Open Research Online
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2019

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) (In Press).

2018

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox (forthcoming).

2017

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press (In Press).

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press (forthcoming).

Coffey, Helen (2017). City life and music for secular entertainment during the reign of Maximilian I. In: Biddle, Ian and Gibson, Kirsten eds. Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918. Routledge, pp. 171–185.

Dueck, Byron (2017). Imagining identifications: how musicians align their practices with publics. In: MacDonald, Raymond; Hargreaves, David J. and Miell, Dorothy eds. Handbook of Musical Identities. Oxford: Oxford University Press, pp. 383–402.

Golding, Rosemary (2017). The Society of Arts and the Challenge of Professional Music Education in 1860s Britain. Journal of Historical Research in Music Education, 38(2) pp. 128–150.

Gupta, Suman (2017). Philology of the Contemporary World: On Storying the Financial Crisis. Philology, 2 277-298 (In Press).

Hope, Valerie (2017). Living without the dead: finding solace in ancient Rome. In: Tappenden, Frederick S. and Daniel-Hughes, Carly eds. Coming Back to Life: The Permeability of Past and Present, Mortality and Immortality, Death and Life in the Ancient Mediterranean. Montreal, Quebec: McGill Scholarly Publishing, pp. 39–70.

Hope, Valerie M. (2017). A sense of grief: the role of the senses in the performance of Roman mourning. In: Betts, Eleanor ed. Senses of the Empire. Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 86–103.

Hope, Valerie Margaret (2017). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying (Early Access).

Hughes, Jessica (2017). Votive Body Parts in Greek and Roman Religion. Cambridge Classical Studies. Cambridge: Cambridge University Press (forthcoming).

Katritzky, M. A. (2017). Virtuous needleworkers, vicious apes: the embroideries of Mary Queen of Scots and Bess of Hardwick. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Künstlerinnen: neue Perspektiven auf ein Forschungsfeld der Vormoderne. Kunsthistorisches Forum Irsee, 4. Petersberg: Michael Imhof Verlag, pp. 48–61.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Richardson, Heather (2017). This is not a memoir: case study of a memoir-in-progress. New Writing: The International Journal For the Practice and Theory of Creative Writing, 14(2) pp. 160–166.

Sinha, Bijon (2017). The Crete and Cretans of Euripides: Perceptions and Representations. PhD thesis The Open University.

Swift, Laura (2017). Narratorial Authority and its Subversion in Archilochus. In: Bakker, Egbert ed. Authorship and Greek Song: Authority, Authenticity, and Performance. Brill, pp. 161–177.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

Wainwright, Leon (2017). Bodily relations and reciprocity in the art of Sonia Khurana. Cultural Dynamics (In Press).

Wainwright, Leon (2017). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, (In press).

Winters, Ben (2017). Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 531–542.

2016

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press .

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogenous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barlow, Helen (2016). From the band of musick to the concert party, c. 1780-1918: musical entertainment in the British army. Music in Art, 41 (In Press).

Betts, Eleanor (2016). Places of transition and deposition: phenomena of water in the sacred landscape of Iron Age Central Adriatic Italy. Accordia Research Papers, 14 pp. 63–83.

Byram-Wigfield, Benjamin (2016). The Sacred Music of Antonio Lotti: Idiom and Influence of a Venetian Master. PhD thesis The Open University.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) (in press).

Christian, Kathleen (2016). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis ed. The Companion to the History of Architecture, Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clarke, Martin (2016). "And can it be": analysing the words, music and contexts of an iconic Methodist hymn. Yale Journal of Music and Religion, 2(1), article no. 2.

Clarke, Martin V. (2016). [Digital Resource Review] Digital Hymnology: Canterbury Dictionary of Hymnology, Hymn Tune Index, Hymnary.org. Nineteenth-Century Music Review, 13(2) pp. 421–430.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

Doloughan, Fiona (2016). Translation, Storytelling and Multimodality. Interférences littéraires/Literaire interferenties(19) pp. 15–28.

Doloughan, Fiona J. (2016). English as a Literature in Translation. London: Bloomsbury.

Doloughan, Fiona J. (2016). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta , Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

Fentress, Elizabeth and Perkins, Phil (2016). Cosa and the Ager Cosanus. In: Cooley, Alison E. ed. A Companion to Roman Italy. Chichester: Wiley-Blackwell, pp. 378–400.

Golding, Rosemary (2016). Seeking a Philosophy of Music in Higher Education: The Case of Mid-nineteenth Century Edinburgh. Philosophy of Music Education Review, 24(2) pp. 191–212.

Graham, Emma-Jayne (2016). Wombs and Tombs in the Roman World. Material Religion, 12(1) pp. 251–254.

Graham, Emma-Jayne (2016). Partible humans and permeable gods: enacting human-divine personhood in the sanctuaries of Hellenistic Italy. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 45–62.

Graham, Emma-Jayne (2016). Mobility impairment in the sanctuaries of early Roman Italy. In: Laes, Christian ed. Disability in Antiquity. Rewriting Antiquity. London and New York: Routledge, pp. 248–266.

Graham, Emma-Jayne and Draycott, Jane (2016). Introduction: Debating the anatomical votive. In: Draycott, Jane and Graham, Emma-Jayne eds. Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London and New York: Routledge, pp. 1–19.

Graham, Emma-Jayne and Hope, Valerie M. (2016). Funerary practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 159–180.

Gupta, Suman (2016). On Mapping Genre: Literary Fiction/Genre Fiction and Globalization Processes. In: Habjan, Jernej and Imlinger, Fabienne eds. Globalizing Literary Genres: Literature, History, Modernity. Interdisciplinary Perspectives on Literature. New York: Routledge, pp. 213–227.

Haywood, Jan (2016). Divine Narratives in Xenophon's Anabasis. Histos, 10 pp. 85–110.

Haywood, Jan (2016). Character and Motivation in Aeschylus' Persae. Syllecta Classica, 27 pp. 29–63.

Hope, Valerie M. and Graham, Emma-Jayne (2016). Funerary Practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Chichester, West Sussex: Wiley Blackwell, pp. 159–180.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

McKellar, Elizabeth (2016). Guides, guidebooks and visitors to London, c.1650-1730: metropolitan literature in its continental context. In: Arnold, Dana and Cohen, Jean-Louis eds. Paris et Londres s'observant 1670-1970. Paris: INHA & Infolio.

Parmar, Maya (2016). Book Review: 'New postcolonial British genres: shifting the boundaries'. Journal of Postcolonial Writing, 52(6) p. 752.

Parmar, Maya (2016). Writing South-Asian Diasporic Identity Anew. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Palgrave Macmillan UK, pp. 235–252.

Perkins, Philip (2016). Bucchero in context. In: Bell, Sinclair and Carpino, Alexandra A. eds. A Companion to the Etruscans. Chichester: Wiley-Blackwell, pp. 224–236.

Prescott, Lynda (2016). Using collaboration to foster academic integrity. Open Learning: The Journal of Open and Distance Learning, 31(2) pp. 152–162.

Prescott, Lynda (2016). The Short Story Anthology: Shaping the Canon. In: Head, Dominic ed. The Cambridge History of the English Short Story. Cambridge: Cambridge University Press, pp. 564–580.

Prescott, Lynda; Hewings, Ann and Seargeant, Philip (2016). Introduction: Futures for English Studies. In: Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. Futures for English Studies: Teaching Language, Literature and Creative Writing. Basingstoke: Palgrave Macmilan, pp. 1–8.

Richardson, Heather (2016). Studio Notes. National Museums of Northern Ireland.

Rowland, David (2016). Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing. Early Music, 44(3) pp. 461–471.

Rowland, David (2016). European music publishing during the Napoleonic wars. In: Jardin, Étienne ed. Music and War in Europe from the French Revolution to WWI. Music, criticism and politics (2). Turnhaut: Brepols, pp. 223–232.

Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

Swift, Laura (2016). Visual Imagery in Parthenaic Song. In: Cazzato, Vanessa and Lardinois, André eds. The Look of Lyric: Greek Song and the Visual. Studies in Archaic and Classical Greek Song (1). Leiden: Brill, pp. 255–287.

Swift, Laura (2016). Medea. In: McClure, Laura ed. A Companion to Euripides. Blackwell Companions to the Ancient World. Chichester: Wiley-Blackwell, pp. 80–91.

Swift, Laura (2016). Poetics and precedents in Archilochus’ erotic imagery. In: Swift, Laura and Carey, Chris eds. Iambus and Elegy: New Approaches. Oxford: Oxford University Press, pp. 253–270.

Taylor, Clare (2016). ‘Modern Swedish rococo’: the Neo-Georgian interior in Britain, c 1920–c 1945. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: A Reappraisal. Swindon: Historic England, pp. 151–166.

Tickell, Alex (2016). Introduction. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Basingstoke: Palgrave Macmillan, pp. 1–18.

Tickell , Alex (2016). 'An Idea Whose Time Has Come': Indian Fiction in English After 1991. In: Tickell , Alex ed. South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke : Palgrave Macmillan, pp. 37–58.

Wainwright, Leon (2016). Art and Caribbean Slavery: Modern Visions of the 1763 Guyana Rebellion. In: Bernier, Celeste-Marie and Durkin, Hannah eds. Visualising Slavery: Art Across the African Diaspora. Liverpool Studies in International Slavery (9). Liverpool: Liverpool University Press, pp. 168–183.

Wainwright, Leon and Zijlmans, Kitty (2016). Open Arts Journal Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean. The Open University.

Walder, Dennis (2016). Bart Moore-Gilbert (1952-2015). The Journal of Commonwealth Literature, 51(1) pp. 182–185.

Walder, Dennis (2016). Editorial. Journal of Southern African Studies, 42(6) pp. 1027–1031.

Watson, Nicola J. (2016). At Juliet's Tomb: Anglophone Travel-writing and Shakespeare's Verona, 1814-1914. In: Bigliazzi, Silvia and Calvi, Lisanna eds. Shakespeare, Romeo & Juliet, and Civic Life: The Boundaries of Civic Space. Routledge Studies in Shakespeare. New York: Routledge, pp. 224–237.

West, Susie (2016). Finding Wroth's Loughton Hall. Sidney Journal, 34(1) pp. 15–32.

Williams, Sean (2016). Interpretation and Performance Practice in Realizing Stockhausen's Studie II. Journal of the Royal Musical Association, 141(2) pp. 445–481.

Williams, Sean and Green, Owen (2016). Negotiating sonic space for group electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 26-29 July 2014, Karlsruhe, Germany.

Winters, Ben (2016). The Composer and the Studio: Korngold and Warner Bros. In: Cooke, Mervyn and Ford, Fiona eds. The Cambridge Companion to Film Music. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 51–66.

Winters, Ben (2016). The sound of satire; or, trading places with Mozart. In: Evans, Mark and Hayward, Philip eds. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, pp. 29–50.

2015

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: collected documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Devlin, Zoë L. and Graham, Emma-Jayne eds. (2015). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology, 9. Oxford: Oxbow.

Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. (2015). Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon, New York: Routledge.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Allington, Daniel; Dueck, Byron and Jordanous, Anna (2015). Networks of value in electronic music: SoundCloud, London, and the importance of place. Cultural Trends, 24(3) pp. 211–222.

Barker, Naomi J. (2015). Music, antiquity and self-fashioning in the Accademia dei Lincei. The Seventeenth Century, 30(4) pp. 375–390.

Beswick, Katie; Parmar, Maya and Sil, Esha (2015). Towards a spatial practice of the postcolonial city: introducing the cultural producer. Interventions: International Journal of Postcolonial Studies, 17(6) pp. 789–801.

Boehmer, Elleke and Tickell, Alex (2015). The 1990s: An Increasingly Postcolonial Decade. Journal of Commonwealth Literature, 50(3) pp. 315–352.

Brown, Simon; Barlow, Helen; Adamou, Alessandro and d'Aquin, Mathieu (2015). The Listening Experience Database Project: Collating the Responses of the "Ordinary Listener" to Prompt New Insights into Musical Experience. The International Journal of the Humanties: Annual Review, 13 pp. 17–32.

Buongiovanni, Claudio and Hughes, Jessica (2015). Introduction: Entering the siren's city. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 1–18.

Charlesworth, Amy (2015). Caught Between the Factory and the Home: Re-Visiting Feminist ‘Documentary’ Aesthetics under Globalised Capital. Third Text, 29(1-2) pp. 88–103.

Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Coffey, Helen (2015). Music for an Elector and King: the Hanover Hofkapelle during the reigns of George I and II. In: Händel und die Musikgeschichte des Hauses Hannover, 10-11 June 2014, Halle, Saale, Georg-Friedrich-Händel-Gesellschaft e. V., pp. 135–152.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Edinburgh College of Art.

Collings, Matthew; Rawlinson, Jules and Williams, Sean (2015). Requiem for Edward Snowden. Sound Scotland.

da Sousa Correa, Delia (2015). Music and Literature. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. Blackwell Encyclopedia of Victorian Literature. Blackwell, (In Press).

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, (In Press).

Doloughan, Fiona (2015). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory, 45(1)

Graham, Emma-Jayne (2015). Embodying death in archaeology. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology 9. Oxford: Oxbow Books, pp. 1–17.

Graham, Emma-Jayne (2015). Corporeal concerns: the role of the body in the transformation of Roman mortuary practices. In: Devlin, Zoë L. and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology (9). Oxford: Oxbow, pp. 41–62.

Green, Owen; Williams, Sean and Murray-Rust, Dave (2015). Concert with Aleks Kolkowski and Grey Area. Edinburgh College of Art.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing , 30(2) pp. 40–46.

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310.

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Gustar, Andrew (2015). Quantitative Perspectives. Early Music, 43(2) pp. 365–366.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute.

Haslam, Sara (2015). Ford and gender. In: Chantler, Ashley and Hawkes, Rob eds. An Introduction to Ford Madox Ford. Farnham: Ashgate, pp. 163–176.

Haslam, Sara (2015). Dowell and Dopamine: Information, Pleasure and Plot. In: Haslam, Sara and Saunders, Max eds. Ford Madox Ford's The Good Soldier: Centenary Essays. Leiden and Boston: Brill, pp. 117–132.

Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

Hughes, Jessica (2015). 'No retreat, even when broken': classical architecture in the Presepe Napoletano. In: Hughes, Jessica and Buongiovanni, Claudio eds. Remembering Parthenope: Receptions of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press, pp. 284–309.

James, Paula (2015). Hercules as a Symbol of Labour: A Nineteenth-century Class-conflicted Hero. In: Stead, Henry and Hall, Edith eds. Greek and Roman classics in the British struggle for social reform. Bloomsbury Studies in Classical Reception. London, New York: Bloomsbury Academic, pp. 138–154.

Johnson, David (2015). Clements Kadalie, the ICU, and the Language of Freedom. English in Africa, 42(3) pp. 43–69.

Johnson, David (2015). Print culture and imagining the Union of South Africa. In: Davis, Caroline and Johnson, David eds. The Book in Africa: Critical Debates. New Direction in Book History. Basingstoke: Palgrave Macmillan, pp. 105–127.

Johnson, David (2015). Coriolanus in South Africa. In: Smith, Bruce R. ed. The World's Shakespeare, 1660-Present. The Cambridge Guide to the Worlds of Shakespeare, 2. Cambridge, UK: Cambridge University Press, pp. 1235–1241.

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148.

King, Helen (2015). Between male and female in ancient medicine. In: Boschung, Dietrich; Shapiro, Alan and Waschek, Frank eds. Bodies in Transition: Dissolving the Boundaries of Embodied Knowledge. Morphomata (23). Paderborn: Fink Verlag, pp. 249–264.

Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Collins, Tom; Meredith, David and Volk, Anja eds. Mathematics and Computation in Music. Lecture Notes in Computer Science (9110). Cham, Switzerland: Springer International Publishing, pp. 193–198.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Paul, Joanna (2015). ‘‘Time is only a mode of thought, you know’: Ancient History, Empire, and Imagination in E. Nesbit’s Stories for Children’. In: Maurice, Lisa ed. The Reception of Ancient Greece and Rome in Children’s Literature: Eagles and Heroes. Metaforms (6). Leiden: Brill, pp. 30–55.

Richards, Fiona (2015). ‘so insistently literary’: the Englishness of Randolph Stow. Journal of the Association for the Study of Australian Literature, 14(5), article no. 8.

Richards, Fiona (2015). "The streaming of the sun and the flowing of the stars": D.H. Lawrence and Peter Sculthorpe. Journal of D.H.Lawrence Studies, 3(3) pp. 33–50.

Richards, Fiona (2015). Strange Territories: John Ireland and Arthur Machen. Faunus: The Journal of the Friends of Arthur Machen, 32 pp. 29–41.

Richards, Fiona (2015). “the whole landscape dazzling and shrilling”: Soundscapes of war and peace in David Malouf’s Fly Away Peter. Southerly, 75(3) pp. 155–168.

Richards, Fiona (2015). The Goat-God in England: A Musical Context for Lawrence's Fascination with Pan. D.H.Lawrence Review, 40(1) pp. 90–106.

Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18.

Richardson, Heather (2015). Outbound/Inbound. Australian Association of Writing Programmes, Australia.

Rowland, David (2015). Pianists and the European music trade c. 1790-1820. In: Sala, Massimiliano ed. Piano culture in 19th-century Paris. Turnhout: Brepols, pp. 17–26.

Simon, Rainer; Barker, Elton; Isaksen, Leif and de Soto Cañamares, Pau (2015). Linking early geospatial documents, one place at a time: annotation of geographic documents with Recogito. e-Perimetron, 10(2) pp. 49–59.

Swift, Laura (2015). Negotiating seduction: Archilochus’ Cologne Epode and the transformation of epic. Philologus, 159(1) pp. 2–28.

Swift, Laura (2015). Lyric visions of epic combat: the spectacle of war in archaic personal song. In: Bakogianni, Anastasia and Hope, Valerie eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury Academic, pp. 93–109.

Swift, Laura (2015). Stesichorus on Stage. In: Finglass, P. J. and Kelly, A. eds. Stesichorus in Context. Cambridge University Press, pp. 125–144.

Tackley, Catherine (2015). “Art or Debauchery?”: the reception of Ellington in the UK. In: Howland, John and Green, Edward eds. Ellington Studies. Cambridge University Press, (In press).

Tickell, Alex (2015). Some Uses of History: Historiography, Politics and the Indian Novel. In: Anjaria, Ulka ed. A History of the Indian Novel in English. Cambridge: Cambridge University Press, pp. 237–250.

Tickell, Alex (2015). Driving Pinky Madam (and Murdering Mr Ashok): Social Justice and Domestic Service in Aravind Adiga's The White Tiger. In: Malreddy, Pavan Kumar; Heidemann, Birte; Laursen, Ole Birk and Wilson, Janet eds. Reworking Postcolonialism: Globalisation, Labour and Rights. Palgrave Macmillan, pp. 150–164.

Tickell , Alex (2015). An Interview with Manju Kapur. Journal of Postcolonial Writing, 51(3) pp. 340–350.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

Walder, Dennis (2015). Editorial. Journal of Southern African Studies, 41(6) pp. 1147–1150.

Walder, Dennis (2015). Athol Fugard. In: Middeke, Martin; Schnierer, Peter Paul and Homann, Greg eds. The Methuen Drama Guide to Contemporary South African Theatre. Methuen Drama. London and New York: Bloomsbury, pp. 125–144.

Watson, Nicola (2015). Epistolary fiction. In: Garside, Peter and O'Brien, Karen eds. The Oxford History of the Novel in English, Volume 2. Oxford: Oxford University Press, pp. 370–384.

Watson, Nicola J. (2015). Gardening with Shakespeare. In: Calvo, Clara and Kahn, Coppélia eds. Celebrating Shakespeare: Commeoration and Cultural Memory. Cambridge: Cambridge University Press, pp. 301–329.

Watson, Nicola J. (2015). Rousseau on the Tourist Trail. In: Esterhammer, Angela; Piccitto, Diane and Vincent, Patrick eds. Romanticism, Rousseau, Switzerland: New Prospects. Palgrave Studies in the Enlightenment, Romanticism and the Cultures of Print. Houndmills, UK: Palgrave Macmillan, pp. 84–100.

West, Susie (2015). Looking back from 1700: problems in locating the country house library. In: Dimmock, Matthew; Hadfield, Andrew and Healy, Margaret eds. The Intellectual Culture of the English Country House, 1500-1700. Manchester: Manchester University Press, pp. 178–194.

West, Susie (2015). 'Penshurst Place and Leicester House'. In: Hannay, Margaret P.; Brennan, Michael G. and Lamb, Mary Ellen eds. The Ashgate Research Companion to The Sidneys, 1500-1700. Ashgate Research Companions, 1. Farnham: Ashgate, pp. 281–296.

Williams, Sean (2015). Osaka Expo '70: The promise and reality of a spherical sound stage. In: Insonic, 26-28th November 2015, Karlsruhe, Germany.

Williams, Sean (2015). Orchid House - world of sounds: Sound from around the world, between 3 am and 6 am. Edinburgh College of Art.

Williams, Sean (2015). Stockhausen Concerts Database. Edinburgh College of Art.

Williams, Sean (2015). Technical influence and physical constraint in the realisation of Gesang der Jünglinge. In: Tracking the Creative Process in Music, 8-10 October 2015, Paris, France.

Williams, Sean; Mooney, James and Green, Owen (2015). Celebrating the work of Hugh Davies 3. University of Leeds.

Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

Yamagata, Naoko (2015). 'From Our Own Correspondent: Authorial Commentary on the "Spectacles of War" in Homer and in the Tale of the Heike'. In: Bakogianni, Anastasia and Hope, Valerie M. eds. War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 43–55.

2014

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Adamou, Alessandro; d'Aquin, Mathieu; Barlow, Helen and Brown, Simon (2014). LED: curated and crowdsourced linked data on music listening experiences. In: Proceedings of the ISWC 2014 Posters & Demonstrations Track, CEUR Workshop Proceedings, CEUR-WS.org, pp. 93–96.

Baker, Patty; King, Helen and Totelin, Laurence (2014). Teaching ancient medicine: the issues of abortion. In: Rabinowitz, Nancy Sorkin and McHardy, Fiona eds. From Abortion to Pederasty: Addressing Difficult Topics in the Classics Classroom. Columbus, OH: Ohio State University Press, pp. 71–91.

Barker, Elton and Christensen, Joel (2014). Even Herakles had to die: Homeric ‘heroism’, mortality and the epic tradition. Trends in Classics, 6(2) pp. 249–277.

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33.

Bridges, Emma (2014). Imagining Xerxes: Ancient Perspectives on a Persian King. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

Brown, Simon; Adamou, Alessandro; Barlow, Helen and d'Aquin, Mathieu (2014). Building listening experience Linked Data through crowd-sourcing and reuse of library data. In: Proceedings of the 1st International Workshop on Digital Libraries for Musicology - DLfM '14, DLfM '14, ACM, pp. 1–8.

Bullock, Emily; Harlow, Nicky; Richardson, Heather and Sweeney, Emma (2014). Articulating the Other. Writing in Education, 62 pp. 52–55.

Charlesworth, Amy (2014). Navigating spheres, shifts in emphasis: The documentary, the video essay and the social. Art & the Public Sphere, 3(1) pp. 31–44.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

Golding, Rosemary (2014). Organ Recitals, education, repertoire, and a new musical public in nineteenth-century Edinburgh. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(24) pp. 89–113.

Graham, Emma-Jayne (2014). Infant votives and swaddling in Hellenistic Italy. In: Carroll, Maureen and Graham, Emma-Jayne eds. Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series (96). Ann Arbor: Journal of Roman Archaeology, pp. 23–46.

Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

Gustar, Andrew (2014). Statistics in Historical Musicology. PhD thesis Open University.

Hughes, Jessica (2014). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Supplements to the Memoirs of the American Academy in Rome (10). Ann Arbor, MI: University of Michigan Press, pp. 103–116.

Isaksen, Leif; Simon, Rainer; Barker, Elton T. E. and de Soto Cañamares, Pau (2014). Pelagios and the emerging graph of ancient world data. In: WebSci '14: Proceedings of the 2014 ACM conference on Web science, ACM, pp. 197–201.

James, Paula (2014). Book Review: Literature and Identity in The Golden Ass of Apuleius. Ancient Narrative, 11 pp. 229–236.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John ; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387.

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

King, Helen and Brown, Jo (2014). Thucydides and the plague. In: Morley, Neville and Lee, Christine eds. A Handbook to the Reception of Thucydides. Chichester: Wiley, pp. 447–473.

King, Helen and Toner, Jerry (2014). Medicine and the senses: humours, potions and spells. In: Toner, Jerry ed. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE. A Cultural History of the Senses. London: Bloomsbury, pp. 139–161.

Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

Mays, S.; Robson-Brown, K.; Vincent, S.; Eyers, J.; King, H. and Roberts, A. (2014). An infant femur bearing cut marks from Roman Hambleden, England. International Journal of Osteoarchaeology, 24(1) pp. 111–115.

Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61.

Parmar, Maya (2014). Memorialising 40 years since Idi Amin's expulsion: digital ‘memory mania’ to the ‘right to be forgotten’. South Asian Popular Culture, 12(1) pp. 1–14.

Perkins, Phil (2014). Processes of urban development in northern and central Etruria in the Orientalizing and Archaic periods. In: Robinson , Elizabeth C. ed. Papers on Italian urbanism in the first Millennium B.C. Journal of Roman Archaeology supplementary Series, Supplement (97). Portsmouth, Rhode Island: Journal of Roman Archaeology, pp. 62–80.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 April 2014, London, UK.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM '14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.

Richardson, Heather (2014). Sparta. Incubator Journal(3) pp. 18–25.

Robson, James (2014). Fantastic sex: fantasies of sexual assault in Aristophanes. In: Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon: Routledge, pp. 315–331.

Rothe, Ursula (2014). Ethnicity in the Roman north-west. In: McInerney, Jeremy ed. A Companion to Ethnicity in the Ancient Mediterranean. Blackwell Companions to the Ancient World. Oxford : Wiley-Blackwell, pp. 497–513.

Rowland, David (2014). Nineteenth-century pianists and Baroque music. Musurgia. Analyse et pratique musicales, 21(1-2) pp. 79–90.

Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178.

Simon, Rainer; Pilgerstorfer, Peter; Isaksen, Leif and Barker, Elton (2014). Towards semi-automatic annotation of toponyms on old maps. e-Perimetron, 9(3) pp. 105–112.

Swift, Laura (2014). Telephus on Paros: genealogy and myth in the 'new Archilochus' poem (P. Oxy. 4708). Classical Quarterly, 64(2) pp. 433–447.

Swift, Laura (2014). The animal fable and Greek iambus: ainoi and half-ainoi in Archilochus. In: Werner, C. and Sebastini, B. eds. Gêneros poéticos na Grécia antiga: Confluências e fronteiras. São Paulo: Humanitas, pp. 49–77.

Tackley, Catherine (2014). Race, identity and the meaning of Jazz in 1940s Britain. In: Stratton, Jon and Zuberi, Nabeel eds. Black Popular Music in Britain Since 1945. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 11–26.

Tackley, Catherine (2014). Tiger Bay and the roots/routes of black British jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series . Farnham: Ashgate, pp. 43–62.

Taylor, Clare (2014). “Painted paper of Pekin”: the taste for eighteenth-century Chinese papers in Britain, c.1918-c.1945. In: Huang, Michelle Ying-ling ed. The Reception of Chinese Art across Cultures. Cambridge: Cambridge Scholars Publishing, pp. 44–64.

