pompeii: Cinematic Perspectives on Antiquity in the Digital Era. Classical Receptions Journal, 11(3) pp. 274–295.

Paul, Joanna (2019). Archaeology, historical fiction and Classical Reception Studies. In: Witcher, Robert and van Helden, Daniël P. eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Routledge, pp. 255–262.

Plassart, Anna (2019). James Mill, the Scottish Enlightenment and the Problem of Civil Religion. Modern Intellectual History, 16(3) pp. 679–711.

Plassart, Anna (2019). Edmund Burke, Poland, and the Commonwealth of Europe. The Historical Journal (In press).

Plassart, Anna (2019). Introduction: Millar and his Circle. History of European Ideas, 45(2) pp. 128–147.

Plassart, Anna and Forbes, Suzanne (2019). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique (In Press).

Plastow, Christine (2019). Doctors in Attic Forensic Oratory. Greek, Roman, and Byzantine Studies, 59(4) pp. 575–595.

Plastow, Christine (2019). Use and Abuse of Law in the Athenian Courts. Mnemosyne supplements. History and archaeology of classical antiquity, 419. Bryn Mawr Classical Review, 2019(10), article no. 10.

Plastow, Christine (2019). The Devil's in the Detail: Including 'irrelevant' details in homicide narratives. In: Edwards, Mike and Spatharas, Dimos eds. Forensic Narratives in Athenian Courts. Routledge, pp. 40–54.

Plastow, Christine (2019). Space, place, and identity in Antiphon 'On the Murder of Herodes'. In: Filonik, Jakub; Griffith-Williams, Brenda and Kucharski, Janek eds. The Making of Identities in Athenian Oratory. Routledge, pp. 191–205.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic (In Press).

Rowland, David (2019). British Listeners c1780-1830. Nineteenth-Century Music Review (In Press).

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Slight, John (2019). Reactions to the Ottoman Jihad fatwa in the British Empire, 1914-1918. In: Johnson, Robert and Kitchen, James E. eds. The Great War in the Middle East. Routledge.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Swift, Laura (2019). Archilochus: The Poems: Introduction, Text, Translation, and Commentary. Oxford University Press.

Swift, Laura (2019). Ajax the Hero. In: Stuttard, David ed. Looking at Ajax. Bloomsbury Academic, pp. 29–41.

Tickell, Alex (2019). Introduction. In: Tickell, Alex ed. The Oxford History of the Novel in English Volume 10: The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, xvii-xxxiv.

Tickell, Alex (2019). Life-Writing, Testimony and Biographical Fiction. In: Tickell, Alex ed. The Oxford History of the Novel in English: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 428–442.

Tickell, Alex and Gabriel, Sharmani (2019). History, Memory, and Cultural Identity in the Novel of South East Asia. In: Tickell, Alex ed. The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, pp. 398–413.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

Trott, Vincent (2019). [Book Review] Words and the First World War: language, memory, vocabulary, by Julian Walker. First World War Studies, 10(1) pp. 160–161.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Vincent, David (2019). ‘The Modern History of Literacy'. In: Rury, John L. and Tamura, Eileen eds. The Oxford Handbook of the History of Education. Oxford: Oxford University Press, pp. 507–522.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Yamagata, Naoko (2019). Thetis: the goddess between four worlds. In: Christopoulos, M. and Païzi-Apostolopoulou, M. eds. The Upper and the Under World in Homeric and Archaic Epic: Proceedings of the 13th International Symposium on the Odyssey, Ithaca, August 25-29, 2017. Ithaca, Greece: Centre for Odyssean Studies (In Press), pp. 11–30.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Bakogianni, Anastasia and James, Paula (2018). Classical Drama at a Distance: Teaching Performance Reception in an Online Environment. Classical World, 112(1) pp. 707–725.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brunet, Luc-Andre (2018). 'The creation of the Monnet Plan, 1945-46: a critical re-evaluation'. Contemporary European History, 27(1) pp. 23–41.

Brunet, Luc-André (2018). [Book Review] A Vision of Europe: Franco-German Relations During the Great Depression, 1929–1932, by Conan Fischer. The English Historical Review, 133(565) pp. 1651–1652.

Brunet, Luc-Andre (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-Andre (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, V.; Questier, M. and Wolfson, S. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Boydell and Brewer.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, 255-265 (In Press).

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Crone, Rosalind (2018). Educating the labouring poor in nineteenth-century Suffolk. Social History, 43(2) pp. 161–185.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Davis, Caroline and Trott, Vincent (2018). Introduction. Logos, 29(2-3) pp. 6–8.

De Renzi, Silvia (2018). Seats and series: dissecting diseases in the seventeenth century. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 96–115.

De Renzi, Silvia (2018). Family resemblance in the Old Regime. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction. Antiquity to the Present Day. Cambridge: Cambridge University Press, pp. 241–252.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria (2018). Pathological dissections in early modern Europe: practice and knowledge. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 3–19.

Dobinson, Colin; Ferraby, Rose; Lucas, Jason; Millett, Martin and Wallace, Lacey (2018). Archaeological Field Survey in the Environs of Aldborough (Isurium Brigantum). Yorkshire Archaeological Journal, 90(1) pp. 29–58.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Droy, Laurence; Hughes, Lotte; Lamont, Mark; Nguura, Peter; Parsitau, Damaris and Wamue Ngare, Grace (2018). Alternative Rites of Passage in FGM/C Abandonment Campaigns in Africa: A research opportunity. LIAS Working Paper Series, Vol. 1, University of Leicester.

Dueck, Byron (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2) pp. 206–223.

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Emsley, Clive (2018). A Police Officer and a Gentleman: A.F. 'Michael' Wilcox. London: Blue Lamp Books.

Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

Forbes, Suzanne (2018). A 'Lost' Quaker-Baptist Pamphlet Debate between William Penn and John Plimpton in 1698. Eighteenth-Century Ireland, 32 pp. 44–64.

Forbes, Suzanne (2018). Print and Party Politics in Ireland, 1689-1714. Palgrave Macmillan.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Graham, Emma-Jayne (2018). ‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy. Theoretical Roman Archaeology Journal (TRAJ), 1(1), article no. 3.

Graham, Emma-Jayne; Sulosky Weaver, Carrie L. and Chamberlain, Andrew T. (2018). "Pars Pro Toto" and Personhood in Roman Cremation Ritual: New Bioarchaeological Evidence for the Rite of "Os Resectum". Bioarchaeology International, 2(4) pp. 240–254.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Hack, Karl (2018). ‘Devils that suck the blood of the Malayan People’: The Case for Post-Revisionist Analysis of Counter-insurgency Violence. War in History, 25(2) pp. 202–226.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41.

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Hardwick, Lorna (2018). The poetics of cultural memory: WWI refractions of ancient peace. Classical Receptions Journal, 10(4) pp. 393–414.

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Haywood, Jan (2018). From Croesus to Pausanias: Tragic Individuals in Early Greek Historiography. In: Archibald, Z. and Haywood, J. eds. The Power of the Individual in Ancient Athens: Essays in Honour of John K. Davies. Swansea: Classical Press of Wales.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Hewings, Ann and Prescott, Lynda (2018). Digital Futures. In: Eaglestone, Robert and Marshall, Gail eds. English: Shared Futures. The English Association: Essays and Studies. Cambridge: Boydell & Brewer Ltd, pp. 100–108.

Hogan, Edward (2018). The Electric: a novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma. PhD thesis. The Open University.

Hope, Valerie (2018). Vocal expression in Roman mourning. In: Butler, Shane and Nooter, Sarah eds. Sound and the Ancient Senses. The Senses in Antiquity. London and New York: Routledge, pp. 61–76.

Hope, Valerie (2018). Funerary practice in the city of Rome. In: Holleran, Claire and Claridge, Amanda eds. A Companion to the City of Rome. Blackwell Companions to the Ancient World. Wiley Blackwell, pp. 383–401.

Hope, Valerie (2018). Dead people's clothes: Materialising mourning and memory in ancient Rome. In: Newby, Zahra and Toulson, Ruth eds. The Materiality of Mourning: Cross-disciplinary Perspectives. London: Routledge, pp. 23–39.

Hope, Valerie Margaret (2018). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying, 23(1) pp. 35–49.

Hughes, Jessica (2018). The texture of the gift: religious touching in the Greco-Roman world. Body and Religion, 2(1) pp. 88–112.

Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

Hughes, Jessica and Flemming, Rebecca (2018). Exhibit 40 - The Room of the Ribbons. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: Cambridge University Press, p. 672.

Hughes, Lotte (2018). Alternative Rites of Passage: Faith, rights, and performance in FGM/C abandonment campaigns in Kenya. African Studies, 77(2) pp. 274–292.

Hughes, Lotte; Akoth, Steve Ouma and Nyamweru, Celia (2018). The Politics of Culture in Kenya since 2010: Implications for pluralism. In: Ghai, Yash Pal and Ghai, Jill C. eds. Pluralism in Kenya. The Katiba Institute and the Global Institute for Pluralism.

Hughes, Lotte and Lamont, Mark (2018). Introduction: Cultural rights and constitutional change. African Studies, 77(2) pp. 159–170.

Huskinson, Janet (2018). Early Christian Art and Archaeology in Sixteenth and Seventeenth Century Rome. In: Jensen, Robin M. and Ellison, Mark D. eds. The Routledge Handbook of Early Christian Art. Routledge, pp. 364–379.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. Commedia dell’arte: Studi storici, 1 pp. 11–31.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen and Green, Monica H (2018). On the misuses of medical history. Lancet, 391(10128) pp. 1354–1355.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Lee, Catherine (2018). ‘Giddy Girls’, ‘Scandalous Statements’ and a ‘Burst Bubble’: the war babies panic of 1914–1915. Women's History Review, 27(4) pp. 565–578.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Loftus, Donna (2018). Markets and culture. In: Handley, Sasha; McWilliam, Rohan and Noakes, Lucy eds. New Directions in Social and Cultural History. London: Bloomsbury, pp. 109–128.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Lymberopoulou, Angeliki ed. Cross-cultural interatcion between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 59–73.

Marsden, Richard (2018). Henry Tudor: a Welsh hero...? OpenLearn, The Open University, Milton Keynes.

Marsden, Richard (2018). Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages. The Conversation.

Marsden, Richard (2018). Brexit and the mythologies of nationalism: a warning for Wales. History and Policy.

Marsden, Richard (2018). Scottish parliamentary record scholarship in the devolution era. Parliaments, Estates and Representations, 39(1) pp. 113–132.

Marsden, Richard A. (2018). Medievalism: New discipline or scholarly no-man’s land? History Compass, 16(2), article no. e12439.

McEneaney, Sinead (2018). Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle. Radical Americas, 3(1)

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

Neville, Patricia Jean (2018). A World of Reading:An Intertextual Study of Janet Frame's Novels. PhD thesis. The Open University.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Plastow, Christine (2018). Conversations with Iphigenia: two roundtable discussions with the playwrights of 'The Iphigenia Quartet'. Practitioners' Voices in Classical Reception Studies, 9

Plastow, Christine (2018). Staff-Student partnerships in pedagogy and research-based education: lessons for Classics. Council of University Classical Departments Bulletin 47.

Plastow, Christine (2018). Ancient Greek Law in the 21st Century. Ashley and Peter Larkin Endowment in Greek and Roman Culture. Bryn Mawr Classical Review, 2018(10), article no. 49.

Raudnitz, Sophie (2018). Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature. PhD thesis. The Open University.

Richards, Fiona (2018). Max & Mick: the partnership of Peter Maxwell Davies and Randolph Stow. The Musical Times, 159(1943) pp. 25–38.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James (2018). Whoring, Gaping and Hiding Meat: The Humour of Male-on-Male Sexual Insults in Aristophanes' Knights. Archimède: Archéologie et Histoire Ancienne, 5 pp. 24–34.

Robson, James and Graham, Emma-Jayne (2018). Classics online at the Open University: teaching and learning with interactive resources. In: Holmes-Henderson, Arlene; Hunt, Steven and Musié, Mai eds. Forward with Classics: Classical Languages in Schools and Communities. London: Bloomsbury, pp. 217–299.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rothe, Ursula (2018). Veiling in Pannonia. In: Ivleva, Tatiana; De Bruin, Jasper and Driessen, Mark eds. Embracing the Provinces: Society and Material Culture of the Roman Frontier Regions. Oxford: Oxbow Books, pp. 93–100.

Rothe, Ursula (2018). The Roman Villa: Definitions And Variations. In: Marzano, Annalisa and Métraux, Guy P. R. eds. The Roman Villa in the Mediterranean Basin: Late Republic to Late Antiquity. Cambridge: Cambridge University Press, pp. 42–58.

Rothe, Ursula; Kenkel, Frauke and Zerbini, Andrea (2018). Excavations in Area III on Tall Zar‘ā. Annual of the Department of Antiquities of Jordan, 58 pp. 257–273.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. PhD thesis. The Open University.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stead, Henry (2018). Kane O’Hara’s Midas: The Irish Origins of Classical Burlesque. In: Macintosh, Fiona; McConnell, Justine; Harrison, Stephen and Kenward, Claire eds. Epic Performances from the Middle Ages into the Twenty-First Century. Oxford University Press, pp. 461–475.

Stead, Henry (2018). Classics down the mineshaft: a buried history. In: Richardson, Edmund ed. Classics in Extremis: The Edges of Classical Reception. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis. The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017

Attfield, Nicholas and Winters, Ben eds. (2017). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? PhD thesis. University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-Andre (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-Andre (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 1–22.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clarke, Martin (2017). Listening to a singing people: accounts of Methodist hymn-singing. In: Barlow, Helen and Rowland, David eds. Listening to music: people, practices and experiences. The Open University.

Clarke, Martin V. (2017). British Methodist Hymnody: Theology, Heritage, and Experience. Routledge Methodist Studies. Abingdon: Routledge.

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Coffey, Helen (2017). Opera for the House of Brunswick-Lüneburg: Italian Singers at the Hanover Court. In: Kaufold, Claudia; Strohmann, Nicole K. and Timms, Colin eds. Agostino Steffani: European Composer, Hanoverian Diplomat and Bishop in the Age of Leibniz. Goettingen: Vandenhoeck & Ruprecht, pp. 107–122.

Crone, Rosalind (2017). Popular education in the British Isles during the nineteenth century. Revue d'histoire du XIXe siècle, 55 pp. 139–142.

Doloughan, Fiona (2017). Translation as a Motor of Critique and Invention in Contemporary Literature: The Case of Xiaolu Guo. In: Gilmour, Rachael and Steinitz, Tamar eds. Multilingual Currents in Literature, Translation and Culture. Routledge Interdisciplinary Perspectives on Literature. New York and London: Routledge, pp. 150–167.

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Emsley, Clive (2017). Exporting British Policing during the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Academic.

Fiore, Antonio David (2017). ‘In defence of the decorator’ : Giulio Rosso (1897-1976) in Italy in the interwar period. PhD thesis. The Open University.

Golding, Rosemary (2017). The Society of Arts and the Challenge of Professional Music Education in 1860s Britain. Journal of Historical Research in Music Education, 38(2) pp. 128–150.

Graham, Emma-Jayne (2017). [Book Review] Reviving Roman Religion: Sacred Trees in the Roman World. Material Religion, 13(4) pp. 532–534.

Graham, Emma-Jayne (2017). Babes in arms? Sensory dissonance and the ambiguities of votive objects. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, Oxon: Routledge, pp. 120–136.

Graham, Emma-Jayne (2017). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne and Draycott, Jane (2017). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

Griffin, Julian Marc (2017). Out of Johnson's Shadow: James Boswell as Travel Writer. PhD thesis. The Open University.

Griffiths, Andrew (2017). Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900. Literary Journalism Studies, 9(1) pp. 60–81.

Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

Gupta, Suman (2017). Disciplinary departures and discipline formation: The institutional rationale. TEXT Journal of Writing and Writing Courses, 21(2)

Gupta, Suman (2017). A Perspectiva Da Pensativa Traça De Livro Quanto À Pesquisa Literária e Linguística [The Thinking Bookworm’s View Of Literary And Linguistic Research]. Revista da Anpoll, 43 pp. 175–192.

Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

Gupta, Suman; Katsarska, Milena; Spyros, Theodoros A. and Hajimichael, Mike (2017). Usurping Suicide: The Political Resonances of Individual Deaths. London: Zed.

Gupta, Suman; Search, Alexander; Durao, Fabio A. and McDonough, Terrence (2017). Entrepreneurial Literary Theory: A Debate on Research and the Future of Academia. London: Shot in the Dark.

Hack, Karl (2017). The Art of Counterinsurgency: Phase Analysis with Primary Reference to Malaya (1948-60), and Secondary Reference to Kenya (1952-60). In: Thomas, Martin and Curless, Gareth eds. Decolonization and Conflict: Colonial Comparisons and Legacies. London: Bloomsbury, pp. 177–196.

Hancock-Jones, Robert; Renshaw, James and Swift, Laura (2017). Greek Theatre and Imperial Image: OCR Classical Civilisation AS and A Level Components 21 and 22. Bloomsbury Academic.

Hayes, Tracy L. (2017). "Only the rames of a man": Investigating Masculinities in the Novels of Thomas Hardy. PhD thesis. The Open University.

Hazareesingh, Sandip (2017). The creation of a conflictual border: India-Pakistan. Open University, Milton Keynes.

Hazareesingh, Sandip and Patent, Volker (2017). Peace movements in contemporary India and Pakistan. Open University, Milton Keynes.

Holmes, Janice (2017). John Bunyan's The Pilgrim's Progress in Nineteenth-Century Ulster. In: Gudmundsson, David; Maurits, Alexander and Nykvist, Martin eds. Classics in Northern European Church History over 500 Years: essays in honour of Anders Jarlert. Frankfurt am Main: Peter Lang, pp. 61–84.

Holmes, Janice (2017). The "Absence" of Family in 19th-Century Irish Presbyterian Clerical Biographies. In: Spiritual and Ecclesiastical Biographies. Research, Results, and Reading (Jarlert, Anders ed.), Konferenser (Conferences), Kungl. Vitterhets Historie och Antikvitets Akademien (Royal Swedish Academy of Letters, History and Antiquities), Stockholm, pp. 105–120.