Wainwright, Leon (2014). Disturbing pasts: memories, controversies and creativity. Open Arts Journal(3)

Wainwright, Leon (2014). Globalization. In: Kelly, Michael ed. The Encyclopedia of Aesthetics, Second Edition, Volume 3. New York : Oxford University Press, pp. 199–203.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University.

Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Williams, Sean (2014). Separation/Integration. The University of Edinburgh.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10th – 12th April 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). Strict serialism or structured improvisation?: The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne. In: Centre for Musical Performance as Creative Practice 3, 17-20 July 2014, Cambridge, United Kingdom.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 June 2014, Edinburgh, United Kingdom.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14th June 2014, Karlsruhe, Germany.

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. Science Museum, London.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Winters, Benjamin (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Woods, Kim (2014). Altarpieces in alabaster. In: Fajt , Jiri and Hörsch, Markus eds. Niederländische Skulpturenexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert. Studia Jagellonica Lipsiensia. Ostfildern: Jan Thorbecke Verlag, pp. 41–58.

Yamagata, Naoko (2014). Camilla and Tomoe: female warriors in Virgil and in medieval Japan. Proceedings of the Virgil Society, 28 pp. 81–98.

Yamagata, Naoko (2014). The Justice of Zeus revisited. In: Christopoulos , Menelaos and Paizi-Apostolopoulou, Machi eds. Crime and Punishment in Homeric and Archaic Epic: Proceedings of the 12th International Symposium on the Odyssey, Ithaca, September 3-7, 2013. Ithaca, Greece: Centre for Odyssean Studies , pp. 47–56.

2013

Asbee, Sue ed. (2013). Yellow Book Writers. The Women Aesthetes: British Writers, 1870 - 1900, 3. London: Pickering and Chatto.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Lymberopoulou, Angeliki and Rembrandt , Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Wilson, Janet; Kimber, Gerri and da Sousa Correa, Delia eds. (2013). Katherine Mansfield and the (Post)Colonial. Katherine Mansfield Studies, 5. Edinburgh: Edinburgh University Press.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60.

Asbee, Sue (2013). ‘Not quite every character is a living person in this story. And not quite the reverse.’ Margiad Evans: Memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans - Marginality, Gender and Illness. Cardiff: University of Wales Press.

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Bakogianni, Anastasia (2013). ‘Who rules this nation? (Ποιός κυβερνά αυτόν τον τόπο;): political intrigue and the struggle for power in Michael Cacoyannis’ Iphigenia (1977)’. In: Bakogianni, Anastasia ed. Dialogues with the Past: Classical Reception Theory and Practice. BICS Supplement, 1 (126.1). London: Institute of Classical Studies, 225-249.

Bakogianni, Anastasia (2013). Demotic power to the people: the triumph of dimotiki, the triumph of Medea. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A Democratic Turn? Classical Presences. Oxford: Oxford University Press, pp. 197–212.

Bakogianni, Anastasia (2013). Annihilating Clytemnestra: the severing of the mother-daughter bond in Michael Cacoyannis’ Iphigenia (1977). In: Nikoloutsos , Konstantinos P. ed. Ancient Greek Women in Film. Classical Presences. Oxford: Oxford University Press, pp. 207–234.

Barker, Elton (2013). All mod cons: power, openness and text in a digital turn. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A ‘Democratic Turn’? Oxford: Oxford University Press, pp. 411–426.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Writing space, living space: time, agency and place relations in Herodotus’s Histories. In: Heirman, Jo and Klooster, Jacqueline eds. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Ghent: Academia Press, pp. 229–247.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Extracting, investigating and representing geographical concepts in Herodotus: the case of the Black Sea. In: The Bosporus: Gateway between the Ancient West and East (1st Millennium BC–5th Century AD) (Tsetskhladze, Gocha R.; Atasoy, Sümer; Avram, Alexandru; Dönmez, Şevket and Hargrave, James eds.), BAR International Series, Archaeopress, Oxford, pp. 7–17.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World.

Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan and Pelling, Chris (2013). On using a digital resources for the study of an ancient text: the case of Herodotus’ Histories. In: Dunn, Stuart and Mahony, Simon eds. The Digital Classicist. Bulletin of the Institute of Classical Studies Supplement (122). Institute of Classical Studies, University of London, pp. 45–62.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Barker, Naomi J. (2013). Charivari and popular ritual in 17th-century Italy: a source and context for improvised performance? Early Music, 41(3) pp. 447–459.

Barker, Naomi J. (2013). The ear of the lynx: The musical legacy of the Accademia dei Lincei. In: Smith, David J. and Taylor, Rachelle eds. Networks of music and culture in the late sixteenth and early seventeenth centuries. Surrey: Ashgate Publishing Limited, pp. 59–70.

Benton, Tim (2013). LC Foto: Le Corbusier Secret Photographer. Zurich: Lars Muller Publishers GmbH.

Benton, Tim (2013). Atlantic Coast: nature as inspiration. In: Cohen, Jean-Louis ed. Le Corbusier: An Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 162–167.

Benton, Tim (2013). Marseille: Unité d'habitation or "The company of clouds, the sky, or the stars". In: Cohen, Jean-Louis ed. Le Corbusier: an Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 201–211.

Benton, Tim (2013). Les peintures murales. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerranée. Paris: Archibooks, pp. 122–133.

Betts, Eleanor (2013). Cubrar matrer: goddess of the Picenes? Accordia Research Papers, 12 pp. 119–147.

Brown, Richard (2013). Call you ’em stanzos? Stanza form and reading poetry. The English Review, 23(4) pp. 32–34.

Brown, Richard (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. Department of Theatre, Film and Television, University of York, York.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Rowland, David, ed. Chopin Rondos. By Frederic Chopin . London, Edition Peters (in press) (2013).

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573.

Clark, Leah (2013). Replication, quotation, and the ‘original’ in Quattrocento collecting practices. In: Großmann, G. Ulrich and Krutisch, Petra eds. The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings (CIHA). Wissenschaftliche Beibände zum Anzeiger der Germanischen Nationalmuseums, 1 (32). Nuremberg: Germanisches Nationalmuseum Press, pp. 136–140.

Clark, Leah R. (2013). Collecting, exchange, and sociability in the Renaissance studiolo. Journal of the History of Collections, 25(2) pp. 171–184.

da Sousa Correa, Delia (2013). Music. In: Harris, Margaret ed. George Eliot in Context. Cambridge: Cambridge University Press, pp. 206–213.

da Sousa Correa, Delia (2013). Katherine Mansfield and Ninteenth-Century Musicality. In: Weliver, Phyllis and Ellis, Katharine eds. Words and Notes in the Long Nineteenth-Century. Boydell and Brewer, pp. 103–118.

Dueck, Byron (2013). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press.

Dueck, Byron (2013). Jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal, 33(1) pp. 91–115.

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy (182) pp. 61–65.

Florian, Stadtler (2013). Britain's forgotten volunteers: Indian contributions in the two World Wars. In: Ranasinha, Ruvani ed. South Asians and the Shaping of Britain: A sourcebook. Manchester: Manchester University Press.

Fraser, Robert (2013). Educational books. In: Louis , William Roger ed. The History of the Oxford University Press, Volume 3. Oxford, UK: Oxford University Press.

Fraser , Robert (2013). Press Books Abroad. In: Eliot, Simon ed. The History of Oxford University Press, Volume 2. Oxford, UK: Oxford University Press.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate .

Graham, Emma-Jayne (2013). The making of infants in Hellenistic and early Roman Italy: a votive perspective. World Archaeology, 45(2) pp. 215–231.

Graham, Emma-Jayne (2013). Disparate lives or disparate deaths? Post-mortem treatment of the body and the articulation of difference. In: Laes, Christian; Goodey, Chris and Rose, M. Lynn eds. Disabilities in Roman Antiquity: Disparate Bodies ‘A Capite ad Calcem’. Leiden: Brill, pp. 249–274.

Gupta, Suman (2013). Big issues around a small-scale phenomenon: vernacular pulp fiction in English translation for Indian readers. Journal of Commonwealth Literature, 48(1) pp. 159–175.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

Haslam, Sara (2013). Ford as Edwardian author: publishers, trends, markets. In: Colombino, Laura and Saunders, Max eds. The Edwardian Ford Madox Ford. International Ford Madox Ford Studies (12). Amsterdam/New York: Rodopi, pp. 35–48.

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press .

James, P. (2013). Kiss Me Deadly (1955): Pandora and Prometheus in Robert Aldrich's cinematic subversion of Spillane. In: Cyrino , Monica S. ed. Screening Love and Sex in the Ancient World. Basingstoke, UK: Palgrave Macmillan, pp. 25–38.

Johnson, David (2013). Fanon’s travels in postcolonial theory and post-apartheid politics. College Literature, 40(2) pp. 52–80.

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271.

King, Helen (2013). The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate.

King, Helen (2013). Motherhood and health in the Hippocratic corpus: does maternity protect against disease? Mètis. Anthropologie des mondes grecs anciens, 11 pp. 51–70.

King, Helen (2013). Commentary: Fighting through fiction. Culture, Medicine and Psychiatry, 37(4) pp. 668–693.

King, Helen (2013). Sex and gender: the Hippocratic case of Phaethousa and her beard. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 124–142.

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282.

King, Helen (2013). Female fluids in the Hippocratic corpus: how solid was the humoral body? In: Horden, Peregrine and Hsu, Elisabeth eds. The Body in Balance: Humoral Medicines in Practice. Epistemologies of Healing (13). Oxford: Berghahn Books, pp. 25–49.

Lavery, Hannah (2013). The development of the later English Restoration impotency poems. Papers on Language and Literature, 49(2) pp. 172–202.

Lavery, Hannah (2013). From image to word: the making of Pietro Aretino's satire in I sonetti lussoriosi (c. 1527). Genre, 33 pp. 117–148.

Lymberopoulou, Angeliki (2013). Regional Byzantine art from Venetian Crete. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine Art and Renaissance Europe. Farnham: Ashgate, pp. 61–99.

McKellar, Elizabeth (2013). Landscapes of London: the City, the Country and the Suburbs, 1660-1840. New Haven: Yale University Press.

McKellar, Elizabeth (2013). Tales of two cities: architecture, print and early guidebooksto Paris and London. Humanities, 2(3) pp. 328–350.

Nasta, Susheila (2013). An unexpected encounter with Sam Selvon at the National Portrait Gallery. Wasafiri, 28(2) pp. 33–35.

Nasta, Susheila and Stadtler, Florian (2013). Asian Britain: A Photographic History. London: Westbourne Press.

Pacheco, Anita (2013). '"Little Religion" but "Admirable Morals": Christianity and Honor in Aphra Behn's Oroonoko'. Modern Philology, 111(2) pp. 253–280.

Parmar, Maya (2013). Reading the double diaspora: representing Gujarati East African identity in Britain. Atlantis, 35(1) pp. 137–155.

Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press.

Paul, Joanna (2013). Subverting sex and love in Alejandro Amenabar's 'Agora'. In: Cyrino, Monica ed. Screening Sex and Love in the Ancient World. Palgrave Macmillan, p. 227.

Paul, Joanna (2013). The Democratic Turn in (and through) pedagogy: a case study of the Cambridge Latin Course. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A 'Democratic Turn'? Oxford: Oxford University Press, pp. 143–156.

Paul, Joanna (2013). Madonna and whore: the many faces of Penelope in Camerini’s Ulysses. In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Oxford: Oxford University Press, pp. 139–162.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd .

Prescott, Lynda (2013). ‘Hard Times and history’. The English Review, 23(4) pp. 6–9.

Ravenhill-Johnson , Annie and James , Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London : Anthem Press.

Richards, Fiona (2013). Islands in the works of Randolph Stow (1935-2010). Southerly, 72(3) pp. 103–118.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press.

Robson, James (2013). Beauty and sex appeal in Aristophanes. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 43–66.

Robson, James (2013). Slipping one in: the introduction of obscene lexical items in Aristophanes. In: Olson, S. Douglas ed. Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin: De Gruyter, pp. 29–50.

Robson, James (2013). The language(s) of love in Aristophanes. In: Sanders, Ed.; Thumiger, Chiara; Carey, Christopher and Lowe , Nick eds. Eros in Ancient Greece. Oxford: Oxford University Press, pp. 251–266.

Rothe, Ursula (2013). Die norisch-pannonische Tracht: gab es sie wirklich? In: Grabherr, G.; Kainarth, B. and Schierl, T. eds. Relations Abroad? Brooches and Other Elements of Dress as Sources for Reconstructing Interregional Movement and Group Boundaries from the Punic Wars to the Decline of the Western Empire. Ikarus. Innsbruck: Innsbruck University Press, pp. 33–48.

Rothe, Ursula (2013). Whose fashion? Men, women and Roman culture as reflected in dress in the cities of the Roman north-west. In: Hemelrijk, Emily and Woolf, Greg eds. Women and the Roman City in the Latin West. Mnemosyne Supplements, History and Archaeology of Classical Antiquity (360). Leiden: Brill, pp. 243–268.

Rothe, Ursula (2013). Whose fashion? Men, women and Roman culture as reflected in dress in the cities of the Roman north-west. In: Hemelrijk, Emily and Woolf, Greg eds. Women and the Roman City in the Latin West. Mnemosyne Supplements, History and Archaeology of Classical Antiquity., 360. Brill, pp. 243–268.

Rothe, Ursula (2013). Das norische Frauengewand. In: Tellenbach, Michael; Schulz, Regine and Wieczorek , Alfried eds. Die Macht der Toga: Dresscode im römischen Weltreich. Mannheim: Schnell und Steiner, pp. 189–193.

Rowland, David (2013). Haydn's music and Clementi's publishing circle. In: Chesser, Richard and Wyn Jones, David eds. The Land of Opportunity: Joseph Haydn and Britain. London: British Library Publishing, pp. 92–111.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Williams, Sean, ed. Elektronische Studie II. By Karlheinz Stockhausen (1954). Universal Editions (2013).

Swift, Laura (2013). Conflicting identities in the Euripidean chorus. In: Gagné, Renaud and Hopman, Marianne eds. Choral mediations in Greek tragedy. Cambridge: Cambridge University Press, pp. 130–154.

Tackley, Catherine (2013). Jazz, dance and black British identities. In: Dodds, Sherril and Cook, Susan eds. Bodies of Sound: Studies Across Popular Music and Dance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 193–208.

Tickell, Alex (2013). Review Essay: 'Elementary My Dear Hameed': Postcolonial Crime Fiction; Nels Pearson and Marc Singer, ed Detective Fiction in a Postcolonial and Transnational World; Ibne Safi The Laughing Corpse; Ibne Safi Dr Dread; M C Dutton The Singhing Detective. Wasafiri(75) pp. 73–76.

Tickell, Alex (2013). The Perils of Certain English Prisoners: Charles Dickens, Wilkie Collins and the limits of colonial government. Nineteenth-Century Literature, 67(4) pp. 457–489.

Towheed, Shafquat (2013). The science of musical memory: Vernon Lee and the remembrance of sounds past. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Long Nineteenth-Century. Woodbridge, Suffolk: Boydell & Brewer, pp. 104–122.

Wainwright, Leon (2013). Transatlantic movement and the taste for ethnicity: art and ‘exchange’ between Suriname and the Netherlands. Etnofoor, 24(2) pp. 13–40.

Wainwright, Leon (2013). Americocentrism and art of the Caribbean: contours of a time-space logic. Journal of American Studies, 47(2) pp. 417–438.

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

Watson, Nicola (2013). American Travel-writing and the invention of 'Story-book England'. In: de Sousa, Alcinda Pinheiro; Flora, Luísa and Malafaia, Teresa eds. From Brazil to Macao: Travel Writing and Diasporic Spaces. Lisbon: University of Lisbon Centre for English Studies, pp. 57–74.

Watson, Nicola J. (2013). Exhibiting Literature. Austen Exhibited. In: Kroucheva, Katerina and Schaff, Barbara eds. Kafkas Gabel: Uberlegungen zum Ausstellen von Literatur. Bielefeld: transcript Verlag, pp. 227–250.

West, Susie (2013). An architectural typology for the early modern country house library, 1660-1720. Library, 14(4) pp. 441–464.

West, Susie (2013). ‘Life in the library’. In: Retford, Kate; Perry, Gillian and Vibert, Jordan eds. Placing Faces, the Portrait and the English Country House in the Long Eighteenth Century. Manchester: Manchester University Press, pp. 63–95.

Williams, Sean (2013). Making and Writing about Music: Spotlight on Practice-led Research. The Royal Musical Association, London.

Williams, Sean (2013). Performing shapes. In: Researching music as process: methods and approaches, 22nd November 2013, Oxford, United Kingdom.

Williams, Sean (2013). From centimetres to seconds: sound design’s shift from technical serialism to musically informed performance practice in the 1950s WDR Studio, Cologne. In: What is Sound Design?, 27-29 November 2013, Edinburgh, United Kingdom.

Williams, Sean (2013). Stockhausen meets King Tubby's: the stepped filter and its influence as a musical instrument on two different styles of music. In: Weium, Frode and Boon, Tim eds. Material Culture and Electronic Sound. Artefacts: Studies in the History of Science and Technology, 8. Smithsonian Institution Scholarly Press, pp. 163–188.

Williams, Sean; Currie, Colin; Hodges, Nicolas and Stockhausen, Karlheinz (2013). Kontakte with piano and percussion. Glasgow Life.

Williams, Sean; Stockhausen, Karlheinz; Smith, Simon and Ligeti, György (2013). Ligeti and Stockhausen: A concert of piano and electronics works from the 195. Edinburgh College of Art.

Wood, Paul (2013). Western Art and the Wider World. Oxford: Wiley-Blackwell.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Woods, Kim (2013). Encountering icons: Byzantine art in the Netherlands, Bohemia and Spain during the 14th and 15th centuries. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine art and Renaissance Europe. Ashgate, pp. 135–157.

2012

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi .

Horstmansoff, Manfred; King, Helen and Zittel, Claus eds. (2012). Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture, 25. Leiden: Brill.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Allen, Richard (2012). Raja Rao and world literature. Summerhill: Journal of the Indian Institute for Advanced Study, 18(2)

Alzola Romero, Aaron (2012). One laptop per college student? Exploring the links between access to IT hardware and academic performance in higher education e-learning programs. Journal of Distance Education, 26(1)

Bainbridge, Emma and Stadtler, Florian (2012). Calling from London, talking to India: South Asian networks at the BBC and the case of G.V. Desani. In: Nasta, Susheila ed. India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave Macmillan , pp. 164–178.

Barker, Elton; Bissell, Christopher; Hardwick, Lorna; Jones, Allan; Ridge, Mia and Wolffe, John (2012). Digital technologies: help or hindrance for the humanities? Arts and Humanities in Higher Education, 11(1-2) pp. 185–200.

Barker, Emma (2012). Reading the Greuze Girl: the daughter's seduction. Representations, 117 pp. 86–119.

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) 9-24 .

Benton, Tim (2012). La rhétorique de la vérité: Le Corbusier à Alger. In: Bonillo, Jean-Lucien ed. Le Corbusier, Visions d'Alger. Les Rencontres de la Fondation Le Corbusier. Paris: Editions de La Villette, pp. 172–187.

Benton, Tim (2012). Art Deco and Japonisme. In: Brown, Kendall H. ed. Deco Japan: Shaping Modern Culture 1920-1945. Alexandria, VA, USA: Art Services International, pp. 25–34.

Benton, Tim (2012). The miracle of Le Corbusier's roof terrace. In: Gargiani, Roberto ed. L'Architrave, le Plancher, la Plate-forme: Nouvelle Histoire de la Construction. Lausanne: Presses Polytechniques et Universitaires Romandes, pp. 710–718.

Benton, Tim (2012). Le Corbusier's secret photographs. In: Herschdorfer , Natalie and Umstatter, Lada eds. Le Corbusier and the Power of Photography. London: Thames and Hudson, pp. 30–55.

Benton, Tim (2012). La maison La Roche et les ateliers d’artistes de Le Corbusier. In: Torres , Jorge ed. Le Corbusier Mise au Point. Memorias culturales. Valencia: General de Ediciones de la Arquitectura, pp. 10–35.

Benton, Tim (2012). Funktionnel. In: Torres , Jorge ed. Le Corbusier Mise au Point. Memorias Culturales. Valencia: General de Ediciones de Arquitectura, pp. 253–268.

Brown, Richard (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Clarke, Martin (2012). 'Meet and Right it is to Sing': nineteenth-century hymnals and the reasons for singing. In: Clarke, Martin ed. Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate, pp. 21–36.

da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

da Sousa Correa, Delia (2012). Musical performativity in the fiction of Katherine Mansfield. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: Essays on Performativity and on Surveying the Field. Word and Music Studies (12). Amsterdam: Rodopi, pp. 71–86.

da Sousa Correa, Delia; Kimber, Gerri; Reid, Susan and Walker, Gina (2012). Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic. Edinburgh University Press, Edinburgh.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203.

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag.

Edwards, Stephen (2012). Martha Rosler, The Bowery in two inadequate descriptive systems. London: Afterall (Forthcoming).

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

Fear, Trevor (2012). Ah pereant, si quos ianua clausa iuvat: Propertius 2.23 and the revision of the elegiac code. Classica et Mediaevalia, 63

Fear, Trevor (2012). New Voices in Classical Reception Studies Vol. 7 (2012). The Open University.

Fraser, Robert (2012). Night Thoughts: The Surreal Life of the Poet David Gascoyne. Oxford, UK: Oxford University Press.

Fraser, Robert (2012). Surrealists in the Storm: David Gascoyne, Spain and Mass Observation. Times Literary Supplement(5679) 14 -15.

Fraser, Robert (2012). Kariba's last stand. In: Cairnie, Julie and Pucherova , Dobrota eds. Moving Spirit: The Legacy of Dambudzo Marechera in the 21st Century. Zurich: Lit Verlag, pp. 39–50.

Gibson, Jonathan (2012). Synchrony and process: editing manuscript miscellanies. Studies in English Literature 1500-1900 (SEL), 52(1) pp. 85–100.

Gibson, Jonathan (2012). Anne Cook Bacon. In: Sullivan, jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature, Volume 1. Chichester: Wiley-Blackwell, pp. 29–30.

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 pp. 25–35.

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58.

Gustar, Andrew James (2012). The closest thing to crazy: the shocking scarcity of septuple time in Western music. Journal of the Royal Musical Association, 137.(2) pp. 351–400.

Harrison, Jill (2012). Being Florentine : a question of identity in the Arte della Lana, Florence. In: Cardarelli, Sandra; Anderson, Emily Jane and Richards, John eds. Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127–148.

Haslam, Sara (2012). Introduction: "Dreaming Territory". In: Haslam, Sara and O'Malley, Seamus eds. Ford Madox Ford and America. International Ford Madox Ford Studies (11). Amsterdam: Rodopi, pp. 17–44.

Haslam, Sara (2012). “The moaning of the world” and the “words that bring me peace”: Modernism and the First World War. In: Piette, Adam and Rawlinson, Mark eds. The Edinburgh Companion to British and American War Literature. Edinburgh: Edinburgh University Press, pp. 47–57.

Herbert, Trevor (2012). Music in Words: A Guide to Researching and Writing about music. London: ABRSM Publishing.

Herbert, Trevor and Barlow, Helen (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, Paul ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 247–266.

Isaksen, Leif; Barker, Elton; Kansa, Eric C. and Byrne, Kate (2012). GAP: a neogeo approach to classical resources. Leonardo, 45(1) pp. 82–83.

Johnson, David (2012). Representations of Cape Slavery in South African Literature. History Compass, 10(8) pp. 549–561.

Johnson, David (2012). Literary and Cultural Criticism in South Africa. In: Attwell, David and Attridge, Derek eds. The Cambridge History of South African Literature. Cambridge: Cambridge University Press, pp. 818–837.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

King, Edmund G. C. (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

King, Helen (2012). History without historians? Medical history and the internet. Social History of Medicine, 25(1) pp. 212–221.

King, Helen (2012). Response to Shelton. Social History of Medicine, 25(1) pp. 232–238.

King, Helen (2012). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60.

King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17.

King, Helen (2012). Knowing the body: renaissance medicine and the classics. In: Olmos, Paula ed. Greek Science in the Long Run: Essays on the Greek Scientific Tradition (4th c. BCE – 16th c. CE). Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 281–300.

Lavery, Hannah (2012). Breaking down barriers with tablet technology for teaching. Educause Review Online

Moohan, Elaine (2012). Eine der originellsten Stimmen in der Musik der heutigen Zeit Janet Beat zum 75 Geburtstag 2012. Tableau musical(14)

Nasta, Susheila (2012). End of empire and the English novel. British Academy Review, 19 pp. 46–49.

Neale, Derek (2012). The Book of Guardians. London: Salt.

Neale, Derek (2012). Short stories in the academy: mimesis, diegesis and the role of drama and film. Short Fiction in Theory and Practice, 2(1-2) pp. 43–58.

Neale, Derek (2012). Writing and dreaming primary and primal scenes. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10(1) pp. 39–51.

Neale, Derek (2012). Being in uncertainties, mysteries and doubts: negative capability and the place of the imagination in the academy today. Writing in Education(56) pp. 49–53.

Perez-Gore, Isabelle (2012). Issues, successes and coping mechanisms : non-traditional Indian students experience in the context of inclusive practice and internationalisation of higher education in the UK. EdD thesis Institute of Education (University of London).

Perkins, Phil (2012). The bucchero childbirth stamp on a late Orientalizing period shard from Poggio Colla. Etruscan Studies, 15(2) pp. 146–201.

Perkins, Phil (2012). Fantastic animal stamps on bucchero from Poggio Colla. In: Biella, Maria Cristina; Giovanelli, Enrico and Perego, Lucio Giuseppe eds. Il Bestiario Fantastico di età Orientalizzante nella Penisola Italiana. Quaderni di Aristonothos. Trento: Tangram Edizioni Scientifiche, pp. 171–188.

Perkins, Philip (2012). Production and commercialization of Etruscan wine in the Albegna Valley. In: Zifferero, Andrea; Ciacci, Andrea and Rendini, Paola eds. Archeologia della vite e del vino in Toscana e nel Lazio. dalle tecniche dell’indagine archeologica alle prospettive della biologia molecolare. Florence: All’Insegna dell’ Giglio, pp. 413–416.

Prescott, Lynda (2012). Life writing and life-learning: an analysis of creative writing students' work. Studies in Continuing Education, 34(2) pp. 145–147.

Richards, Fiona (2012). ''Rubbed by the warming violins'': music and Patrick White. Cercles: Revue Pluridiscipline du Monde Anglophone, 26 pp. 22–38.

Richardson, Carol (2012). St Joseph, St Peter, Jean Gerson and the Guelphs. Renaissance Studies, 26(2) pp. 243–268.

Richardson, Heather (2012). ‘Texts of Poetics’ and historical fiction: authors’ critical reflections on their work. Writing in Education(56) pp. 34–37.

Robson, James (2012). Transposing Aristophanes: the theory and practice of translating Aristophanic lyric. Greece & Rome, 59(2) pp. 214–244.

Rothe, Ursula (2012). The “Third Way”: Treveran women’s dress and the “Gallic Ensemble”. American Journal of Archaeology, 116(2) pp. 235–252.

Rothe, Ursula (2012). Dress in the middle Danube provinces: the garments, their origins and their distribution. Jahreshefte des Österreichischen Archäologischen Instituts, 81 pp. 137–231.

Rothe, Ursula (2012). Romanization. In: Bagnall, R.S.; Brodersen, K.; Champion, C.B.; Erskine, A. and Huebner, S. eds. The Encyclopedia of Ancient History. Wiley-Blackwell, pp. 5875–5881.

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Rothe, Ursula (2012). Dress and cultural identity in the Roman Empire. In: Harlow, Mary ed. Dress and Identity. University of Birmingham IAA Interdisciplinary Series: Studies in Archaeology, History, Literature and Art (2). Oxford: Archaeopress, pp. 59–68.

Rowland, David (2012). Dussek in London's commercial world. In: Stewart-MacDonald, Rohan and Illiano, Roberto eds. Jan Ladislav Dussek: A Bohemian Composer «en voyage» through Europe. Quaderni Clementiani ( 4). Bologna: Ut Orpheus Edizioni, pp. 87–111.

Simon, Rainer; Barker, Elton and Isaksen, Leif (2012). Exploring Pelagios: a visual browser for geo-tagged datasets. In: International Workshop on Supporting Users' Exploration of Digital Libraries, 23-27 September 2012, Paphos, Cyprus.

Stadtler, Florian (2012). Britain and India: Cross-cultural Encounters. Wasafiri 27(2).

Stadtler, Florian (2012). Rushdie’s hero as audience - interpreting India through Indian popular cinema. In: Benwell, Bethan; Procter, James and Robinson, Gemma eds. Postcolonial Audiences:Readers, Viewers and Reception. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 115–127.

Stadtler, Florian (2012). Britain’s forgotten volunteers: South Asian contributions to the Two World Wars. In: Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. South Asians and the shaping of Britain, 1870−1950. Manchester: Manchester University Press.

Swift, L. A. (2012). Archilochus the ‘anti-hero’? Heroism, flight and values in Homer and the new Archilochus fragment (P.Oxy. LXIX 4708). Journal of Hellenic Studies, 132 pp. 139–155.

Swift, Laura (2012). Paeanic and Epinician healing in Euripides' Alcestis. In: Rosenbloom, David and Davidson, John eds. Greek Drama IV: Texts, Contexts, Performance. Oxford: Oxbow Books, pp. 149–168.

Tackley, Catherine (2012). Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Studies in Recorded Jazz. New York: Oxford University Press.

Tackley, Catherine (2012). Benny Carter in Britain, 1936-37. In: Cerchiari, Luca; Cugny, Laurent and Kerschbaumer , Franz eds. Eurojazzland: Jazz and European Sources, Dynamics and Contexts. Lebanon, NH: Northeastern University Press.

Taylor, Clare (2012). English wallpaper manufacture, c.1700-c.1800. The Quarterly (Journal of the British Association of Paper Historians), 83 pp. 13–23.

Tickell, Alex (2012). Terrorism, Insurgency and Indian-English Literature, 1830-1947. Routledge Research in Postcolonial Literatures. London: Routledge .

Towheed, Shafquat (2012). South Asian writing between the wars: publishers, reviewers, readers. Wasafiri, 27(2) pp. 80–82.

Wainwright, Leon (2012). Arrested transmission: from periphery to center. Art Papers Magazine, 36(6) pp. 44–49.

Wainwright, Leon (2012). Global change and contemporary art of the Caribbean: notes on the futurology of a sustainable art community. In: Hoffmann, Nancy ed. Who More Sci-Fi Than Us? Contemporary Art from the Caribbean. Amsterdam: The Royal Tropical Institute (KIT), pp. 80–84.

Wainwright, Leon (2012). Varieties of Belatedness and Provincialism: Decolonisation and British Pop. Art History, 35(2) pp. 442–461.

Wainwright, Leon (2012). The emotions and ethnicity in the Indo-Caribbean. In: Svašek, Maruška ed. Moving Subjects, Moving Objects: Transnationalism, Cultural Production and Emotions. Berghahn, pp. 222–244.

Wainwright, Leon (2012). ‘Beyond globalisation in contemporary art history: learning from the transnational Caribbean’. In: ter Horst, Mariska ed. Changing Perspectives: Dealing with Globalisation in the Presentation and Collection of Contemporary Art. Amsterdam: The Royal Tropical Institute (KIT), Amsterdam, pp. 204–212.

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Walsh, Linda (2012). Ausdrucksformen- Die Suche nach einer expressiven Sprache in der französischen Genremalerei des 18. Jahrhunderts. In: Klein, Tobias R. and Porath, Erik eds. Figuren des Ausdrucks: Formation einer Wissenskategorie zwischen 1700 und 1850. Munich: Wilhelm Fink, pp. 125–146.

Watson, Nicola (2012). Afterword: ‘Dear Shakespeare-land’: investing in Stratford. Critical Survey, 24(2) pp. 88–98.

Watson, Nicola (2012). Holiday romances: or, Loch Katrine and the literary tourist. In: Brown, Ian ed. Literary Tourism, the Trossachs and Walter Scott. ASLS Occasional Papers (16). Glasgow: Scottish Literature International, pp. 56–69.

Watson, Nicola (2012). Afterlives. In: Robertson, Fiona ed. The Edinburgh Companion to Sir Walter Scott. Edinburgh Companions to Scottish Literature . Edinburgh: Edinburgh University Press, pp. 143–155.

Watson, Nicola J. (2012). Holiday excursions to Scott country. In: Colbert, Benjamin ed. Travel Writing and Tourism in Britain and Ireland. Basingstoke: Palgrave Macmillan, pp. 132–146.

Williams, Sean (2012). Lachenmann's "Toccatina'' performed by Emma Lloyd: Sound Projection. Edinburgh College of Art.

Williams, Sean (2012). Tubby's Dub Style: The Live Art of Record Production. In: Frith, Simon and Zagorski-Thomas, Simon eds. The Art of Record Production: An Introductory Reader for a New Academic Field. Ashgate Popular and Folk Music Series. Ashgate Publishing, pp. 235–246.

Winters, Ben (2012). Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt. Cambridge Opera Journal, 23(1-2) pp. 51–82.

Winters, Ben (2012). 'Music and Narrative', Music, Sound, and the Moving Image Special Issue Vol. 6 Issue 1 (Spring 2012). Liverpool University Press.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

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2011

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan .

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica . Mexico: Fondo de Cultura Economica .

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Hope, Valerie M. and Huskinson, Janet eds. (2011). Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Alzola Romero, Aaron and Sánchez Moreno, Eduardo (2011). Fabricating Celts: how Iron Age Iberians became Indo-Europeanized during the Franco regime. In: Proceedings of the Harvard Celtic Colloquium 2009, 9-11 October 2009, Harvard University, Boston.

Asbee, Sue (2011). Substance into Shadow: starvation and death in Arnold Bennett's Riceyman Steps. Double Dialogues: The Hunger Artists, 2011(15)

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Bakogianni, Anastasia (2011). Electra Ancient and Modern: Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies Supplement , 113. London: Institute of Classical Studies.

Barker, Elton (2011). The Iliad’s big swoon: a case of innovation within the epic tradition. Trends in Classics, 3(1) pp. 1–17.

Barker, Elton (2011). ‘Possessing an unbridled tongue’: frank speech and speaking back in Euripides’ Orestes. In: Carter, David ed. Why Athens? A Reappraisal of Tragic Politics. Oxford: Oxford University Press, pp. 145–162.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2011). HESTIA (the Herodotus Encoded Space-Text-Imaging Archive): An Interdisciplinary Project. European Science Foundation, Strasbourg.

Barker, Elton and Christensen, Joel (2011). On not remembering Tydeus: Diomedes and the contest for Thebes. Materiali e discussioni per l’analisi dei testi classici, 66(1) pp. 9–44.

Benton, Tim (2011). The Villa de Mandrot and the place of the imagination. In: Richard, Michel ed. Massilia 2011. Annuaire d'Études Corbuséennes. Marseilles: Editions Imbernon, pp. 92–105.

Betts, Eleanor (2011). Towards a multisensory experience of movement in the City of Rome. In: Laurence, Ray and Newsome, David J. eds. Rome, Ostia and Pompeii: Movement and Space. Oxford: Oxford University Press, pp. 118–132.

Brown, Jo (2011). The Athenian harem: Orientalism and the historiography of Athenian women in the nineteenth century. New Voices in Classical Reception Studies, 6 pp. 1–12.

Brown, Richard (2011). 'Can't we ever, my love, speak in the same language?': everyday language and creative tension in the poetry of Louis MacNeice. In: Swann, Joan; Pope, Rob and Carter, Ronald eds. Creativity in Language and Literature: The State of the Art. Houndmills: Palgrave Macmillan, pp. 39–54.

Brown, Richard Danson (2011). Reading iambic pentameter. English Review, 22(2) pp. 34–37.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). G. F. Handel: Let God arise (Chapel Royal version). Novello and Company, London.

Burrows, Donald (2011). HWV301 and all that: the history of Handel’s 'oboe concertos'. Musical Times, 152(1914) pp. 3–6.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms , pp. 280–307.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Clark, Leah R. (2011). Transient possessions: circulation, replication, and transmission of gems and jewels in Quattrocento Italy. Journal of Early Modern History, 15(3) pp. 185–221.

Burrows, Donald, ed. Canticles and anthems with orchestra. By William Croft . London, Stainer and Bell (2011).

da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

da Sousa Correa, Delia (2011). Katherine Mansfield and music: nineteenth-century echoes. In: Kimber, Gerri and Wilson, Janet eds. Celebrating Katherine Mansfield: a Centenary Volume of Essays. Basingstoke: Palgrave MacMillan, pp. 84–98.

da Sousa Correa, Delia (2011). 'Wuthering Heights at home'. In: Watson, Nicola and Towheed, Shafquat eds. Romantics and Victorians. London: Bloomsbury Academic, pp. 347–374.

da Sousa Correa, Delia (2011). 'Wuthering Heights abroad'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 375–408.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Introduction. Katherine Mansfield Studies

Doloughan, Fiona (2011). Contemporary Narrative: Textual Production, Multimodality and Multiliteracies. London and New York: Continuum.

Fear, Trevor (2011). New Voices In Classical Reception Studies Vol. 6 (2011). The Open University.

Fraser, R. (2011). Leonard Bast's library: aspiration, emulation, and the imperial national tradition. In: Spiers, John ed. Nationalisms and the National Canon. The culture of the publisher's series (2). Basingstoke, U.K.: Palgrave Macmillan, pp. 116–133.

Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4.

Fraser, Robert (2011). Race and religion in the Victorian age: Charles Kingsley, Governor Eyre and the Morant Bay Rising. The Victorian Web

Fraser, Robert (2011). Towards A new world order: literacy, democracy and literature in India and Africa, 1930-1965. In: Chakravorty, Swapan and Gupta, Abhijit eds. New Word Order: Transnational Themes in Book History. Delhi, India: Worldview Publications, pp. 53–64.

Gibson, Jonathan (2011). The queen's two hands. In: Petrina, Alessandra ed. Representations of Elizabeth I in Early Modern Culture. Basingstoke: Palgrave Macmillan, pp. 47–65.

Gibson, Jonathan (2011). Arthur Gorges. In: Sullivan jr., Garrett A. and Stewart, Alan eds. The Encyclopedia of English Renaissance Literature, Volume 2. Chichester: Wiley-Blackwell, pp. 392–393.

Gibson, Jonathan (2011). Elizabeth Jocelin. In: Sullivan, jr., Garrett A. and Stewart , Alan eds. The Encyclopedia of English Renaissance Literature. Chichester: Wiley-Blackwell, pp. 545–547.

Gibson, Jonathan; Norbrook, David and Barbour, Reid (2011). The manuscript. In: Barbour, Reid and Norbrook, David eds. The Works of Lucy Hutchinson. Volume 1: The Translation of Lucretius, Volume 1. Oxford: Oxford University Press, cxxiv-cxxxiii.

Graham, Emma-Jayne (2011). From fragments to ancestors: re-defining the role of os resectum in rituals of purification and commemoration in Republican Rome. In: Carroll, Maureen and Rempel, Jane eds. Living through the Dead: Burial and Commemoration in the Classical World. Studies in Funerary Archaeology (5). Oxford: Oxbow, pp. 91–109.

Graham, Emma-Jayne (2011). Memory and materiality: re-embodying the Roman funeral. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow, pp. 21–39.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Hardwick, Lorna (2011). Antigone's journey: from Athens to Edinburgh via Athens and Tbilisi. In: Mee, Erin B. and Foley, Helene P. eds. Antigone on the Contemporary World Stage. Classical Presences. Oxford: Oxford University Press, pp. 392–406.

Hardwick, Lorna (2011). Fuzzy connections: classical texts and modern poetry in English. In: Parker, Jan and Mathews, Timothy eds. Tradition,Translation,Trauma: The Classic and the Modern. Classical Presences. Oxford: Oxford University Press, pp. 39–60.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2011). “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1–23.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Hope, Valerie (2011). Remembering to mourn: personal mementos of the dead in ancient Rome. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, pp. 176–195.

Hope, Valerie (2011). Livia's tears: the presentation of Roman mourning. In: Whittaker, Helène ed. In Memoriam: Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World. Newcastle upon Tyne: Cambridge Scholars Press, pp. 91–125.

Hope, Valerie M. (2011). Introduction. In: Hope, Valerie M. and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, xi-xxiv.

Howell, Anthony (2011). Southey and itinerancy. Wordsworth Circle, 42(1) pp. 68–72.

Howell, Anthony (2011). Room to speak? A green voice for romanticism in John Clare's "Swordy Well". In: Heffernan, Nick and Wragg, David A. eds. Culture, Environment and Ecopolitics. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 137–155.

Hughes, Jessica (2011). The myth of return: restoration as reception in eighteenth-century Rome. Classical Receptions Journal, 3(1) pp. 1–28.

Hutchison, Yvette and Walder, Dennis (2011). Editorial. Contemporary Theatre Review, 21(1) pp. 3–7.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

Johnson, David (2011). Imagining the Cape Colony. History, Literature and the South African Nation. Edinburgh: Edinburgh University Press.

Johnson, David (2011). Introduction. English in Africa, 38(1) pp. 9–15.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading andthe First World War, 12 February 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference , 28-30 April 2011, University of Queensland, Brisbane, Australia.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 July 2011, Washington, D.C., USA.

King, Helen (2011). Galen and the widow: towards a history of therapeutic masturbation in ancient gynaecology. EuGeStA: Journal on Gender Studies in Antiquity, 1 pp. 205–235.

King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3), article no. 3.

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

McKellar, Elizabeth (2011). Charles and Marjorie Quennell. Oxford University.

McKellar, Elizabeth (2011). The villa: ideal type or vernacular variant? In: Guillery, Peter ed. Built from Below: British Architecture and the Vernacular. Abingdon: Routledge, pp. 49–72.

Nasta, Susheila (2011). Editorship of Wasafiri General Issue No. 67 (Summer 2011). Wasafiri, 26(3), Abingdon.

Nasta, Susheila (2011). Sealing a friendship: George Orwell and Mulk Raj Anand at the BBC (1941-43). Wasafiri, 26(4) pp. 14–21.

Nasta, Susheila (2011). Negotiating a ‘New World Order’: Mulk Raj Anand as a public intellectual at the heart of Empire (1925-1945). In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 140–161.

Nasta, Susheila; Stadtler, Florian and Visram, Rozina (2011). Asians in Britain, 1858-1950. The British Library.

Neale, Derek (2011). Writing and remembering: paradoxes of memory, imagination and fiction in stories about lives. Literature Compass, 8(12) pp. 951–961.

Neale, Derek (2011). Adaptation and Montage. Writing in Education(53) pp. 33–37.

Paul, Joanna (2011). Pompeii, the Holocaust, and World War Two. In: Hales, Shelley and Paul, Joanna eds. Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Perkins, P. (2011). The Etruscans, their DNA and the Orient. In: Duistermaat , Kim and Regulski, Ilona eds. Intercultural Contacts in the Ancient Mediterranean: Proceedings of the International Conference at the Netherlands-Flemish Institute in Cairo, 25th to 29th October 2008. Orientalia Lovaniensia Analecta (202). Leuven: Peeters, pp. 171–180.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Richardson, Carol (2011). Andrea Pozzo e il Venerabile Collegio Inglese a Roma. In: Bösel, Richard and Salviucci Insolera, Lydia eds. Artifizi della Metafora: Saggi su Andrea Pozzo. Rome: Editoriale Artemide s.r.l., pp. 116–125.

Richardson, Carol (2011). Andrea Pozzo and the Venerable English College, Rome. In: Marshall, David R.; Russell, Susan and Wolfe, Karen eds. Roma Britannica: Art Patronage and Cultural Exchange in Eighteenth-Century Rome. London, U.K.: The British School at Rome, pp. 25–37.

Richardson, Heather (2011). The plot thickens. Writing in Education(53) pp. 26–29.

Rothe, Ursula (2011). Der Grabstein der Severina Nutrix aus Köln: eine neue Deutung. Germania, 89 pp. 191–214.

Rowland, David (2011). Clementi's music business. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 125–157.

Rowland, David (2011). Clementi as publisher. In: Kassler, Michael ed. The Music Trade in Georgian England. Farnham, Surrey and Burlington, VT: Ashgate, pp. 159–191.

Samuels, Robert (2011). Narrative form and Mahler’s musical thinking. Nineteenth-Century Music Review, 8(2) pp. 237–254.

Samuels, Robert (2011). The act of performance as Mahlerian topic. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: essays on performativity and on surveying the field. Words and Music Studies (12). Amsterdam: Rodopi , pp. 35–52.

Stadtler, Florian (2011). 'For every O’Dwyer ... there is a Shaheed Udham Singh': the Caxton Hall assassination of Michael O’Dwyer. In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858 - 1947. London: Continuum, pp. 19–34.

Stadtler, Florian (2011). ‘Nobody from Bombay should be without a basic film vocabulary’: Midnight’s Children and the visual culture of Indian popular cinema. In: Mendes, Ana Cristina ed. Salman Rushdie and Visual Culture: Celebrating Impurity, Disrupting Borders. Routledge Studies in Twentieth-Century Literature. New York: Routledge, pp. 123–138.

Swift, Laura A. (2011). Epinician and tragic worlds: the case of Sophocles' Trachiniae. In: Athanassaki, Lucia and Bowie, Ewen eds. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Trends in Classics: Supplementary Volumes (10). Berlin: Walter de Gruyter, pp. 391–413.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150.

Tickell, Alex (2011). Scholarship-terrorists: the India House Hostel and the 'student problem' in Edwardian London. In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 3–18.

Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

Towheed, Shafquat (2011). Introduction. In: Crone, Rosalind and Towheed, Shafquat eds. The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Towheed, Shafquat (2011). Negotiating the list: launching Macmillan's Colonial Library and author contracts. In: Spiers, John ed. The Culture of the Publisher's Series: Nationalisms and the National Canon, Volume 2. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat (2011). Arthur Conan Doyle, The Sign of Four. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 411–437.

Towheed, Shafquat (2011). Robert Louis Stevenson, 'The Beach of Falesá'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 439–464.

Towheed, Shafquat and Owens, W. R. (2011). Introduction. In: Towheed, Shafquat and Owens, W. R. eds. The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan, pp. 1–12.

Toynbee, Jason and Dueck, Byron (2011). Migrating Music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. Routledge, pp. 1–18.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2011). Alien nation: contemporary art and black Britain. In: Brunt, Rosalind and Cere, Rinella eds. Postcolonial Media Culture in Britain. Basingstoke: Palgrave Macmillan, pp. 27–40.

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

Watson, Nicola (2011). Fandom mapped: Rousseau, Scott and Byron on the itinerary of Lady Frances Shelley. Romantic Circles Praxis Series: Romantic Fandom, article no. , article 2.

Watson, Nicola (2011). Sir Walter Scott: the bard of Abbotsford and the Laird of Avon. In: Holland, Peter and Poole, Adrian eds. Great Shakespeareans Set II. Great Shakespeareans. Cambridge: Continuum.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

Wood, Paul (2011). Moving the goalposts: modernism and 'World art history'. Third Text, 25(5) pp. 503–513.

Yamagata, Naoko (2011). Male and female spaces in Homer and in Heike monogatari. Japan Studies in Classical Antiquity, 1 pp. 27–41.

Yamagata, Naoko (2011). Penelope and early recognition: Vlahos, Harsh, and Eustathius. College Literature, 38(2) pp. 122–130.

2010

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Rebay-Salisbury, Katharina; Sorensen, Marie Louise Stig and Hughes, Jessica eds. (2010). Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford: Oxbow.

Rowland, David ed. (2010). The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni.

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2010). Mapping an ancient historian in a digital age: the Herodotus Encoded Space-Text-Image Archive (HESTIA). Leeds International Classical Studies, 9(2010) article no. 1.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Benton, Tim (2010). Review: Pride in modesty: modernist architecture and the vernacular tradition in Italy by Michelangelo Sabatino. Harvard Design Magazine, 33 pp. 141–144.

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43.

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa.

Brown, Richard Danson (2010). C Day-Lewis: A Life. The Modern Language Review, 105(4) pp. 859–860.

Brown, Richard Danson (2010). “Modern Bondage” or reading for rhyme. The English Review, 20(4) pp. 2–5.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 25(2) pp. 85–87.

Brown, Richard Danson (2010). ‘I would abate the sternenesse of my stile’: diction and poetic subversion in Two Cantos of Mutabilitie’. In: Grogan, Jane ed. Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos. Manchester Spenser. Manchester: Manchester University Press, pp. 275–294.

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Clarke, Martin (2010). The Illingworth Moor Singers' Book: a snapshot of Methodist music in the early ninteenth century. Nineteenth-Century Music Review, 7(1) pp. 81–103.

Clarke, Martin (2010). John Frederick Lampe's Hymns on the Great Festivals and Other Occasions. In: Temperley, Nicholas and Banfield, Stephen eds. Music and the Wesleys. Urbana: University of Illinois Press, pp. 52–62.

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

Day, Gail; Edwards, Steve and Mabb, David (2010). ‘What keeps mankind alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4) pp. 135–171.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

Fear, Trevor (2010). Interdictiones domo et ingenio: Timagenes and Propertius: a reading in the dynamics of Augustan exclusion. Arethusa, 43(3) pp. 429–438.

Fraser, Robert (2010). Far removed. Times Literary Supplement(5614) p. 29.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Gaiger, Jason (2010). Aesthetic judgment. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press.

Gibson, Jonathan (2010). Casting off blanks: hidden structures in early modern paper books. In: Daybell, James and Hinds, Peter eds. Material Readings of Early Modern Culture: Texts and Social Practices, 1580-1730. Early Modern Literature in History. Basingstoke: Palgrave Macmillan, pp. 208–228.

Gibson, Jonathan (2010). Letters. In: Hattaway, Michael ed. A New Companion to English Renaissance Literature and Culture. Blackwell Companions to Literature and Culture, 2. Chichester: Blackwell, pp. 453–460.

Green, Peter Geoffrey (2010). 'All Job's stock of asses': The fiction of Laurence Sterne and the theodicy debate. PhD thesis The Open University.

Gupta, Suman (2010). Conceptualising the art of communist times. Third Text, 24(5) pp. 571–582.

Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

Gupta, Suman (2010). Conceptualising classroom observations for a project on higher education English studies in non-Anglophone contexts. American, British and Canadian Studies, 14 pp. 151–167.

Gupta, Suman (2010). Looking for something. In: Elkins, James; Valiavicharska, Zhivka and Kim, Alice eds. Art and Globalization. The Stone Art Theory Institutes (1). University Park, Pennsylvania: Pennsylvania State University Press, pp. 229–236.

Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Gupta, Suman and Katsarska, Milena (2010). Introduction: on English studies and philology, and on collaboration and contributions. In: Gupta, Suman and Katsarska, Milena eds. English Studies on This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press, pp. 17–44.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Hardwick, Lorna (2010). Negotiating Translation for the Stage. In: Hall, Edith and Harrop, Stephe eds. Theorising Performance: Greek drama, cultural history and critical practice. London: Duckworth, pp. 192–207.

Hardwick, Lorna (2010). Lysistratas on the modern stage. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 80–89.

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions.

Haslam, Sara (2010). Ford Madox Ford. In: Shaffer, Brian ed. The Encyclopedia of Twentieth Century Fiction, Volume 1. Wiley-Blackwell.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Herbert, Trevor (2010). Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22, pp. 1–18.

Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Hope, Valerie (2010). The end is to the beginning as the beginning is to the end. Birth, death and the classical body. In: Garrison, Daniel H. ed. A Cultural History of the Human Body in Antiquity. A Cultural History of the Human Body, 1. Oxford and New York: Berg Publishers, pp. 25–44.

Hughes, Jessica (2010). Dissecting the classical hybrid. In: Rebay-Salisbury, K.; Sorensen, M. L. S. and Hughes, J. eds. Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford, UK: Oxbow, pp. 101–110.

James, P. (2010). How classical is Ariadne's parrot? Southall's painting and its literary registers. Ramus, 39(1) pp. 53–72.

Johnson, David (2010). British models of colonial governance: Adam Smith and John Bruce on the Cape Colony. The Eighteenth Century: Theory and Interpretation, 51(1-2) pp. 103–127.

Johnson, David (2010). Historical and literary re-iterations of Dutch settler Republicanism. South African Historical Journal, 62(3) pp. 463–486.

Johnson, David (2010). Representing Cape slavery: Literature, law, and history. Journal of Postcolonial Writing, 46(5) pp. 504–516.

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: Divadelní kočovníci v raně novověké Evropě. Divaldelni Revue, 2(1) pp. 48–61.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86.

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19.

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2010). Engendrer "la femme": Jacques Dubois et Diane de Poitiers. In: McClive, Cathy and Pellegrin, Nicole eds. Femmes en Fleurs, Femmes en Corps : Sang, Santé, Sexualité du Moyen Âge aux Lumières. L'école de Genre. Nouvelles Recherches (4). Saint-Étienne: Publications de l'Université de Saint-Etienne, pp. 125–138.

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 September 2008, Krakow, Poland.

Lymberopoulou, Angeliki (2010). Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle. In: James, Liz ed. A Companium to Byzantium. Oxford, UK: Wiley-Blackwell.

Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University.

Nasta, Susheila; Stadtler, Florian; Visram, Rozina; Pulham, Sheila and Villani, Lisa (2010). South Asians making Britain: timeline. Guardian Newspapers, UK.

Norman, Diana (2010). Sanctity, kingship and succession: art and dynastic politics in the lower church at Assisi. Zeitschrift für Kunstgeschichte, 73 pp. 297–334.

Norman, Diana (2010). Politics or piety: locating Simone Martini's Saint Louis of Toulouse altarpiece. Art History, 33(4) pp. 597–619.

Owens, W. R. (2010). Master's-level study in Literature at The Open University: pedagogic challenges and solutions. In: Kayalis, Takis and Natsina, Anastasia eds. Teaching Literature at a Distance: Open, Online and Blended Learning. London: Continuum, pp. 33–43.

Owens, W. R. (2010). Editing literary texts. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. London and New York: Routledge, pp. 69–86.

Owens, W. R. (2010). Planning, writing and presenting a dissertation or thesis. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. London and New York: Routledge, pp. 187–203.

Owens, W. R. (2010). Glossary. In: Owens, W. R. and Da Sousa Correa, Delia eds. The Handbook to Literary Research. Routledge, pp. 207–223.

Owens, W.R. (2010). John Bunyan and the Bible. In: Dunan-Page, Anne ed. The Cambridge Companion to Bunyan. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 39–50.

Pacheco, Anita (2010). Teaching Behn's The Rover. In: Nelson, Bonnie and Burroughs, Catherine eds. Teaching British Women Playwrights of the Restoration and Eighteenth Century. Modern Language of America Options for Teaching, 1. New York: Modern Language Association of America, pp. 364–372.

Paul, Joanna (2010). Cinematic receptions of antiquity: the current state of play. Classical Receptions Journal, 2(1) pp. 136–155.