Holmes, Janice (2017). Methodists and Holiness. In: Larsen, Timothy and Ledger-Lomas, Michael eds. The Oxford History of Protestant Dissenting Traditions Volume III: The Nineteenth Century. Oxford: Oxford University Press, pp. 124–149.

Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press.

Hughes, Jessica (2017). 'Souvenirs of the Self': Personal Belongings as Votive Offerings in Ancient Religion. Religion in the Roman Empire, 3(2) pp. 181–201.

Hughes, Jessica (2017). Studying Votives Across Cultures. Material Religion, 13(1) pp. 104–106.

Hughes, Lotte (2017). Implementing cultural rights (nature, issues at stake and challenges) - Report 2010 (A/HRC/14/36). In: Belder, Lucky and Porsdam, Helle eds. Negotiating Cultural Rights: Issues at Stake, Challenges and Recommendations. Edward Elgar, pp. 37–58.

Hughes, Lotte (2017). Memorialization and Mau Mau: A Critical Review. In: MacArthur, Julie ed. Dedan Kimathi on Trial: Colonial Justice and Popular Memory in Kenya's Mau Mau rebellion. Research in International Studies, Global and Comparative Studies, (17). Ohio University Press, pp. 339–374.

Hughes, Lotte (2017). Mau Mau: The Divisive Heritage of Liberation Struggle in Kenya. In: Walters, Diana; Laven, Daniel and Davis, Peter eds. Heritage and Peacebuilding. Heritage Matters. Woodbridge, Suffolk: The Boydell Press, pp. 179–190.

Jensen, Meg and Campbell, Siobhan M. (2017). The Expressive Life-Writing Handbook. London and Edinburgh: Beyond Borders Scotland in association with The Stabilisation and Recovery Network.

Johnson, David (2017). Anti-apartheid people's histories and post-apartheid nationalist biographies. In: Choudry, Aziz and Vally, Salim eds. Reflections on Knowledge, Learning and Social Movements: History's Schools. London and New York: Routledge, pp. 88–103.

Katritzky, M. A. (2017). The Bal des Ardents (1393), Thomas of Woodstock (1397) and Richard II (1400): Three Medieval Conspiracy Rumours and the Scots’ Mine Play (1608). European Medieval Drama, 20 pp. 105–139.

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Lamont, Mark (2017). Ruin, or repair? Infrastructural Sociality and an Economy of Disappearances along a Rural Road in Kenya. In: Beck, Karl; Klaeger, Gabriel and Stasik, Michael eds. The Making of the African Road. Africa-Europe Group for Interdisciplinary Studies (18). Brill, pp. 171–196.

Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis. The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Mombauer, Annika (2017). The German centenary of the First World War. War & Society, 36(4) pp. 276–288.

Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

Neale, Derek (2017). Creativity and Research in the 21st Century. Writing in Education, 73(3) pp. 2–4.

Neale, Derek (2017). Creative Writing and social entrepreneurship. Writing in Education, 75 pp. 4–6.

Neale, Derek (2017). Split digraphs, fronted adverbials and the problems of later creative writing study. Writing in Education, 72(6) pp. 6–7.

Neale, Derek (2017). Creative Writing Higher Education News. Writing in Education, 71 pp. 6–7.

Norman, Diana (2017). Icona, Immaginis . . . cum Variis Miraculis: Preserving the Memory of the Blessed Andrea Gallerani in Siena. In: Cardarelli, Sandra and Fenelli, Laura eds. Saints, Miracles and the Image: Healing Saints and Miraculous Images in the Renaissance. Beguinage of Turnhout, Belgium: Brepols Publishers, pp. 53–73.

Paul, Joanna (2017). The Half-Blood Hero: Percy Jackson and Mythmaking in the Twenty-First Century. In: Zajko, Vanda and Hoyle, Helena eds. A Handbook to the Reception of Classical Mythology. Wiley-Blackwell, pp. 231–242.

Perkins, Phil (2017). DNA and Etruscan identity. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 109–118.

Perkins, Phil (2017). The landscape and environment of Etruria. In: Naso, Alessandro ed. Etruscology. Berlin: De Gruyter, pp. 1239–1250.

Plassart, Anna and White, Rebekah C. (2017). Théodore Flournoy on synesthetic personification. Journal of the History of the Neurosciences: Basic and Clinical Perspectives, 26(1) pp. 1–14.

Richards, Fiona (2017). Sensibility and listening in England before and after the Great War. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Richardson, Heather (2017). Doubting Thomas. Glasgow: Vagabond Voices.

Richardson, Heather (2017). It's Mr Otello... Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Richardson, Heather (2017). Shake Hole. Australian Association of Writing Programmes, Australia.

Richardson, Heather (2017). All the rules we could ask for. In: Anderson, Linda and Sherratt-Bado, Dawn Miranda eds. Female Lines: New Writing by Women from Northern Ireland. Dublin: New Island.

Robson, James (2017). Aristophanes. In: Burgess, J.; Kneebone, E.; Liapis, V. and Swift, L. eds. The Literary Encyclopedia, Volume 1.1.1: Archaic, Classical, Hellenistic and Imperial Greek Writing and Culture, 800-100 B.C.E., Volume 1.1.1. The Literary Encyclopedia.

Robson, James (2017). Humouring the masses: The Theatre Audience and the Highs and Lows of Aristophanic Comedy. In: Grig, Lucy ed. Popular Culture in the Ancient World. Cambridge: Cambridge University Press, pp. 66–87.

Rothe, Ursula (2017). Ethnicity. In: Harlow, Mary ed. A Cultural History of Dress and Fashion, Vol. 1: Antiquity. Bloomsbury.

Rowland, David (2017). London's Art Music and provincial listeners in England c.1700-1850. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). Introduction. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. Milton Keynes: The Open University.

Rowland, David (2017). The development of piano technique in England c. 1790-1810. In: Zur Entwicklung des Klavierspiels von Carl Philipp Emanuel Bach bis Clara Schumann (Philipsen, Christian; Lustig, Monika and Omonsky, Ute eds.), Michaelsteiner Konferenzberichte, Wissner Verlag, Kloster Michaelstein, Augsburg, Michaelstein, pp. 237–249.

Rowland, David (2017). Piano sonority and melody c.1800-1835. In: The lyric and the vocal element in instrumental music of the nineteenth century (Stepien-Kutera, Kamila ed.), Narodowy Instytut Fryderyka Chopina, Warsaw, pp. 39–61.

Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2017). Linked Data Annotation Without the Pointy Brackets: Introducing Recogito 2. Journal of Map & Geography Libraries: Advances in Geospatial Information, Collections & Archives, 13(1) pp. 111–132.

Sinha, Bijon Kumar (2017). The Crete and Cretans of Euripides: Perceptions and Representations. PhD thesis. The Open University.

Slight, John (2017). Pilgrimage to Mecca by British converts to Islam in the interwar period. In: Flaskerud, Ingvild and Natvig, Richard J. eds. Muslim Pilgrimage in Europe. Routledge Studies in Pilgrimage, Religious Travel and Tourism. Routledge, pp. 70–82.

Stadtler, Florian (2017). ‘Home’ front: Indian soldiers and civilians in Britain, 1939–45. In: Roy, Kaushik and Rand, Gavin eds. Culture, Conflict and the Military in Colonial South Asia. War and Society in South Asia. Routledge, pp. 258–276.

Swift, Laura (2017). Narratorial Authority and its Subversion in Archilochus. In: Bakker, Egbert ed. Authorship and Greek Song: Authority, Authenticity, and Performance. Brill, pp. 161–177.

Tackley, Catherine (2017). “Art or Debauchery?”: the reception of Ellington in the UK. In: Howland, John ed. Duke Ellington Studies. Cambridge University Press, pp. 76–107.

Trott, Vincent (2017). Publishers, Readers and the Great War: Literature and Memory since 1918. Bloomsbury Academic.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

Wainwright, Leon (2017). Bodily relations and reciprocity in the art of Sonia Khurana. Cultural Dynamics, 29(4) pp. 255–274.

Williams, Sean (2017). Reinterpreting Koenig’s Funktion pieces: historic reconstruction and recontextualisation. In: Tracking the Creative Process in Music, 14-16 Sep 2017, University of Huddersfield.

Winters, Ben (2017). Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 531–542.

Winters, Ben (2017). Korngold's Violanta: Venice, carnival, and the masking of identities. In: Winters, Ben and Attfield, Nicholas eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 51–74.

Woods, Kim (2017). The activation of the image: expatriate carvers and kneeling effigies in late Gothic Spain. The Sculpture Journal, 26(1) pp. 11–24.

Woods, Kim (2017). The Tree of Jesse Gates from Scarisbrick Hall. In: Davies, Glyn and Townsend, Eleanor eds. A Reservoir of Ideas: Essays in honour of Paul Williamson. London: Paul Holberton Publishing in association with V&A publishing, pp. 235–244.

Yamagata, Naoko (2017). ホメーロスと『平家物語』における生死の選択―英雄美女が死を選ぶ時 [Choices of Life and Death in Homer and the Tale of the Heike: When Heroes and Heroines commit suicide]. Journal of Classical Studies, 65 pp. 1–11.

2016

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

McKellar, Elizabeth and Holder, Julian eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogenous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barlow, Helen (2016). From the Band of Musick to the Concert Party, ca. 1780–1918: Musical Entertainment in the British Army. Music in Art, 41

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Betts, Eleanor (2016). Places of transition and deposition: phenomena of water in the sacred landscape of Iron Age Central Adriatic Italy. Accordia Research Papers, 14 pp. 63–83.

Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Chambers, Helen (2016). ‘Le traducteur E. M. (une femme)’: Conrad, The Hueffers and the 1903 Maupassant translations. In: Becquet, Alexandra and Davison-Pégon, Claire eds. Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris. International Ford Madox Ford Studies (15). Amsterdam: Brill Rodopi, pp. 155–173.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) pp. 91–127.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clarke, Martin (2016). "And can it be": analysing the words, music and contexts of an iconic Methodist hymn. Yale Journal of Music and Religion, 2(1), article no. 2.

Clarke, Martin V. (2016). [Digital Resource Review] Digital Hymnology: Canterbury Dictionary of Hymnology, Hymn Tune Index, Hymnary.org. Nineteenth-Century Music Review, 13(2) pp. 421–430.

Crone, Rosalind (2016). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. In: de Bellaigue, Christina ed. Home Education in Historical Perspective: Domestic pedagogies in England and Wales, 1750-1900. Routledge.

Crone, Rosalind (2016). Literacy. In: John, Juliet ed. Oxford Bibliographies: Victorian Literature. Oxford: Oxford University Press.

De Renzi, Silvia (2016). [Book Review] Forensic Medicine and Death Investigation in Medieval England, written by Sara M. Butler, 2015. Early Science and Medicine, 21(1) pp. 87–89.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties, 19 pp. 107–122.

Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

Emsley, Clive (2016). Crime and Policing in Wartime. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. Oxford: Oxford University Press, pp. 519–536.

Fear, Trevor (2016). New Voices in Classical Reception Studies Vol. 11 (2016). The Open University.

Fentress, Elizabeth and Perkins, Phil (2016). Cosa and the Ager Cosanus. In: Cooley, Alison E. ed. A Companion to Roman Italy. Chichester: Wiley-Blackwell, pp. 378–400.

Gibson, Jonathan (2016). From Palatino to Cresci: Italian Writing Books and the Italian Scripts of Early Modern English Letters. In: Daybell, James and Gordon, Andrew eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, pp. 29–47.

Golding, Rosemary (2016). Seeking a Philosophy of Music in Higher Education: The Case of Mid-nineteenth Century Edinburgh. Philosophy of Music Education Review, 24(2) pp. 191–212.

Graham, Emma-Jayne (2016). Wombs and Tombs in the Roman World. Material Religion, 12(1) pp. 251–254.

Graham, Emma-Jayne (2016). Mobility impairment in the sanctuaries of early Roman Italy. In: Laes, Christian ed. Disability in Antiquity. Rewriting Antiquity. London and New York: Routledge, pp. 248–266.

Graham, Emma-Jayne and Hope, Valerie M. (2016). Funerary practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 159–180.

Gupta, Suman (2016). Philology of the Contemporary World: On Storying the Financial Crisis. Philology, 2016(2) pp. 275–296.

Hamer, Laura (2016). [Review-Article] 'Paths to the Podium' Review-Article of The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars by Jeanice Brooks. Journal of the Royal Musical Association, 141(2) pp. 495–504.

Hamer, Laura (2016). [Book Review] La Grande Guerre en musique, Vie et création musicales en France pendant la Première Guerre mondiale by Florence Doé de Maindreville and Stephan Etcharry (eds.). H-France Review, 16(43)

Haywood, Jan (2016). Character and Motivation in Aeschylus' Persae. Syllecta Classica, 27 pp. 29–63.

Haywood, Jan (2016). Divine Narratives in Xenophon's Anabasis. Histos, 10 pp. 85–110.

Hazareesingh, Sandip (2016). 'Your Foreign Plants are Very Delicate': Peasant Crop Ecologies and the Subversion of Colonial Cotton Designs in Dharwar, western India, 1830-1880. In: Hazareesingh, Sandip and Maat, Harro eds. Local Subversions of Colonial Cultures: Commodities and Anti-Commodities in Global History. Cambridge Imperial and Post-Colonial Studies. London, UK: Palgrave Macmillan.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

Hughes, Lotte (2016). Rights, Wrongs and Reciprocity: Change and Continuity among Kenya's Maasai. In: Berman, Bruce J.; Laliberté, André and Larin, Stephen J. eds. The Moral Economies of Ethnic and Nationalist Claims. Ethnicity and Democratic Governance. Vancouver, Canada: UBC Press, pp. 70–100.

Hyde, Colin and Barnes, Amy Jane (2016). Displaying Ghost Signs Online. In: Schutt, Stefan; Roberts, Sam and White, Leanne eds. Advertising and Public Memory: Social, Cultural and Historical Perspectives on Ghost Signs. Routledge Research in Cultural and Media Studies. Routledge.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

Lawrence, Paul (2016). The Historiography of Crime and Criminal Justice. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. The Oxford Handbooks in Criminology and Criminal Justice. Oxford: Oxford University Press, pp. 17–37.

Layton-Jones, Katy (2016). Beyond the metropolis: the changing nature of urban Britain, 1780-1880. Manchester University Press.

Marsden, Richard (2016). Who was St David? OpenLearn, Open University in Wales, Cardiff.

Marsden, Richard A. (2016). Innes, Cosmo Nelson (1798-1874), antiquary. In: Cannadine, David ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press.

Masterson, Mark and Robson, James (2016). Foreword: The Book and its Influence. In: Dover, K. J. ed. Greek Homosexuality (3rd edition). London: Bloomsbury, xv-xxvii.

McEneaney, Sinead (2016). Righting Women in the 1960s: Gender, Power and Conservatism in the Pages of The New Guard. In: Ritchie, Rachel; Hawkins, Sue; Phillips, Nicola and Kleinberg, S. Jay eds. Women in Magazines: Research, Representation, Production and Consumption. Routledge Research in Gender and History. Routledge, pp. 92–103.

McKellar, Elizabeth (2016). Writing the New Urbanism: Architecture and Guidebooks to London and Paris, c.1650-1730. In: Arnold, Dana and Cohen, Jean-Louis eds. Paris-Londres. Paris: INHA & Infolio, pp. 15–69.

McKellar, Elizabeth (2016). Georgian London before 'Georgian London': Beresford Chancellor, Rasmussen and the 'The true and sad story of Regent's Street. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 38–51.

McKellar, Elizabeth and Holder, Julian (2016). Chapter 1: Introduction: reappraising the Neo-Georgian. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 1–12.

Mombauer, Annika (2016). Sir Edward Grey, Germany, and the Origins of the First World War: A Re-Evaluation. The International History Review, 38(2) pp. 301–325.

Neale, Derek (2016). Fruitful reflections: research, assessment and farewells. Writing in Education, 74 pp. 5–6.

Neale, Derek (2016). Six short stories. Cut a long story Ltd, Folkestone, UK.

Neale, Derek (2016). El cuento en la academia: mimesis, diégesis y el rol del drama y el cine. In: Angel, Marcos and Fernández, Gerardo Argüelles eds. Recetas para el misterio: ensayos de escritura creativa. Autores, Textos y Temas. Literatura (44). Mexico city, Mexico; Buenos Aires, Argentina; Barcelona and Madrid, Spain: Anthropos, pp. 47–67.

Neale, Derek (2016). Creativity and Creative Writing. In: Demjén, Zsófia and Seargeant, Philip eds. Creativity in Language: From Everday Style to Verbal Art. Milton Keynes: The Open University, pp. 121–172.

O'Shea, Helen (2016). Irish Legal Geographies in the Era of Emergency: Independent Ireland, Colonial Kenya and the British Colonial Legal Service. Éire-Ireland: An Interdisciplinary Journal of Irish Studies, 51(1 & 2) pp. 243–265.

O'Shea, Helen (2016). Colonial Reparations, Collective Redress and the Colonial Legal Service in the Post-War British Empire. In: 3rd Academic International Conference on Interdisciplinary Legal Studies (Chhina, Ramandeep ed.), FLE Learning, Oxford, pp. 16–24.

Parmar, Maya (2016). Book Review: 'New postcolonial British genres: shifting the boundaries'. Journal of Postcolonial Writing, 52(6) p. 752.

Parmar, Maya (2016). Writing South-Asian Diasporic Identity Anew. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Palgrave Macmillan UK, pp. 235–252.

Payne, Emily; Schuling, Floris; Stroud, Rachel and Williams, Sean (2016). Performing Notations: Relational Approaches to Musical Materials. In: Royal Musical Association Conference 2016, 3-5 Sep 2016, The Guildhall, London.

Perkins, Philip (2016). Bucchero in context. In: Bell, Sinclair and Carpino, Alexandra A. eds. A Companion to the Etruscans. Chichester: Wiley-Blackwell, pp. 224–236.

Perry, Gill (2016). In Your Face: Immediacy, Masculinity and Skin. In: Bird, Jon and Perry, Gill eds. Leon Golub: Powerplay – The Political Portraits. Reaktion Books, pp. 34–53.

Perry, Gill (2016). Drawn-Out Games. In: Petherbridge, Deanna ed. Deanna Petherbridge: Drawing and Dialogue. Manchester Whitworth Gallery and Circa Press, pp. 30–40.