Perkins, Phil (2010). The cultural and political landscape of the Ager Caletranus, North-West of Vulci. In: Fontaine, P. ed. L'Etrurie et l'ombrie avant Rome: Cité et Territoire. Institut Historique Belge de Rome Artes (1). Brussels, Belgium / Romr, Italy: Institut Historique Belge de Rome, pp. 103–121.

Perry, Gill (2010). Portraiture and Celebrity in the Eighteenth Century: The Actress as a Work of Art. In: Paparo, Jenifer ed. Portrait. Petit genres. Vancouver: Contemporary Art Gallery, Vancouver, pp. 36–55.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Richardson, Carol and Hollingsworth, Mary eds. (2010). The Possessions of a Cardinal: Art, Piety, and Politics, 1450–1700. University Park, PA: Penn State University Press.

Richardson, Carol (2010). Francesco Todeschini Piccolomini (1439-1503), Sant’Eustachio and the Consorteria Piccolomini. In: Richardson, Carol and Hollingsworth, Mary eds. The Possessions of a Cardinal: Art, Piety, and Politics, 1450–1700. University Park, PA: Penn State University Press.

Robson, James (2010). Friends and foes: the people of Lysistrata. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 49–60.

Rothe, Ursula (2010). Gallische Frauenkleidung in römischer Zeit. Mannheimer Geschichtsblätter , 19 pp. 65–80.

Rowland, David (2010). Clementi & Co. in international markets. In: Illiano, Roberto and Sala, Luca eds. Instrumental Music and the Industrial Revolution. Ad Parnassum Studies (5). Bologna: Ut Orpheus Edizioni, pp. 525–542.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources of Chopin's Style, Inspirations and Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Rowland, David (2010). Chopin and early nineteenth century piano schools. In: Szklener, Artur ed. The Sources Of Chopin’s Creative Style: Inspirations And Contexts. Warsaw: Narodowy Instytut Fryderyka Chopina, pp. 83–96.

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50.

Swift, L. A. (2010). The hidden chorus: echoes of genre in tragic lyric. Oxford Classical Monographs. Oxford: Oxford University Press.

Tackley, Catherine (2010). Jazz recordings as social texts. In: Bayley, Amanda ed. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press, pp. 167–186.

Tarling, Barbara Frances (2010). Representations of the American War of Independence in the late eighteenth-century English novel. PhD thesis The Open University.

Tickell, Alex (2010). Introduction to 'Beyond the Law: Postcolonial Writing, Legality and Legitimacy'. Journal of Postcolonial Writing, 46(5), pp. 439-445.

Tickell, Alex (2010). Excavating histories of terror: thugs, sovereignty and the colonial sublime. In: Boehmer, Elleke and Morton, Stephen eds. Terror and the Postcolonial: A Concise Companion. Oxford: Wiley-Blackwell, pp. 177–201.

Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143.

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294.

Towheed, Shafquat (2010). Copyright and libel. In: Logan, Peter Melville ed. The Encyclopedia of the Novel. The Wiley-Blackwell Encyclopedia of Literature, 1 (1). Malden: Wiley-Blackwell, pp. 212–218.

Towheed, Shafquat (2010). When the reading had to stop: Readers, reading and the circulation of texts in 'The Custom of the Country'. In: Rattray, Laura ed. Edith Wharton's The Custom of the Country: A Reassessment. Gender and Genre (3). London: Pickering and Chatto, pp. 29–41.

Towheed, Shafquat (2010). Geneva v. St Petersburg: two concepts of literary property and the material lives of books in Under Western Eyes. In: Weedon, Alexis ed. The History of the Book in the West: 1914-2000. The History of the Book in the West: A Library of Critical Essays, 5 (5). Aldershot: Ashgate.

Towheed, Shafquat; Crone, Rosalind and Halsey, Katie (2010). Examining the evidence of reading: three examples from the Reading Experience Database, 1450-1945. In: Gunzenhauser, Bonnie ed. Reading in History: New Methodologies from the Anglo-American Tradition. The History of the Book. London: Pickering and Chatto, pp. 29–45.

Wainwright, Leon (2010). Art (school) education and art history. In: Appignanesi, Richard ed. Beyond Cultural Diversity: the Case for Creativity. London: Third Text Publications, pp. 93–103.

Wainwright, Leon (2010). The Black Atlantic, Suriname and the Netherlands: challenges for curating and historicising art of the Caribbeah. In: Dölle , Mariette and Jonas , Malka eds. Conversations on Paramaribo Perspectives. Rotterdam: TENT.

Wainwright, Leon (2010). Aubrey Williams: Atlantic fire. In: King, Reyahn ed. Aubrey Williams. Liverpool and London: National Museums Liverpool and October Gallery, pp. 46–55.

Wainwright, Leon (2010). Speaking to contemporary art history: Denis Williams and Guyana. In: Williams, Charlotte and Williams, Evelyn A. eds. Denis Williams: a Life in Works. New and Collected Essays. Cross/Cultures: Readings in the Post/Colonial Literautres in English (120). Amsterdam: Rodopi Press, pp. 65–75.

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

Watson, Nicola (2010). Lady of the Lake Colloquium: The Trossachs: 23rd May 2010. Edinburgh Sir Walter Scott Club Annual Bulletin, MMX pp. 48–51.

Watson, Nicola J. (2010). Readers of romantic locality: tourists, Loch Katrine and 'The Lady of the Lake'. In: Labbe, Jacqueline M. and Bode, Christoph eds. Romantic Localities: Europe Writes Place. London, UK: Pickering & Chatto, pp. 67–80.

West, Susie (2010). Heritage and class. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding Global Heritage. Manchester and Milton Keynes: Manchester University Press and The Open University, pp. 270–303.

Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244.

Woods, Kim (2010). The supply of alabaster in Northern and Mediterranean Europe in the Later Middle Ages. In: Kirby, Jo; Nash, Susie and Cannon, Joanna eds. Trade in Artists' Materials: Markets and Commerce in Europe to 1700. London, UK: Archeype Publications, pp. 86–93.

Yamagata, Naoko (2010). Hesiod in Plato - Second fiddle to Homer? In: Boys-Stones, G. and Haubold, J. eds. Plato and Hesiod. Oxford: Oxford University Press, pp. 68–88.

2009

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Mateer, David, ed. The Gyffard Partbooks II. By . London, Stainer & Bell (2009).

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Swaddling, Judith and Perkins, Philip eds. (2009). Etruscan by Definition: The Cultural, Regional and Personal Identity of the Etruscans. The British Museum Research Publications (173). London: The British Museum Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64.

Bakogianni, Anastasia (2009). The taming of a tragic heroine: Electra in eighteenth-century art. International Journal of the Classical Tradition, 16(1) pp. 19–57.

Bakogianni, Anastasia (2009). Voices of resistance: Michael Cacoyannis’ The Trojan Women (1971). The Bulletin of the Institute of Classical Studies, 52(1) pp. 45–68.

Bakogianni, Anastasia (2009). Electra in Sylvia Plath’s poetry: a case of identification. In: Harrison, Stephen J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: OUP, pp. 194–217.

Barker, Elton (2009). Entering the Agon: Dissent and authority in Homer, historiography and tragedy. Oxford, UK: Oxford University Press.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009 .

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Clarke, Martin (2009). John Wesley’s “Directions for Singing”: Methodist Hymnody as an Expression of Methodist Beliefs in Thought and Practice. Methodist History, 47(4) pp. 196–209.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78.

da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61.

da Sousa Correa, Delia and Kimber, Gerri (2009). Katherine Mansfield Studies 1. Edinburgh University Press.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Edwards, Stephen (2009). Commons and crowds: figuring photography from above and below. Third Text, 23(4) pp. 447–464.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15.

Fraser, Robert (2009). The Tiger That Pounced; The African Writers Series (1962-2003) and the Online Reader. In: Satpathy, Sumanyu ed. Southern Postcolonialisms. Delhi, India: Routledge, 30 -49.

Gaiger, Jason (2009). Dismantling the Frame: Site-Specific Art and Aesthetic Autonomy. British Journal of Aesthetics, 49(1) pp. 43–58.

Gaiger, Jason (2009). Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde. In: Beech, Dave ed. Beauty. Documents of Contemporary Art. London and Cambridge ,Massachusetts: Whitechapel Gallery and the MIT Press, pp. 119–125.

Gibson, Jonathan (2009). Tragical histories, tragical tales. In: Pincombe, Mike and Shrank, Cathy eds. Oxford Handbook of Tudor Literature, 1485-1603. Oxford: Oxford University Press, pp. 521–536.

Gibson, Jonathan and Wright, Gillian (2009). Editing Perdita: texts, theories, readers. In: Hurley, Ann Hollinshead and Goodblatt, Chanita eds. Women Editing/Editing Women: Early Modern Women Writers and the New Textualism. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 155–173.

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Graham, Emma-Jayne (2009). Becoming persons, becoming ancestors: personhood, memory and the corpse in Roman rituals of social remembrance. Archaeological Dialogues, 16(1) pp. 51–74.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller , Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Greenwell, Bill (2009). 156 satirical poems 1998-2002. New Statesman.

Greenwell, Bill (2009). Vision and revision. In: Neale, Derek; Anderson, Linda and Greenwell, Thomas eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 28–40.

Greenwell, Bill (2009). Conflict and contrast. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 14–27.

Greenwell, Bill (2009). Rhetoric and style. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Using analogy. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 210–227.

Greenwell, Bill (2009). Poetry: the freedom of form. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 196–209.

Greenwell, Bill (2009). Time and timing. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 249–261.

Greenwell, Bill (2009). Theme and sequence. In: Neale, Derek; Greenwell, Bill and Anderson, Lindsay eds. A Creative Writing Handbook: Developing Dramatic Technique, Individual Style and Voice. London: A & C Black, pp. 262–276.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143.

Gupta, Suman (2009). Institutional histories of literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 89–108.

Gupta, Suman (2009). The place of theory in literary disciplines. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. London: Routledge, pp. 109–130.

Gupta, Suman (2009). The origins and impact of outsourcing: reconfiguring the post-colonial city. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. Globalization in India: Contents and Discontents. Delhi: Pearson, pp. 18–33.

Gupta, Suman (2009). Harry Potter Goes to China. In: Maybin, Janet and Watson, Nicola J. eds. Children’s Literature: Approaches and Territories. Basingstoke: Palgrave Macmillan, pp. 338–352.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 July 2009, Salzburg Universität, Austria.

Hardwick, Lorna (2009). Book Review: Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination (Shanyn Fiske). Romanticism and Victorianism on the Net, 55,

Hardwick, Lorna (2009). Is 'the Frail Silken Line' worth more than 'a Fart in a Bearskin'? or, how translation practice matters in poetry and drama. In: Harrison, S. J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Classical presences. Oxford: Oxford University Press, pp. 172–193.

Hardwick, Lorna (2009). Can (modern) poets do classical drama? The case of Ted Hughes. In: Rees, Roger ed. Ted Hughes and the Classics. Classical Presences. Oxford, UK: Oxford University Press, pp. 39–61.

Haslam, Sara (2009). 'To Cook, or to Paint, in Paris? Ford in Colour'. In: Colombino, Laura ed. Ford Madox Ford and Visual Culture. International Ford Madox Ford Studies, 8. Amsterdam; New York: Rodopi, pp. 85–97.

Haslam, Sara (2009). Wessex, literary pilgrims and Thomas Hardy. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Basingstoke: Palgrave Macmillan, pp. 164–175.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Hope, Valerie (2009). Roman death: the dying and the dead in Ancient Rome. London: Continuum.

Hope, Valerie (2009). At home with the dead: Roman funeral traditions and Trimalchio's tomb. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: a Handbook. Chichester: John Wiley and Sons Ltd, pp. 140–160.

Hughes, Jessica (2009). Personifications and the Ancient Viewer: The Case of the Hadrianeum 'Nations'. Art History, 32(1) pp. 1–20.

Hultgren, Anna Kristina (2009). Linguistic Regulation and Interactional Reality: A Sociolinguistic Study of Call Centre Service Transactions. PhD thesis University of Oxford.

James, Paula (2009). Paideia at Play: Learning and Wit in Apuleius - Reviewed by Paula James. Ancient Narrative, 8, pp. 167–179.

James, Paula (2009). Crossing classical thresholds: Gods, monsters and Hell dimensions in the Whedon universe. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Cambridge, UK: Cambridge Scholars Publishing, pp. 237–260.

Johnson, David (2009). Remembering the Khoikhoi victory over Dom Francisco Almeida at the Cape in 1510. Postcolonial Studies, 12(1) pp. 107–130.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: Der Politische Quacksalber (1693) und Der Musicalische Qvack=salber (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

McKellar, Elizabeth (2009). The suburban villa tradition in seventeenth and eighteenth-century London. In: Arciszewska, Barbara ed. The Baroque Villa: Suburban and Country Residencies c.1600-1800. Warsaw: Wilanow Palace Museum, pp. 197–208.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (2009). Everything to declare. Wasafiri, 24(3) pp. 1–3.

Neale, Derek (2009). CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research 2nd Edition. Abingdon: Routledge, pp. 162–165.

Neale, Derek (2009). Writing stage plays. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 41–92.

Neale, Derek (2009). Writing radio drama. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 93–112.

Neale, Derek (2009). Writing films. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 113–133.

Neale, Derek (2009). Playing with genre. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 1–13.

Neale, Derek (2009). Splicing the strands. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 164–180.

Neale, Derek (2009). Revealing secrets. In: Neale, Derek ed. A Creative Writing Handbook. London: A&C Black, pp. 58–72.

Neale, Derek (2009). Staging stories. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 73–92.

Neale, Derek (2009). Film structure. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 134–148.

Neale, Derek (2009). Voices in fiction. In: Neale, Derek ed. A Creative Writing Handbook: developing dramatic technique, individual style and voice. London: A&C Black, pp. 181–195.

Norman, Diana (2009). The prince and the bishop: A new hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale. Studies in Iconography, 30 pp. 96–125.

Norman, Diana (2009). Cardinal of Naples and Cardinal in Rome: The Patronage of Oliviero Carafa. In: Hollingsworth, Mary and Richardson, Carol M. eds. The Possessions of a Cardinal: Politics, Piety, and Art, 1450-1700. University Park, Pennsylvania: The Pennsylvania State University Press, pp. 77–91.

Owens, W. R. (2009). The Canon and the curriculum. In: Gupta, Suman and Katsarska, Milena eds. English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: Plovdiv University Press, pp. 47–59.

Paul, Joanna (2009). Oliver Stone’s Alexander and the cinematic epic tradition. In: Cartledge, Paul and Greenland, Fiona Rose eds. Responses to Oliver Stone’s Alexander: Film, History and Culture Studies. Madison, Wisconsin, USA: University of Wisconsin Press, pp. 15–35.

Paul, Joanna (2009). 'I fear it's potentially like Pompeii’: disaster, mass media and the ancient city. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing, pp. 91–108.

Paul, Joanna (2009). Fellini-Satyricon: Petronius and Film. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: A Handbook. Oxford, UK: Wiley - Blackwell, pp. 198–217.

Perkins, Phil (2009). Sicily. In: Gagarin, Michael ed. The Oxford Encyclopedia of Ancient Greece and Rome. New York, USA: Oxford University Press.

Perkins, Phil and Schafer, Sally (2009). The Villa Pigneto Sacchetti excavation: a new interpretation. Papers of the British School at Rome, 77(2009) pp. 273–290.

Perkins, Philip (2009). DNA and Etruscan Identity. In: Perkins, Philip and Swaddling, Judith eds. Etruscan by Definition: Papers in Honour of Sybille Haynes. The British Museum Research Publications (173). London, UK: The British Museum Press, pp. 95–111.

Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

Richardson, Carol M. (2009). Reclaiming Rome: Cardinals in the Fifteenth Century. Studies in Intellectual History, 173. Leiden: Brill.

Richardson, Carol M. (2009). The English College Church in the 1580s: Durante Alberti's altarpiece and Niccolo Circignani's frescoes. In: O'Connor, Murphy; Violins, Paul; Riotta, Claudio; Broggi, Angelo; Headon, Andrew; Champ, Judith; Duffy, Eamon; Marascialli, Sara; Hudson, Nicholas and Richardson, Carol M. eds. The Church of the English College in Rome: Its History, its Restoration. Rome: Gangemi Editore, pp. 34–51.

Richardson, Carol M. (2009). The Churches of the Venerable English College. In: O'Connor, Murphy; Violins, Paul; Riotta, Claudio; Broggi, Angelo; Headon, Andrew; Champ, Judith; Duffy, Eamon; Marascialli, Sara; Hudson, Nicholas and Richardson, Carol M. eds. The Church of the English College in Rome: Its History, its Restoration. Rome: Gangemi Editore, pp. 68–85.

Robson, James (2009). Aristophanes: An Introduction. London: Duckworth.

Rothe, Ursula (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire. British Archaeological Reports, 2009 (S2038). Oxford: Archaeopress.

Rowland, David (2009). Piano businesses in England and France. In: Getreau, Florence ed. Le pianoforte en France 1780-1820. Musique Images Instruments (11). Paris: CNRS Editions, pp. 127–135.

Nasta, Susheila, ed. Moses Migrating: A Novel (new edition). By Samuel Selvon (1983). Boulder, Colorado, Lynne Reiner (2009).

Stadtler, Florian (2009). Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown. Journal of Postcolonial Writing, 45(2) pp. 191–199.

Swift, L. A. (2009). The symbolism of space in Euripidean choral fantasy (Hipp. 732-85, Med. 824-65, Bacch. 370-433). Classical Quarterly, 59(2) pp. 364–382.

Swift, L. A. (2009). Sexual and familial distortion in Euripides' Phoenissae. Transactions of the American Philological Association, 139(1) pp. 53–87.

Swift, Laura (2009). How to make a goddess angry: making sense of the Demeter Ode in Euripides' Helen. Classical Philology, 104(4) pp. 418–438.

Taylor, Clare (2009). Chinese papers and English imitations in 18th Century Britain. In: Stavenow-Hidemark, Elisabet ed. New Discoveries New Research: Papers from the International wallpaper conference held at the Nordiska Museet, Stockholm, 2007. Stockholm: Nordiska Museets Forlag, pp. 36–53.

Tickell, Alex (2009). Kipling's famine-romance: masculinity, gender and colonial biopolitics in “William the Conqueror”. Journal of Postcolonial Writing, 45(3) pp. 251–263.

Tickell, Alex (2009). Cawnpore, Kipling and Charivari: 1857 and the politics of commemoration. Literature and History, 18(2) pp. 1–19.

Towheed, Shafquat (2009). Reading History and Nation: Robert Louis Stevenson's Reading of William Forbes-Mitchell's Reminiscences of the Great Mutiny 1857-9. Nineteenth-Century Contexts, 31(1) pp. 3–17.

Towheed, Shafquat (2009). Tools and techniques for literary research: Using online and printed sources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research (Second Edition). Abingdon: Routledge, pp. 9–35.

Towheed, Shafquat (2009). Territory, space, modernity: Elizabeth Bowen's 'The Demon Lover and Other Stories' and wartime London. In: Osborn, Susan ed. Elizabeth Bowen: New Critical Perspectives. Cork: Cork University Press, pp. 113–131.

Van de Noort, Robert; Whitehouse, David; Becker, Marshall; Blagg, Thomas; Burnett, Douglas; Caruso, Ida; Claridge, Amanda; Clark, Gill; Costantini, Loredana; Costantini, Lorenzo; Hall Burke, Belinda; Lyttelton, Margaret; Napolitani, Gilberto; Patterson, Helen; Perkins, Philip; Rovelli, Alessia and Sutherland, Sheila (2009). Excavations at Le Mura di Santo Stefano, Anguillara Sabazia. Papers of the British School at Rome, 77(2009) pp. 159–223.

Wainwright, Leon (2009). Aubrey Williams: a painter in the aftermath of painting. Wasafiri, 24(3) pp. 65–79.

Wainwright, Leon (2009). On being unique: world art and its British institutions. Visual Culture in Britain, 10(1) pp. 87–101.

Wainwright, Leon (2009). New provincialisms: curating art of the African diaspora. Radical History Review(103) pp. 203–213.

Wainwright, Leon (2009). At Northern Intersections forever: art and the time trap. In: Ajji, Tejpal S. and Soske, John eds. South-South: Interruptions & Encounters. Toronto: Justina M. Barnicke Gallery and South Asian Visual Arts Centre, University of Toronto, pp. 73–76.

Wainwright, Leon (2009). Labelling and assembling: histories and challenges for an Asia Triennial. In: Mitha, Alnoor; Khan, Fareda and Rangasamy , Jacques eds. Asia Triennial Manchester 08. Manchester: Shisha.

Wainwright, Leon (2009). Mutual ground: post-empire canons of art in Britain and the Caribbean. In: Rahim, Jennifer and Lalla, Barbara eds. Beyond Borders: Cross-Culturalism and the Caribbean Canon. Mona, Kingston, Jamaica: University of the West Indies Press, pp. 116–148.

Walder, Dennis (2009). Writing, representation, and postcolonial nostalgia. Textual Practice, 23(6) pp. 935–946.

Walder, Dennis (2009). Remembering the Bushmen; nostalgia and postcolonial spiritualities. In: Brown, Duncan ed. Religion and Spirituality in South Africa: New Perspectives. Scottsville, South Africa: University of KwaZulu-Natal Press, pp. 205–218.

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, January 2009, Berlin.

Watson, Nicola (2009). Rambles in Literary London. In: Watson, Nicola ed. Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan, pp. 139–149.

West, Susie (2009). The English Country House Chapel: Building a Protestant Tradition, by Annabel Ricketts. The Journal of British Studies, 48(3) pp. 753–754.

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127.

Winters, Ben (2009). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26.

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

Wood, Paul (2009). Truth and beauty. In: Beech, David ed. Beauty. Documents of Contemporary Art. London: Whitechapel Gallery/MIT , pp. 183–188.

2008

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume Two: Perspectives from South Asia. Basingstoke: Palgrave.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Alzola Romero, Aaron (2008). Los sitios de cada cosa: propuesta intercontextual para el estudio de las interacciones sociales en la protohistoria de la Cataluña Meridional. In: Miñarro Casas, Marta and Valenzuela-Lamas, Silvia eds. Actes del I Congrés de Joves Investigadors en Arqueologia dels Països Catalans: La Protohistòria als Països Catalans. Arqueomediterrània (10). Barcelona: Universidad de Barcelona, pp. 205–214.

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

Bakogianni, Anastasia (2008). All is well that ends tragically: filming Greek tragedy in modern Greece. Bulletin of the Institute of Classical Studies, 51 pp. 119–167.

Barker, Elton T. E. (2008). Momos advises Zeus: changing representations of ‘Cypria’ fragment 1. In: Cingano, Ettore and Milano, Lucio eds. Papers on Ancient Literatures: Greece, Rome and the Near East: Proceedings of the “Advanced Seminar in the Humanities”, Venice International University 2004-2005. Padova: S.A.R.G.O.N. Editrice e Libreria, pp. 33–73.

Barker, Elton T. E. and Christensen, Joel P. (2008). Oedipus of many pains: Strategies of contest in Homeric poetry. Leeds International Classical Studies, 7/2008(2) article no. 7.2.

Benton, Tim (2008). The complexities and contradicitions of modernism. Positions, 0 pp. 16–21.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon.

Brown, Richard Danson (2008). W.S. Graham: I Leave This At Your Ear. The English Review, 19(2) pp. 9–12.

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2008). Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed). The Modern Language Review, 103(1) pp. 213–214.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2008). ‘The composition of three arias in Handel’s Ariodante’. Händel-Jahrbuch, 54 pp. 131–149.

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137.

Christian, Kathleen Wren (2008). Instauratio and Pietas: the della Valle collections of ancient sculpture. In: Penny, Nicholas and Schmidt, Eike D. eds. Collecting Sculpture in Early Modern Europe. Studies in the History of Art (70). Washintgton: National Gallery of Art, pp. 33–65.

Clarke, Martin (2008). Spirituality and Practicality: John Wesley’s visit to America and Moravian Influences on Methodist Music and Worship. Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, 27 pp. 13–26.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Owens, W. R., ed. Daniel Defoe, The Life and Strange Surprizing Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Owens, W. R., ed. The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2008). School readers in the Empire and the creation of postcolonial taste. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 1. Basingstoke: Palgrave, pp. 89–107.

Gaiger, Jason (2008). Aesthetics and Painting. Continuum Aesthetics. London: Continuum International Publishing Group.

Gibson, Jonathan (2008). The Perdita Project: women's writing, manuscript studies and XML tagging. In: Bowen, William R. and Siemens, Raymond G. eds. New Technologies and Renaissance Studies. Medieval and Renaissance Texts and Studies (324). Tempe, AZ: Iter Inc. in collaboration with ACMRS (Arizona Center for Medieval and Renaissance Studies), pp. 230–242.

Gupta, Suman (2008). Editorial: Writing China. Wasafiri, 23(3) pp. 1–4.

Gupta, Suman (2008). Li Rui, Mo Yan, Yan Lianke and Lin Bai: four contemporary Chinese writers interviewed. Wasafiri, 23(3) pp. 28–36.

Gupta, Suman (2008). Xenophobia and the academic disposition of migration studies. In: Ivanov, Zhivko and Katsarska, Milena eds. Migration, Modern Nationalism, and Nostalgia for the Homeland. Plovdiv: Plovdiv University Press, pp. 59–78.

Hardwick, Lorna (2008). Translated Classics: Vibrant Hybrids or Shattered Icons? In: lianeri, Alexandra and Zajko, Vanda eds. Translation and the Classics: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 341–366.

Hebbert, Michael and McKellar, Elizabeth (2008). Tall buildings in the London landscape. The London Journal, 33(3) pp. 199–200.

Herbert, Trevor (2008). Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield. Studies in Musical Theatre, 2(3) pp. 295–297.

Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University.

Hughes, Jessica (2008). Fragmentation as metaphor in the Classical healing sanctuary. Social History of Medicine, 21(2) pp. 217–236.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. Centre for Reformation and Renaissance Studies.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 February 2008, University of Otago, Dunedin, New Zealand.

King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

King, Helen and Dasen, Véronique (2008). La Médecine dans l' Antiquité grecque et romaine. Lausanne: Editions BHMS.

Mateer, David (2008). New sightings of Christopher Marlowe in London. Early Theatre, 11(2) pp. 13–38.

McKellar, Elizabeth and Hebbert, Michael (2008). Special Issue of the London Journal: Tall Buildings in the London Landscape. Maney Publishing, UK.

Nasta, Susheila (2008). Between Bloomsbury and Gandhi? The background to the publication and reception of Mulk Raj Anand's Untouchable. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders. Volume 2. Perspectives from South Asia, Volume 2. Basingstoke, UK: Macmillan, pp. 151–170.

Nixon, Mark (2008). The Construction of Closure and Cadence in Gustav Mahler's Ninth Symphony and Das Lied von der Erde. PhD thesis The Open University.

Norman, Diana (2008). The chapel of Saint Catherine in San Domenico: A studyof cultural relations between Renaissance Siena and Rome. In: Ascheri, Mario; Mazzoni, Gianni and Nevola, Fabrizio eds. L'ultimo secolo della Repubblica di Siena. Arti, cultura e societàe. Atti del Convegno Internazionale. Siena, Italy: Accademia Senese degli Intronati, pp. 405–419.

Paul, Jo (2008). Homer and Cinema: Translation and Adaptation in Le Mépris. In: Lianeri, Alekandra and Zajko, Vanda eds. Translation & The Classic: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 148–165.