Prescott, Lynda (2016). Using collaboration to foster academic integrity. Open Learning: The Journal of Open and Distance Learning, 31(2) pp. 152–162.

Prescott, Lynda (2016). The Short Story Anthology: Shaping the Canon. In: Head, Dominic ed. The Cambridge History of the English Short Story. Cambridge: Cambridge University Press, pp. 564–580.

Prescott, Lynda; Hewings, Ann and Seargeant, Philip (2016). Introduction: Futures for English Studies. In: Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. Futures for English Studies: Teaching Language, Literature and Creative Writing. Basingstoke: Palgrave Macmilan, pp. 1–8.

Richardson, Heather (2016). Studio Notes. National Museums of Northern Ireland.

Rienties, Bart; Boroowa, Avinash; Cross, Simon; Farrington-Flint, Lee; Herodotou, Christothea; Prescott, Lynda; Mayles, Kevin; Olney, Tom; Toetenel, Lisette and Woodthorpe, John (2016). Reviewing three case-studies of learning analytics interventions at the open university UK. In: Proceedings of the Sixth International Conference on Learning Analytics & Knowledge, ACM International Conference Proceeding Series, ACM, New York, pp. 534–535.

Robson, James (2016). The Frogs and Thesmophoriazusae. In: Singh, Alexandre ed. Causeries. Rotterdam, Netherlands: Witte de With Center for Contemporary Art, pp. 154–166.

Robson, James (2016). Aristophanes, Gender and Sexuality. In: Walsh, Philip ed. Brill's Companion to the Reception of Aristophanes. Brill's Companions to Classical Reception. Leiden and Boston: Brill, pp. 44–66.

Rodgers, Michael (2016). The Will to Disempower? Nabokov and his Readers. In: Rodgers, Michael and Sweeney, Susan Elizabeth eds. Nabokov and the Question of Morality: Aesthetics, Metaphysics and the Ethics of Fiction. Palgrave Macmillan, pp. 51–69.

Rowland, David (2016). Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing. Early Music, 44(3) pp. 461–471.

Rowland, David (2016). European music publishing during the Napoleonic wars. In: Jardin, Étienne ed. Music and War in Europe from the French Revolution to WWI. Music, criticism and politics (2). Turnhaut: Brepols, pp. 223–232.

Slight, John (2016). British Colonial Knowledge and the Hajj in the Age of Empire. In: Ryad, Umar ed. The Hajj and Europe in the Age of Empire. Leiden Studies in Islam and Society. Leiden: Brill, pp. 81–111.

Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

Swift, Laura (2016). Visual Imagery in Parthenaic Song. In: Cazzato, Vanessa and Lardinois, André eds. The Look of Lyric: Greek Song and the Visual. Studies in Archaic and Classical Greek Song (1). Leiden: Brill, pp. 255–287.

Swift, Laura (2016). Medea. In: McClure, Laura ed. A Companion to Euripides. Blackwell Companions to the Ancient World. Chichester: Wiley-Blackwell, pp. 80–91.

Swift, Laura (2016). Poetics and precedents in Archilochus’ erotic imagery. In: Swift, Laura and Carey, Chris eds. Iambus and Elegy: New Approaches. Oxford: Oxford University Press, pp. 253–270.

Taylor, Clare (2016). ‘Modern Swedish rococo’: the Neo-Georgian interior in Britain, c 1920–c 1945. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: A Reappraisal. Swindon: Historic England, pp. 151–166.

Tickell, Alex (2016). Introduction. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Basingstoke: Palgrave Macmillan, pp. 1–18.

Tickell, Alex (2016). 'An Idea Whose Time Has Come': Indian Fiction in English After 1991. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan, pp. 37–58.

Trott, Vincent (2016). "The market is flooded with them": Richard Aldington's Death of a Hero and the War Books Boom. In: Wilson, Nicola ed. The Book World: Selling and Distributing British Literature, 1900 - 1940. Leiden: Brill, 95 -116.

Vincent, David (2016). Privacy: A Short History. Cambridge: Polity Press.

Vincent, David (2016). Working-class autobiography in the nineteenth century. In: Smyth, Adam ed. A History of English Autobiography. Cambridge: Cambridge University Press, pp. 165–178.

Wainwright, Leon (2016). Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion. In: Bernier, Celeste-Marie and Durkin, Hannah eds. Visualising Slavery: Art Across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool: Liverpool University Press, pp. 168–183.

Wainwright, Leon and Zijlmans, Kitty (2016). Open Arts Journal Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean. The Open University.

Walder, Dennis (2016). Bart Moore-Gilbert (1952-2015). The Journal of Commonwealth Literature, 51(1) pp. 182–185.

Walder, Dennis (2016). Editorial. Journal of Southern African Studies, 42(6) pp. 1027–1031.

Watson, Nicola J. (2016). At Juliet's Tomb: Anglophone Travel-writing and Shakespeare's Verona, 1814-1914. In: Bigliazzi, Silvia and Calvi, Lisanna eds. Shakespeare, Romeo & Juliet, and Civic Life: The Boundaries of Civic Space. Routledge Studies in Shakespeare. New York: Routledge, pp. 224–237.

West, Susie (2016). Finding Wroth's Loughton Hall. Sidney Journal, 34(1) pp. 15–32.

Williams, Chris A. (2016). Risk on the Roads: Police, Motor Traffic and the Management of Space, c. 1900–50. In: Crook, Tom and Esbester, Mike eds. Governing Risks in Modern Britain: Danger, Safety and Accidents, c. 1800–2000. London: Palgrave Macmillan, pp. 195–219.

Williams, Sean (2016). Interpretation and Performance Practice in Realizing Stockhausen's Studie II. Journal of the Royal Musical Association, 141(2) pp. 445–481.

Williams, Sean (2016). The Hohner Electronium: a 1950s portable monophonic valve synthesizer. In: Alternative Histories of Electronic Music, 14-15 Apr 2016, Scinece Museum, London.

Williams, Sean (2016). Stockhausen Concerts Database report. In: Performance Studies Network conference 2016, 14-17 Jul 2016, Bath Spa University.

Williams, Sean (2016). The mythical Modul 69A Klangwandler and the viability of composer designed instruments. In: Music and Sonic Art conference 2016, 1-3 Jul 2016, Karlsruhe, Germany.

Williams, Sean and Green, Owen (2016). Negotiating sonic space for group electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 26-29 Jul 2014, Karlsruhe, Germany.

Winters, Ben (2016). The Composer and the Studio: Korngold and Warner Bros. In: Cooke, Mervyn and Ford, Fiona eds. The Cambridge Companion to Film Music. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 51–66.

Winters, Ben (2016). The sound of satire; or, trading places with Mozart. In: Evans, Mark and Hayward, Philip eds. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, pp. 29–50.

Wolfson, Sara (2016). Review of "On display: Henrietta Maria and the materials of magnificence at the Stuart Court" by Erin Griffey, and "Queenship and revolution in early modern Europe: Henrietta Maria and Marie Antoinette", by Carolyn Harris. Royal Stuart Journal, 7

Wolfson, Sara (2016). Review of Erin Griffey, on display Henrietta Maria and the materials of magnificence at the Stuart Court (Yale: Yale University Press, 2016) in The Art Newspaper, Vol. XXVI, No. 285 (December, 2016). The Art Newspaper, 26(285)

Wood, Paul (2016). Art history in the wake of the global turn edited by Jill H. Casid and Aruna D’Souza. Visual Studies, 31(4) pp. 362–363.

Woods, Kim (2016). Plantagenets in alabaster. In: Crooks, Peter; Green, David and Ormorod, W. Mark eds. The Plantagenet Empire, 1259-1453. Harlaxton Medieval studies, XXVI. Donington: Shaun Tyas Publishing, pp. 89–108.

Yamagata, Naoko (2016). ホメーロスと『平家物語』における戦争の「報道」[“Reportage” of War in Homer and the Tale of the Heike]. ペディラヴィウム [Pedilavium], 71 pp. 46–60.

2015

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: Collected Documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Devlin, Zoë L. and Graham, Emma-Jayne eds. (2015). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology, 9. Oxford: Oxbow.

Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. (2015). Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon, New York: Routledge.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Stead, Henry and Hall, Edith eds. (2015). Greek and Roman Classics in the British Struggle for Social Reform. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Allington, Daniel; Dueck, Byron and Jordanous, Anna (2015). Networks of value in electronic music: SoundCloud, London, and the importance of place. Cultural Trends, 24(3) pp. 211–222.

Barker, Naomi J. (2015). Music, antiquity and self-fashioning in the Accademia dei Lincei. The Seventeenth Century, 30(4) pp. 375–390.

Barnes, Amy Jane and Kraamer, Malika (2015). Japanese Saris: Dress, Globalisation and Multiple Migrants. Textile History, 46(2) pp. 169–188.

Benatti, Francesca and Tonra, Justin (2015). English Bards and Unknown Reviewers: a Stylometric Analysis of Thomas Moore and the Christabel Review. Breac: A Digital Journal of Irish Studies, October

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Beswick, Katie; Parmar, Maya and Sil, Esha (2015). Towards a spatial practice of the postcolonial city: introducing the cultural producer. Interventions: International Journal of Postcolonial Studies, 17(6) pp. 789–801.

Boehmer, Elleke and Tickell, Alex (2015). The 1990s: An Increasingly Postcolonial Decade. Journal of Commonwealth Literature, 50(3) pp. 315–352.

Brown, Simon; Barlow, Helen; Adamou, Alessandro and d'Aquin, Mathieu (2015). The Listening Experience Database Project: Collating the Responses of the "Ordinary Listener" to Prompt New Insights into Musical Experience. The International Journal of the Humanties: Annual Review, 13 pp. 17–32.

Brunton, Deborah (2015). Regulating filth: cleansing in Scottish towns and cities, 1840–1880. Urban History, 42(3) pp. 424–439.

Buongiovanni, Claudio and Hughes, Jessica (2015). Introduction: Entering the siren's city. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 1–18.

Burrows, Donald (2015). G. F. Handel: L'Allegro, il Penseroso ed il Moderato. Novello and Company, London.

Chambers, Helen (2015). “Fine-Weather Books”: Representations of Readers and Reading in Chance. In: Simmons, Allan H. and Jones, Susan eds. Centennial Essays on Conrad's "Chance". Conrad Studies (9). Leiden & Boston: Brill Rodopi, pp. 98–115.

Charlesworth, Amy (2015). Caught Between the Factory and the Home: Re-Visiting Feminist ‘Documentary’ Aesthetics under Globalised Capital. Third Text, 29(1-2) pp. 88–103.

Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Coffey, Helen (2015). Music for an Elector and King: the Hanover Hofkapelle during the reigns of George I and II. In: Händel und die Musikgeschichte des Hauses Hannover, 10-11 Jun 2014, Halle, Saale, Georg-Friedrich-Händel-Gesellschaft e. V., pp. 135–152.

Colley, Gerald (2015). Electrifying the streets : the surface-contact controversy in five English towns 1880-1920. PhD thesis. The Open University.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

Crone, Rosalind (2015). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. Oxford Review of Education, 41(4) pp. 482–500.

Crone, Rosalind (2015). Query: Victorian reading. In: Bradley, Matthew and John, Juliet eds. Reading and the Victorians. Farnham: Ashgate, pp. 111–126.

da Sousa Correa, Delia (2015). Music and Literature. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. Blackwell Encyclopedia of Victorian Literature. Blackwell, (In Press).

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, pp. 99–113.

Doloughan, Fiona (2015). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory, 45(1)

Doloughan, Fiona J. (2015). English as a Literature in Translation. London: Bloomsbury.

Doloughan, Fiona J. (2015). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta, Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247.

Donnachie, Ian and Hewitt, George (2015). Historic New Lanark: The Dale and Owen Industrial Community since 1785 (2nd ed). Edinburgh Classic Editions. Edinburgh: Edinburgh University Press.

Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

Fear, Trevor (2015). New Voices in Classical Reception Studies Vol. 10 (2015). The Open University.

Goodrich, Amanda (2015). Radical Popular Attitudes to the Monarchy in Britain during the French Revolution. In: Gestrich, Andreas and Schaich, Michael eds. The Hanoverian Succession: Dynastic Politics and Monarchical Culture. Ashgate, pp. 261–278.

Graham, Emma-Jayne (2015). Embodying death in archaeology. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology 9. Oxford: Oxbow Books, pp. 1–17.

Graham, Emma-Jayne (2015). Corporeal concerns: the role of the body in the transformation of Roman mortuary practices. In: Devlin, Zoë L. and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology (9). Oxford: Oxbow, pp. 41–62.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Griffiths, Andrew (2015). The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900. Palgrave Studies in the History of the Media. London: Palgrave Macmillan.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing, 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman (2015). Philology and Global English Studies: Retracings. London: Palgrave Macmillan.

Gupta, Suman (2015). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Hack, Karl (2015). Detention, Deportation and Resettlement: British Counterinsurgency and Malaya’s Rural Chinese, 1948–60. Journal of Imperial and Commonwealth History, 43(5) pp. 611–640.

Hack, Karl (2015). The Malayan Emergency: British Counterinsurgency Phases and the Triumph of Geo-demographic Control, 1948-60. In: Fremont-Barnes, Gregory ed. A History of Counterinsurgency: From South Africa to Algeria, 1900 to 1954. Santa Barbara, California: ABC-Clio, pp. 125–176.

Hack, Karl (2015). Tropical transitions in colonial counter-insurgency: From Malayan Emergency to post-colonial partnership. In: Johnson, Robert and Clack, Timothy eds. At the End of Military Intervention: Historical, Theoretical, and Applied Approaches to Transition, Handover, and Withdrawal. Oxford: Oxford University Press, pp. 61–85.

Hamer, Laura (2015). [Book Review] Perspectives on the Performance of French Piano Music by Scott McCarrey and Lesley A. Wright (eds.). Music & Letters, 96(1) pp. 133–135.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

Hughes, Jessica and Graham, Emma-Jayne (2015). The votives project. Material Religion, 11(1) pp. 129–131.

Hughes, Lotte and Fouere, Marie-Aude (2015). Heritage and memory in East Africa today: a review of recent developments in cultural heritage research and memory studies. Azania: Archaeological Research in Africa, 50(4) pp. 542–558.

James, Paula (2015). Hercules as a Symbol of Labour: A Nineteenth-century Class-conflicted Hero. In: Stead, Henry and Hall, Edith eds. Greek and Roman classics in the British struggle for social reform. Bloomsbury Studies in Classical Reception. London, New York: Bloomsbury Academic, pp. 138–154.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2015). Coriolanus in South Africa. In: Smith, Bruce R. ed. The World's Shakespeare, 1660-Present. The Cambridge Guide to the Worlds of Shakespeare, 2. Cambridge, UK: Cambridge University Press, pp. 1235–1241.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

Kenkel, Frauke and Rothe, Ursula (2015). Tall Zar‘ā, Jordanien: Landwirtschaftlicher Komplex, ländliche Villa im orientalischen Stil oder Klosteranlage? Die Ausgrabungen im Areal III: Die Arbeiten des Jahres 2014. e-Forschungsberichte des Deutschen Archäologischen Instituts, 2 pp. 23–27.

King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Kolassa, Alexander (2015). Composing for the Memory Dealer: New Paradigms for the Immersive Soundtrack. Journal of Sonic Studies, 9

Lamont, Mark and Lee, Rebekah (2015). Arrive Alive: Road Safety in Kenya and South Africa. Technology and Culture, 56(2) pp. 464–488.

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Collins, Tom; Meredith, David and Volk, Anja eds. Mathematics and Computation in Music. Lecture Notes in Computer Science (9110). Cham, Switzerland: Springer International Publishing, pp. 193–198.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

Marsden, Richard (2015). [Book Review] Remembering the Past in Nineteenth-Century Scotland: Commemoration, Nationality and Memory. Journal of Scottish Historical Studies, 35(2) pp. 247–249.

Mombauer, Annika (2015). Guilt or Responsibility? The Hundred Year Debate on the Origins of the First World War. Central European History, 48(4) pp. 541–564.

Neale, Derek (2015). The 'Start Writing Fiction' MOOC: Teaching a class of twenty-five thousand. Writing in Education(67) pp. 58–61.

O'Reilly, Sally (2015). Dark Aemilia. Brighton: Myriad.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Paul, Joanna (2015). ‘‘Time is only a mode of thought, you know’: Ancient History, Empire, and Imagination in E. Nesbit’s Stories for Children’. In: Maurice, Lisa ed. The Reception of Ancient Greece and Rome in Children’s Literature: Eagles and Heroes. Metaforms (6). Leiden: Brill, pp. 30–55.

Perry, Gill (2015). 'A lady on the stage and an actress off it’: Performance and femininity in images of Elizabeth Farren, Countess of Derby. In: Lloyd, Stephen ed. Art, Animals and Politics: Knowsley and the Earls of Derby. London: Unicorn Press, pp. 61–80.

Plassart, Anna (2015). The Scottish Enlightenment and the French Revolution. Ideas in Context, 3. Cambridge: Cambridge University Press.

Reardon, Joanne and Kenton Webb, Richard (2015). Still Life with Blackbirds. London: Artists Choice Editions.

Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Richards, Fiona (2015). "The streaming of the sun and the flowing of the stars": D.H. Lawrence and Peter Sculthorpe. Journal of D.H.Lawrence Studies, 3(3) pp. 33–50.

Richards, Fiona (2015). “the whole landscape dazzling and shrilling”: Soundscapes of war and peace in David Malouf’s Fly Away Peter. Southerly, 75(3) pp. 155–168.

Richards, Fiona (2015). The Goat-God in England: A Musical Context for Lawrence's Fascination with Pan. D.H.Lawrence Review, 40(1) pp. 90–106.

Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18.

Richardson, Heather (2015). Outbound/Inbound. Australian Association of Writing Programmes, Australia.

Robson, James (2015). Fantastic sex: fantasies of sexual assault in Aristophanes. In: Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon: Routledge, pp. 315–331.

Rodgers, Michael (2015). A Theory of Genre Formation in the Twentieth Century. CLCWeb: Comparative Literature and Culture, 17(4), article no. 2.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2015). Linking early geospatial documents, one place at a time: annotation of geographic documents with Recogito. e-Perimetron, 10(2) pp. 49–59.

Slight, John (2015). The British Empire and the Hajj, 1865-1956. Cambridge, MA: Harvard University Press.

Stead, Henry (2015). A Cockney Catullus: The Reception of Catullus in Romantic Britain, 1795-1821. Classical Presences. Oxford University Press.

Swift, Laura (2015). Negotiating seduction: Archilochus’ Cologne Epode and the transformation of epic. Philologus, 159(1) pp. 2–28.

Swift, Laura (2015). Lyric visions of epic combat: the spectacle of war in archaic personal song. In: Bakogianni, Anastasia and Hope, Valerie eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury Academic, pp. 93–109.

Swift, Laura (2015). Stesichorus on Stage. In: Finglass, P. J. and Kelly, A. eds. Stesichorus in Context. Cambridge University Press, pp. 125–144.

Tickell, Alex (2015). An Interview with Manju Kapur. Journal of Postcolonial Writing, 51(3) pp. 340–350.

Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250.

Tickell, Alex (2015). Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga's The White Tiger. In: Malreddy, Pavan Kumar; Heidemann, Birte; Laursen, Ole Birk and Wilson, Janet eds. Reworking Postcolonialism: Globalisation, Labour and Rights. Palgrave Macmillan, pp. 150–164.

Towheed, Shafquat (2015). Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914–1918. In: Towheed, Shafquat and King, Edmund G.C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Palgrave Macmillan, pp. 78–95.

Towheed, Shafquat; Benatti, Francesca and King, Edmund G. C. (2015). Readers and Reading in the First World War. Yearbook of English Studies, 45 pp. 239–261.

Towheed, Shafquat and King, Edmund G. C. (2015). Introduction. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 1–25.

Vincent, David (2015). I Hope I Don’t Intrude. Privacy and its Dilemmas in Nineteenth-Century Britain. Oxford: Oxford University Press.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

Walder, Dennis (2015). Editorial. Journal of Southern African Studies, 41(6) pp. 1147–1150.

Walder, Dennis (2015). Athol Fugard. In: Middeke, Martin; Schnierer, Peter Paul and Homann, Greg eds. The Methuen Drama Guide to Contemporary South African Theatre. Methuen Drama. London and New York: Bloomsbury, pp. 125–144.

Watson, Nicola (2015). Epistolary fiction. In: Garside, Peter and O'Brien, Karen eds. The Oxford History of the Novel in English, Volume 2. Oxford: Oxford University Press, pp. 370–384.

Watson, Nicola J. (2015). Gardening with Shakespeare. In: Calvo, Clara and Kahn, Coppélia eds. Celebrating Shakespeare: Commemoration and Cultural Memory. Cambridge: Cambridge University Press, pp. 301–329.

Watson, Nicola J. (2015). Rousseau on the Tourist Trail. In: Esterhammer, Angela; Piccitto, Diane and Vincent, Patrick eds. Romanticism, Rousseau, Switzerland: New Prospects. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. Houndmills, UK: Palgrave Macmillan, pp. 84–100.

West, Susie (2015). Looking back from 1700: problems in locating the country house library. In: Dimmock, Matthew; Hadfield, Andrew and Healy, Margaret eds. The Intellectual Culture of the English Country House, 1500-1700. Manchester: Manchester University Press, pp. 178–194.

West, Susie (2015). 'Penshurst Place and Leicester House'. In: Hannay, Margaret P.; Brennan, Michael G. and Lamb, Mary Ellen eds. The Ashgate Research Companion to The Sidneys, 1500-1700. Ashgate Research Companions, 1. Farnham: Ashgate, pp. 281–296.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 Oct 2015, Paris, France.

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Williams, Sean (2015). Osaka Expo '70: The promise and reality of a spherical sound stage. In: Insonic, 26-28 Nov 2015, Karlsruhe, Germany.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. Edinburgh College of Art.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

Yamagata, Naoko (2015). 'From Our Own Correspondent: Authorial Commentary on the "Spectacles of War" in Homer and in the Tale of the Heike'. In: Bakogianni, Anastasia and Hope, Valerie M. eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 43–55.

Younger, Neil (2015). Drama, politics, and news in the Earl of Sussex's entertainment of Elizabeth at New Hall, 1579. The Historical Journal, 58(2) pp. 343–366.

2014

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. (2014). Elizabeth I's Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan.

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Crone, Rosalind ed. (2014). Policing Entertainment. The Making of the Modern Police (4). London: Pickering & Chatto.

Godfrey, Barry and Lawrence, Paul eds. (2014). Crime and Justice since 1750 (2nd ed). Abingdon: Routledge.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Lawrence, Paul ed. (2014). Policing the Poor. The Making of the Modern Police, 3. London: Pickering & Chatto.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Adamou, Alessandro; d'Aquin, Mathieu; Barlow, Helen and Brown, Simon (2014). LED: curated and crowdsourced linked data on music listening experiences. In: Proceedings of the ISWC 2014 Posters & Demonstrations Track, CEUR Workshop Proceedings, CEUR-WS.org, pp. 93–96.

Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan (2014). Introduction. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Queenship and Power. Basingstoke: Palgrave Macmillan, xix-xxv.

Baker, Patty; King, Helen and Totelin, Laurence (2014). Teaching ancient medicine: the issues of abortion. In: Rabinowitz, Nancy Sorkin and McHardy, Fiona eds. From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom. Columbus, OH: Ohio State University Press, pp. 71–91.

Barker, Elton and Christensen, Joel (2014). Even Herakles had to die: Homeric ‘heroism’, mortality and the epic tradition. Trends in Classics, 6(2) pp. 249–277.

Barnes, Amy Jane (2014). Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Routledge.

Barnes, Amy Jane (2014). Forum: Museums and Mental Health. Introduction. Museum Worlds: Advances in Research, 2(1) pp. 133–135.

Barnes, Amy Jane (2014). What makes a good museum? The Art Fund knows. The Conversation.

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33.

Benton, Tim (2014). Dom-Ino and the Phantom Pilotis. In: Weaver, Thomas ed. AA Files. AA Files, 69 (69). London: Architectural Association, pp. 13–37.

Bolick, Laura (2014). Culture, humanism and intellect: Cardinal Bessarion as patron of the arts. PhD thesis. The Open University.

Bridges, Emma (2014). Imagining Xerxes: Ancient Perspectives on a Persian King. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Brown, Simon; Adamou, Alessandro; Barlow, Helen and d'Aquin, Mathieu (2014). Building listening experience Linked Data through crowd-sourcing and reuse of library data. In: Proceedings of the 1st International Workshop on Digital Libraries for Musicology - DLfM '14, DLfM '14, ACM, pp. 1–8.

Bullock, Emily; Harlow, Nicky; Richardson, Heather and Sweeney, Emma (2014). Articulating the Other. Writing in Education, 62 pp. 52–55.

Campbell, Siobhán (2014). Filíocht Nua: New Poetry. New Hibernia Review, 18(4) pp. 36–43.

Campbell, Siobhán (2014). Seamus Heaney's 'Casualty' - Causal or Casual? Poetry Ireland Review(113) pp. 133–134.

Carter, Warren (2014). Painting the Revolution: State, Politics and Ideology in Mexican Muralism. Third Text, 28(3) pp. 282–291.

Charlesworth, Amy (2014). Navigating spheres, shifts in emphasis: The documentary, the video essay and the social. Art & the Public Sphere, 3(1) pp. 31–44.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Coatalen, Guillaume and Gibson, Jonathan (2014). Six Holograph Letters in French from Queen Elizabeth I to the Duke of Anjou: Texts and Analysis. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 27–62.

Coombes, Annie E.; Hughes, Lotte and Karega-Munene (2014). Managing Heritage, Making Peace: History, Identity and Memory in Contemporary Kenya. London: I B Tauris.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

Donnachie, Ian (2014). 'Overwhelmed with poverty, divisions and distress': Robert Owen's Tour of Ireland, 1822-3. History Ireland, 22(3) pp. 24–27.

Donnachie, Ian (2014). People, places and spaces. Education in Robert Owen's New Society. In: Mills, Sarah and Kraftl, Peter eds. Informal Education, Childhood and Youth. Geographies, Histories, Practices. Basingstoke: Palgrave Macmillan Ltd, pp. 81–96.

Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

Fear, Trevor (2014). New Voices in Classical Reception Studies Vol. 9 (2014). The Open University.

Gibson, Jonathan (2014). 'Dedans la plie de mon fidelle affection': Familiarity and Materiality in Elizabeth’s Letters to Anjou. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I's Foreign Correspondence Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 63–89.

Golding, Rosemary (2014). Organ Recitals, education, repertoire, and a new musical public in nineteenth-century Edinburgh. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(24) pp. 89–113.

Goodrich, Amanda (2014). Radical “Citizens of the World,” 1790–95: The Early Career of Henry Redhead Yorke. Journal of British Studies, 53(3) pp. 611–635.

Graham, Emma-Jayne (2014). Infant votives and swaddling in Hellenistic Italy. In: Carroll, Maureen and Graham, Emma-Jayne eds. Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series (96). Ann Arbor: Journal of Roman Archaeology, pp. 23–46.

Graham, Emma-Jayne and Carroll, Maureen (2014). Introduction: Infant health and death in Roman Italy and beyond. In: Carroll, Maureen and Graham, Emma-Jayne eds. Infant health and death in Roman Italy and beyond. Journal of Roman Archaeology Supplementary Series (96). Portsmouth, Rhode Island: Journal of Roman Archaeology, pp. 9–22.

Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

Gustar, Andrew James (2014). Statistics in Historical Musicology. PhD thesis. The Open University.

Hamer, Laura (2014). [Book Review] Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 by Barbara L. Kelly. H-France Review, 14(158)

Hamer, Laura (2014). [Book Review] The Musical Legacy of Wartime France by Leslie A. Sprout. H-France Review, 14(153)

Hamer, Laura (2014). [Book Review] Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head. Women's History Review, 23(3) pp. 505–507.

Hamer, Laura and Dingle, Christopher (2014). 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. Studies in the Digital Humanities

Hazareesingh, Sandip (2014). The everyday lives of ancient Colombians. Open University, Milton Keynes.

Hope, Valerie (2014). Inscriptions and Identity. In: Millet, Martin; Revell, Louise and Moore, Alison eds. The Oxford Handbook of Roman Britain. Oxford: Oxford University Press.

Hughes, Jessica (2014). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Supplements to the Memoirs of the American Academy in Rome (10). Ann Arbor, MI: University of Michigan Press, pp. 103–116.

Isaksen, Leif; Simon, Rainer; Barker, Elton T. E. and de Soto Cañamares, Pau (2014). Pelagios and the emerging graph of ancient world data. In: WebSci '14: Proceedings of the 2014 ACM conference on Web science, ACM, pp. 197–201.

James, Paula (2014). Book Review: Literature and Identity in The Golden Ass of Apuleius. Ancient Narrative, 11 pp. 229–236.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Yamagata, Naoko, ed. A New Interpretation of Sophocles’ Oedipus Tyrannus: In the Light and Darkness of Apollo. By Shigenari Kawashima (2014). Edwin Mellen Press (2014). Translated from Japanese [日本語]

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387.

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

King, Helen and Toner, Jerry (2014). Medicine and the senses: humours, potions and spells. In: Toner, Jerry ed. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE. A Cultural History of the Senses. London: Bloomsbury, pp. 139–161.

Lamont, Mark (2014). 3 Malinowski and the "Native Question". In: Darnell, Regna and Gleach, Frederic W. eds. Anthropologists and Their Traditions Across National Borders. Histories of Anthropology Annual. University of Nebraska Press, pp. 69–110.

Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

Lawrence, Paul (2014). The British police. In: Bruinsma, Gerben and Weisburd, David eds. Encyclopedia of Criminology and Criminal Justice. New York: Springer-Verlag, pp. 203–213.

Lawrence, Paul (2014). General Introduction [to the series]. In: Dodsworth, Francis ed. The Making of the Modern Police, 1780-1914: volume 1 - "The 'Idea' of Policing. London: Routledge, vii-xxiii.

Loftus, Donna (2014). Work, poverty and modernity in Mayhew's London. Journal of Victorian Culture, 19(4) pp. 507–519.

Marsden, Richard (2014). The real reason Yes Scotland avoids Braveheart nostalgia. The Conversation.

Marsden, Richard A. (2014). Cosmo Innes and the Defence of Scotland's Past c.1825-1875. Farnham: Ashgate.

Mays, S.; Robson-Brown, K.; Vincent, S.; Eyers, J.; King, H. and Roberts, A. (2014). An infant femur bearing cut marks from Roman Hambleden, England. International Journal of Osteoarchaeology, 24(1) pp. 111–115.

McKellar, Elizabeth (2014). Defining the Boundaries of London: Perambulation and the City in the Long Eighteenth Century. In: Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers Papers from the Third EAHN International Meeting (Rosso, Michela ed.), pp. 437–447.

Mombauer, Annika (2014). Julikrise und Kriegsschuld - Thesen und Stand der Forschung. Aus Politik und Zeitgeschichte, 64(16-17) pp. 10–16.

Mombauer, Annika (2014). Der hundertjaehrige Krieg um die Kriegsschuld. Geschichte in Wissenschaft und Unterricht, 65(5/6) pp. 303–337.

Mombauer, Annika (2014). Die Julikrise. Europas Weg in den Ersten Weltkrieg. Beck'sche Reihe Wissen. Munich: C.H. Beck Verlag.

Norman, Diana (2014). The Sicilian Connection: Imperial Themes in Simone Martini’s St. Louis of Toulouse Altarpiece. Gesta, 53(1) pp. 25–45.

O'Shea, Helen (2014). Ireland and the End of the British Empire: The Republic and its Role in the Cyprus Emergency. London: I.B. Tauris.

Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61.

Parmar, Maya (2014). Memorialising 40 years since Idi Amin's expulsion: digital ‘memory mania’ to the ‘right to be forgotten’. South Asian Popular Culture, 12(1) pp. 1–14.

Perkins, Phil (2014). Oinochoe di bucchero, tipo B di Batignani, decorata con un fregio di sfingi e volatile modellato sul coperchio. In: Bruschetti, Paolo; Giulierini, Paolo; Gialluca, Bruno; Reynolds, Suzanne and Swaddling, Judith eds. Seduzione Etrusca: Dai segreti di Holkham Hall alle meraviglie del British Museum. Milan: Skira, pp. 417–418.

Perkins, Phil (2014). Oinochoe di bucchero decorate con un fregio di volatili, tipo A di Batignani. In: Bruschetti, Paolo; Giulierini, Paolo; Gialluca, Bruno; Reynolds, Suzanne and Swaddling, Judith eds. Seduzione Etrusca: Dai segreti di Holkham Hall alle meraviglie del British Museum. Milan: Skira, pp. 418–419.

Perkins, Phil (2014). Processes of urban development in northern and central Etruria in the Orientalizing and Archaic periods. In: Robinson, Elizabeth C. ed. Papers on Italian urbanism in the first Millennium B.C. Journal of Roman Archaeology supplementary Series, Supplement (97). Portsmouth, Rhode Island: Journal of Roman Archaeology, pp. 62–80.

Plassart, Anna (2014). Scottish perspectives on war and patriotism in the 1790s. The Historical Journal, 57(1) pp. 107–129.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 Apr 2014, London, UK.

Richardson, Heather (2014). Sparta. Incubator Journal(3) pp. 18–25.

Robson, James (2014). Slipping one in: the introduction of obscene lexical items in Aristophanes. In: Olson, S. Douglas ed. Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin: De Gruyter, pp. 29–50.

Rothe, Ursula (2014). Ethnicity in the Roman north-west. In: McInerney, Jeremy ed. A Companion to Ethnicity in the Ancient Mediterranean. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 497–513.

Rowland, David (2014). Nineteenth-century pianists and Baroque music. Musurgia. Analyse et pratique musicales, 21(1-2) pp. 79–90.

Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178.

Simon, Rainer; Pilgerstorfer, Peter; Isaksen, Leif and Barker, Elton (2014). Towards semi-automatic annotation of toponyms on old maps. e-Perimetron, 9(3) pp. 105–112.

Slight, John (2014). British Understandings of the Sanussiyya Sufi Order’s Jihad against Egypt, 1915–17. The Round Table: The Commonwealth Journal of International Affairs, 103(2) pp. 233–242.

Swift, Laura (2014). Telephus on Paros: genealogy and myth in the 'new Archilochus' poem (P. Oxy. 4708). Classical Quarterly, 64(2) pp. 433–447.

Swift, Laura (2014). The animal fable and Greek iambus: ainoi and half-ainoi in Archilochus. In: Werner, C. and Sebastini, B. eds. Gêneros poéticos na Grécia antiga: Confluências e fronteiras. São Paulo: Humanitas, pp. 49–77.

Tackley, Catherine (2014). Race, identity and the meaning of Jazz in 1940s Britain. In: Stratton, Jon and Zuberi, Nabeel eds. Black Popular Music in Britain Since 1945. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 11–26.

Tackley, Catherine (2014). Tiger Bay and the roots/routes of black British jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 43–62.

Taylor, Clare (2014). “Painted paper of Pekin”: the taste for eighteenth-century Chinese papers in Britain, c.1918-c.1945. In: Huang, Michelle Ying-ling ed. The Reception of Chinese Art across Cultures. Cambridge: Cambridge Scholars Publishing, pp. 44–64.

Vincent, David (2014). ‘The invention of counting: the statistical measurement of literacy in nineteenth-century England’. Comparative Education, 50(3) pp. 266–281.

Wainwright, Leon (2014). Disturbing pasts: memories, controversies and creativity. Open Arts Journal(3)

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. The Encyclopedia of Aesthetics, Second Edition, Volume 3. New York: Oxford University Press, pp. 199–203.

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. Encyclopedia of Aesthetics (2nd ed.). Oxford: Oxford University Press.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University.

Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Williams, Chris A. (2014). Police Control Systems in Britain, 1775–1975: From Parish Constable to National Computer. Manchester: Manchester University Press.

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 Apr 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). Separation/Integration. The University of Edinburgh.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Strict serialism or structured improvisation?: The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne. In: Centre for Musical Performance as Creative Practice 3, 17-20 Jul 2014, Cambridge, United Kingdom.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14 Jun 2014, Karlsruhe, Germany.

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. Science Museum, London.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

Winters, Ben (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Wolfson, Sara (2014). Kevin Sharpe, Reading Authority and Representing Rule in Early Modern England (Bloomsbury: London, 2013) in Reviews in History (2014). Reviews in History, article no. 1643.