Paul, Joanna (2008). Rome ruined and fragmented: the cinematic city in Fellini-Satyricon and Roma. In: Wrigley, Richard ed. Cinematic Rome. Leicester, UK: Troubadour Publishing Ltd, pp. 109–120.

Perry, Gill (2008). Installations and exploding homes. In: Bindman, David and Stephens, Chris eds. The History of British Art: 1870-Now. The History of British Art (3). London: Tate, pp. 227–228.

Prescott, Lynda (2008). Pat Barker's Regeneration trilogy: fiction and history. The English Review, 19(2) pp. 17–20.

Prescott, Lynda (2008). Greene, Waugh, and the Lure of Travel. In: Hammond, Mary and Fraser, Robert eds. Books Without Borders: The Cross-national Dimension in Print Culture, Volume 1. UK: Palgrave Macmillan, pp. 147–158.

Richardson, Carol M. (2008). 'Ruined, untended and derelict’: Fifteenth-century papal tombs in St Peter’s. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 191–207.

Samuels, Robert (2008). Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. Intégral: The Journal of Applied Musical Thought, Volume

Swift, Laura (2008). Euripides: Ion. Duckworth Companions to Greek and Roman Drama. London: Duckworth.

Taylor, Clare (2008). Reading the cards: discovering the British eighteenth-century wallpaper trade. The Wallpaper History Review pp. 29–32.

Towheed, Shafquat (2008). Two paradigms of literary production: the production, circulation and legal status of Rudyard Kipling's Departmental Ditties and Indian Railway Library Texts. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders, Volume 2: Perspec. Basingstoke: Palgrave, pp. 125–136.

Wainwright, Leon (2008). Frank Bowling and the appetite for British pop. Third Text, 22(2) pp. 195–208.

Wainwright, Leon (2008). Solving Caribbean mysteries: art, embodiment and an eye for the Tropics. Small Axe(25) pp. 133–144.

Walder, Dennis (2008). "Alone in a landscape": Lessing's African stories remembered. Journal of Commonwealth Literature, 43(2) pp. 99–115.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, January 2008, Open University, Milton Keynes.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Wood, Paul (2008). Between God and the Saucepan: some aspects of art education in England from the mid-nineteenth century until today. In: Stephens, Chris ed. History of British Art: 1870 - now, Volume 3. London: Tate Publishing, pp. 162–187.

2007

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Emlyn-Jones, Chris ed. (2007). Plato, Republic 1-2.368c4. Aris and Phillips Classical Commenatries Series. Oxford, UK: Oxbow Books.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Hardwick, Lorna and Gillespie, Carol eds. (2007). Classics in Post-Colonial Worlds. Classical Presences. Oxford, UK: Oxford University Press.

Hardwick, Lorna and Stray, Christopher eds. (2007). A Companion to Classical Receptions. Oxford, UK: Wiley - Blackwell.

Mateer, David, ed. The Gyffard Partbooks, I. By . London, UK, Stainer & Bell (for the British Academy) (2007).

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Woods, Kim W.; Richardson, Carol M. and Lymberopoulou, Angeliki eds. (2007). Viewing Renaissance Art. Yale University Press.

Bakogianni, Anastasia (2007). An eighteenth-century jealous woman and a twentieth-century hysterical diva: the case of Mozart's Idomeneo (1781) and Strauss' Elektra (1909). New Voices in Classical Reception Studies, 2 pp. 1–32.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). A Place to Work. Museum International, 59(3) pp. 31–40.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2007). Emergency Conditionals. In: Goldie, Peter and Schellekens, Elisabeth eds. Philosophy and Conceptual Art. Oxford: Oxford University Press, pp. 257–266.

Barker, Emma (2007). Mme Geoffrin, painting and galanterie: Carle Van Loo’s Conversation espagnole and Lecture espagnole. Eighteenth-Century Studies, 40(4) pp. 587–614.

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Barker, Naomi (2007). Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission. Early Music, 35(2) pp. 191–212.

Benton, Tim (2007). The Villas of Le Corbusier and Pierre Jeanneret 1920-1930. Basel, Switzerland: Birkhauser.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Brown, Richard Danson (2007). Everyman’s progresses: Louis MacNeice’s dialogues with Bunyan. In: Owens, W. R. and Sim, Stuart eds. Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and discourse (33). Oxford, UK: Peter Lang, pp. 147–163.

Budelmann, Felix (2007). The reception of Sophocles' representation of physical pain. American Journal of Philology, 128(4) pp. 443–467.

Budelmann, Felix (2007). Trojan Women in Yorubaland: Femi Osofisan's Women of Owu. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Oxford: Oxford University Press, pp. 15–39.

Burrows, D. (2007). Perhaps Handel was right after all: some thoughts on editing 'Ariodante'. The Musical Times, 148(1898) pp. 35–48.

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin (2007). Time, gesture and attention in a khyāl performance. Asian Music, 38(2) pp. 71–96.

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93.

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59.

da Sousa Correa, Delia (2007). Victorian Soundscapes and the potential for interdisciplinary exchange. In: Hewitt, Martin and Cowgill, Rachel eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9. Leeds: Leeds Centre for Victorian Studies, pp. 9–36.

Owens, W. R., ed. Daniel Defoe, The Compleat English Gentleman and Of Royal Education. By Daniel Defoe (1729). London, UK, Pickering & Chatto (2007).

Owens, W. R., ed. Daniel Defoe, The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2007).

Dueck, Byron (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Stephen (2007). Special Issue of Oxford Art Journal: Jeff Wall. Oxford University Press, UK.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

Edwards, Steve (2007). National survey: Great Britain. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 606–614.

Edwards, Steve (2007). Societies, groups, institutions, and exhibitions in the United Kingdom. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 2. Routledge, pp. 1303–1307.

Edwards, Steve (2007). Robert Hunt. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 731–732.

Edwards, Steve; Fusco, Maria and O, Steve (2007). William Lake Price and James Mudd: the shattered utopia. In: Gergley, Chris ed. Copy Work. Vancouver: Contemporary Art Gallery, pp. 9–21.

Emlyn-Jones, Chris (2007). Poets on Socrates' stage: Plato's reception of dramatic art. In: Hardwick, Lorna and Stray, Christopher eds. Companion to Classical Receptions. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell Publishing, pp. 38–49.

Fear, Trevor (2007). Of Aristocrats and Courtesans: Seneca, De Beneficiis 1.14. Hermes: Zeitschrift für klassische philologie, 135(4) pp. 460–468.

Fraser, Robert (2007). Letters of J.G.Frazer. The Classical Review, 57 (New Se(1) pp. 243–245.

Fraser, Robert (2007). Sir James Frazer and Marian McNeill. In: Brown, Ian; Clancy, Thomas Owen; Manning, Susan and Pittock, Murray G. eds. The Edinburgh History of Scottish Literature, Volume 3. Edinburgh: Edinburgh University Press, pp. 69–74.

Fraser, Robert (2007). George Barker's Sonnet of Fishes. In: Hanke, Michael ed. Fourteen English sonnets: critical essays. Studien Zur Anglistischen Literatur-und-Sprach-Wissenschaft (28). Trier, Germany: Wissenschaftlicher Verlag, pp. 145–157.

Fraser, Robert (2007). Press, partition and famine: Benedict Anderson and the Bengal Emergency of 1905-6. In: McCleery, Alistair and Brabon, Benjamin A. eds. The Influence of Benedict Anderson. Edinburgh, U.K.: Merchiston Publishing, pp. 59–93.

Green, Monica and King, Helen (2007). Structures and subjectivities in 16th-century gynaecology, or how the father of medicine reclaimed his paternity. In: Hartman, Joan E. and Seeff, Adele eds. Structures and subjectivities: Attending to early modern women. Center for Renaissance & Baroque Studies. Newark, DE: University of Delaware Press, pp. 100–101.

Gupta, Suman (2007). Social constructionist identity politics and literary studies. Basingstoke, UK: Palgrave Macmillan.

Hardwick, Lorna (2007). Translating greek tragedy to the modern stage. Theatre Journal, 59(3) pp. 358–361.

Hardwick, Lorna (2007). Singing across the faultlines: cultural shifts in twentieth century receptions of Homer. In: Graziosi, Barbara and Greenwood, Emily eds. Homer in the 20th Century: Between World Literature and the Western Canon. Oxford, UK: Oxford University Press, pp. 47–71.

Hardwick, Lorna (2007). Shades of multi-lingualism and multi-vocalism in modern performances of Greek tragedy in post-colonial contexts. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Classical Presences. Oxford: Oxford University Press, pp. 305–338.

Hardwick, Lorna (2007). Contests and Continuities in Classical Traditions: African Migrations in Greek Drama. In: Hilton, John and Gosling, Anne eds. Alma Parens Originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States, and Cuba. Oxford, UK: Peter Lang, pp. 43–72.

Hardwick, Lorna (2007). Decolonising the mind?: Controversial productions of Greek Drama in late Twentieth-Century Britain and Ireland. In: Stray, Christopher ed. Remaking the Classics: literature, genre and media in Britain 1800-2000. London, UK: Duckworth, pp. 89–105.

Hardwick, Lorna (2007). Text and Performance in Ancient Greek Plays on the Modern Stage: The Case of Aristophanes 'Ecclesiazusai'. In: Vivilakis, I. ed. Stephanos: Tribute to Walter Puchner. Athens: Ergo Editions, pp. 493–500.

Harrison, Charles (2007). Partial accounting. In: Salas, Charles G. ed. The life and the work: art and biography. Los Angeles: Getty Research Institute, pp. 97–107.

Harrison, Charles (2007). The printed picture in Renaissance Europe. In: Woods, Kim ed. Making Renaissance Art. New Haven and London: Yale University Press in association with the Open University, pp. 210–247.

Haslam, Sara (2007). Making a text the Fordian way: Between St Dennis and St George, propaganda and the first world war. In: Hammond, Mary and Towheed, Shafquat eds. Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan, pp. 202–214.

Haslam, Sara (2007). The prophet and the sceptic: George Eliot and Ford Madox Ford. In: Skinner, Paul ed. Ford Madox Ford's Literary Contacts. International Ford Madox Ford Studies, 6. Amsterdam and New York: Rodopi, pp. 49–62.

Herbert, Trevor (2007). The History of Brass Band Music: Classical Arrangements. Doyen.

Hope, Valerie (2007). Death in Ancient Rome: A sourcebook. London, UK: Routledge.

Hope, Valerie M. (2007). Age and the Roman soldier: the evidence of tombstones. In: Harlow, Mary and Laurence, Ray eds. Age and Ageing in the Roman Empire. Journal of Roman Archaeology, Supplementary Series (65). Portsmouth, RI, USA: Journal of Roman Archaeology, pp. 111–129.

Huskinson, Janet (2007). Constructing childhood on Roman funerary memorials. In: Cohen, Ada and Rutter, Jeremy B eds. Constructions of Childhood in Greek and Roman Antiquity, Volume Supplement (Hesperia). USA: American School of Classical Studies at Athens, pp. 323–338.

Huskinson, Janet (2007). Growing up in Ravenna: evidence from the decoration of children's sarcophagi. In: Harlow, Mary and Laurence, Ray eds. Age and aging in the Roman empire. Journal of Roman Archaeology, Supplement. USA: John Humphreys, pp. 55–79.

James, Paula (2007). R.May. Apuleius and drama: The Ass on stage. Ancient Narrative, 6

Johnson, David (2007). Representing the Cape 'Hottentots', from the French Enlightenment to post-apartheid South Africa. Eighteenth-Century Studies, 40(4) pp. 525–552.

Johnson, David (2007). Migrancy and Thabo Mbeki's African Renaissance. In: Gupta, Suman and Omoniyi, Tope eds. The cultures of economic migration: international perspectives. Studies in migration and diaspora. Aldershot: Ashgate, pp. 127–140.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

King, Helen (2007). Midwifery, Obstetrics and the Rise of Gynaecology: The Uses of a Sixteenth-Century Compendium. Women and Gender in the Early Modern World. Aldershot: Ashgate.

King, Helen (2007). When is a foetus not a foetus? Diagnosing false conceptions in early modern France. In: Dasen, Veronique ed. L' Embryon humain à travers l' histoire: Images, savoirs et rites. Testimonia. Gollion: Infolio, pp. 223–238.

King, Helen (2007). Ancient medicine. In: Malti-Douglas, Fedwa ed. Encyclopedia of sex and gender, Volume 3. Detroit: Macmillan Reference USA, pp. 982–985.

Leante, Laura (2007). L'incontro tra popular music e tradizione indiana: processi e modalita' di appropriazione. In: Etnomusicologia e studi di popular music: quale possibile convergenza?, 27-29 Jan 2005, Venice, Italy.

Lymberopoulou, Angeliki (2007). 'Fish on a Dish' and its Table Companions in fourteenth-century Wall-Paintings on Venetian-domianted Crete. In: Brubaker, Leslie and Linardou, Kallirroe eds. Eat, Drink, and Be Merry (Luke 12:19) – Food and Wine in Byzantium. Publications of the Society for the Promotion of Byzantine Studies. Ashgate.

Lymberopoulou, Angeliki (2007). The painter Angelos and post-Byzantine Art. In: Richardson, Carol M ed. Locating Renaissance Art. London: Yale University Press, pp. 175–212.

Lymberopoulou, Angeliki (2007). 'Pro anima mea', but do not touch my icons: provisions for personal icons in wills from Venetian-dominated Crete. In: Stathakopoulos, Dionysios ed. The kindness of strangers. Charity in the pre-modern Mediterranean, Volume 2007. London, UK: King's College London, Occasional Publications, pp. 71–89.

Lymberopoulou, Angeliki (2007). Audiences and markets for Cretan icons. In: Woods, Kim W; Richardson, Carol M and Lymberopoulou, Angeliki eds. Viewing Renaissance Art. London: Yale University Press, pp. 171–208.

McKellar, Elizabeth (2007). Representing the Georgian interior in the Early Twentieth Century, 1890-1930. Journal of Design History, 20(4) pp. 325–344.

McKellar, Elizabeth (2007). C.H.B. Quennell (1872-1935): architecture, history and the quest for the modern. Architectural History, 50 pp. 211–246.

Moran, Nicola (2007). Measuring musical interaction: analysing communication in embodied musical behaviour. PhD thesis The Open University.

Nasta, Susheila and Boehmer, Elleke (2007). Editorial: 'Cultures of Terror'. Wasafiri, 22(2) pp. 1–3.

Nasta, Susheila and Fraser, Robert (2007). Special Issue of Wasafiri: The Book in the World. Routledge, Abingdon.

Neale, Derek (2007). Writing a wicked commentary. Writing in Education(41) pp. 28–31.

Norman, Diana (2007). A case of mistaken identity: Ambrogio Lorenzetti's "Saint Dorothy" from the Church of Santa Petronilla, Siena. Zeitschrift für Kunstgeschichte, 70(3) pp. 297–324.

Norman, Diana (2007). St Anthony Abbot in Sant'Agostino, Montalcino: an Augustinian Image in the Sienese contado. In: Bourdua, Louise and Dunlop, Anne eds. Art and the Augustinian Order in Early Renaissance Italy. Church, Faith and Culture in the Medieval West. Aldershot and Burlington VT: Ashgate, pp. 143–161.

Norman, Diana (2007). When Charity fails: Andrea Gallerani and memory of the Misericordia in Siena. In: Stathakopoulos, Dionysios ed. The Kindness of Strangers: Charity in the Pre-Modern Mediterranean. Occasional Publications from the Centre for Hellenic Studies. London: Centre for Hellenic Studies, King's College, pp. 91–118.

Pacheco, Anita (2007). William Shakespeare: Coriolanus. Writers and their Work. Tavistock, Devon: Northcote House.

Parsonage, Catherine (2007). Fascination and fear: Responses to early jazz in Britain. In: Wynn, Neil A. ed. Cross the Water Blues: African American Music in Europe. University Press of Mississippi, pp. 89–105.

Parsonage, Catherine and Dyson, Kathy (2007). The history of women in jazz in Britain. In: Adkins Chiti, Patricia ed. Women in Jazz/Donne in Jazz. Rome: Editore Columbo, pp. 129–140.

Parsonage, Catherine; Fadnes, Petter Frost and Taylor, James (2007). Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation. British Journal of Music Education, 24(3) pp. 295–312.

Paul, Joanna (2007). Working with film: theories and methodologies. In: Hardwick, Lorna and Stray, Christopher eds. A Companion to Classical Receptions. Oxford, UK: Wiley - Blackwell, pp. 303–314.

Perkins, Philip (2007). Etruscan Bucchero in the British Museum. British Museum Research Publication, 165. London, UK: The British Museum Press.

Perkins, Philip (2007). Aliud in Sicilia? Cultural development in Rome's first Province. In: Van Dommelen, P. and Terranato, N. eds. Articulating Local Cultures: Power and identity under the expanding Roman Republic. International Roman Archaeology Conference Series, Journal of (63). Rhode Island, USA: Journal of Roman Archaeology, pp. 33–53.

Perry, Gill (2007). Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768-1820. New Haven, USA: Yale University Press.

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Richardson, Carol M. (2007). Edward Pugin and English Catholic Identity: The New Church of the Venerable English College in Rome. Journal of the Society of Architectural Historians, 66(3) pp. 340–365.

Robson, James (2007). Catullus 22: Suffenus iste – A Catullan Riddle? Classica et Mediaevalia, 58 pp. 209–214.

Robson, James (2007). Lost in Translation? The problem of (Aristophanic) humour. In: Hardwick, Lorna and Stray, Christopher eds. A Companion to Classical Receptions. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell Publishing, pp. 168–182.

Rothe, Ursula (2007). The comparative and interdisciplinary approach and Romanisation studies. In: Schroeder, H.; Bray, P.; Gardner, P.; Jefferson, V. and Macaulay-Lewis, E. eds. Crossing Frontiers: The Opportunities and Challenges of Interdisciplinary Approaches to Archaeology. Proceedings of a Conference held at the University of Oxford, 25-26 June 2005. Oxford University School of Archaeology monograph (66). Oxford: Oxford University School of Archaeology, pp. 99–110.

Samuels, Robert (2007). Music as Narrative's Limit and Supplement. In: Mazanas, Ana and Benito, Jesus eds. The Dynamics of the Threshold. Studies in Liminality and Literature 5. Madrid: The Gateway Press, pp. 149–163.

Smith, Richard Langham (2007). ‘Taming two Spanish Women: reflections on editing Opera.’. In: Kelly, Barbara and Murphy, Kerry eds. Berlioz and Debussy: sources, contexts, legacies. (Essays in honour of François Lesure). Aldershot, UK: Ashgate, pp. 83–102.

Stadtler, Florian (2007). Cultural connections: Lagaan and its audience responses. In: Bainbridge, Emma ed. Connecting Cultures. ThirdWorlds. Routledge.

Tickell, Alex (2007). Arundhati Roy's The God of Small Things. Routledge Guides to Literature. Abingdon: Routledge.

Towheed, Shafquat (2007). Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in Under Western Eyes. Book History, 10 pp. 169–191.

Wainwright, Leon (2007). ‘Indian Art’ in Trinidad? Ethnicity at its Limits. Journal of Creative Communications, 2(1&2) pp. 163–188.

Wainwright, Leon (2007). Aubrey Williams. In: Dabydeen, David; Gilmore , John and Jones, Cecily eds. The Oxford Companion to Black British History. Oxford Companions. Oxford, UK: Oxford University Press.

Wainwright, Leon (2007). British responses to Caribbean art. In: Dabydeen, David; Gilmore , John and Jones , Cecily eds. The Oxford Companion to Black British History. Oxford Companions. Oxford, UK: Oxford University Press.

Walder, Dennis (2007). Decolonizing the (distance) curriculum. Arts and Humanities in Higher Education, 6(2) pp. 187–196.

Walder, Dennis (2007). 'The Broken String': Re-Membering the Homeland in a Postcolonial Context. In: Palusci, Oriana ed. Postcolonial Studies: Changing Perceptions. Labirinti (97). Trento, Italy: Universita degli Studi di Trento, pp. 51–65.

Watson, Nicola J. (2007). Shakespeare on the tourist trail. In: Shaughnessy, Robert ed. Cambridge companion to Shakespeare and popular culture. Cambridge Companions to Literature. Cambridge, UK: Cambridge University Press, pp. 199–226.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140.

Woods, Kim (2007). The Mercers' Christ re-examined. In: Marks, Richard ed. Late Gothic England: Art and Display. Donington, UK: Shaun Tyas, pp. 57–69.

Woods, Kim W. (2007). Imported Images: Netherlandish Late Gothic Sculpture in England, c.1400-c.1550. Donington: Paul Watkins Publishing.

Zuccolin, Gabriella (2007). Princely Virtues in De felici progressu of Michele Savonarola, Court Physician of the House of Este. In: Bejczy, István P. and Nederman, Cary J. eds. Princely Virtues in the Middle Ages. Disputatio (9). Turnhout, Belgium: Brepols Publishers, pp. 237–258.

2006

Courtney, Julia and James, Paula eds. (2006). The Role of the Parrot in Selected Texts from Ovid to Jean Rhys: Telling a Story from an Alternative Viewpoint. Lampeter: Edwin Mellen Press.

da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

Smith, Richard Langham and Potter, Caroline eds. (2006). French Music since Berlioz. UK: Ashgate.

Abodunrin, Femi; Dale, Leigh; Tiffin, Chris; Lane, Richard; Scafe, Suzanne; Tickell, Alex; Chambers, Claire and Wattie, Nelson (2006). New Literatures. Year's Work in English Studies, 85(1) pp. 978–1130.

Alzola Romero, Aaron (2006). Adaptación y aplicación del sistema de cuantificación PIE-Slice, un método para el estudio estadístico de covarianza. Kalathos: Revista del seminario de arqueología y etnología turolense, 24-25 pp. 47–67.

Anderson, Linda (2006). Stimulating creativity and imagination: What really works? In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 17–32.

Anderson, Linda (2006). Keeping a writer's notebook. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 33–43.

Anderson, Linda (2006). Character creation. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 70–85.

Anderson, Linda (2006). Setting. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 86–98.

Anderson, Linda (2006). Point of view:trying on voices. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 99–112.

Anderson, Linda (2006). Point of view: degrees of knowing. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 113–126.

Anderson, Linda (2006). Narrative point of view: who tells the story? In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 78–95.

Anderson, Linda (2006). Bodily states. In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 212–227.

Baldwin, Michael; Harrison, Charles and Ramsden, Mel (2006). Voices Off: Reflections on Conceptual Art. Critical Inquiry, 33(1) pp. 113–135.

Barker, Elton (2006). Paging the oracle: interpretation, identity and performance in Herodotus’ History. Greece & Rome, 53(1) pp. 1–28.

Barker, Elton and Christensen, Joel (2006). Flight club: the new Archilochus and its resonance with Homeric epic. Materiali e discussioni per l'analisi dei testi classici, 57(2) pp. 9–41.

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2006). Building Utopia. Victoria and Albert Museum, London, UK.

Benton, Tim (2006). Modernism and nature. In: Wilk, Christopher ed. Modernism: designing a new world. London: Victoria and Albert Museum, pp. 311–339.

Brown, Richard Danson (2006). MacNeice in Fairy Land. In: Lethbridge, J. B. ed. Edmund Spenser: New and Renewed Directions. Madison, U.S.A.: Fairleigh Dickinson University Press, pp. 352–369.

Budelmann, Felix (2006). The mediated ending of Sophocles' Oedipus Tyrannus. Materiali e discussioni per l'analisi dei testi classici, 57 pp. 43–62.

Budelmann, Felix (2006). Körper und Geist in tragischen Schmerz-Szenen. In: Seidensticker, Bernd and Vöhler, Martin eds. Gewalt und Ästhetik: Zur Gewalt und ihrer Darstellung in der griechischen Klassik. Berlin, Germany: De Gruyter, pp. 123–148.

Christian, Kathleen (2006). Michelangelo's Bacchus and 'Forgeries' in Renaissance Collections of Ancient Sculpture. In: The XVIth International Congress of Classical Archaeology., August 23-26, 2003, Boston.

Christian, Kathleen (2006). Poetry and 'Spirited' Ancient Sculpture. In: Kenda, Barbara ed. Aeolian Winds and the Spirit of Renaissance Architecture: Academia Eolia Revisited. Taylor and Francis, pp. 103–24.

da Sousa Correa, Delia (2006). Introduction. In: Da Sousa Correa, Delia ed. Phrase and subject: studies in literature and music. Oxford, UK: Legenda: MHRA/Maney Publishing, pp. 1–10.

Owens, W. R., ed. A New Family Instructor. By Daniel Defoe (1727). London, Pickering & Chatto (2006).

Doloughan, Fiona (2006). Narratives of travel and the travelling concept of narrative: genre blending and the art of transformation. The Travelling Concept of Narrative, 1 pp. 134–144.

Dueck, Byron (2006). 'Suddenly a sense of being a community': Aboriginal square dancing and the experience of collectivity. Musiké, 1(1) pp. 41–58.

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

Edwards, Steve (2006). Produkcija objektivnosti v fotografiji zgodnjega 19. stoletja. Borec: Revija Za Zgodivino, literaturo in antropologijo(LVIII) pp. 163–181.

Edwards, Steve (2006). Instantaneos de historia Passagens sobre o argumento pos-moderno. In: Nicolau, Ricardo ed. Fotografia Na Arte: De Ferramenta A Paradigma. Colecção de Arte Contemporânea Público Serralves (6). Porto: Fundação de Serralves, pp. 142–151.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Gaiger, Jason (2006). Catching up with history: Hegel and abstract painting. In: Deligiorgi, Katerina ed. Hegel: new directions. Chesham, UK: Acumen, pp. 159–176.

Graham, Emma-Jayne (2006). The Burial of the Urban Poor in Italy in the Late Roman Republic and Early Empire. BAR international series (1565). Oxford: Archaeopress.

Graham, Emma-Jayne (2006). Discarding the destitute: ancient and modern attitudes towards burial practice and memory preservation amongst the lower classes of Rome. In: Croxford, Ben; Goodchild, Helen; Lucas, Jason and Nick, Ray eds. TRAC 2005: Proceedings of the Fifteenth Annual Theoretical Roman Archaeology Conference. Birmingham 2005. Oxford: Oxbow, pp. 57–71.

Greenwell, Bill (2006). Impossible Objects. Blaenau Ffestiniog: Cinnamon Press.

Gupta, Suman (2006). Theory and reality of democracy: a case study in Iraq. UK: Continuum.

Hammond, Mary (2006). Reading, publishing and the formation of literary taste in England, 1880-1914. The Nineteenth Century. London, UK: Ashgate.

Hammond, Mary (2006). Amid the Dear Old Horrors: memory, London, and literary labour in 'The Private Papers of Henry Ryecroft'. In: Spiers, John ed. Gissing and the city: cultural crisis and the making of books in Late Victorian Engand. London, UK: Palgrave Macmillan, pp. 171–179.

Hardwick, Lorna (2006). Murmurs in the Cathedral: the impact of translations from Greek poetry and drama on modern work in English by Michael Longley and Seamus Heaney. Yearbook of English Studies, 36(1) pp. 204–215.

Hardwick, Lorna (2006). Post-colonial studies. In: Kallendorf, Craig ed. A Companion to the Classical Tradition. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell, pp. 312–327.

Hardwick, Lorna (2006). Remodelling receptions: Greek drama as diaspora in performance. In: Martindale, C. and Thomas, R. eds. Classics and the uses of reception. Classical Receptions. Oxford, UK: Blackwell, pp. 204–215.