Woods, Kim (2014). Altarpieces in alabaster. In: Fajt, Jiri and Hörsch, Markus eds. Niederländische Skulpturenexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert. Studia Jagellonica Lipsiensia. Ostfildern: Jan Thorbecke Verlag, pp. 41–58.

Yamagata, Naoko (2014). Camilla and Tomoe: female warriors in Virgil and in medieval Japan. Proceedings of the Virgil Society, 28 pp. 81–98.

Yamagata, Naoko (2014). The Justice of Zeus revisited. In: Christopoulos, Menelaos and Paizi-Apostolopoulou, Machi eds. Crime and Punishment in Homeric and Archaic Epic: Proceedings of the 12th International Symposium on the Odyssey, Ithaca, September 3-7, 2013. Ithaca, Greece: Centre for Odyssean Studies, pp. 47–56.

2013

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

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Brown, Richard Danson (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. Department of Theatre, Film and Television, University of York, York.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Brunton, Deborah (2013). Health and Wellness in the 19th Century. Health and Wellness in Daily Life. Santa Barbara: ABC Clio.

Carter, Warren (2013). Introduction: Towards a History of the Marxist History of Art. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 14–31.

Carter, Warren (2013). The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the 1930s and 1940s. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 64–77.

Chambers, Helen (2013). ‘“A Sort of Still Uproar”: Conrad’s Reading of Periodicals’. Conrad First, The Joseph Conrad Periodical Archive, Uppsala, Sweden.

Rowland, David, ed. Chopin Rondos. By Frederic Chopin . London, Edition Peters (2013).

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573.

Churchill, David Christopher (2013). Crime, policing and control in Leeds, c1830-1890. PhD thesis. The Open University.

Clark, Leah (2013). Replication, quotation, and the ‘original’ in Quattrocento collecting practices. In: Großmann, G. Ulrich and Krutisch, Petra eds. The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings (CIHA). Wissenschaftliche Beibände zum Anzeiger der Germanischen Nationalmuseums, 1 (32). Nuremberg: Germanisches Nationalmuseum Press, pp. 136–140.

Clark, Leah R. (2013). Collecting, exchange, and sociability in the Renaissance studiolo. Journal of the History of Collections, 25(2) pp. 171–184.

da Sousa Correa, Delia (2013). Music. In: Harris, Margaret ed. George Eliot in Context. Cambridge: Cambridge University Press, pp. 206–213.

da Sousa Correa, Delia (2013). Katherine Mansfield and Ninteenth-Century Musicality. In: Weliver, Phyllis and Ellis, Katharine eds. Words and Notes in the Long Nineteenth-Century. Boydell and Brewer, pp. 103–118.

De Renzi, Silvia (2013). Tales from cardinals' deathbeds: medical hierarchy, courtly etiquette and authority in the Counter Reformation. In: Andretta, Elisa and Nicoud, Marilyn eds. Être médecin à la cour (Italie, France et Espagne, XIIIe-XVIIIe siècle). Micrologus' Library (52). Florence: Sismel, pp. 235–258.

Dohmen, Renate (2013). Towards a cosmopolitan criticality: Relational aesthetics, Rirkrit Tiravanija and transnational encounters with pad thai. Open Arts Journal(1) pp. 35–46.

Donnachie, Ian (2013). A lantern in the darkness? How were Robert Owen's essays on A New View of Society influenced by the Scottish Enlightenment? Spaces of Utopia: an electronic journal, 2nd Series(2) pp. 93–100.

Dueck, Byron (2013). Jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal, 33(1) pp. 91–115.

Dueck, Byron (2013). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press.

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy(182) pp. 61–65.

Emsley, Clive (2013). Soldier, Sailor, Beggarman, Thief: Crime and the British Armed Services since 1914. Oxford: Oxford University Press.

Fear, Trevor (2013). New Voices in Classical Reception Studies Vol. 8 (2013). The Open University.

Florian, Stadtler (2013). Britain's forgotten volunteers: Indian contributions in the two World Wars. In: Ranasinha, Ruvani ed. South Asians and the Shaping of Britain: A sourcebook. Manchester: Manchester University Press.

Forbes, Suzanne (2013). ‘Publick and solemn acknowledgements’: occasional days of state-appointed worship in Ireland, 1689–1702. Irish Historical Studies, 38(152) pp. 559–578.

Fraser, Robert (2013). Press Books Abroad. In: Eliot, Simon ed. The History of Oxford University Press, Volume 2. Oxford, UK: Oxford University Press.

Fraser, Robert (2013). Educational books. In: Louis, William Roger ed. The History of the Oxford University Press, Volume 3. Oxford, UK: Oxford University Press.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate.

Gonçalves, Cândido Gonçalo Rocha (2013). Civilizing the Police(man): Police Reform, Culture and Practice in Lisbon, c. 1860-1910. PhD thesis. The Open University.

Goodrich, Amanda (2013). Understanding a language of ‘aristocracy’, 1700-1850. The Historical Journal, 56(2) pp. 369–398.

Goodrich, Amanda (2013). Introduction. In: Goff, Moira; Goldfinch, John; Limper-Herz, Karen and Peden, Helen eds. The Georgians Revealed: Life, Style and the Making of Modern Britain. The British Library.

Graham, Emma-Jayne (2013). The making of infants in Hellenistic and early Roman Italy: a votive perspective. World Archaeology, 45(2) pp. 215–231.

Graham, Emma-Jayne (2013). Disparate lives or disparate deaths? Post-mortem treatment of the body and the articulation of difference. In: Laes, Christian; Goodey, Chris and Rose, M. Lynn eds. Disabilities in Roman Antiquity: Disparate Bodies ‘A Capite ad Calcem’. Leiden: Brill, pp. 249–274.

Griffiths, Andrew (2013). Winston Churchill, the Morning Post and the End of the Imperial Romance. Victorian Periodicals Review, 46(2) pp. 163–183.

Gupta, Suman (2013). Big issues around a small-scale phenomenon: vernacular pulp fiction in English translation for Indian readers. Journal of Commonwealth Literature, 48(1) pp. 159–175.

Hack, Karl (2013). Malaya - Between Two Terrors: "People's History" and the Malayan Emergency. In: Gurman, Hannah ed. Hearts and Minds: A People's History of Insurgency. New York: The Free Press, pp. 17–49.

Hamer, Laura and Murray, Christopher Brent (2013). Olivier Messiaen and the prix de Rome as a Rite of Passage. In: Dingle, Christopher and Fallon, Robert eds. Messiaen Perspectives 1: Sources and Influence. Farnham: Ashgate, pp. 13–43.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

Haslam, Sara (2013). Ford as Edwardian author: publishers, trends, markets. In: Colombino, Laura and Saunders, Max eds. The Edwardian Ford Madox Ford. International Ford Madox Ford Studies (12). Amsterdam/New York: Rodopi, pp. 35–48.

Hazareesingh, Sandip (2013). Territories of conquest, landscapes of resistance: the political ecology of peasant cultivation in Dharwar, western India, 1818-1840. Journal of Historical Geography, 42 pp. 88–99.

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press.

Holmes, Janice (2013). The reform of piety in Ireland, 1780-1920. In: Jarlert, Anders ed. Piety and Modernity. The Dynamics of Religious Reform in Northern Europe, 1780-1920 (3). Leuven: Leuven University Press, pp. 65–98.

James, P. (2013). Kiss Me Deadly (1955): Pandora and Prometheus in Robert Aldrich's cinematic subversion of Spillane. In: Cyrino, Monica S. ed. Screening Love and Sex in the Ancient World. Basingstoke, UK: Palgrave Macmillan, pp. 25–38.

Johnson, David (2013). Fanon’s travels in postcolonial theory and post-apartheid politics. College Literature, 40(2) pp. 52–80.

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271.

King, Helen (2013). The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate.

King, Helen (2013). Motherhood and health in the Hippocratic corpus: does maternity protect against disease? Mètis. Anthropologie des mondes grecs anciens, 11 pp. 51–70.

King, Helen (2013). Sex and gender: the Hippocratic case of Phaethousa and her beard. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 124–142.

King, Helen (2013). Commentary: Fighting through fiction. Culture, Medicine and Psychiatry, 37(4) pp. 668–693.

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282.

King, Helen (2013). Female fluids in the Hippocratic corpus: how solid was the humoral body? In: Horden, Peregrine and Hsu, Elisabeth eds. The Body in Balance: Humoral Medicines in Practice. Epistemologies of Healing (13). Oxford: Berghahn Books, pp. 25–49.

Lamont, Mark (2013). Speed Governors: Road Safety and Infrastructural Overload in Post-Colonial Kenya, c. 1963–2013. Africa, 83(3) pp. 367–384.

Lavery, Hannah (2013). From image to word: the making of Pietro Aretino's satire in I sonetti lussoriosi (c. 1527). Genre, 33 pp. 117–148.

Lavery, Hannah (2013). The development of the later English Restoration impotency poems. Papers on Language and Literature, 49(2) pp. 172–202.

Lawrence, Paul (2013). Nationalism and historical writing. In: Breuilly, John ed. The Oxford Handbook of the History of Nationalism. Oxford Handbooks in History. Oxford: Oxford University Press, pp. 713–730.

Leigh, Juliet Esme (2013). Early county chief constables in the north of England 1880-1905. PhD thesis. The Open University.

Lymberopoulou, Angeliki (2013). Regional Byzantine Monumental Art from Venetian Crete. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine Art and Renaissance Europe. Farnham: Ashgate, pp. 61–99.

Marsden, Richard; Willis, Martin and Waddington, Keir (2013). Imaginary investments: Illness Narratives Beyond the Gaze. Journal of Literature and Science, 6(1) pp. 55–73.

McKellar, Elizabeth (2013). Landscapes of London: the City, the Country and the Suburbs, 1660-1840. New Haven: Yale University Press.

McKellar, Elizabeth (2013). Tales of two cities: architecture, print and early guidebooksto Paris and London. Humanities, 2(3) pp. 328–350.

Mombauer, Annika (2013). The Fischer controversy, documents, and the ‘truth’ about the Origins of the First World War. Journal of Contemporary History, 48(2) pp. 290–314.

Mombauer, Annika (2013). The Fischer controversy 50 years on. Journal of Contemporary History, 48(2) pp. 231–240.

Nasta, Susheila (2013). An unexpected encounter with Sam Selvon at the National Portrait Gallery. Wasafiri, 28(2) pp. 33–35.

Nasta, Susheila and Stadtler, Florian (2013). Asian Britain: A Photographic History. London: Westbourne Press.

Pacheco, Anita (2013). '"Little Religion" but "Admirable Morals": Christianity and Honor in Aphra Behn's Oroonoko'. Modern Philology, 111(2) pp. 253–280.

Parmar, Maya (2013). Reading the double diaspora: representing Gujarati East African identity in Britain. Atlantis, 35(1) pp. 137–155.

Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press.

Paul, Joanna (2013). Subverting sex and love in Alejandro Amenabar's 'Agora'. In: Cyrino, Monica ed. Screening Sex and Love in the Ancient World. Palgrave Macmillan, p. 227.

Paul, Joanna (2013). The Democratic Turn in (and through) pedagogy: a case study of the Cambridge Latin Course. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A 'Democratic Turn'? Oxford: Oxford University Press, pp. 143–156.

Paul, Joanna (2013). Madonna and whore: the many faces of Penelope in Camerini’s Ulysses. In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Oxford: Oxford University Press, pp. 139–162.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Plassart, Anna (2013). "Scientific Whigs"? Scottish historians on the French Revolution. Journal of the History of Ideas, 74(1) pp. 93–114.

Prescott, Lynda (2013). ‘Hard Times and history’. The English Review, 23(4) pp. 6–9.

Ravenhill-Johnson, Annie and James, Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London: Anthem Press.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Richards, Fiona (2013). Islands in the works of Randolph Stow (1935-2010). Southerly, 72(3) pp. 103–118.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press.

Robson, James (2013). Beauty and sex appeal in Aristophanes. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 43–66.

Robson, James (2013). The language(s) of love in Aristophanes. In: Sanders, Ed.; Thumiger, Chiara; Carey, Christopher and Lowe, Nick eds. Eros in Ancient Greece. Oxford: Oxford University Press, pp. 251–266.

Rodgers, Michael (2013). The Original of Laura and Nietzsche: A Zarathustran Tool? In: Leving, Yuri ed. Shades of Laura: Vladimir Nabokov's Last Novel, The Original of Laura. McGill-Queen's University Press, pp. 114–128.

Rothe, Ursula (2013). Die norisch-pannonische Tracht: gab es sie wirklich? In: Grabherr, G.; Kainarth, B. and Schierl, T. eds. Relations Abroad? Brooches and Other Elements of Dress as Sources for Reconstructing Interregional Movement and Group Boundaries from the Punic Wars to the Decline of the Western Empire. Ikarus. Innsbruck: Innsbruck University Press, pp. 33–48.

Rothe, Ursula (2013). Whose fashion? Men, women and Roman culture as reflected in dress in the cities of the Roman north-west. In: Hemelrijk, Emily and Woolf, Greg eds. Women and the Roman City in the Latin West. Mnemosyne Supplements, History and Archaeology of Classical Antiquity (360). Leiden: Brill, pp. 243–268.

Rothe, Ursula (2013). Whose fashion? Men, women and Roman culture as reflected in dress in the cities of the Roman north-west. In: Hemelrijk, Emily and Woolf, Greg eds. Women and the Roman City in the Latin West. Mnemosyne Supplements, History and Archaeology of Classical Antiquity., 360. Brill, pp. 243–268.

Rothe, Ursula (2013). Das norische Frauengewand. In: Tellenbach, Michael; Schulz, Regine and Wieczorek, Alfried eds. Die Macht der Toga: Dresscode im römischen Weltreich. Mannheim: Schnell und Steiner, pp. 189–193.

Rowland, David (2013). Haydn's music and Clementi's publishing circle. In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library Publishing, pp. 92–111.

Scannell, Paul (2013). The development of British military professionalism through early-modern European warfare (c.1572-1637) viewed through soldiers' published literature. PhD thesis. The Open University.

Slight, John (2013). The Hajj and the Raj: From Thomas Cook to Bombay's Protector of Pilgrims. In: Porter, Venetia and Saif, Liana eds. The Hajj: Collected Essays. Research Publication (193). The British Museum Press, pp. 115–121.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Williams, Sean, ed. Elektronische Studie II. By Karlheinz Stockhausen (1954). Universal Editions (2013).

Swift, Laura (2013). Conflicting identities in the Euripidean chorus. In: Gagné, Renaud and Hopman, Marianne eds. Choral mediations in Greek tragedy. Cambridge: Cambridge University Press, pp. 130–154.

Tackley, Catherine (2013). Jazz, dance and black British identities. In: Dodds, Sherril and Cook, Susan eds. Bodies of Sound: Studies Across Popular Music and Dance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 193–208.

Tickell, Alex (2013). The Perils of Certain English Prisoners: Charles Dickens, Wilkie Collins and the limits of colonial government. Nineteenth-Century Literature, 67(4) pp. 457–489.

Tickell, Alex (2013). Review Essay: 'Elementary My Dear Hameed': Postcolonial Crime Fiction; Nels Pearson and Marc Singer, ed Detective Fiction in a Postcolonial and Transnational World; Ibne Safi The Laughing Corpse; Ibne Safi Dr Dread; M C Dutton The Singhing Detective. Wasafiri(75) pp. 73–76.

Towheed, Shafquat (2013). The science of musical memory: Vernon Lee and the remembrance of sounds past. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Long Nineteenth-Century. Woodbridge, Suffolk: Boydell & Brewer, pp. 104–122.

Trott, Vincent Andrew (2013). Remembering War, Resisting Myth: Veteran Autobiographies and the Great War in the Twenty-first Century. Journal of War & Culture Studies, 6(4) pp. 328–342.

Wainwright, Leon (2013). Transatlantic movement and the taste for ethnicity: art and ‘exchange’ between Suriname and the Netherlands. Etnofoor, 24(2) pp. 13–40.

Wainwright, Leon (2013). Americocentrism and art of the Caribbean: contours of a time-space logic. Journal of American Studies, 47(2) pp. 417–438.

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

Watson, Nicola (2013). American Travel-writing and the invention of 'Story-book England'. In: de Sousa, Alcinda Pinheiro; Flora, Luísa and Malafaia, Teresa eds. From Brazil to Macao: Travel Writing and Diasporic Spaces. Lisbon: University of Lisbon Centre for English Studies, pp. 57–74.

Watson, Nicola J. (2013). Exhibiting Literature. Austen Exhibited. In: Kroucheva, Katerina and Schaff, Barbara eds. Kafkas Gabel: Uberlegungen zum Ausstellen von Literatur. Bielefeld: transcript Verlag, pp. 227–250.

West, Susie (2013). An architectural typology for the early modern country house library, 1660-1720. Library, 14(4) pp. 441–464.

West, Susie (2013). ‘Life in the library’. In: Retford, Kate; Perry, Gillian and Vibert, Jordan eds. Placing Faces, the Portrait and the English Country House in the Long Eighteenth Century. Manchester: Manchester University Press, pp. 63–95.

Williams, Sean (2013). Making and Writing about Music: Spotlight on Practice-led Research. The Royal Musical Association, London.

Williams, Sean (2013). Performing shapes. In: Researching music as process: methods and approaches, 22 Nov 2013, Oxford, United Kingdom.

Williams, Sean (2013). From centimetres to seconds: sound design’s shift from technical serialism to musically informed performance practice in the 1950s WDR Studio, Cologne. In: What is Sound Design?, 27-29 Nov 2013, Edinburgh, United Kingdom.

Williams, Sean (2013). Noise and Fidelity. Syndicate.

Williams, Sean (2013). Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of music. In: Weium, Frode and Boon, Tim eds. Material Culture and Electronic Sound. Artefacts: Studies in the History of Science and Technology, 8. Smithsonian Institution Scholarly Press, pp. 163–188.

Williams, Sean; Currie, Colin; Hodges, Nicolas and Stockhausen, Karlheinz (2013). Kontakte with piano and percussion. Glasgow Life.

Williams, Sean; Stockhausen, Karlheinz; Smith, Simon and Ligeti, György (2013). Ligeti and Stockhausen: A concert of piano and electronics works from the 195. Edinburgh College of Art.

Willis, Martin; Waddington, Keir and Marsden, Richard (2013). Off Sick Project Online Exhibition. University of South Wales.

Wolfson, Sara (2013). The female bedchamber of Queen Henrietta Maria; politics, familial networks and policy, 1626-1641. In: Akkerman, Nadine and Houben, Birgit eds. The Politics of Female Households: Ladies-in-Waiting across Early Modern Europe. Rulers and Elites, 4. Leiden: Brill, pp. 311–341.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Woods, Kim (2013). Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine art and Renaissance Europe. Ashgate, pp. 135–157.

2012

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi.

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Yamagata, Naoko (2012). Use of Homeric references in Plato and Xenophon. The Classical Quarterly, 62(1) pp. 130–144.

Yamagata, Naoko (2012). Epithets with echoes: A study on formula-narrative interaction. In: Montanari, Franco; Rengakos, Antonios and Tsagalis, Christos C. eds. Homeric Contexts: Neoanalysis and the Interpretation of Oral Poetry. Trends in Classics: Supplementary Volumes (12). Berlin, Germany & New York, USA: Walter de Gruyter, pp. 445–468.

Yeh, Jane (2012). The Ninjas. Manchester, UK: Carcanet Press.

Younger, Neil (2012). War and Politics in the Elizabethan Counties. Politics, Culture and Society in Early Modern Britain. Manchester: Manchester University Press.

Zuccolin, Gabriella (2012). The Speculum phisionomie by Michele Savonarola. In: Universality of Reason. Plurality of Philosophies, 16-22 Sep 2007, Palermo, Italy.

2011

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan.

Emsley, Clive ed. (2011). Theories and Origins of the Modern Police. The History of Policing, 1. Farnham: Ashgate.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica. Mexico: Fondo de Cultura Economica.

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Hope, Valerie M. and Huskinson, Janet eds. (2011). Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books.

Lawrence, Paul ed. (2011). The New Police in the Nineteenth Century. The History of Police, 2. Farnham, U.K.: Ashgate.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Williams, Chris A. ed. (2011). Police and Policing in the Twentieth Century. The History of Policing, 3. Farnham: Ashgate.

Alzola Romero, Aaron and Sánchez Moreno, Eduardo (2011). Fabricating Celts: how Iron Age Iberians became Indo-Europeanized during the Franco regime. In: Proceedings of the Harvard Celtic Colloquium 2009, 9-11 Oct 2009, Harvard University, Boston.

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Bakogianni, Anastasia (2011). Electra Ancient and Modern: Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies Supplement, 113. London: Institute of Classical Studies.

Barker, Elton (2011). The Iliad’s big swoon: a case of innovation within the epic tradition. Trends in Classics, 3(1) pp. 1–17.

Barker, Elton (2011). ‘Possessing an unbridled tongue’: frank speech and speaking back in Euripides’ Orestes. In: Carter, David ed. Why Athens? A Reappraisal of Tragic Politics. Oxford: Oxford University Press, pp. 145–162.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2011). HESTIA (the Herodotus Encoded Space-Text-Imaging Archive): An Interdisciplinary Project. European Science Foundation, Strasbourg.

Barker, Elton and Christensen, Joel (2011). On not remembering Tydeus: Diomedes and the contest for Thebes. Materiali e discussioni per l’analisi dei testi classici, 66(1) pp. 9–44.

Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2011). The Thing about Museums: Objects and Experience, Representation and Contestation. Abingdon: Routledge.

Barnes, Amy Jane (2011). Displaying the Communist Other: Perspectives on the Exhibition and Interpretation of Communist Visual Culture. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums: Objects and Experience, Representation and Contestation. Routledge.

Knell, Simon J.; Aronsson, Peter; Amundsen, Peter Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane and Hughes, Sarah A. eds. (2011). National Museums: New Studies from Around the World. Abingdon: Routledge.

Barnes, Amy Jane (2011). Exhibiting China in London. In: Knell, Simon J.; Aronsson, Peter; Amunsden, Arne Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane; Hughes, Sarah A. and Kirwan, Alan eds. National Museums: New Studies from Around the World. Routledge, pp. 386–399.

Barnes, Amy Jane and Walklate, Jennifer (2011). Afterword: a conversation with Sue Pearce. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge.

Benatti, Francesca; Ryder, Sean and Tonra, Justin (2011). The Thomas Moore Archive. Moore Institute, National University of Ireland, Galway.

Benton, Tim (2011). The Villa de Mandrot and the place of the imagination. In: Richard, Michel ed. Massilia 2011. Annuaire d'Études Corbuséennes. Marseilles: Editions Imbernon, pp. 92–105.

Betts, Eleanor (2011). Towards a multisensory experience of movement in the City of Rome. In: Laurence, Ray and Newsome, David J. eds. Rome, Ostia and Pompeii: Movement and Space. Oxford: Oxford University Press, pp. 118–132.

Brough, Gideon and Marsden, Richard (2011). Gwynedd, Owain (1137-1170). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 967–969.

Brough, Gideon and Marsden, Richard (2011). Anglo-Welsh wars (1067-1415). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 102–106.

Brough, Gideon and Marsden, Richard (2011). Llywelyn the Great (c.1173-1240). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 1262–1263.

Brough, Gideon and Marsden, Richard (2011). Rhys ap Gruffudd (1132-1197). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 1815–1818.

Brown, Jo (2011). The Athenian harem: Orientalism and the historiography of Athenian women in the nineteenth century. New Voices in Classical Reception Studies, 6 pp. 1–12.

Brown, Richard Danson (2011). Reading iambic pentameter. English Review, 22(2) pp. 34–37.

Brown, Richard Danson (2011). 'Can't we ever, my love, speak in the same language?': everyday language and creative tension in the poetry of Louis MacNeice. In: Swann, Joan; Pope, Rob and Carter, Ronald eds. Creativity in Language and Literature: The State of the Art. Houndmills: Palgrave Macmillan, pp. 39–54.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). G. F. Handel: Let God arise (Chapel Royal version). Novello and Company, London.

Burrows, Donald (2011). HWV301 and all that: the history of Handel’s 'oboe concertos'. Musical Times, 152(1914) pp. 3–6.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms, pp. 280–307.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Clark, Leah R. (2011). Transient possessions: circulation, replication, and transmission of gems and jewels in Quattrocento Italy. Journal of Early Modern History, 15(3) pp. 185–221.

Burrows, Donald, ed. Canticles and anthems with orchestra. By William Croft . London, Stainer and Bell (2011).

Crone, Rosalind (2011). What readers want: criminal intelligence and the fortunes of the metropolitan press during the long eighteenth century. In: Halsey, Katie and Owens, W. R. eds. The History of Reading, Volume 2: Evidence from the British Isles, c.1750-1950, Volume 2. Basingstoke: Palgrave Macmillan, pp. 103–120.

Crone, Rosalind (2011). Attempts to (re)shape common reading habits: Bible reading on the nineteenth-century convict ship. In: Palmer, Beth and Buckland, Adelene eds. A Return to the Common Reader: Pring Culture and the Novel, 1850-1900. Farnham, U.K.: Ashgate Publishing Limited, pp. 103–120.

da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

da Sousa Correa, Delia (2011). Katherine Mansfield and music: nineteenth-century echoes. In: Kimber, Gerri and Wilson, Janet eds. Celebrating Katherine Mansfield: a Centenary Volume of Essays. Basingstoke: Palgrave MacMillan, pp. 84–98.

da Sousa Correa, Delia (2011). 'Wuthering Heights at home'. In: Watson, Nicola and Towheed, Shafquat eds. Romantics and Victorians. London: Bloomsbury Academic, pp. 347–374.

da Sousa Correa, Delia (2011). 'Wuthering Heights abroad'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 375–408.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Introduction. Katherine Mansfield Studies

De Renzi, Silvia (2011). A career in manuscripts: genres and purposes of a physician's writing in Rome, 1600-1630. Italian Studies, 66(2) pp. 234–248.

Doloughan, Fiona (2011). Contemporary Narrative: Textual Production, Multimodality and Multiliteracies. London and New York: Continuum.

Donnachie, Ian (2011). Robert Owen. Reputations and burning issues. In: Thompson, Noel and Williams, Chris eds. Robert Owen and his Legacy. Cardiff: University of Wales Press, pp. 13–31.

Emsley, Clive (2011). Crime and Society in Twentieth-Century England. Harlow: Longman/Pearson.

Emsley, Clive and Sinclair, Georgina (2011). Bobbies Abroad. History Today, 61(10) pp. 49–51.

Fear, Trevor (2011). New Voices In Classical Reception Studies Vol. 6 (2011). The Open University.

Fraser, R. (2011). Leonard Bast's library: aspiration, emulation, and the imperial national tradition. In: Spiers, John ed. Nationalisms and the National Canon. The culture of the publisher's series (2). Basingstoke, U.K.: Palgrave Macmillan, pp. 116–133.

Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4.

Fraser, Robert (2011). Race and religion in the Victorian age: Charles Kingsley, Governor Eyre and the Morant Bay Rising. The Victorian Web

Fraser, Robert (2011). Towards A new world order: literacy, democracy and literature in India and Africa, 1930-1965. In: Chakravorty, Swapan and Gupta, Abhijit eds. New Word Order: Transnational Themes in Book History. Delhi, India: Worldview Publications, pp. 53–64.

Gibson, Jonathan (2011). The queen's two hands. In: Petrina, Alessandra ed. Representations of Elizabeth I in Early Modern Culture. Basingstoke: Palgrave Macmillan, pp. 47–65.

Gibson, Jonathan (2011). Arthur Gorges. In: Sullivan jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature, Volume 2. Chichester: Wiley-Blackwell, pp. 392–393.

Gibson, Jonathan (2011). Elizabeth Jocelin. In: Sullivan, jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature. Chichester: Wiley-Blackwell, pp. 545–547.

Gibson, Jonathan; Norbrook, David and Barbour, Reid (2011). The manuscript. In: Barbour, Reid and Norbrook, David eds. The Works of Lucy Hutchinson. Volume 1: The Translation of Lucretius, Volume 1. Oxford: Oxford University Press, cxxiv-cxxxiii.

Graham, Emma-Jayne (2011). From fragments to ancestors: re-defining the role of os resectum in rituals of purification and commemoration in Republican Rome. In: Carroll, Maureen and Rempel, Jane eds. Living through the Dead: Burial and Commemoration in the Classical World. Studies in Funerary Archaeology (5). Oxford: Oxbow, pp. 91–109.

Graham, Emma-Jayne (2011). Memory and materiality: re-embodying the Roman funeral. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow, pp. 21–39.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Hack, Karl (2011). Setting the record straight on the Malayan counterinsurgency strategy: interview with Karl Hack. Small Wars Journals, 7(2)

Hack, Karl (2011). Negotiating with the Malayan Communist Party, 1948-89. Journal of Imperial and Commonwealth History, 39(4) pp. 607–632.

Hack, Karl (2011). Between terror and talking, the place of 'negotiation' in colonial conflict. Journal of Imperial and Commonwealth History, 39(4) pp. 539–549.

Hamer, Laura (2011). On the conductor’s podium: Jane Evrard and the Orchestre féminin de Paris. The Musical Times, 152(1916) pp. 81–100.

Hardwick, Lorna (2011). Antigone's journey: from Athens to Edinburgh via Athens and Tbilisi. In: Mee, Erin B. and Foley, Helene P. eds. Antigone on the Contemporary World Stage. Classical Presences. Oxford: Oxford University Press, pp. 392–406.

Hardwick, Lorna (2011). Fuzzy connections: classical texts and modern poetry in English. In: Parker, Jan and Mathews, Timothy eds. Tradition,Translation,Trauma: The Classic and the Modern. Classical Presences. Oxford: Oxford University Press, pp. 39–60.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Hazareesingh, Sandip (2011). Plants, power and productivity: the East India Company and cotton imperialism in early nineteenth-century India. Backdoor Broadcasting Company, London, UK.

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2011). “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1–23.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Hope, Valerie (2011). Remembering to mourn: personal mementos of the dead in ancient Rome. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, pp. 176–195.

Hope, Valerie (2011). Livia's tears: the presentation of Roman mourning. In: Whittaker, Helène ed. In Memoriam: Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World. Newcastle upon Tyne: Cambridge Scholars Press, pp. 91–125.

Hope, Valerie M. (2011). Introduction. In: Hope, Valerie M. and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, xi-xxiv.

Howell, Anthony (2011). Southey and itinerancy. Wordsworth Circle, 42(1) pp. 68–72.

Howell, Anthony (2011). Room to speak? A green voice for romanticism in John Clare's "Swordy Well". In: Heffernan, Nick and Wragg, David A. eds. Culture, Environment and Ecopolitics. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 137–155.

Hughes, Jessica (2011). The myth of return: restoration as reception in eighteenth-century Rome. Classical Receptions Journal, 3(1) pp. 1–28.

Hughes, Lotte (2011). 'Truth be Told': some problems with historical revisionism in Kenya. African Studies, 70(2) pp. 182–201.

Hughes, Lotte; Coombes, Annie E. and Karega-Munene (2011). Introduction. African Studies, 70(2) pp. 175–181.

Hutchison, Yvette and Walder, Dennis (2011). Editorial. Contemporary Theatre Review, 21(1) pp. 3–7.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

Johnson, David (2011). Imagining the Cape Colony. History, Literature and the South African Nation. Edinburgh: Edinburgh University Press.

Johnson, David (2011). Introduction to Samuel Eusebius Hudson's The Virtuoso (c. 1790). English in Africa, 38(1) pp. 9–15.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper, Hiram and Simić, Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading andthe First World War, 12 Feb 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference, 28-30 Apr 2011, University of Queensland, Brisbane, Australia.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 Jul 2011, Washington, D.C., USA.

King, Helen (2011). Galen and the widow: towards a history of therapeutic masturbation in ancient gynaecology. EuGeStA: Journal on Gender Studies in Antiquity, 1 pp. 205–235.

King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

Lamont, Mark (2011). Decomposing pollution? Corpses, Burials, and Affliction among the Meru of Central Kenya. In: Jindra, Michael and Noret, Joël eds. Funerals in Africa: explorations of a social phenomenon. Berghahn Books.

Laurence, Anne (2011). Exploiting Dante: Dante and his women popularizers, 1850-1910. In: Havely, Nick ed. Dante in the Nineteenth Century: Reception, Canonicity, Popularization. Cultural Interactions: Studies in the Relationship between the Arts (19). Oxford/Bern: Peter Lang, pp. 281–301.

Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3), article no. 3.

Lawrence, Paul (2011). The Police and Vagrants in France and England during the Nineteenth Century. In: Antonielli, Livio ed. Polizia, ordine pubblico e crimine tra città e campagna: un confronto comparative. Stato, esercito controllo del territorio. Manelli: Rubbettino, pp. 49–60.

Loftus, Donna (2011). Investigating work in late nineteenth-century London. History Workshop Journal, 71(1) pp. 173–193.

Loftus, Donna (2011). Self-made men and the civic: time, space and narrative in late nineteenth-century autobiography. In: Baggerman, Arianne; Dekker, Rudolph and Mascuch, Michael eds. Controlling Time and Shaping the Self. Developments in Autobiographical Writing since the Sixteenth Century. Egodocuments and History (3). Leiden: Brill.

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

Marsden, Richard (2011). Gerald of Wales and Competing Interpretations of the Welsh Middle Ages c. 1870-1910. Welsh History Review, 25(3) pp. 314–345.

Marsden, Richard (2011). Book Review: Alex Benchimol, Intellectual Politics and Cultural Conflicts in the Romantic Period (2010); Richard J. Hill, Picturing Scotland through the Waverley Novels (2012). Romantic Textualities: Literature and Print Culture 1780-1840, 20 pp. 74–78.

Marsden, Richard (2011). Gerald of Wales: patriotic Welshman or arrogant agent of English imperialism? Trinity Mirror.

Marsden, Richard (2011). [Book Review] National Museums: New Studies from Around the World. Conservation and Management of Archaeological Sites, 13(1) pp. 84–85.

Marsden, Richard (2011). Jacobite rising (1745–46). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 1124–1126.

Marsden, Richard (2011). Stuart, Charles Edward (“Bonnie Prince Charlie”) (1720–88). In: Martel, Gordon ed. The Encyclopaedia of War. Blackwell Publishing Ltd., pp. 2094–2096.

McKellar, Elizabeth (2011). Charles and Marjorie Quennell. Oxford University.

McKellar, Elizabeth (2011). The villa: ideal type or vernacular variant? In: Guillery, Peter ed. Built from Below: British Architecture and the Vernacular. Abingdon: Routledge, pp. 49–72.

Nasta, Susheila (2011). Editorship of Wasafiri General Issue No. 67 (Summer 2011). Wasafiri, 26(3), Abingdon.

Nasta, Susheila (2011). Sealing a friendship: George Orwell and Mulk Raj Anand at the BBC (1941-43). Wasafiri, 26(4) pp. 14–21.

Nasta, Susheila (2011). Negotiating a ‘New World Order’: Mulk Raj Anand as a public intellectual at the heart of Empire (1925-1945). In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 140–161.

Nasta, Susheila; Stadtler, Florian and Visram, Rozina (2011). Asians in Britain, 1858-1950. The British Library.

Neale, Derek (2011). Tributes and Testimonies: Carver and the short story. Writing in Education(53) pp. 14–15.

Neale, Derek (2011). Adaptation and Montage. Writing in Education(53) pp. 33–37.

Neale, Derek (2011). Writing and remembering: paradoxes of memory, imagination and fiction in stories about lives. Literature Compass, 8(12) pp. 951–961.

Paul, Joanna (2011). Pompeii, the Holocaust, and World War Two. In: Hales, Shelley and Paul, Joanna eds. Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Perkins, P. (2011). The Etruscans, their DNA and the Orient. In: Duistermaat, Kim and Regulski, Ilona eds. Intercultural Contacts in the Ancient Mediterranean: Proceedings of the International Conference at the Netherlands-Flemish Institute in Cairo, 25th to 29th October 2008. Orientalia Lovaniensia Analecta (202). Leuven: Peeters, pp. 171–180.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Richardson, Carol (2011). Andrea Pozzo e il Venerabile Collegio Inglese a Roma. In: Bösel, Richard and Salviucci Insolera, Lydia eds. Artifizi della Metafora: Saggi su Andrea Pozzo. Rome: Editoriale Artemide s.r.l., pp. 116–125.