Hardwick, Lorna (2006). Staging Sophocles in post-colonial contexts. In: Shiafkalis, Nicos ed. The Influence of Sophocles on Contemporary Theatre. Nicosia: International Theatre Institute, pp. 258–276.

Harrison, Charles (2006). Specialisation, self-criticism and the boundaries of practice. In: Buchmann, S; Lehnhardt, M; Linger, M and Smolik, N eds. Querdurch: Kunst + Wissenschaft. Hamburg: Hochschule fur Bildende Kunste, Hamburg, pp. 17–32.

Haslam, Sara (2006). Ford Madox Ford: the good soldier. In: Bradshaw, David and Dettmar, Kevin J. H. eds. A Companion to Modernist Literature and Culture. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell Publishing, pp. 350–357.

Haslam, Sara (2006). England and Englishness: Ford's first trilogy. In: Brown, Dennis and Plastow, Jenny eds. Ford Madox Ford and Englishness. International Ford Madox Ford Studies, 5 (5). Rodopi, pp. 47–62.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

James, Paula (2006). Ritualistic behaviour in THE WICKER MAN: a classical and carnivalesque perspective on the 'true nature of sacrifice'. In: Franks, Benjamin; Harper, Stephen; Murray, Jonathan and Stevenson, Lesley eds. The Quest for the Wicker Man: history, folklore and Pagan perspectives. Edinburgh: Luath Press, pp. 44–55.

James, Paula and O'Brien, Maeve (2006). To baldly go: a last look at Lucius and his counter-humiliation strategies. In: Keulen, W.H.; Nauta, R.R. and Panayotakis, S. eds. Lectiones Scrupulosae: Essays on the Text and Interpretation of Apuleius’ Metamorphoses in Honour of Maaike Zimmerman. Ancient Narrative Series, Ancient Na (Supplement). Groningen, Netherlands: Barkhuis Publishing, pp. 234–251.

Jones, Nicholas (2006). 'Disparagement and invidious comparisons'? Assessing critical reactions to Mathias's First Symphony. Tempo, 60(238) pp. 8–14.

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152.

King, Catherine (2006). Architecture, gender and politics: the Villa Imperiale at Pesaro. Art History, 29(5) pp. 796–826.

King, Catherine (2006). An etching and Lelio Orsi's house. The Print Quarterly, 23(2) pp. 176–182.

King, Helen (2006). The origins of medicine in the second century AD. In: Goldhill, Simon and Osborne, Robin eds. Rethinking revolutions through Ancient Greece. Cambridge: Cambridge University Press, pp. 246–263.

Lymberopoulou, Angeliki (2006). The church of the Archangel Michael at Kavalariana: art and society on fourteenth-century Venetian-dominated Crete. London, UK: Pindar Press.

Mateer, David (2006). New light on the Early History of the Theatre in Shoreditch [with texts]. English Literary Renaissance, 36(3) pp. 335–375.

Nasta, Susheila (2006). Blake Morrison and Hanif Kureishi with Susheila Nasta. Wasafiri, 22(48) pp. 19–27.

Nasta, Susheila (2006). Writing a Life: Hanif Kureishi and Blake Morrison in Conversation. Wasafiri, 21(2) pp. 40–52.

Nasta, Susheila (2006). Special Issue of Wasafiri: Life-writing. Routledge, Abingdon.

Nasta, Susheila ed. (2006). The Lonely Londoners by Sam Selvon. Penguin Modern Classics. London, U.K.: Penguin Books, v-xvii.

Neale, Derek (2006). The creative process: writing what you know. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 44–55.

Neale, Derek (2006). Writing fiction: showing and telling. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 127–140.

Neale, Derek (2006). Writing fiction: the story and the reader. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 154–166.

Neale, Derek (2006). Writing fiction: structure. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 140–154.

Neale, Derek (2006). The creative process: writing what you come to know. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 56–69.

Norman, Diana (2006). 'Sotto uno baldachino trionfale': the ritual significance of the painted canopy in Simone Martini's Maesta. Renaissance Studies, 20(2) pp. 147–160.

Pacheco, Anita (2006). 'Swearing knaves and believing fools': false swearing in John Crowne's City Politiques. Restoration, 30(2) pp. 21–37.

Prescott, Lynda (2006). Encounters with Conrad: self-experience and narrativity. Life Writing, 3(2) pp. 79–96.

Ramsden, Mel; Harrison, Charles and Baldwin, Michael (2006). Art and Language: Homes for Homes II. Zurich, Switzerland: JRP-Ringier.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2006). Journeys across Australia: Ealing film scores of the 1940s and '50s. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Robson, James (2006). Humour, obscenity and Aristophanes. Drama - studien zum antiken drama und seiner rezeption, 1. Tuebingen, Germany: Gunter Narr Verlag.

Rowland, David (2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions. Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.

Samuels, Robert (2006). Narratives of masculinity and femininity: two Schumann song cycles. In: Da Sousa Correa, Delia ed. Phrase and subject: Studies in Literature and Music. Oxford, UK: Legenda, pp. 135–145.

Nasta, Susheila, ed. Introduction. By Sam Selvon (1956). London, UK, Penguin (2006).

Smith, Richard Langham (2006). Elsewhere and erstwhile. Musical Times, 147(1896) pp. 93–101.

Smith, Richard Langham (2006). French operatic spectacle in the twentieth century. In: Smith, Richard Langham and Potter, Caroline eds. French music since Berlioz. Aldershot, UK: Ashgate, pp. 117–159.

Swift, L. A. (2006). Mixed choruses and marriage songs: a new interpretation of the third stasimon of the Hippolytos. Journal of Hellenic Studies, 126 pp. 125–40.

Towheed, Shafquat (2006). The Creative Evolution of Scientific Paradigms: Vernon Lee and the Debate over the Hereditary Transmission of Acquired Characters. Victorian Studies, 49(1) pp. 33–61.

Towheed, Shafquat (2006). Containing the Decadent Text: Decadent Readers, Reading Decadence. In: Fox, Paul ed. Decadences: Morality and Aesthetics in British Literature. Studies in English Literatures (2). Stuttgart, Germany: Ibidem Verlag, pp. 1–31.

Wainwright, Leon (2006). Canon Questions: Art in 'Black Britain'. In: Low, Gail and Wynne-Davies , Marion eds. A Black British Canon? Basingstoke: Palgrave Macmillan, pp. 143–167.

Watson, Nicola J. (2006). The Literary tourist: readers and places in Romantic and Victorian Britain. Basingstoke, UK: Palgrave Macmillan.

Woods, Kim (2006). A passion altarpiece restored. Apollo pp. 40–45.

2005

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Decroupet, Pascal and Samuels, Robert [trans.] eds. (2005). Pierre Boulez. Le marteau sans maître: facsimile of the draft score and the first fair copy of the full score. Publications from the Paul Sacher Foundation. Mainz; London: Schott.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Hooper, Glenn ed. (2005). Landscape and Empire, 1770-2000. Aldershot, UK: Ashgate.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

Tickell, Alex ed. (2005). Selections from 'Bengaliana' by Shoshee Chunder Dutt. Nottingham, UK: Trent Editions.

Tickell, Alex and Morey, Peter eds. (2005). Alternative Indias: Writing, Nation and Communalism. Cross Cultures Readings in Post/Colonial Literatures in English . Amsterdam: Rodopi.

Alzola Romero, Aaron (2005). ¿Colonizadores colonizados? Acercamientos teóricos recientes al papel fenicio en el sur de la Península Ibérica. In: Blanco, Antonio; Cancelo, Carlos and Esparza, Ángel eds. Bronce Final y Edad del Hierro en la Península Ibérica: Encuentro de Jóvenes Investigadores. Aquilafuente (86). Salamanca: Universidad de Salamanca, pp. 469–478.

Anderson, Linda (2005). Uneasy relations. In: ed. Write or Wrong?:Creative Writing in the Academy. Issues in English (3). Leicester: The English Association, pp. 21–28.

Anderson, Linda (2005). Write on the wild side: Flying. Mslexia(25) p. 45.

Anderson, Linda (2005). Write on the wild side: Being bold with poetry. Mslexia(24) p. 43.

Asbee, Sue ed. (2005). The Wooden Doctor by Margiad Evans. Honno Classics. Aberystwyth: Honno.

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Brown, Richard Danson (2005). Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War. Journal of Modern Literature, 28(3) pp. 109–129.

Brown, Richard Danson (2005). His lights are not ours: W. B. Yeats and the wartime poems of Louis MacNeice. In: Harte, Liam; Whelan, Yvonne and Crotty, Patrick eds. Ireland: space, text, time. Dublin, Ireland: Liffey Press, pp. 113–123.

Burillo Mozota, Francisco and Alzola Romero, Aarón (2005). Food, drink and the Other in the Celtiberian city-state of Segeda I (Zaragoza, Spain). Archaeological Review from Cambridge, 20(2) pp. 69–81.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (2005). The word-books for Handel's performances of 'Samson'. Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). The Word-Books for Handel's Performances of "Samson". The Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). Mr Harris’s Score’: A new look at the ‘Mathews’ manuscript of Handel’s ‘Messiah’. Music & Letters, 86(4) pp. 560–572.

Burrows, Donald (2005). An edition with preface of G. F. Handel, Samson. Novello & Co. Ltd., London, UK.

Clarke, Elizabeth and Gibson, Jonathan (2005). Introduction. In: Seal Millman, Jill and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 1–10.

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Clayton, Martin (2005). Communication in Indian Raga performance. In: Miell, Dorothy; Hargreaves, David J. and MacDonald, Raymond eds. Musical Communication. Oxford, UK: Oxford University Press, pp. 361–381.

Clayton, Martin; Sager, Rebecca and Will, Udo (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11, pp. 3–142.

da Sousa Correa, Delia (2005). The stories of Katherine Mansfield. In: Brown, Richard Danson and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Twentieth-Century Literature: Texts and Debates. Abingdon, UK: Routledge, pp. 68–116.

Dale, Leigh; Tiffin, Chris; Lane, Richard; Mills, Chester St. H.; Tickell, Alex and Wattie, Nelson (2005). New Literatures. The Year's Work in English Studies, 84(1) pp. 945–1020.

Doloughan, Fiona (2005). Reflections on the concept of 'voice' in translation. In Other Words: The Journal for Literary Translators(26) pp. 26–33.

Doloughan, Fiona (2005). "Reading Images, Telling Tales: Meaning-Making and the Culture of Narrativity". International Journal of Learning, 11 pp. 1697–1701.

Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University, and Showroom Cinema, eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

Fear, Trevor (2005). Propertian closure: the elegiac inscription of the liminal male and ideological contestation in Augustan Rome. In: Ancona, Ronnie and Greene, Ellen eds. Gendered Dynamics in Latin Love Poetry. Arethusa Books. Baltimore, US: The John Hopkins University Press, pp. 13–40.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2005). Frantz Fanon. In: Poddar, Prem and Johnson, David eds. A Historical Companion to Postcolonial Literatures in English. Edinburgh: Edinburgh University Press, pp. 152–154.

Fraser, Robert (2005). Mapping the mind: borders, migration and myth. In: Ponzanesi, Sandra and Merolla, Daniela eds. Migrant cartographies: new cultural and literary spaces in post-colonial Europe. Oxford, UK: Lexington Books, pp. 55–66.

Gibson, Jonathan (2005). Lady Mary Wroth, Pamphilia to Amphilanthus. In: Seal Millman, Jill and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 35–66.

Gibson, Jonathan (2005). Jane Seager's translations of the ten sibyls' prophecies of the birth of Christ. In: Seal Millman, JIll and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 15–19.

Gibson, Jonathan (2005). Anne Southwell's Poetry. In: Seal Millman, Jill and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 57–76.

Graham, Emma-Jayne (2005). The quick and the dead in the extra-urban landscape: the Roman cemetery at Ostia/Portus as a lived environment. In: Bruhn, James; Croxford, Ben and Grigoropoulos, Dimitris eds. TRAC 2004: Proceedings of the Fourteenth Annual Theoretical Roman Archaeology Conference, Durham 2004. Oxford: Oxbow Books, pp. 133–143.

Graham, Emma-Jayne (2005). Dining al fresco with the living and the dead in Roman Italy. In: Carroll, Maureen; Hadley, D. M. and Willmott, Hugh eds. Consuming Passions: Dining from Antiquity to the Eighteenth Century. Revealing history. Stroud: Tempus, pp. 49–65.

Gupta, Suman (2005). Sociological speculations on the professions of children’s literature. The Lion and the Unicorn, 29(3) pp. 299–323.

Hammond, Mary (2005). Going public: exploring outlets; presentation and proposal. In: Anderson, Linda ed. Creative writing: a workbook with readings. London, UK: Routledge, pp. 383–410.

Hammond, Mary (2005). The Reading experience database 1450-1945. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Owners, annotators and the signs of reading. Publishing Pathways. London, UK and New Castle Delaware, USA: British Library and Oak Knoll Press, pp. 175–187.

Hardwick, Lorna (2005). The comic in the tragic: parody and critique in modern productions of Euripides’ Hecuba. Documenta (Special issue: The Performance of the Comic - eds Kolk, M. and Decreus, F.)), 23(3) pp. 306–315.

Hardwick, Lorna (2005). Refiguring Classical Texts: Aspects of the Postcolonial Condition. In: Goff, Barbara ed. Classics and Colonialism. London, UK: Duckworth, pp. 107–117.

Hardwick, Lorna (2005). Staging Agamemnon: the languages of translation. In: Macintosh, F.; Michelakis, P.; Hall, E. and Taplin, O. eds. Agamemnon in Performance 458 BC to AD 2004. Oxford, UK: Oxford University Press, pp. 207–222.

Harrison, Charles (2005). Painting the difference: sex and spectator in modern art. Chicago. USA: University of Chicago Press.

Harrison, Charles (2005). Saving pictures. In: Alexander, Darsie ed. Slideshow: projected images in contemporary art. Pennsylvania: Pennsylvania State University Press and Baltimore Museum of Art, pp. 32–48.

Harrison, Charles (2005). Scenes and details: a Rothko sketchbook from the late 1930s. In: Phillips, Glenn and Crow, Thomas eds. Seeing Rothko. Issues & Debates (13). Los Angeles, USA: Getty Research Institute, pp. 178–231.

Haslam, Sara (2005). Anton Chekhov: The Cherry Orchard. In: Brown, Richard and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Abingdon, Oxfordshire: Routledge, pp. 19–67.

Haslam, Sara and Saunders, Max (2005). Portraits of Cities: Ford Madox Ford; Three Essays from an Unfinished Work;. In: Haslam, Sara ed. Ford Madox Ford and the City. International Ford Madox Ford Studies (4). New York/London: Rodopi, pp. 211–234.

Herbert, Trevor (2005). Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence'. In: Polk, Keith ed. Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Renaissance into the Nineteenth Century. Utrecht, Netherlands: STIMU, pp. 57–67.

Herbert, Trevor (2005). Susato's colleagues: the trombonists of the Tudor court. In: Polk, Keith ed. Tielman Susato and the music of his time: print culture, compositional technique and instrumental music in the Renaissance. Bucina: The Historic Brass Society Series (5). Hillsdale, New York: Pendragon Press, pp. 117–132.

Hooper, Glenn (2005). Travel writing and Ireland, 1760-1860: culture, history, politics. Basingstoke, UK: Palgrave.

Huskinson, Janet (2005). Disappearing children?: Children on Roman funerary monuments of the second to Fourth Century AD. In: Mustakallio, Katariina; Hanska, Jussi; Sainio, Hanna-Leena and Vuolanto, Ville eds. Hoping for continuity: Childhood, education and death in Antiquity and the Middle Ages. Acta Instituti Romani Finlandiae (33). Rome, Italy: Institutum Romanum Finlandiae, pp. 91–104.

Huskinson, Janet (2005). Rivers of Roman Antioch. In: Stafford, Emma and Herrin, Judith eds. Personifications in the Greek World: From Antiquity to Byzantium. Publications for the Centre for Hellenic Studies, King’s College London (7). Surrey, UK: Ashgate Press, pp. 247–264.

James, Paula (2005). Real and metaphorical mimicking birds in the Metamorphoses of Apuleius. In: Harrison, Stephen; Paschalis, Michael and Frangoulidis, Stavros eds. Metaphor in the Ancient Novel. Ancient narrative (Suppementu). Netherlands: Barkhuis Publishing, pp. 210–224.

Johnson, David (2005). African land for the American empire: the proto-imperialism of Benjamin Stout. In: Hooper, Glenn ed. Landscape and empire, 1770-2000. Aldershot, UK: Ashgate, pp. 45–64.

Jones, Nicholas J. (2005). Playing the 'Great Game'?: Peter Maxwell Davies, Sonata Form, and the Naxos Quartet No. 1. The Musical Times, 146(1892 (Autu) pp. 71–81.

Katritzky, M. A. (2005). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15 pp. 113–140.

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

King, Helen (2005). Women's health and recovery in the Hippocratic corpus. In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 150–161.

King, Helen ed. (2005). Health in Antiquity. Abingdon: Routledge.

King, Helen (2005). Introduction: what is health? In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 1–11.

King, Helen (2005). The mathematics of sex: one to two, or two to one? In: Soergel, Philip M. and Barnes, Andrew eds. Sexuality and culture in medieval and renaissance Europe. Studies in Medieval and Renaissance History, 2 (3). New York, NY U.S.: AMS Press, pp. 47–58.

Leante, Laura (2005). Transcultural reception and meaning in world music: the case of British-Asian musics. In: Astrauskas, Rimantas ed. Traditional music and research in the Baltic area: New approaches in ethnomusicology. Vilnius, Lithuania: Lithuanian Academy of Music and Theatre, pp. 122–130.

Moohan, Elaine (2005). The Sacred Music Institution in Glasgow, 1796-1805. In: Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; Mackay, Margaret A.; Moohan, Elaine and Hair, Graham eds. Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical Studies of Scottish Music. Glasgow: Musica Scotica Trust, pp. 231–250.

Nasta, Susheila (2005). 'Voyaging in': colonialism and migration. In: Marcus, Laura and Nicholls, Peter eds. The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge, UK: Cambridge University Press, pp. 563–582.

Neale, Derek (2005). Life writing: using memory. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 316–330.

Neale, Derek (2005). Life writing: versions of a life. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 330–343.

Neale, Derek (2005). Life writing: life characters. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 343–358.

Norman, Diana (2005). Sano di Pietro's Assunta polyptych for the Convent of Santa Petronilla in Siena. Renaissance Studies, 19(4) pp. 433–457.

Owens, W. R. (2005). Readings. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon, U.K.: Routledge, pp. 411–647.

Parsonage, Catherine (2005). The Evolution of Jazz in Britain, 1880-1935. Ashgate Popular and Folk Music Series. Aldershot: Ashgate.

Perkins, Phil (2005). Who lived in the Etruscan Albegna Valley? In: Attema, Peter; Nijboer, Albert and Zifferero, Andrea eds. Papers in Italian Archaeology VI: Communities and settlements from the Neolithic to the Early Medieval Period. British Archaeological Reports Series (1452 (1)). Oxford: Archaeopress, pp. 109–117.

Perry, Gill (2005). Playing with Paint: 'Pink Onions'. In: Bjerkhof, Sven ed. Matisse masterpieces at the Statens Museum for Kunst. Copenhagen, Denmark: Statens Museum for Kunst, pp. 88–106.

Philip, Robert (2005). Freedom and restraint in recordings of Mozart. In: Link, Dorothea and Nagley, Judith eds. Words about Mozart: essays in honour of Stanley Sadie. Woodbridge, UK: Boydell Press, pp. 121–138.

Prescott, Lynda (2005). Evelyn Waugh, Morris, and the ideal of craftsmanship. Journal of William Morris Studies, XVI(2-3) pp. 80–91.

Prescott, Lynda (2005). Pat Barker's vanishing boundaries. In: Bentley, Nick ed. British Fiction of the 1990s. London, UK: Routledge, pp. 167–178.

Richardson, Carol M. (2005). Durante Alberti, the Martyrs’ Picture and the Venerable English College, Rome. Papers of the British School at Rome, 73 pp. 223–263.

Robson, James (2005). New clothes, a new you: clothing and character in Aristophanes. In: Cleland, Liza; Harlow, Mary and Llewellyn-Jones, Lloyd eds. The Clothed Body in the Ancient World. Oxford, UK: Oxbow Books, pp. 65–74.

Robson, James (2005). Aristophanes on how to write tragedy: what you wear is what you are. In: McHardy, Fiona; Robson, James and Harvey, David eds. Lost dramas of classical Athens: Greek tragic fragments. Exeter, UK: Exeter University Press, pp. 171–186.

Rothe, Ursula (2005). Die Anfänge der Romanisierungsforschung. In: Schoerner, Günther ed. Romanisierung - Romanisation. Theoretische Modelle und praktische Fallbeispiele. British Archaeological Reports (BAR) (S1427). Oxford: Archaeopress, pp. 1–13.

Rothe, Ursula (2005). Kleidung und Romanisierung: der Raum Rhein-Mosel. In: Schörner, Günther ed. Romanisierung - Romanisation. Theoretische Modelle und praktische Fallbeispiele. British Archaeological Reports (B.A.R.) (S1427 ). Oxford: Archaeopress, pp. 169–178.

Rowland, David (2005). Performance practices in the nineteenth-century concerto. In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.

Rowland, David (2005). The Performance of Chopin's works for piano and orchestra. In: Szklener, Artur ed. Chopin in performance: History, theory, practice. Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.

Tickell, Alex (2005). Writing the nation's destiny: Indian fiction in English before 1910. Third World Quarterly, 26(3) pp. 525–541.

Tickell , Alex (2005). The Discovery of Aryavarta: Hindu nationalism and Early Indian Fiction in English. In: Tickell , Alex and Morey , Peter eds. Alternative Indias: Writing, Nation and Communalism. Cross Cultures Readings in Post/Colonial Literatures in English (82). Amsterdam: Rodopi , pp. 25–52.

Towheed, Shafquat (2005). Determining 'Fluctuating Opinions': Vernon Lee, Popular Fiction, and Theories of Reading. Nineteenth-Century Literature, 60(2) pp. 199–236.

Towheed, Shafquat (2005). Rudyard Kipling's Literary Property, International Copyright Law and The Naulahka. English Literature in Transition, 1880-1920, 48(4) pp. 420–435.

Towheed, Shafquat (2005). “An appreciative and grateful author”: Edith Wharton and the House of Macmillan. Publishing History, 58 pp. 43–77.

Wainwright, Leon (2005). Introduction. In: Bailey, David A.; Baucom, Ian and Boyce, Sonia eds. Shades of Black: Assembling Black Arts in 1980s Britain. Duke University Press , pp. 307–308.

Walder, Dennis (2005). A grand boyhood. EnterText: an interdisciplinary humanities e-journal, 4(2) pp. 163–176.

Walder, Dennis (2005). Remembering Rousseau: nostalgia and the responsibilities of the self. Third World Quarterly, 26(3) pp. 423–430.

Weber, William and Burrows, Donald (2005). Henry Purcell and The Universal Journal: the building of musical canon in the 1720s. In: Jackson, Jeffrey H and Pelkey, Stanley C eds. Music and History: Bridging the Disciplines. Jackson: University Press of Mississippi, pp. 181–199.

Woods, Kim (2005). Centres of excellence. In: Van de Velde, Carl; Beeckman, Hans; Van Acker, Joris and Verhaege, Frans eds. Constructing wooden images: organization of labour and working process of late Gothic carved altarpieces in the Low Countries. Brussels: Brussels University Press, pp. 51–74.

Woods, Kim W. (2005). Themes iconographiques et sources. In: D'Hainaut-Zveny, Brigitte and Schmitt, Jean-Claude eds. Miroirs du Sacre: les retables sculptes a Bruxelles XVe - XVIe Siecles. Brussels: CFC-Editions, pp. 77–93.

Yamagata, Naoko (2005). Plato, memory, and performance. Oral Tradition, 20(1) pp. 111–129.

Yamagata, Naoko (2005). Clothing and identity in Homer: the case of Penelope's web. Mnemosyne, 58(4) pp. 539–546.

Yamagata, Naoko (2005). Disaster revisited - Ate and the Litai in Homer's Iliad. In: Stafford, Emma and Herrin, Judith eds. Personification in the Greek world: from Antiquity to Byzantium. Aldershot, UK: Ashgate, pp. 21–28.

2004

Burke, Victoria E. and Gibson, Jonathan eds. (2004). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Asbee, Sue (2004). Margiad Evans's The Wooden Doctor: Illness and Sexuality. In: Brown, Tony ed. Welsh Writing in English, Volume 9. University of Wales Press, pp. 33–49.

Barker, Elton (2004). Achilles' last stand: Institutionalising dissent in Homer's Iliad. Proceedings of the Cambridge Philological Society pp. 92–120.

Barker, Elton (2004). The fall-out from dissent: hero and audience in Sophocles' Ajax. Greece & Rome, 51(1) pp. 1–20.

Barker, Elton (2004). Between a rock and a safe place: the chorus becoming citizens in Sophocles’ Ajax. In: Actas del Congreso Internacional con motivo del XXV Centenario del nacimiento de Sófocles , 2003, Málaga.

Boulez, Pierre and Samuels, Robert [trans.] (2004). The musician writes: for the eyes of the deaf? In: Ashby, Arved ed. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Eastman Studies in Music. Rochester, NY: University of Rochester Press, pp. 197–222.

Budelmann, Felix (2004). Greek tragedies in West African adaptations. Proceedings of the Cambridge Philological Society, 50 pp. 1–28.

Burke, Victoria E. and Gibson, Jonathan (2004). Introduction. In: Burke, Victoria E. and Gibson, Jonathan eds. Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, pp. 1–7.

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Mateer, David, ed. Songs of sundrie natures. By William Byrd (1589). London, UK, Stainer & Bell (2004).

Christian, Kathleen Wren (2004). Raphael's 'Philemon' and the collecting of antiquities in Rome. The Burlington Magazine, 146(1220) pp. 760–763.

Doloughan, Fiona J. (2004). The myth of the great return: memory, longing and forgetting in Milan Kundera's Ignorance. In: Hanne, Michael ed. Creativity in Exile. Rodopi Perspectives on Modern Literature (29). Amsterdam and New York, NY, U.S.: Rodopi, pp. 141–150.

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

Emlyn-Jones, Chris (2004). The dramatic poet and his audience: Agathon and Socrates in Plato's "Symposium". Hermes: Zeitschrift für klassische philologie, 132(4) pp. 389–405.

Feldherr, Andrew and James, Paula (2004). Making the most of Marsyas. Arethusa, 37(1) pp. 75–104.

Fentress, Elizabeth; Fontana, Sergio; Hitchner, R. Bruce and Perkins, Philip (2004). Accounting for ARS: fineware and sites in Sicily and Africa. In: Alcock, Susan E. and Cherry, John F. eds. Side-by-side survey: comparative regional studies in the Mediterranean world. Oxford, UK: Oxbow Books, pp. 147–162.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-Sep) pp. 116–120.

Fraser, Robert (2004). George Granville Barker (1913-1991). In: Harrison, Brian ed. The Oxford Dictionary of National Biography, Volume 3. Oxford: Oxford University Press, pp. 373–374.

Fraser, Robert (2004). Marina Warner with Robert Fraser. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. London and New York: Routledge, pp. 365–376.

Fraser, Robert (2004). Nineteenth-century adventure and fantasy: James Morier, George Meredith, Lewis Carroll and Robert Louis Stevenson. In: Saunders, Corrine ed. A Companion to Romance: from Classical to Contemporary. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell, pp. 389–406.

Gaiger, Jason (2004). Expressionism and the crisis of subjectivity. In: Edwards, Stephen and Wood, Paul eds. Art and the Avant-Gardes. London: Yale University Press, pp. 13–61.

Gaiger, Jason (2004). Approaches to Cubism. In: Edwards, Steve and Wood, Paul eds. Art of the Avant-Gardes. London: Yale University Press, pp. 135–155.

Gaiger, Jason (2004). Post conceptual painting: Gerhard Richter's Extended Leave-taking in themes in contemporary art. In: Perry, Gillian and Wood, Paul eds. Themes in Contemporary Art. London: Yale University Press, pp. 89–135.

Gibson, Jonathan (2004). The legal context of Spenser's Daphnaïda. The Review of English Studies, 55(218) pp. 24–44.

Gibson, Jonathan (2004). Katherine Parr, Princess Elizabeth and the crucified Christ. In: Burke, Victoria E. and Gibson, Jonathan eds. Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, pp. 33–50.

Hammond, Mary (2004). Hall Caine and the Melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31(1) pp. 39–57.

Hammond, Mary (2004). Monsters and metaphors: 'Buffy the Vampire Slayer' and the Old World. In: Gwenllian-Jones, Sarah and Pearson, Roberta E. eds. Cult Television. Minneapolis, Minneapolis, USA: Minnesota University Press.

Hardwick, Lorna (2004). Sophocles’ Oedipus and conflicts of identity in post-colonial contexts. Documenta, 22(4) pp. 376–386.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Hardwick, Lorna (2004). Shards and suckers: modern receptions of homer. In: Fowler, Robert ed. The Cambridge companion to homer. The Cambridge Companion. Cambridge: Cambridge University Press, pp. 344–362.

Hardwick, Lorna (2004). Greek drama and anti-colonialism: de-colonising classics. In: Hall, E.; Macintosh, F. and Wrigley, A. eds. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford, UK: Oxford University Press, pp. 219–242.

Harrison, Charles (2004). Gute Grunde: die Arbeit von Gerry Schum/Grounds for optimism: the work of Gerry Schum. In: Groos, Ulricke; Hess, Barbara and Wevers, Ursula eds. Fernsehgalerie Ready Gerry Schum to videogalerie Shoot schum. Dusseldorf and Cologne: Snoeck, pp. 48–57.

Herbert, Trevor (2004). Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art, XXIX(1-2) pp. 213–226.

James, Paula (2004). What lies beneath: fluid subtexts in Ovid's Metamorphoses. In: Zimmerman, Maaike and Van der Paardt, Rudi eds. Metamorphic Reflections: essays presented to Ben Hijmans on his 75th birthday. Leuwen: Peeters, pp. 1–19.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53.

King, Helen (2004). Chamberlen, Peter (1601–1683). Oxford University Press, Oxford, UK.

King, Helen (2004). The Disease of Virgins: Green Sickness, Chlorosis and the Problems of Puberty. London: Routledge.

King, Helen (2004). Chamberlen, Hugh, the elder (b. 1630x34, d. after 1720). Oxford University Press, Oxford, UK.

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Helen (2004). Hodges, Nathaniel (1629–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 27. Oxford, UK: Oxford University Press, p. 456.

King, Helen (2004). Cellier, Elizabeth (fl. 1668–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 10. Oxford, UK: Oxford University Press, pp. 807–808.

Leante, Laura (2004). Shaping diasporic sounds: identity as meaning in Bhangra. The World of Music, 46(1) pp. 109–132.

McKellar, Elizabeth (2004). Popularism versus professionalism: John Summerson and the 20th-century creation of the 'Georgian'. In: Arciszewska, Barbara and McKellar, Elizabeth eds. Articulating British classicism: new approaches in Eighteenth-Century architecture. Reinterpreting Classicism: Culture, Reaction and Appropriation. Aldershot, UK: Ashgate, pp. 35–56.

Nasta, Susheila (2004). Abdulrazak Gurnah's 'paradise'. In: Johnson, David ed. The popular and the canonical: debating twentieth-century literature 1940-2000. Twentieth-century literature: texts and debates. Abingdon, UK: Routledge, pp. 294–343.

Nasta, Susheila (2004). Editorial: Making tracks: Wasafiri 1984-2004. Wasafiri(42)

Nasta, Susheila (2004). Sam Selvon with Susheila Nasta. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. Abingdon: Routledge, pp. 1–12.

Nasta, Susheila (2004). Moyez Vassanji with Susheila Nasta. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. Abingdon: Routledge, pp. 69–80.

Nasta, Susheila (2004). Interview with Abdulrazak Gurnah. In: Nasta, Susheila ed. Writing Across Worlds. London: Routledge, pp. 352–363.

Owens, W.R. (2004). Beaumont, Agnes (bap. 1652, d. 1720). In: Matthew, H C G and Harrison, Brian eds. Oxford Dictionary of National Biography, Volume 4. Oxford: Oxford University Press, pp. 648–649.

Pacheco, Anita (2004). Reading Toryism in Aphra Behn's cit-cuckolding comedies. Review of English Studies, 55(222) pp. 690–708.

Parsonage, Catherine (2004). The popularity of jazz–an unpopular problem: the significance of 'Swing when you're winning'. The Source: Challenging Jazz Criticism, 1 pp. 60–80.

Perry, Gill (2004). Dream houses: installations and the Home. In: Perry, Gill and Wood, Paul eds. Themes in contemporary art. New Haven: Yale University Press, pp. 231–276.

Perry, Gillian (2004). Gender and the Fauves: Flirting with 'wild beasts'. In: Edwards, Steve and Paul, Wood eds. Art and the Avant-Gardes. Yale University Press, pp. 62–83.

Perry, Gillian (2004). The expanding field: Anna Madieta's Silueta series. In: Gaiger, Jason ed. Frameworks for Modern Art. Yale University Press, pp. 152–205.

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Emlyn-Jones, Chris and Hamilton, Walter (trans.), eds. Gorgias. By Plato (1960). London, Penguin Books (2004).

Prescott, Lynda (2004). Autobiography as evasion: Joseph Conrad's 'A Personal Record'. Journal of Modern Literature, 28(1) pp. 177–188.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Robson, James (2004). 'Night was departing ...': using translations in post-beginners' language teaching. In: Fitzpatrick, David ed. Different lights, different hands: working with translations in classics and ancient history at university. Milton Keynes, UK: The Open University, pp. 85–100.

Rowland, David (2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002. Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.

Smith, Richard Langham (2004). Quelques aspects du langage musical d'Alfred Bruneau. In: Branger, Jean-Christophe and Ramaut, Alban eds. Le naturalisme sur la scène lyrique. Saint-Etienne, France: Publications de l'université de Saint-Etienne, pp. 80–93.

Tickell, Alex (2004). Negotiating the landscape: travel, transaction and the mapping of colonial India. Yearbook of English Studies, 34 pp. 18–30.

Tickell, Alex (2004). Negotiating the Landscape: Travel, Transaction, and the Mapping of Colonial India. Yearbook of English Studies 34 - Nineteenth-Century Travel Writing pp. 18–30.

Walder, Dennis (2004). 'On the threshold of the future?': Interview with Athol Fugard. In: Banham, Martin; Gibbs, James; Osofisan, Femi and Kerr, David eds. African Theatre: Southern Africa. Oxford: James Currey, pp. 68–78.

2003

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Sandwell, Isabella and Huskinson, Janet eds. (2003). Culture and Society in late Roman Antioch. Oxford, UK: Oxbow.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

Alzola Romero, Aaron (2003). /Whois? Identity: collectivity and the self in IRC. PsychNology Journal, 1(2) pp. 87–130.

Barker, Naomi Joy (2003). Viewing the stile espressivo: Doni, Poussin and the ancient genera. In: Dobszay, László ed. The past in the present, Volume 1. Budapest: Liszt Ferenc Academy of Music.

Benton, Tim (2003). Art Deco architecture. Victoria and Albert Museum, London, UK.

Benton, Tim (2003). Italian architecture and design. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 218–229.

Benton, Tim and Benton, Charlotte (2003). Avant garde sources. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 244–259.

Benton, Tim and Benton, Charlotte (2003). Decline and revival. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 426–429.

Benton, Tim and Benton, Charlotte (2003). The Style and the Age. In: Benton, Tim; Benton, Charlotte and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 12–27.

Betts, Eleanor (2003). The sacred landscape of Picenum (900-100 BC): towards a phenomenology of cult places. In: Wilkins, John B. and Herring, Edward eds. Inhabiting Symbols: symbol and image in the ancient Mediterranean. Accordia Specialist Studies on the Mediterranean (5). London: Accordia Research Institute, University of London, pp. 101–120.

Christian, Kathleen Wren (2003). The Della Valle Sculpture Court Rediscovered. The Burlington Magazine, 145(1209) pp. 847–850.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

Smith, Richard, ed. Rodrigue et Chimène. By Claude Debussy (1783). Paris, France, Éditions Durand (2003). Translated from French [français]

Owens, W. R., ed. The true-born Englishman and other poems. By Daniel Defoe . London, Pickering & Chatto (2003).

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

Haslam, Sara, ed. England and the English. By Madox Ford Ford (1905). Manchester, UK, Carcanet Press (2003).

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2003). The Lamp of Truth: Proust and George Eliot. In: Bloom, Harold ed. Marcel Proust. Modern Critical Views. Philadelphia, USA: Chelsea House Publishers, pp. 37–62.

Fraser, Robert (2003). New York. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume ii. New York and London: Fitzroy Dearbourn/Routledge, pp. 846–848.

Fraser, Robert (2003). Mungo Park. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume ii. New York and London: Fitzroy Dearbourn/Routledge, pp. 924–926.

Fraser, Robert (2003). Sahel. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1044–1046.

Fraser, Robert (2003). Timbuctoo. In: Speake, Jennifer ed. LIterature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1181–1183.

Gibson, Jonathan (2003). Civil War in 1614: Lucan, Gorges and Prince Henry. In: Clucas, Stephen and Davies, Rosalind eds. The Crisis of 1614 and The Addled Parliament: Literary and Historical Perspectives. Aldershot: Ashgate, pp. 161–176.

Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2003). In search of genius: T.S. Eliot as publisher. Journal of Modern Literature, 27(1-2) pp. 26–35.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

Haslam, Sara (2003). Ford's training. In: Hampson, Robert and Saunders, Max eds. Ford Madox Ford's Modernity. International Ford Madox Ford Studies, 2. Amsterdam/New York, USA: Rodopi, pp. 35–46.

Hope, Valerie M. (2003). Trophies and tombstones: commemorating the Roman soldier. World Archaeology, 35(1) pp. 79–97.

Hope, Valerie M. (2003). Remembering Rome: memory, funerary monuments and the Roman soldier. In: Williams, Howard ed. Archaeologies of remembrance: death and memory in past societies. New York, USA: Kluwer Academic/Plenum Publishers, pp. 113–140.

Huskinson, Janet (2003). Theatre, performance and theatricality in some mosaic pavements from Antioch. Bulletin of the Institute of Classical Studies, 46 pp. 131–165.

Huskinson, Janet (2003). Surveying the scene: Antioch mosaic pavements as a source of historical evidence. In: Sandwell, Isabella and Huskinson, Janet eds. Culture and Society in Late Roman Antioch. Oxford, UK: Oxbow Publications, pp. 134–152.

James, Paula (2003). She's All That: Ovid's ivory statue and the legacy of Pygmalion on film. Classical Bulletin, 79(1) pp. 63–91.

Johnson, David (2003). Theorizing the Loss of Land: Griqua Land Claims in Southern Africa, 1874-1998. In: Eng, David L. and Kazanjian, David eds. Loss: the politics of mourning. Berkeley, US: University of California Press, pp. 278–299.

Johnson, David (2003). Land, identity and social conflict: the World Bank and South Africa's post-apartheid land reform. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. India in the age of globalization : contemporary discourses and texts. New Delhi, India: Nehru Memorial Museum and Library, pp. 275–298.

Jones, Nicholas (2003). Luminous, but with shadows: the music of Anthony Powers. The Musical Times, 144(1884 (Autu) pp. 26–35.

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Lymberopoulou, Angeliki (2003). The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters, and Society on Crete. Jahrbuch der Österreichischen Byzantinistik, 53 pp. 239–257.

Lymberopoulou, Angeliki (2003). A Winged Saint John the Baptist icon in the British Museum. Apollo, CLVIII(500) pp. 19–24.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Owens, W.R. ed. (2003). John Bunyan,'The Pilgrim's Progress'. Oxford World's Classics. Oxford, UK: Oxford University Press.

Parsonage, Catherine (2003). Approaching jazz-influenced wind music. Journal of the World Association for Symphonic Bands and Wind Ensembles, 10 pp. 79–94.

Parsonage, Catherine (2003). A critical reassessment of the reception of early jazz in Britain. Popular Music, 22(3) pp. 315–336.

Perry, Gill (2003). Ambiguity and desire in late eighteenth century portraits of the actress. In: Asleson, Robyn ed. Notorious muse: the actress in British art and culture 1776-1812. Studies in British Art. London, UK: Yale University Press, pp. 57–80.

Philip, Robert (2003). Historical recordings of orchestras. In: Lawson, Colin ed. The Cambridge companion to the orchestra. Cambridge companions to music. Cambridge, UK: Cambridge University Press, pp. 203–217.

Philip, Robert (2003). Brahms's musical world: balancing the evidence. In: Musgrave, Michael and Sherman, Bernard D. eds. Performing Brahms: early evidence of performance style. Musical performance and reception. Cambridge, UK: Cambridge University Press, pp. 349–372.

Prescott, Lynda (2003). The Indian Connection in J.G.Farrell's 'Troubles'. Irish Studies Review, 11(2) pp. 165–173.

Prescott, Lynda (2003). Joseph Conrad. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. Westport, Connecticut and London: Greenwood Press, pp. 51–58.

Prescott, Lynda (2003). Anthropology. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA and UK: Greenwood Press, pp. 11–13.

Prescott, Lynda (2003). Colonialism and Postcolonialism. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA & UK: Greenwood Press, pp. 49–51.

Prescott, Lynda (2003). The Masses. In: Poplawski, Paul ed. Encyclopedia of Literary Modernism. USA and UK: Gfreenwood Press, pp. 261–262.

Richardson, Carol M. (2003). The Housing opportunities of a Renaissance cardinal. Renaissance Studies, 17(4) pp. 607–627.

Tickell, Alex (2003). The God of Small Things: Arundhati Roy's Postcolonial Cosmopolitanism. Journal of Commonwealth Literature, 38(1) pp. 73–89.

Tickell, Alex (2003). Terrorism and the Informative Romance: Two Early South-Asian Novels in English. Kunapipi, 25(1) pp. 73–82.

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2003). Literature, memory and nation. In: ed. War, Culture and Memory. Milton Keynes, UK: The Open University, pp. 69–102.

Walder, Dennis (2003). ‘How is it going, Mr Naipaul?’ Identity, Memory and the Ethics of Post-Colonial Literatures. Journal of Commonwealth Literature, 38(3) pp. 5–18.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Ward Jones, Peter and Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

West, Susie (2003). An overlooked inventory for Blickling Hall, Norfolk. Library History, 19(2) pp. 143–145.

Woods, Kim W. (2003). Questions d'attribution stylistique: retables inedits en Angleterre. In: Guillot de Suduiraut, Sophie ed. Retables brabançons des XVe et XVIe siècles. Paris, France: Musee du Louvre, pp. 345–376.

Yamagata, Naoko (2003). Locating power: spatial signs of social ranking in Homer and the Tale of the Heike. Scholia, 12 pp. 34–44.

Yamagata, Naoko (2003). Hesiod: the cosmology of a farmer-poet. In: Kawashima, S and Takada, Y eds. Ennepe Mousa: an invitation to the Ancient Greek Literature. Tokyo: Sanriku Publishing, pp. 63–78.

2002

Gaiger, Jason ed. (2002). Sculpture: Some observations on Shape and Form from Pygmalion's Creative Dream by Johann Gottfried Herder. Chicago, Illinois, USA: University of Chicago Press.

Hooper, Glenn and Graham, Colin eds. (2002). Irish and postcolonial writing: history, theory, practice. Basingstoke, UK: Palgrave.

Wood, Paul and Harrison, Charles eds. (2002). Art in Theory 1900-2000. Oxford: Blackwell.

Brown, Richard Danson (2002). 'Your thoughts make shape like snow': Louis MacNeice on Stephen Spender. Twentieth-Century Literature, 48(3) pp. 292–323.

Burrows, Donald (2002). An edition with preface of G. F. Handel, Imeneo, HWV 41. Bärenreiter, Kassel, Germany.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Christian, Kathleen (2002). From ancestral cults to art: the Santacroce Collection of antiquities. Annali della Scuola normale superiore di Pisa. Classe di lettere e filosofia, 14 pp. 255–272.

Christian, Kathleen Wren (2002). The de' Rossi Collection of Ancient Sculptures, Leo X, and Raphael'. Journal of the Warburg and Courtauld Institutes, 65 pp. 132–200.

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41.

Dobson, Michael and Watson, Nicola (2002). Shakespeare en Elizabeth: Een liefdesgeschiedenis. Feit und Fictie, 5(3) pp. 62–81.

Dobson, Michael and Watson, Nicola J. (2002). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Doloughan, Fiona J. (2002). Translating the self: Ariel Dorfman's bilingual journey. Language and Intercultural Communication, 2(2) pp. 147–152.

Doloughan, Fiona J. (2002). The language of reflective practice in art and design. Design Issues, 18(2) pp. 57–64.

Edwards, S. (2002). The Dialectics of Skill in Talbot's Dream World. History of Photography, 26(2) pp. 113–118.

Edwards, Steve (2002). Snapshooters of history: passages on the postmodern argument. In: Wells, Liz ed. The Photography Reader. Routledge, pp. 180–195.

Fraser, Robert (2002). The Chameleon Poet: A Life of George Barker. Paperback edition [revised]. London, UK: Pimlico.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Fraser, Robert (2002). "Is there a Gibbon in the house?": Migration, Postcoloniality and the Fall and Rise of Europe. Moving Worlds: A Journal of Transcultural Studies, 2(2) pp. 102–114.

Fraser, Robert (2002). Hume, Sir James Frazer, Irony and Belief. The Edinburgh Review, 110(1) pp. 48–55.

Fraser, Robert (2002). Charles Kingsley (1819-1875). In: Clark, Robert and Todd, Janet eds. The Literay Encycopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Sir James Frazer (1854-1941). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London, UK: The LIterary Dictionary.

Fraser, Robert (2002). George Barker (1913-1991). In: Clark, Robert and Todd, Janet eds. The Literay Encyclopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Ben Okri (1959-). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London: The Literary Dictionary.

Furbank, P. N. and Owens, W. R. (2002). Defoe's £17,000 bankruptcy. Notes and Queries, 247(3) pp. 363–364.

Gaiger, Jason (2002). The Analysis of pictorial style. British Journal of Aesthetics, 42(1) pp. 20–36.

Gaiger, Jason (2002). The Aesthetics of Kant and Hegel. In: Smith, Paul and Wilde, Carolyn eds. A Companion to Art Theory. Blackwell Companions in Cultural Studies (5). Oxford, UK: Blackwell, pp. 127–138.

Gupta, Suman (2002). The replication of violence: thoughts on international terrorism after September 11th 2001. London, UK: Pluto Press.

Hammond, Mary (2002). Thackeray's Waterloo: History and War in Vanity Fair. Literature and History, 11(2) pp. 19–38.

Hammond, Mary (2002). 'The Great Fiction Bore': free Libraries and the construction of a reading public in England, 1880-1914. Libraries and Culture: a journal of library history, 37(2) pp. 83–108.

Hardwick, Lorna (2002). Electra and the Theatre of Affliction: towards a textual turn? Didaskalia, 5(3)

Hardwick, Lorna (2002). Classical texts in post-colonial literatures: consolation, redress and new beginnings in the work of Derek Walcott and Seamus Heaney. International Journal of the Classical Tradition, 9(2) pp. 236–256.

Harrison, Charles (2002). Sentir la terre bouger (Feeling the earth move). In: Nancy, J.-L. ed. Sans commune mesure: image et texte dans l'art actuel. Paris: Editions Leo Scheer, pp. 114–127.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara (2002). Written in blood: Family, sex and violence in Wuthering Heights and Jane Eyre. The English Review, 13(1) pp. 8–11.

Haslam, Sara (2002). 'These fragments I have shored against my ruins': Memory and Modernism. In: Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford, 25-27 June 1999, Munster, Westphalia, Germany.

Haslam, Sara (2002). An 'Historian's Methods'?: Between St Dennis and St George and the Language of Propaganda. In: Fortunati, Vita and Lamberti, Elena eds. Ford Madox Ford and "The Republic of Letters". Bologna, Italy: CLUEB, pp. 41–50.

Huskinson, Janet (2002). Representing Women on Roman sarcophagi. In: McClanan, Anne l. and Encarnacion, Karen Rosoff eds. The material culture of sex, procreation and marriage in pre-modern Europe. New York, USA: Palgrave/St Martin's Press, pp. 11–31.

James, Paula (2002). Keeping Apuleius in the Picture: a dialogue between Apuleius' Metamorphoses and the Luis Bunuel's Discreet Charm of the Bourgeoisie. In: Zimmerman de Graaf, M and Van Der Paard t, R eds. Ancient Narrative, Volume 1. Groningen: Roelf Barkhuis, pp. 185–207.

Johnson, David (2002). Talking about Revolution: Lady Anne Barnard in France, Ireland and the Cape Colony. In: Hooper, Glenn and Graham, Colin eds. Irish and Postcolonial Writing: History, Theory, Practice. Basingstoke, UK: Macmillan/Palgrave, pp. 157–177.

Jones, Nicholas (2002). Dominant logic: Peter Maxwell Davies’s basic unifying hypothesis. The Musical Times, 143(1878 (Spri) pp. 37–45.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

King, Helen (2002). De dokter aan het sterfbed. Raster, 99 pp. 90–106.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

King, Helen (2002). The power of paternity: the Father of Medicine meets the Prince of Physicians. In: Cantor, David ed. Reinventing Hippocrates. The History of Medicine in Context. Aldershot: Ashgate, pp. 21–36.

King, Helen (2002). The limits of normality in Hippocratic gynaecology. In: Thivel, Antoine and Zucker, Arnaud eds. Le normal et le pathologique dans la Collection hippocratique. Nice: Publications de le Faculté des Lettres, Arts et Sciences Humaines de Nice, pp. 563–574.

Nasta, Susheila (2002). Home truths: fictions of the South Asian diaspora in Britain. Basingstoke, UK: Palgrave.

Nasta, Susheila (2002). Romesh Gunesekera. British Council Arts Group.

Nasta, Susheila (2002). V.S.Naipaul. British Council Arts Group.

Nasta, Susheila (2002). Earl Lovelace. British Council Arts Group.

Nasta, Susheila (2002). Special Issue of Wasafiri: Writing in Britain: Shifting geographies. Routledge, Abingdon.

Owens, W. R. (2002). Reading the bibliographical codes: Bunyan's publication in folio. In: Keeble, N. H. ed. John Bunyan: reading dissenting writing. Religions and discourse (12). Bern, Switzerland: Peter Lang, pp. 59–77.

Owens, W.R. and Furbank, P. N. (2002). Stylometry and the Defoe canon: a reply to Irving Rothman. Papers of the Bibliographical Society of America, 96(3) pp. 463–465.

Pacheco, Anita ed. (2002). A companion to early modern women's writing. Blackwells Companions to Literature and Culture. Oxford, UK: Blackwell.

Pacheco, Anita (2002). Aphra Behn, The Rover, Part One. In: Pacheco, Anita ed. A companion to early modern women's writing. Blackwell companions to literature and culture. Oxford, UK: Blackwell, pp. 203–215.

Prescott, Lynda (2002). 'Coming to London' in the 1950s. Wasafiri(35) pp. 19–23.

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Robson, James (2002). Commentaries and post-beginners' language teaching. In: Fitzpatrick, David; Hardwick, Lorna; Ireland, Stanley and Montserrat, Dominic eds. Old wine, new bottles: texts for classics in a changed learning environment at university. Milton Keynes, UK: The Open University, pp. 51–60.

Rowland, David (2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.

Watson, Nicola, ed. The Antiquary. By Walter Scott (1816). Oxford, UK, Oxford University Press (2002).

Smith, Richard Langham (2002). Francis Poulenc outre-manche : séjours, concerts, réception. In: Ramaut, Albert ed. Francis Poulenc et la voix: Texte et contexte: actes du colloque tenu les 19, 20 et 21 Avril 2001 au Musée d'art moderne de Saint-Étienne (France). Musicologie. Saint-Étienne/Lyon, France: Publications de l'Université de Saint-Étienne/Symétrie, pp. 11–21.

Wainwright, Leon (2002). Art Forms. In: Donnell , Alison ed. Companion to Contemporary Black British Culture. Routledge, pp. 20–22.

Walder, Dennis (2002). 'The fitful muse': Fugard's plays of memory. The European Legacy, 7(6) pp. 697–708.

West, Susie (2002). Studies and status: spaces for books in seventeenth-century Penshurst Place, Kent. Transactions of the Cambridge Bibliographical Society, 12(3) pp. 266–292.

Woods, Kim W. (2002). The pre-reformation altarpiece of Long Melford Church. Antiquaries Journal, 82 pp. 93–104.

2001

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Hooper, Glenn ed. (2001). Letters from Ireland: Harriet Martineau. Dublin, Ireland: Irish Academic Press.

Richardson, Carol and Smith, Graham eds. (2001). Brittania, Germania, Italia: Taste and travel in the 19th Century. Occasional papers (1). Edinburgh, UK: VARIE, pp. 125–142.

Allen, Richard (2001). Mary Shelley as editor of Percy Shelley. In: Bellamy, Joan; Laurence, Anne and Perry, Gillian eds. Women, Scholarship and Criticism: Gender & knowledge c.1790-1900. Manchester: Manchester University Press, pp. 77–90.

Benton, Tim (2001). Humanism and fascism. Comparative Criticism: An Annual Journal, 23 pp. 69–115.

Budelmann, Felix (2001). Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship. In: Budelmann, Felix and Michelakis, Pantelis eds. Homer, tragedy and beyond: studies in honour of P. E. Easterling. London, UK: Society for the Promotion of Hellenic Studies, pp. 209–240.

Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40.

Clayton, Martin (2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208.

Clayton, Martin (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). British Journal of Ethnomusicology, 10(1) pp. 1–18.

da Sousa Correa, Delia (2001). The Portrait of a Lady and the “house of fiction”. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century novel. UK: Routledge, pp. 95–156.

da Sousa Correa, Delia (2001). The Portrait of a Lady: identity and gender. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 116–136.

da Sousa Correa, Delia (2001). The Portrait of a Lady: Henry James as critic. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 137–156.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Edwards, Stephen (2001). The accumulation of knowledge or, William Whewell's eye. In: Purbrick, Louise ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, pp. 26–52.

Edwards, Steve (2001). Factory and fantasy in Andrew Ure. Journal of Design History, 14(1) pp. 17–33.

Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

Fraser, Robert (2001). "Not that fair field of Enna": Milton, Ruskin and Protestant Longing. The Long Poem Newsletter(10) pp. 3–4.

Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

Furbank, P. N. and Owens, W. R. (2001). Defoe and King William: a sceptical enquiry. Review of English Studies, 52(206) pp. 227–232.

Furbank, P. N. and Owens, W. R. (2001). Defoe's South-Sea and North-Sea schemes: a footnote to A New Voyage Round the World. Eighteenth-Century Fiction, 13 pp. 501–508.