Richardson, Carol (2011). Andrea Pozzo and the Venerable English College, Rome. In: Marshall, David R.; Russell, Susan and Wolfe, Karen eds. Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome. London, U.K.: The British School at Rome, pp. 25–37.

Richardson, Heather (2011). The plot thickens. Writing in Education(53) pp. 26–29.

Rodgers, Michael (2011). Lolita's Nietzchean Morality. Philosophy and Literature, 35(1) pp. 104–120.

Rothe, Ursula (2011). Der Grabstein der Severina Nutrix aus Köln: eine neue Deutung. Germania, 89 pp. 191–214.

Rowland, David (2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.

Rowland, David (2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.

Samuels, Robert (2011). Narrative form and Mahler’s musical thinking. Nineteenth-Century Music Review, 8(2) pp. 237–254.

Samuels, Robert (2011). The act of performance as Mahlerian topic. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: essays on performativity and on surveying the field. Words and Music Studies (12). Amsterdam: Rodopi, pp. 35–52.

Stadtler, Florian (2011). 'For every O’Dwyer ... there is a Shaheed Udham Singh': the Caxton Hall assassination of Michael O’Dwyer. In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858 - 1947. London: Continuum, pp. 19–34.

Stadtler, Florian (2011). ‘Nobody from Bombay should be without a basic film vocabulary’: Midnight’s Children and the visual culture of Indian popular cinema. In: Mendes, Ana Cristina ed. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. Routledge Studies in Twentieth-Century Literature. New York: Routledge, pp. 123–138.

Swift, Laura A. (2011). Epinician and tragic worlds: the case of Sophocles' Trachiniae. In: Athanassaki, Lucia and Bowie, Ewen eds. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Trends in Classics: Supplementary Volumes (10). Berlin: Walter de Gruyter, pp. 391–413.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150.

Tickell, Alex (2011). Scholarship-terrorists: the India House Hostel and the 'student problem' in Edwardian London. In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 3–18.

Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

Towheed, Shafquat (2011). Introduction. In: Crone, Rosalind and Towheed, Shafquat eds. The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Towheed, Shafquat (2011). Negotiating the list: launching Macmillan's Colonial Library and author contracts. In: Spiers, John ed. The Culture of the Publisher's Series: Nationalisms and the National Canon, Volume 2. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat (2011). Arthur Conan Doyle, The Sign of Four. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 411–437.

Towheed, Shafquat (2011). Robert Louis Stevenson, 'The Beach of Falesá'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 439–464.

Towheed, Shafquat and Owens, W. R. (2011). Introduction. In: Towheed, Shafquat and Owens, W. R. eds. The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Toynbee, Jason and Dueck, Byron (2011). Migrating Music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. Routledge, pp. 1–18.

Vincent, David (2011). The end of literacy: the growth and measurement of British public education since the early nineteenth century. In: Bayly, C. A.; Rao, Vijayendra; Szreter, Simon and Woolcock, Michael eds. History, Historians and Development Policy: A Necessary Dialogue. Manchester: Manchester University Press, pp. 177–192.

Vincent, David (2011). Government and the management of information 1844-2009. In: Gunn, Simon and Vernon, James eds. The Peculiarities of Liberal Modernity in Imperial Britain. Berkeley Series in British Studies. Berkeley and Los Angeles, CA, USA and London, UK: University of California Press, pp. 165–181.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2011). Alien nation: contemporary art and black Britain. In: Brunt, Rosalind and Cere, Rinella eds. Postcolonial Media Culture in Britain. Basingstoke: Palgrave Macmillan, pp. 27–40.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

Watson, Nicola (2011). Fandom mapped: Rousseau, Scott and Byron on the itinerary of Lady Frances Shelley. Romantic Circles Praxis Series: Romantic Fandom, article no. , article 2.

Watson, Nicola (2011). Sir Walter Scott: the bard of Abbotsford and the Laird of Avon. In: Holland, Peter and Poole, Adrian eds. Great Shakespeareans Set II. Great Shakespeareans. Cambridge: Continuum.

Williams, Chris A. (2011). Police governance – community, policing, and justice in the modern UK. Taiwan in Comparative Perspective, 3 pp. 50–65.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

Wood, Paul (2011). Moving the goalposts: modernism and 'World art history'. Third Text, 25(5) pp. 503–513.

Yamagata, Naoko (2011). Male and female spaces in Homer and in Heike monogatari. Japan Studies in Classical Antiquity, 1 pp. 27–41.

Yamagata, Naoko (2011). Penelope and early recognition: Vlahos, Harsh, and Eustathius. College Literature, 38(2) pp. 122–130.

2010

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Hack, Karl and Margolin, Jean-Louis eds. (2010). Singapore from Temasek to the 21st Century: Reinventing the Global City. Singapore: National University of Singapore Publishing.

Rebay-Salisbury, Katharina; Sorensen, Marie Louise Stig and Hughes, Jessica eds. (2010). Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford: Oxbow.

Rowland, David ed. (2010). The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni.

Allen, Gemma (2010). "a briefe and plaine declaration": Lady Anne Bacon’s 1564 Translation of the Apologia Ecclesiae Anglicanae. In: Lawrence-Mathers, Anne. and Hardman, Phillipa eds. Women and Writing, c.1340-c.1650: The Domestication of Print Culture. Manuscript Culture in the British Isles. Woodbridge: Boydell & Brewer, pp. 62–76.

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2010). Mapping an ancient historian in a digital age: the Herodotus Encoded Space-Text-Image Archive (HESTIA). Leeds International Classical Studies, 9(2010) article no. 1.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Benatti, Francesca (2010). Postgraduate education. Research & Resources in a Digital Age: UCD Irish Virtual Research Library and Archive, 1(1)

Benton, Tim (2010). Review: Pride in modesty: modernist architecture and the vernacular tradition in Italy by Michelangelo Sabatino. Harvard Design Magazine, 33 pp. 141–144.

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43.

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa.

Benton, Tim and Watson, Nicola (2010). Museum practice and heritage. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press, pp. 127–165.

Brown, Richard Danson (2010). “Modern Bondage” or reading for rhyme. The English Review, 20(4) pp. 2–5.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 25(2) pp. 85–87.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). C Day-Lewis: A Life. The Modern Language Review, 105(4) pp. 859–860.

Brown, Richard Danson (2010). ‘I would abate the sternenesse of my stile’: diction and poetic subversion in Two Cantos of Mutabilitie’. In: Grogan, Jane ed. Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos. Manchester Spenser. Manchester: Manchester University Press, pp. 275–294.

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Clarke, Martin (2010). The Illingworth Moor Singers' Book: a snapshot of Methodist music in the early ninteenth century. Nineteenth-Century Music Review, 7(1) pp. 81–103.

Clarke, Martin (2010). John Frederick Lampe's Hymns on the Great Festivals and Other Occasions. In: Temperley, Nicholas and Banfield, Stephen eds. Music and the Wesleys. Urbana: University of Illinois Press, pp. 52–62.

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

Crone, Rosalind (2010). Reappraising Victorian literacy through prison records. Journal of Victorian Culture, 15(1) pp. 3–37.

Crone, Rosalind (2010). From Sawney Beane to Sweeney Todd: Murder machines in the mid-nineteenth century metropolis. Cultural and Social History, 7(1) pp. 59–85.

da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

Day, Gail; Edwards, Steve and Mabb, David (2010). ‘What keeps mankind alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4) pp. 135–171.

De Renzi, Silvia (2010). The risks of childbirth: physicians, finance, and women's deaths in the law courts of seventeenth-century rome. Bulletin of the History of Medicine, 84(4) pp. 549–577.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

Donnachie, Ian (2010). Studying local and regional history in Britain and Ireland: The Open University MA in History. Scottish Local History Journal, 78 pp. 24–28.

Emsley, Clive (2010). A legacy of conflict? The ‘brutalised veteran’ and violence in Europe after the Great War. In: Avdela, Efi; D'Cruze, Shani and Rowbotham, Judith eds. Problems of Crime and Violence in Europe, 1780-2000: Essays in Criminal Justice. UK: Edwin Mellen Press, pp. 43–64.

Fear, Trevor (2010). Interdictiones domo et ingenio: Timagenes and Propertius: a reading in the dynamics of Augustan exclusion. Arethusa, 43(3) pp. 429–438.

Fraser, Robert (2010). Far removed. Times Literary Supplement(5614) p. 29.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Gaiger, Jason (2010). Aesthetic judgment. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press.

Gibson, Jonathan (2010). Casting off blanks: hidden structures in early modern paper books. In: Daybell, James and Hinds, Peter eds. Material Readings of Early Modern Culture: Texts and Social Practices, 1580-1730. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, pp. 208–228.

Gibson, Jonathan (2010). Letters. In: Hattaway, Michael ed. A New Companion to English Renaissance Literature and Culture. Blackwell Companions to Literature and Culture, 2. Chichester: Blackwell, pp. 453–460.

Green, Peter Geoffrey (2010). 'All Job's stock of asses': The fiction of Laurence Sterne and the theodicy debate. PhD thesis. The Open University.

Gupta, Suman (2010). Conceptualising the art of communist times. Third Text, 24(5) pp. 571–582.

Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

Gupta, Suman (2010). Conceptualising classroom observations for a project on higher education English studies in non-Anglophone contexts. American, British and Canadian Studies, 14 pp. 151–167.

Gupta, Suman (2010). Looking for something. In: Elkins, James; Valiavicharska, Zhivka and Kim, Alice eds. Art and Globalization. The Stone Art Theory Institutes (1). University Park, Pennsylvania: Pennsylvania State University Press, pp. 229–236.

Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Gupta, Suman and Katsarska, Milena (2010). Introduction: on English studies and philology, and on collaboration and contributions. In: Gupta, Suman and Katsarska, Milena eds. English Studies on This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press, pp. 17–44.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Hack, Karl (2010). The Malayan trajectory in Singapore's history. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of Singapire Press, pp. 243–291.

Hack, Karl (2010). Remaking Singapore 1990-2004: from disciplinarian development to bureaucratic proxy democracy. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of singpaore Publishing, pp. 345–383.

Hack, Karl and Margolin, Jean-Louis (2010). Singapore: reinventing the global city. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore fromTemasek to the 21st Century. Singapore: National University of Singapore Press, pp. 3–36.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Hardwick, Lorna (2010). Negotiating Translation for the Stage. In: Hall, Edith and Harrop, Stephe eds. Theorising Performance: Greek drama, cultural history and critical practice. London: Duckworth, pp. 192–207.

Hardwick, Lorna (2010). Lysistratas on the modern stage. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 80–89.

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions.

Haslam, Sara (2010). Ford Madox Ford. In: Shaffer, Brian ed. The Encyclopedia of Twentieth Century Fiction, Volume 1. Wiley-Blackwell.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Herbert, Trevor (2010). Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22, pp. 1–18.

Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Hope, Valerie (2010). The end is to the beginning as the beginning is to the end. Birth, death and the classical body. In: Garrison, Daniel H. ed. A Cultural History of the Human Body in Antiquity. A Cultural History of the Human Body, 1. Oxford and New York: Berg Publishers, pp. 25–44.

Hughes, Jessica (2010). Dissecting the classical hybrid. In: Rebay-Salisbury, K.; Sorensen, M. L. S. and Hughes, J. eds. Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford, UK: Oxbow, pp. 101–110.

Hughes, Lotte (2010). Dissident scribes: some lesser-known anti-colonial activism in and around Africa in the early 20th Century. The Round Table: The Commonwealth Journal of International Affairs, 99(408) pp. 249–265.

Hughes, Lotte (2010). 'They give me fever': East Coast Fever and other environmental impacts of the Maasai moves. In: Brown, Karen and Gilfoyle, Daniel eds. Healing the Herds: Disease, Livestock Economies, and the Globalization of Veterinary Medicine. Series in Ecology and History. Ohio: Ohio UnIversity Press, pp. 146–162.

Hughes, Lotte (2010). Les racines historiques des conflits sociopolitiques en pays maasai, Kenya. In: Jacob, Jean-Pierre and Le Meur, Pierre-Yves eds. Politique de la terre et de l'appartenance. Droits fonciers et citoyenneté dans les sociétés du Sud. Karthala, pp. 279–317.

James, P. (2010). How classical is Ariadne's parrot? Southall's painting and its literary registers. Ramus, 39(1) pp. 53–72.

Johnson, David (2010). British models of colonial governance: Adam Smith and John Bruce on the Cape Colony. The Eighteenth Century: Theory and Interpretation, 51(1-2) pp. 103–127.

Johnson, David (2010). Historical and literary re-iterations of Dutch settler Republicanism. South African Historical Journal, 62(3) pp. 463–486.

Johnson, David (2010). Representing Cape slavery: Literature, law, and history. Journal of Postcolonial Writing, 46(5) pp. 504–516.

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě. Divaldelni Revue, 2(1) pp. 48–61.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86.

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57.

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2010). Engendrer "la femme": Jacques Dubois et Diane de Poitiers. In: McClive, Cathy and Pellegrin, Nicole eds. Femmes en Fleurs, Femmes en Corps : Sang, Santé, Sexualité du Moyen Âge aux Lumières. L'école de Genre. Nouvelles Recherches (4). Saint-Étienne: Publications de l'Université de Saint-Etienne, pp. 125–138.

Knowles, Susan Anne (2010). "A Certain Portion of the Whole." Inspectors, Guardians and Anatomists in East Anglia : 1832-1908. PhD thesis. The Open University.

Laurence, Anne (2010). Lady Betty Hastings (1682-1739): Godly patron. Women's History Review, 19(2) pp. 201–213.

Lawrence, Paul (2010). Cop Culture? Les Récits de Vie Oraux et Écrits Des Policiers Anglais. In: Berlière, Jean Marc and Lévy, René eds. Le témoin, le sociologue et l'historien: Quand les policiers se mettent à table. Paris: Nouveau Monde éditions, pp. 227–239.

Lawrence, Paul (2010). Fabian, Robert Honey (1901-1978). In: Goldman, Lawrence ed. The Oxford Dictionary of National Biography. Oxford: Oxford University Press.

Liddle, Dryden Grant (2010). Power and Finance at the Court of Charles V: Francisco De Los Cobos, Royal Secretary of Charles V. PhD thesis. The Open University.

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 Sep 2008, Krakow, Poland.

Lymberopoulou, Angeliki (2010). Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle. In: James, Liz ed. A Companium to Byzantium. Oxford, UK: Wiley-Blackwell.

Marsden, Richard (2010). Book Review: Slaves and Warriors in Early Medieval Britain and Ireland, 800-1200 by Dr. David Wyatt. The Kelvingrove Review, 5, article no. 9.

Marsden, Richard (2010). Time to consign this view of the past to the history books. Trinity Mirror.

Mombauer, Annika (2010). German War Plans. In: Hamilton, Richard F. and Herwig, Holger H. eds. War Planning 1914. UK: Cambridge University Press, pp. 48–79.

Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University.

Nasta, Susheila; Stadtler, Florian; Visram, Rozina; Pulham, Sheila and Villani, Lisa (2010). South Asians making Britain: timeline. Guardian Newspapers, UK.

Norman, Diana (2010). Sanctity, kingship and succession: art and dynastic politics in the lower church at Assisi. Zeitschrift für Kunstgeschichte, 73 pp. 297–334.

Norman, Diana (2010). Politics and piety: locating Simone Martini's Saint Louis of Toulouse altarpiece. Art History, 33(4) pp. 597–619.

Owens, W. R. (2010). Master's-level study in Literature at The Open University: pedagogic challenges and solutions. In: Kayalis, Takis and Natsina, Anastasia eds. Teaching Literature at a Distance: Open, Online and Blended Learning. London: Continuum, pp. 33–43.

Owens, W. R. (2010). Editing literary texts. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. London and New York: Routledge, pp. 69–86.

Owens, W. R. (2010). Planning, writing and presenting a dissertation or thesis. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. London and New York: Routledge, pp. 187–203.

Owens, W. R. (2010). Glossary. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. Routledge, pp. 207–223.

Owens, W.R. (2010). John Bunyan and the Bible. In: Dunan-Page, Anne ed. The Cambridge Companion to Bunyan. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 39–50.

Pacheco, Anita (2010). Teaching Behn's The Rover. In: Nelson, Bonnie and Burroughs, Catherine eds. Teaching British Women Playwrights of the Restoration and Eighteenth Century. Modern Language of America Options for Teaching, 1. New York: Modern Language Association of America, pp. 364–372.

Paul, Joanna (2010). Cinematic receptions of antiquity: the current state of play. Classical Receptions Journal, 2(1) pp. 136–155.

Perkins, Phil (2010). The cultural and political landscape of the Ager Caletranus, North-West of Vulci. In: Fontaine, P. ed. L'Etrurie et l'ombrie avant Rome: Cité et Territoire. Institut Historique Belge de Rome Artes (1). Brussels, Belgium / Romr, Italy: Institut Historique Belge de Rome, pp. 103–121.

Perry, Gill (2010). Portraiture and Celebrity in the Eighteenth Century: The Actress as a Work of Art. In: Paparo, Jenifer ed. Portrait. Petit genres. Vancouver: Contemporary Art Gallery, Vancouver, pp. 36–55.

Plassart, Anna (2010). A Scottish Jacobin: John Oswald on commerce and citizenship. Journal of the History of Ideas, 71(2) pp. 263–286.

Pledger, Trew Richard Stretton (2010). The social significance of passenger-carrying paddle steamer operations in Britain in the first half of the nineteenth century. PhD thesis. The Open University.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Richardson, Carol and Hollingsworth, Mary eds. (2010). The Possessions of a Cardinal: Art, Piety, and Politics, 1450–1700. University Park, PA: Penn State University Press.

Richardson, Carol (2010). Francesco Todeschini Piccolomini (1439-1503), Sant’Eustachio and the Consorteria Piccolomini. In: Richardson, Carol and Hollingsworth, Mary eds. The Possessions of a Cardinal: Art, Piety, and Politics, 1450–1700. University Park, PA: Penn State University Press.

Robson, James (2010). Friends and foes: the people of Lysistrata. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 49–60.

Rothe, Ursula (2010). Gallische Frauenkleidung in römischer Zeit. Mannheimer Geschichtsblätter, 19 pp. 65–80.

Rowland, David (2010). Clementi & Co. in international markets. In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5). Bologna: Ut Orpheus Edizioni, pp. 525–542.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources of Chopin's Style, Inspirations and Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50.

Slight, John (2010). British Perceptions and Responses to Sultan Ali Dinar of Darfur, 1915–16. Journal of Imperial and Commonwealth History, 38(2) pp. 237–260.

Slight, John P. (2010). British and Somali Views of Muhammad Abdullah Hassan’s Jihad, 1899–1920. Bildhaan: An International Journal of Somali Studies, 10 pp. 16–35.

Swift, L. A. (2010). The hidden chorus: echoes of genre in tragic lyric. Oxford Classical Monographs. Oxford: Oxford University Press.

Tackley, Catherine (2010). Jazz recordings as social texts. In: Bayley, Amanda ed. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press, pp. 167–186.

Tickell, Alex (2010). Introduction to 'Beyond the Law: Postcolonial Writing, Legality and Legitimacy'. Journal of Postcolonial Writing, 46(5), pp. 439-445.

Tickell, Alex (2010). Excavating histories of terror: thugs, sovereignty and the colonial sublime. In: Boehmer, Elleke and Morton, Stephen eds. Terror and the Postcolonial: A Concise Companion. Oxford: Wiley-Blackwell, pp. 177–201.

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143.

Towheed, Shafquat (2010). Copyright and libel. In: Logan, Peter Melville ed. The Encyclopedia of the Novel. The Wiley-Blackwell Encyclopedia of Literature, 1 (1). Malden: Wiley-Blackwell, pp. 212–218.

Towheed, Shafquat (2010). When the reading had to stop: Readers, reading and the circulation of texts in 'The Custom of the Country'. In: Rattray, Laura ed. Edith Wharton's The Custom of the Country: A Reassessment. Gender and Genre (3). London: Pickering and Chatto, pp. 29–41.

Towheed, Shafquat (2010). Geneva v. St Petersburg: two concepts of literary property and the material lives of books in Under Western Eyes. In: Weedon, Alexis ed. The History of the Book in the West: 1914-2000. The History of the Book in the West: A Library of Critical Essays, 5 (5). Aldershot: Ashgate.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie (2010). Examining the evidence of reading: three examples from the Reading Experience Database, 1450-1945. In: Gunzenhauser, Bonnie ed. Reading in History: New Methodologies from the Anglo-American Tradition. The History of the Book. London: Pickering and Chatto, pp. 29–45.

Wainwright, Leon (2010). Art (school) education and art history. In: Appignanesi, Richard ed. Beyond Cultural Diversity: the Case for Creativity. London: Third Text Publications, pp. 93–103.

Wainwright, Leon (2010). The Black Atlantic, Suriname and the Netherlands: challenges for curating and historicising art of the Caribbeah. In: Dölle, Mariette and Jonas, Malka eds. Conversations on Paramaribo Perspectives. Rotterdam: TENT.

Wainwright, Leon (2010). Aubrey Williams: Atlantic fire. In: King, Reyahn ed. Aubrey Williams. Liverpool and London: National Museums Liverpool and October Gallery, pp. 46–55.

Wainwright, Leon (2010). Speaking to contemporary art history: Denis Williams and Guyana. In: Williams, Charlotte and Williams, Evelyn A. eds. Denis Williams: a Life in Works. New and Collected Essays. Cross/Cultures: Readings in the Post/Colonial Literautres in English (120). Amsterdam: Rodopi Press, pp. 65–75.

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

Watson, Nicola (2010). Lady of the Lake Colloquium: The Trossachs: 23rd May 2010. Edinburgh Sir Walter Scott Club Annual Bulletin, MMX pp. 48–51.

Watson, Nicola J. (2010). Readers of romantic locality: tourists, Loch Katrine and 'The Lady of the Lake'. In: Labbe, Jacqueline M. and Bode, Christoph eds. Romantic Localities: Europe Writes Place. London, UK: Pickering & Chatto, pp. 67–80.

West, Susie (2010). Heritage and class. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding Global Heritage. Manchester and Milton Keynes: Manchester University Press and The Open University, pp. 270–303.

Williams, Chris (2010). Policing the Populace: The road to professionalisation. In: Kilday, Anne-Marie and Nash, David eds. Histories of Crime: Britain 1600-2000. Basingstoke: Palgrave Macmillan, pp. 160–179.

Williams, Chris A. (2010). Labelling and tracking the criminal in mid-nineteenth century England and Wales: The relationship between governmental and creating official numbers. In: Sætnan, Ann Rudinow; Lomell, Heidi Mork and Hammer, Svein eds. The Mutual Construction of Statistics and Society. Abingdon: Routledge, pp. 157–171.

Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244.

Woods, Kim (2010). The supply of alabaster in Northern and Mediterranean Europe in the Later Middle Ages. In: Kirby, Jo; Nash, Susie and Cannon, Joanna eds. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London, UK: Archeype Publications, pp. 86–93.

Yamagata, Naoko (2010). Hesiod in Plato - Second fiddle to Homer? In: Boys-Stones, G. and Haubold, J. eds. Plato and Hesiod. Oxford: Oxford University Press, pp. 68–88.

2009

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. (2009). Women and their money 1700-1950: Essays on women and finance. London: Routledge.

Mateer, David, ed. The Gyffard Partbooks II. By . London, Stainer & Bell (2009).

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Swaddling, Judith and Perkins, Philip eds. (2009). Etruscan by Definition: The Cultural, Regional and Personal Identity of the Etruscans. The British Museum Research Publications (173). London: The British Museum Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64.

Bakogianni, Anastasia (2009). The taming of a tragic heroine: Electra in eighteenth-century art. International Journal of the Classical Tradition, 16(1) pp. 19–57.

Bakogianni, Anastasia (2009). Voices of resistance: Michael Cacoyannis’ The Trojan Women (1971). The Bulletin of the Institute of Classical Studies, 52(1) pp. 45–68.

Bakogianni, Anastasia (2009). Electra in Sylvia Plath’s poetry: a case of identification. In: Harrison, Stephen J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: OUP, pp. 194–217.

Barker, Elton (2009). Entering the Agon: Dissent and authority in Homer, historiography and tragedy. Oxford, UK: Oxford University Press.

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Benatti, Francesca (2009). Irish patriots and Scottish adventurers: the Irish Penny Journal, 1840-1841. Canadian Journal of Irish Studies, 35(2) pp. 36–41.

Benatti, Francesca (2009). Samuel Lover. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 380–381.

Benatti, Francesca (2009). The Ulsterman (1852-1858); later the Irishman (1858-1885). In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). The Shamrock, 1866-1919? In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, p. 569.

Benatti, Francesca (2009). William Carleton, 1794-1869. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). John Mitchel. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, pp. 419–420.

Benatti, Francesca (2009). Philip Dixon Hardy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). William Curry Jnr., d.1870. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library.

Benatti, Francesca (2009). Charles Gavan Duffy. In: Brake, Laurel and Demoor, Marysa eds. Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland. Gent and London: Academia Press and British Library, p. 184.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009, article no. 2.

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Clarke, Martin (2009). John Wesley’s “Directions for Singing”: Methodist Hymnody as an Expression of Methodist Beliefs in Thought and Practice. Methodist History, 47(4) pp. 196–209.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78.

Colclough, Stephen and Vincent, David (2009). Reading. In: McKitterick, David ed. The Cambridge History of the Book in Britain Vol. VI. Cambridge: Cambridge University Press, pp. 281–323.

Crone, Rosalind (2009). Crime–and its fabrication: A review of new digital resources in the history of crime. Journal of Victorian Culture, 14(1) pp. 125–133.

Cross, Myra Lesley (2009). The depiction of Germans in British films: How it changes, how far such changes reflect government policy and public opinion. PhD thesis. The Open University.

da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1(1) pp. 1–3.

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Donnachie, Ian (2009). World heritage. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding Global Heritage. Manchester: Manchester University Press, pp. 115–153.

Donnachie, Ian (2009). A New Moral World? International Dimensions of Owenism 1815-1830. In: Russell, Elizabeth ed. Transforming Utopia. Looking Forward to the End, Volume vol 1. Oxford: Peter Lang AG, pp. 185–193.

Donnachie, Ian (2009). Land transport. Roads, 1600-1900. In: Veitch, Kenneth ed. Scottish Life and Society: Transport and Communications. A Compendium of Scottish Ethnology, 8. Edinburgh: John Donald / The European Ethnological Research Centre, pp. 314–338.

Edwards, Stephen (2009). Commons and crowds: figuring photography from above and below. Third Text, 23(4) pp. 447–464.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

Emsley, Clive (2009). The Great British Bobby: A History of British Policing from the 18th Century to the Present. London: Quercus.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15.

Fraser, Robert (2009). The Tiger That Pounced; The African Writers Series (1962-2003) and the Online Reader. In: Satpathy, Sumanyu ed. Southern Postcolonialisms. Delhi, India: Routledge, 30 -49.

Gaiger, Jason (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics, 49(1) pp. 43–58.

Gaiger, Jason (2009). Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde. In: Beech, Dave ed. Beauty. Documents of Contemporary Art. London and Cambridge ,Massachusetts: Whitechapel Gallery and the MIT Press, pp. 119–125.

Gibson, Jonathan (2009). Tragical histories, tragical tales. In: Pincombe, Mike and Shrank, Cathy eds. Oxford Handbook of Tudor Literature, 1485-1603. Oxford: Oxford University Press, pp. 521–536.

Gibson, Jonathan and Wright, Gillian (2009). Editing Perdita: texts, theories, readers. In: Hurley, Ann Hollinshead and Goodblatt, Chanita eds. Women Editing/Editing Women: Early Modern Women Writers and the New Textualism. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 155–173.

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Graham, Emma-Jayne (2009). Becoming persons, becoming ancestors: personhood, memory and the corpse in Roman rituals of social remembrance. Archaeological Dialogues, 16(1) pp. 51–74.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller, Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Greenwell, Bill (2009). 156 satirical poems 1998-2002. New Statesman.

Greenwell, Bill (2009). Vision and revision. In: Neale, Derek; Anderson, Linda and Greenwell, Thomas eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 28–40.

Greenwell, Bill (2009). Conflict and contrast. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 14–27.

Greenwell, Bill (2009). Rhetoric and style. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Using analogy. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 210–227.

Greenwell, Bill (2009). Poetry: the freedom of form. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Time and timing. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 249–261.

Greenwell, Bill (2009). Theme and sequence. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 262–276.

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2009). Institutional histories of literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 89–108.

Gupta, Suman (2009). The place of theory in literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 109–130.

Gupta, Suman (2009). The origins and impact of outsourcing: reconfiguring the post-colonial city. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. Globalization in India: Contents and Discontents. Delhi: Pearson, pp. 18–33.

Gupta, Suman (2009). Harry Potter Goes to China. In: Maybin, Janet and Watson, Nicola J. eds. Children’s Literature: Approaches and Territories. Basingstoke: Palgrave Macmillan, pp. 338–352.

Hack, Karl (2009). The origins of the Asian Cold War: Malaya 1948. Journal of Southeast Asian Studies, 40(3) pp. 471–496.

Hack, Karl (2009). Extracting counterinsurgency lessons: The Malayan Emergency and Afghanistan. History on Rusi.org, Expand

Hack, Karl (2009). The Malayan Emergency as counter-insurgency paradigm. Journal of Strategic Studies, 32(3) pp. 383–414.

Hack, Karl and Wade, Geoff (2009). The origins of the Southeast Asian Cold War. Journal of Southeast Asian Studies, 40(3) pp. 441–448.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 Jul 2009, Salzburg Universität, Austria.

Hardwick, Lorna (2009). Book Review: Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination (Shanyn Fiske). Romanticism and Victorianism on the Net, 55,

Hardwick, Lorna (2009). Is 'the Frail Silken Line' worth more than 'a Fart in a Bearskin'? or, how translation practice matters in poetry and drama. In: Harrison, S. J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Classical presences. Oxford: Oxford University Press, pp. 172–193.

Hardwick, Lorna (2009). Can (modern) poets do classical drama? The case of Ted Hughes. In: Rees, Roger ed. Ted Hughes and the Classics. Classical Presences. Oxford, UK: Oxford University Press, pp. 39–61.

Haslam, Sara (2009). 'To Cook, or to Paint, in Paris? Ford in Colour'. In: Colombino, Laura ed. Ford Madox Ford and Visual Culture. International Ford Madox Ford Studies, 8. Amsterdam; New York: Rodopi, pp. 85–97.

Haslam, Sara (2009). Wessex, literary pilgrims and Thomas Hardy. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 164–175.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Hazareesingh, Sandip (2009). Interconnected synchronicities: the production of Bombay and Glasgow as modern global ports c.1850–1880. Journal of Global History, 4(1) pp. 7–31.

Hazareesingh, Sandip and Curry-Machado, Jonathan (2009). Commodities, Empires, and Global History (Guest Editorial, Special Issue of the Journal of Global History). Journal of Global History, 4(1) pp. 1–5.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Hope, Valerie (2009). Roman death: the dying and the dead in Ancient Rome. London: Continuum.

Hope, Valerie (2009). At home with the dead: Roman funeral traditions and Trimalchio's tomb. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: a Handbook. Chichester: John Wiley and Sons Ltd, pp. 140–160.

Hughes, Jessica (2009). Personifications and the Ancient Viewer: The Case of the Hadrianeum 'Nations'. Art History, 32(1) pp. 1–20.

Hughes, Lotte (2009). Response to Richard Leakey, 'Whose World is it Anyway?'. In: Chesters, Timothy ed. Land Rights: Oxford Amnesty Lectures. The Oxford Amnesty Lectures. Oxford, UK: Oxford University Press, pp. 166–176.

Hultgren, Anna Kristina (2009). Linguistic Regulation and Interactional Reality: A Sociolinguistic Study of Call Centre Service Transactions. PhD thesis. University of Oxford.

James, Paula (2009). Paideia at Play: Learning and Wit in Apuleius - Reviewed by Paula James. Ancient Narrative, 8, pp. 167–179.

James, Paula (2009). Crossing classical thresholds: Gods, monsters and Hell dimensions in the Whedon universe. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Cambridge, UK: Cambridge Scholars Publishing, pp. 237–260.

Johnson, David (2009). Remembering the Khoikhoi victory over Dom Francisco Almeida at the Cape in 1510. Postcolonial Studies, 12(1) pp. 107–130.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

Laurence, A.; Maltby, J. and Rutterford, J. (2009). Introduction. In: Laurence, A.; Maltby, J and Rutterford, J. eds. Women and Their Money 1700-1950: Essays on Women in Finance. Routledge.

Laurence, Anne (2009). Women and the Transmission of Property: Inheritance in the British Isles in the 17th Century. Dix-septième siècle, 244(3) pp. 435–450.

Laurence, Anne (2009). Using buildings to understand social history: Britain and Ireland in the seventeenth century. In: Harvey, Karen ed. History and Material Culture. Routledge Guides to Using Historical Sources. London, UK: Routledge, pp. 103–122.

Laurence, Anne (2009). Women, banks and the securities market in early eighteenth century England. In: Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. Women and their Money 1700-1950: Essays on Women and Finance. Routledge International Studies in Business History. London: Routledge, pp. 46–58.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

Loftus, Donna (2009). Limited liability, market democracy, and the social organization of production in mid-nineteenth century Britain. In: Henry, Nancy and Schmitt, Cannon eds. Victorian Investments: New Perspectives on Finance and Culture. Bloomington: Indiana University Press, pp. 79–97.

Marsden, Richard (2009). Scottish Burgh Record Scholarship c. 1830-1880. In: McNair, Aimee and Ryder, Jacqueline eds. Further from the Frontiers: Crosscurrents in Irish and Scottish Studies. Aberdeen: AHRC Centre for Scottish and Irish Studies, pp. 75–87.

McKellar, Elizabeth (2009). The suburban villa tradition in seventeenth and eighteenth-century London. In: Arciszewska, Barbara ed. The Baroque Villa: Suburban and Country Residencies c.1600-1800. Warsaw: Wilanow Palace Museum, pp. 197–208.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (2009). Everything to declare. Wasafiri, 24(3) pp. 1–3.

Neale, Derek (2009). CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research 2nd Edition. Abingdon: Routledge, pp. 162–165.

Neale, Derek (2009). Writing stage plays. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 41–92.

Neale, Derek (2009). Writing radio drama. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 93–112.

Neale, Derek (2009). Writing films. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 113–133.

Neale, Derek (2009). Playing with genre. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 1–13.

Neale, Derek (2009). Splicing the strands. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 164–180.

Neale, Derek (2009). Revealing secrets. In: Neale, Derek ed. A Creative Writing Handbook. London: A&C Black, pp. 58–72.

Neale, Derek (2009). Staging stories. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 73–92.

Neale, Derek (2009). Film structure. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 134–148.

Neale, Derek (2009). Voices in fiction. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 181–195.

Norman, Diana (2009). The prince and the bishop: A new hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale. Studies in Iconography, 30 pp. 96–125.

Norman, Diana (2009). Cardinal of Naples and Cardinal in Rome: The Patronage of Oliviero Carafa. In: Hollingsworth, Mary and Richardson, Carol M. eds. The Possessions of a Cardinal: Politics, Piety, and Art, 1450-1700. University Park, Pennsylvania: The Pennsylvania State University Press, pp. 77–91.

O'Day, Rosemary (2009). Universities and Professions in the Early Modern Period. In: Cunningham, Peter; Oosthuizen, Susan and Taylor, Richard eds. Beyond the Lecture Hall Universities and community engagement from the middle ages to the present day. Cambridge: University of Cambridge Faculty of Education and Institute of Continuing Education, pp. 79–102.

Owens, W. R. (2009). The Canon and the curriculum. In: Gupta, Suman and Katsarska, Milena eds. English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: Plovdiv University Press, pp. 47–59.

Paul, Joanna (2009). Oliver Stone’s Alexander and the cinematic epic tradition. In: Cartledge, Paul and Greenland, Fiona Rose eds. Responses to Oliver Stone’s Alexander: Film, History and Culture Studies. Madison, Wisconsin, USA: University of Wisconsin Press, pp. 15–35.

Paul, Joanna (2009). 'I fear it's potentially like Pompeii’: disaster, mass media and the ancient city. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing, pp. 91–108.

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