Gibson, Jonathan (2001). Remapping Elizabethan court poetry. In: Pincombe, Mike ed. The Anatomy of Tudor Literature: Proceedings of the First International Conference of the Tudor Symposium (1998). Aldershot: Ashgate, pp. 98–111.

Gupta, Suman (2001). Corporate capitalism and political philosophy. London, UK: Pluto.

Hardwick, Lorna (2001). Who owns the plays?: Issues in the translation and performance of Greek drama on the modern stage. Eirene (Studia Graeca et Latina, Theatralia)(XXXVll, Th) pp. 23–29.

Hardwick, Lorna (2001). The Reception of the texts and images of ancient Greece in late twentieth-century drama and poetry in English. Not Set, Milton Keynes, UK.

Harrison, Charles (2001). Conceptual art and painting: further essays on Art & Language. Cambridge, USA: The MIT Press.

Herbert, Trevor (2001). Baltic Brass. Deux-Elles.

Hope, Valerie M. (2001). Constructing identity: the Roman funerary monuments of Aquileia, Mainz and Nimes. British Archaeological Reports, International Series (960). Oxford, UK: Archaeopress.

James, Paula (2001). Kicking the Habit:the Significance of Consuetudo in interpreting the Fable of Cupid and Psyche. Ramus, 30(2) pp. 152–168.

James, Paula (2001). From prologue to story: metaphor and narrative construction in the opening of the Metamorphoses. In: Kahane, Ahuvia and Laird, Andrew eds. Companion to the prologue to Apuleius' Metamorphoses. Oxford: Oxford University press, pp. 256–266.

Johnson, David (2001). Literatures of nation and migration: Charles Mungoshi, Nadine Gordimer, and the postcolonial. Alternation, 8(2) pp. 36–54.

Johnson, David (2001). Editorial: Travellers' tales: alternative traditions. Wasafiri(34) pp. 1–2.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48.

Mateer, David (2001). Hugh Davis's Commonplace Book: A New Source of Seventeenth-Century Song. Royal Musical Association Research Chronicle, 32 pp. 63–87.

Norman, Diana (2001). A place of pilgrimage: A proposal for the orginal location of the Arca of Saint Cerbone. Papers of the British School at Rome, 69 pp. 191–221.

Parsonage, Catherine (2001). The evolving image of jazz in Britain in sheet music. British Postgraduate Musicology, 4

Perry, Gill (2001). The spectacle of the muse: exhibiting the actress at the Royal Academy. In: Solkin, David H ed. Art on the Line: the Royal Academy Exhibitions at Somerset House 1780-1836. New Haven: Yale University Press, pp. 111–125.

Perry, Gillian (2001). Women Painting Women: Gender, Modernism and Feminine Art, c.1910-1930. In: Hjort, Oystein; Jensen, Niels Marup and Christensen, Hans Dam eds. Rethinking art between the wars: new perspectives in art history. Copenhagen, Denmark: Museum Tusculanum Press, pp. 47–72.

Richards, Fiona (2001). The music of John Ireland. UK: Ashgate.

Richardson, Carol M. (2001). 'Glorious hopes and designs': the Pugins in Rome. In: Richardson, Carol and Smith, Graham eds. Britannia Italia Germania: taste and travel in the Nineteenth Century. Occasional papers (1). Edinburgh: VARIE, pp. 125–142.

Tickell, Alex (2001). "How many Pakistans?" questions of space and identity in the writing of partition. Ariel: A Review of International English Literature, 32(3) pp. 155–179.

Tickell, Alex (2001). Footprints on the Beach: Traces of Colonial Adventure in Narratives of Independent Tourism. Postcolonial Studies, 4(1) pp. 39–54.

Watson, Nicola J and Dobson, Michael (2001). Elizabeth's Legacy. In: Doran, Susan and Starkey, David eds. Elizabeth: The Exhibition at the National Maritime Museum. London, UK: Vintage, pp. 255–261.

Watson, Nicola J. (2001). Food and drink. In: Dobson, Michael and Wells, Stanley eds. The Oxford Companion to Shakespeare. Oxford, UK: Oxford University Press, pp. 147–148.

Watson, Nicola J. (2001). Fiction. In: Dobson, Michael and Wells, Stanley eds. The Oxford Companion to Shakespeare. Oxford, UK: Oxford University Press, pp. 137–138.

2000

da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

Harrison, Charles; Wood, Paul J. and Gaiger, Jason eds. (2000). Art in Theory 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell.

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge c. 1790-1900. Manchester: Manchester University Press.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Barker, Naomi Joy (2000). ‘Diverse Passions’: Mode, Interval and Affect in Poussin’s Paintings. Music in Art, 25(1-2) pp. 5–24.

da Sousa Correa, Delia (2000). 'The music vibrating in her still': Music and memory in George Eliot's the mill on the floss and Daniel Deronda. Nineteenth-Century Contexts, 21(4) pp. 541–563.

da Sousa Correa, Delia (2000). Jane Eyre: inside and out. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 117–135.

da Sousa Correa, Delia (2000). Jane Eyre and Genre. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 87–116.

Furbank, P. N. and Owens, W. R. (2000). Defoe, the De la Faye letters and Mercurius Politicus. British Journal for Eighteenth-Century Studies, 23(1) pp. 13–19.

Gaiger, Jason (2000). Art as made sensuous: Hegel, Danto and the 'end of art'. Bulletin of Hegel Society of Great Britain, 41 /42, pp. 104–119.

Gaiger, Jason (2000). The true judge of beauty and the paradox of taste. European Journal of Philosophy, 8(1) pp. 1–19.

Gaiger, Jason (2000). Schiller's theory of landscape depiction. Journal of the History of Ideas, 61(3) pp. 115–132.

Gibson, Jonathan (2000). Letters. In: Hattaway, Michael ed. A Companion to English Renaissance Literature and Culture. Blackwell Companions to Literature and Culture. Oxford: Blackwell, pp. 615–619.

Hardwick, Lorna (2000). Theatres of the mind: Greek tragedy in women's writings in English in the nineteenth century. In: Hardwick, Lorna; Easterling, P.E.; Ireland, S.; Lowe, N. and Macintosh, F. eds. Theatre Ancient and Modern. Milton Keynes, U.K.: Dept of Classical Studies, The Open University, pp. 68–81.

Haslam, Sara (2000). A question of knowledge: James, Ford, "The Beast in the Jungle" and A Call. The Henry James Review, 21(1) pp. 72–82.

Haslam, Sara (2000). Modern Knowledge and Ford's Modern Novel. Precursors and Aftermaths: Literature in English 1914-1945, 1(1) pp. 49–63.

Herbert, Trevor (2000). Hammered Brass. Linn.

Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press , pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

Humphrey, Judith Ann (2000). Liberating images: A feminist analysis of the girls' school-story. PhD thesis The Open University.

Johnson, David (2000). Violence and philosophy: Nathaniel Merriman, A. W. Schlegel and Jack Cade. In: Joughin, John J. ed. Philosophical Shakespeares. London: Routledge, pp. 68–85.

Johnson, David (2000). 'The first rainbow nation? The Griqua in Post-apartheid South Africa'. In: Poddar, Prem ed. Translating Nations. Dolphin (30). Aarhus: Aarhus University Press, pp. 115–128.

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Nasta, Susheila (2000). Beyond the millennium: Black women's writing. Women: A Cultural Review, 11(1-2) pp. 71–76.

Nasta, Susheila (2000). Homes without walls: new South Asian voices in Britain. In: Crane, Ralph and Mohanran, Radhika eds. Shifting Continents/Colliding Cultures:Diaspora Writing of the Indian Subcontinent. Amsterdam: Rodopi Press, pp. 18–27.

Nasta, Susheila (2000). Stepping out: reading the new literatures in a postcolonial era. In: Nasta, Susheila ed. Reading the New Literatures in a Postcolonial Era. Essays and Studies. Cambridge: Boydell & Brewer, pp. 2–16.

Owens, W. R. (2000). John Bunyan and English Millenarianism. In: Gay, D.; Randall, J. G. and Zinck, A. eds. Awakening Words: John Bunyan and the Language of Community. Newark: University of Delaware Press and Associated University Presses, pp. 81–96.

Owens, W. R. and Furbank, P. N. eds. (2000). Social Reform. Political and Economic Writings of Daniel Defoe, 8. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). The Works of Daniel Defoe. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). Dissent. Political and Economic Writings of Daniel Defoe, 3. London: Pickering and Chatto.

Tickell, Alex (2000). The road less travelled: Pather Panchali in translation. Journal of Commonwealth Literature, 35(1) pp. 147–162.

Tickell, Alex (2000). Miraculous Realities: Postcolonial Identity and the Limits of Form in the Work of Salman Rushdie and Intizar Husain. In: Damodaran, Vinita and Unnitahn-Kumar, Maya eds. Postcolonial India: History, Politics, Culture. New Delhi: Manohar, pp. 325–339.

Yamagata, Naoko (2000). Linear B. In: Speake, G ed. Encyclopedia of Greece and the Hellenic Tradition. Fitzroy Dearborn Publishers, pp. 950–952.

1999

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Barclay, Robert Leslie (1999). A Critical Analysis Of Actions Taken Upon Historic Musical Instruments Through The Period Of The Early Music Revival From The Beginning Of The 20th Century To The 1990s. PhD thesis The Open University.

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

da Sousa Correa, Delia (1999). Goddesses of Instruction and Desire: Ruskin and Music. In: Birch, Dinah ed. Ruskin and the Dawn of the Modern. Oxford: Oxford University Press, pp. 111–130.

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

Forsyth, Michael (1999). Julia Kavanagh In Her Times: Novelist And Biographer, 1824-1877. PhD thesis The Open University.

Gaiger, Jason (1999). Constraints and conventions: Kant and Greenberg on aesthetic judgment. British Journal of Aesthetics, 39(4) pp. 376–391.

Gibson, Jonathan (1999). King Lear and the patronage system. The Seventeenth Century, 14(2) pp. 95–114.

Hardwick, Lorna (1999). Placing Prometheus. In: Hardwick, Lorna ed. Tony Harrison's Poetry, Drama and Film: The Classical Dimension. Milton Keynes, U.K.: Dept of Classical Studies, the Open University, pp. 1–15.

Hazel, Ruth Mary (1999). The mediation in late twentieth-century English theatres of selected ancient Greek tragedy texts and themes concerned with women and power. PhD thesis The Open University.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

King, Helen (1999). Hippocratic gynaecological therapy in the sixteenth and seventeenth centuries. In: Aspetti della Terapia nel Corpus Hippocraticum (Atti del IXe Colloque hippocratique), 25-29 September 1996, Pisa, Italy.

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

McKellar, Elizabeth (1999). The birth of modern London: The development and design of the city 1660-1720. Manchester, UK: Manchester University Press.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth-century London. Art History, 22(4) pp. 495–513.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth century London. In: Arnold, Dana ed. The Metropolis and its images: Constructing Identities for London, c. 1750-1950. Oxford, UK: Blackwell, pp. 29–47.

Perkins, Phil (1999). Etruscan Settlement, Society and Material Culture in Central Coastal Etruria. British Archaeological Reports International Series (788). Oxford: J. and E. Hedges.

Perry, Gill (1999). Exhibiting 'les Indépendants': Gauguin and the Café Volpini show. In: Wood, Paul ed. The Challenge of the Avant-Garde. Art and its Histories (4). New Haven: Yale University Press, pp. 164–181.

Perry, Gill and King, Catherine (1999). Introduction. In: King, Catherine ed. Views of Difference: Different Views of Art. Art and its Histories (5). New: Yale University Press, pp. 7–22.

Simpson, Ormond; Asbee, Sue and Woodall, Sue (1999). Student-student mentoring in distance education. Journal of Access and Credit Studies, 2(2) pp. 220–232.

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

1998

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London : Routledge.

Harrison, Charles; Wood, Paul W. and Gaiger, Jason eds. (1998). Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell.

Owens, W.R. and Johnson, Hamish eds. (1998). Romantic Writings: An Anthology. Milton Keynes, U.K.: The Open University.

Atkinson, Susan D. (1998). A living life, a living death: a study of Bessie Head's writings as a survival strategy. PhD thesis The Open University.

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Furbank, P. N. and Owens, W. R. (1998). Defoe and the sham Flying-Post. Publishing History, 43 pp. 5–15.

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Johnson, David (1998). De Mist, Race and Nation. Alternation, 5(1) pp. 85–97.

Johnson, David (1998). From the colonial to the post-colonial: Shakespeare and education in Africa. In: Loomba, Ania and Orkin, Martin eds. Post-colonial Shakespeares. London: Routledge, pp. 218–234.

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125.

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

King, Helen (1998). Hippocrates' Woman: Reading the Female Body in Ancient Greece. London: Routledge.

Owens, W. R. and Furbank, P. N. (1998). New light on John Pierce, Defoe's agent in Scotland. Edinburgh Bibliographical Society Transactions, 6(4) pp. 134–143.

Pacheco, Anita (1998). Rape and the female subject in Aphra Behn's The Rover. ELH, 65(2) pp. 323–345.

Simpson, Ormond and Asbee, Sue (1998). Partners, Families and Friends: Student support of the closest kind. Open Learning, 13(3) pp. 56–59.

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

1997

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Barker, Emma (1997). Painting and Reform in Eighteenth-Century France: Greuze's L'Accordé de Village. Oxford Art Journal, 20(2) pp. 42–52.

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

da Sousa Correa, Delia (1997). George Eliot and the Germanic 'Musical Magus'. In: Rignall, John ed. George Eliot and Europe. Warwick Studies in the European Humanities. Scolar Press, pp. 98–112.

Furbank, Philip Nicholas and Owens, W. R., eds. The True-Born Englishman and Other Writings. By Daniel Defoe . London, Penguin Books (1997).

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Furbank, P N and Owens, W R (1997). The Defoe that never was: a tale of de-attribution. The American Scholar, 66(2) pp. 276–284.

Furbank, P. N. and Owens, W. R. (1997). The dating of Defoe's "Atlantis Major". Notes and Queries, 242(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). Whence the Defoe Canon? Eighteenth-Century Fiction, 9(2) pp. 223–225.

Furbank, P. N. and Owens, W. R. (1997). The Dating of Defoe's Atalantis Major. Notes & Queries, 44(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). The lost continuation of Defoe's Roxana. Eighteenth-Century Fiction, 9(3) pp. 229–308.

Furbank, P. N. and Owens, W. R. (1997). The Myth of Defoe as 'Applebee's Man'. Review of English Studies, 48(190) pp. 198–204.

Gaiger, Jason (1997). Art after beauty: Retrieving aesthetic judgement. Art History, 20(4) pp. 611–615.

Gibson, Jonathan (1997). Significant space in manuscript letters. The Seventeenth Century, 12(1) pp. 1–10.

Herbert, Trevor (1997). Virtuosi: Ian Bousfield. EMI.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor and Sarkissian, Margaret (1997). Victorian bands and their dissemination in the colonies. Popular Music, 16(2) pp. 165–179.

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419.

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52(1) pp. 63–93.

Perry, Gill (1997). Suzanne Valadon, Emilie Charmy, Paula Modersohn-Becker, Marie Laurencin, Jacqueline Marvel, Marevna. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 2. London, U.K.: Fitzroy Dearborn, pp. 919–921.

Perry, Gillian (1997). Artistic training and Modernism: women artists in France 1900-1930. In: Gaze, Delia ed. The Dictionary of Women Artists, Volume 1. London: Fitzroy Dearborn, pp. 92–95.

Robson, James (1997). Bestiality and Bestial Rape in Greek Myth. In: Deacy, S and Pearce, K eds. Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds. London: Duckworth, pp. 65–96.

Yamagata, Naoko (1997). Classics for multilingual Europe. Kleos(2) pp. 275–284.

Yamagata, Naoko (1997). Anax and basileus in Homer. Classical Quarterly, 47(1) pp. 1–14.

1996

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Barker, Naomi (1996). Parody and Provocation: Parade and the Dada Psyche. Repertoire International d'Iconographie Musicale / Research Center for Musical Iconography Newsletter, 21(1) pp. 29–31.

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332.

Fraser, Robert (1996). The loneliness of the long-distance cyclist: cyclic form in Frazer and Proust. Yearbook of English Studies, 26 pp. 163–172.

Furbank, P. N. and Owens, W. R. (1996). On the attribution of periodicals and newspapers to Daniel Defoe. Publishing History, 40 pp. 83–98.

Herbert, Trevor (1996). Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes. Welsh Music History, 1 pp. 92–102.

Herbert, Trevor (1996). The Origin of the Species: The Cyfarthfa Repertory on Period Instruments. Nimbus.

Herbert, Trevor (1996). The Victorian Christmas. JVC.

Johnson, David (1996). Shakespeare and South Africa. Oxford: Clarendon Press.

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120.

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

McKellar, Elizabeth (1996). 'Architectural History: The Invisible Subject' in The Architecture Journal. Journal of Architecture, 1(22) pp. 159–164.

McKellar, Elizabeth (1996). The city and the country: the London vernacular in the late seventeenth and early eighteenth century. In: Burton, Neil ed. Georgian Vernacular. London: The Georgian Group, pp. 10–18.

Nasta, Susheila (1996). Githa Hariharan talks to Susheila Nasta. Wasafiri, 12(24) pp. 22–25.

Nasta, Susheila (1996). Wasafiri: history, politics and post-colonial literature. In: Maes-Jelinek, Hena; Collier, Gordon and Davis, Geoffrey V. eds. A Talent(ed) Digger: Creations, Cameos, and Essays in Honour of Anna Rutherford. Amsterdam: Rodopi, pp. 127–133.

Nasta, Susheila (1996). The story of motherlands. In: Newell, Stephanie ed. Images of African and Caribbean Women: Migration, Displacement, Diaspora. Stirling: University of Stirling, pp. 52–62.

Owens, W. R. (1996). Research Techniques and the Use of Libraries. In: Eliot, Simon and Owens, W. R. eds. A Handbook to Literary Research. London, U.K. and New York, NY, U.S.: Routledge, pp. 13–18.

Owens, W. R. (1996). Shakespeare: Theatre Poet. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 21–33.

Owens, W. R. (1996). Remaking the Canon: Aphra Behn's The Rover. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 131–175.

Owens, W. R. (1996). Aphra Ben, The Rover, in Shakespeare, Aphra Behn and the Canon. In: Owens, W. R. and Goodman, Lizbeth eds. Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge, pp. 261–334.

Tomlinson, Nora (1996). The achievement of Ford Madox Ford as editor. PhD thesis The Open University.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

1995

Herbert, Trevor and Jones , Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Bailey, Keith Alan (1995). The metamorphosis of Battersea, 1800-1914 : a building history. PhD thesis The Open University.

Furbank, P. N. and Owens, W. R. (1995). Daniel Defoe and A Letter from a Gentleman at the Court of St Germains (1710). Etudes Anglaises, 48 pp. 61–66.

King, Helen (1995). Conversion disorder and hysteria. In: Berrios, G. E. and Porter, Roy eds. History of Clinical Psychiatry: the Origin and History of Psychiatric Disorders. London: Athlone Press, pp. 442–450.

King, Helen (1995). Half-human creatures. In: Cherry, John ed. Mythical Beasts. London: British Museum Press, pp. 138–166.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (1995). Medical texts as a source for women's history. In: Powell, Anton ed. The Greek World. Routledge Worlds. London: Routledge, pp. 199–218.

King, Helen (1995). Food and blood in Hippokratic gynaecology. In: Wilkins, John; Harvey, David and Dobson, Michael J. eds. Food in Antiquity. Exeter: University of Exeter Press, pp. 351–358.

Nasta, Susheila (1995). Setting up home in the City of Words: Sam Selvon's London novels. In: Lee, R ed. Other Britain, other British : contemporary multicultural fiction. London: Pluto Press, pp. 48–69.

Owens, W. R. and Furbank, P. N. (1995). Sir Alexander Cumming and Defoe's Mercator. Notes and Queries, 42(4) pp. 454–455.

Perry, Gillian (1995). Women Artists and the Parisian Avant-Garde: Modernism and 'feminine' art 1900-1920s. Manchester: Manchester University Press.

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Yamagata, Naoko (1995). Ritual offerings in Homer and in Linear B. Studi Micenei ed Egeo-Anatolici(35) pp. 57–68.

Yamagata, Naoko (1995). Why Classics today - and tomorrow? Scholia(4) pp. 108–109.

1994

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Owens, W. R., ed. The Miscellaneous Works of John Bunyan: Volume XII. By John Bunyan . Oxford, Clarendon Press (1994).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan, Vol.13. By John Bunyan (1692). Oxford, Clarendon Press (1994).

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1994). "A True Account of the Proceedings at Perth": The impact of an historical novel. Eighteenth-Century Fiction, 6(3) pp. 233–242.

Furbank, P. N. and Owens, W. R. (1994). Defoe and 'Sir Andrew Politick'. British Journal for Eighteenth-Century Studies, 17(1) pp. 27–39.

Johnson, David (1994). Importing metropolitan Post-colonials. Current Writing, 6(1) pp. 73–85.

Johnson, David (1994). Literature for the rainbow nation: The case of sol Plaatje's Mhudi. Journal of Literary Studies, 10(3-4) pp. 345–358.

Johnson, David (1994). South African Criticism. In: Benson, Eugene and Conolly, L. W. eds. The Routledge Encyclopaedia of Post-colonial Literatures in English, Volume 1. Routledge, pp. 306–309.

King, Helen (1994). Producing woman: Hippocratic gynaecology. In: Archer, Leonie; Fischler, Susan and Wyke, Maria eds. Women in Ancient Societies: an Illusion of the Night:. New York: Macmillan, pp. 102–114.

King, Helen (1994). Sowing the field: Greek and Roman sexology. In: Porter, Roy and Teich, Mikulas eds. Sexual Knowledge, Sexual Science: the History of Attitudes to Sexuality. Cambridge: Cambridge University Press, pp. 29–46.

Pacheco, Anita (1994). Royalism and Honor in Aphra Behn's Oroonoko. Studies in English Literature 1500-1900 , 34(3) pp. 491–506.

Perry, Gillian (1994). Expressionism. In: Crystal, David ed. Cambridge Biographical Encylopedia. Cambridge University Press, pp. 1130–1132.

Samuels, Robert (1994). Music as text: Mahler, Schumann and issues in analysis. In: Pople, Anthony ed. Theory, Analysis and Meaning in Music. Cambridge: Cambridge University Press, pp. 152–163.

Walsh, Linda (1994). Arms to be kissed a thousands times: reservations about lust in Diderot's art criticism. In: Perry, Gillian and Rossington, M eds. Femininity and Masculinity in Eighteenth-Century Art and Culture. Manchester: Manchester University Press, pp. 162–183.

Watson, Nicola (1994). Revolution and the Form of the British Novel 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press.

Watson, Nicola (1994). Trans-figuring Byronic Identity. In: Favret, Mary A and Watson, Nicola eds. At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press, pp. 185–206.

Yamagata, Naoko (1994). Homeric Morality. Mnemosyne, Bibliotheca Classica Batava Supplementum. Brill Academic Publishers.

1993

Nattiez, Jean-Jacques and Samuels, Robert [trans.] eds. (1993). The Boulez-Cage Carrespondence. Cambridge: Cambridge University Press.

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

Furbank, P. N. and Owens, W. R. (1993). Defoe, Trent, and the 'Defection'. Review of English Studies, 44(173) pp. 70–76.

Furbank, P. N. and Owens, W. R. (1993). Defoe and A Curious Little Oration Deliver'd by Father Andrew. Notes and Queries, 238(3) p. 328.

Furbank, P. N. and Owens, W. R. (1993). Defoe and the 'Tippony Ale'. Scottish Historical Review, 72(1) pp. 86–89.

Furbank, P.N. and Owens, W. R. (1993). Defoe, William Hendley, and Charity Still a Christian Virtue (1719). Huntington Library Quarterly, 56(3) pp. 327–330.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Johnson, David (1993). Aspects of a Liberal Education: Late Nineteenth-Century Attitudes to Race, from Cambridge to the Cape Colony. History Workshop Journal, 36(1) pp. 162–182.

Johnson, David (1993). Starting Positions: the Social Function of Literature in the Cape. Journal of Southern African Studies, 19(4) pp. 615–633.

King, Helen (1993). The politick midwife: models of midwifery in the work of Elizabeth Cellier. In: Marland, Hilary ed. The Art of Midwifery: Early Modern Midwives in Europe. Wellcome Institute Series in the History of Medicine. London: Routledge, pp. 115–130.

Nasta, Susheila (1993). Motherlands, mothercultures, mothertongues: women's writing from the Caribbean. In: Barfoot, C and D'Haen, Theo eds. Shades of Empire in Colonial and Postcolonial Literatures. DQR Studies in Literature (11). Amsterdam/Atlanta: Rodolphi, pp. 24–36.

Owens, W. R. and Furbank, P. N. (1993). Defoe as secret agent: three unpublished letters. The Scriblerian, 25(2) pp. 145–153.

Perry, Gill (1993). 'The ascent to nature' - some metaphors of 'Nature' in early expressionist art'. In: Behr, Shulamith; Fanning, David and Jarman, Douglas eds. Expressionism Reassessed. Manchester: Manchester University Press, pp. 53–64.

Yamagata, Naoko (1993). Young and Old in Homer and in 'Heike Monogatari'. Greece & Rome, 40(1) pp. 1–10.

1992

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Barker, Naomi (1992). In Search of Mannerism: A New Approach to an Old Problem. South African Journal of Musicology, 12 pp. 11–19.

Furbank, P. N. and Owens, W. R. (1992). Defoe and Francis Noble. Eighteenth-Century Fiction, 4(4) pp. 301–313.

Furbank, P. N. and Owens, W. R. (1992). The Lost Property Office: some Defoe attributions reconsidered. Papers of the Bibliographical Society of America, 86 pp. 245–267.

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian , Volume 5. Merthyr Tydfil : Merthyr Tydfil Historical Society, pp. 35–42.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila (1992). The English-speaking Caribbean. In: Buck, Claire ed. The Bloomsbury Guide to Women's Literature. New York: Prentice Hall General Reference, pp. 155–163.

1991

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Furbank, P. N.; Owens, W. R. and Coulson, A. J., eds. A Tour Through the Whole Island of Great Britain. By Daniel Defoe (1724). New Haven, Yale University Press (1991).

Furbank, P. N. and Owens, W. R. (1991). Dangerous Relations. The Scriblerian, 23 pp. 242–244.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215.

Warnaby, John Surtees (1991). The Music Of Peter Maxwell Davies Based On The Writings Of George Mackay Brown. PhD thesis The Open University.

Watson, Nicola (1991). Kemble, Scott, and the Mantle of the Bard. In: Marsden, Jean I. ed. The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. New York, London etc.: Harvester Wheatsheaf, pp. 73–92.

Yamagata, Naoko (1991). Phoenix's speech - Is Achilles punished? Classical Quarterly, 41(1) pp. 1–15.

1990

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Gladstone, Helen Crawford (1990). Building An Identity : Two Noblewomen In England 1566-1666. PhD thesis The Open University.

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

Owens, W. R. (1990). Antichrist must be pulled down: Bunyan and the millennium. In: Laurence, Anne; Owens, W. R. and Sim, Stuart eds. John Bunyan and his England 1628-1688. London: The Hambledon Press, pp. 77–104.

Owens, W. R. (1990). The reception of The Pilgrim's Progress in England. In: Os van, M and Schute, G. J. eds. Bunyan in England and Abroad. Amsterdam: VU University Press, pp. 91–104.

Yamagata, Naoko (1990). Aisima pareipon - A moral judgement by the poet? Parola del Passato, 45 pp. 420–430.

1989

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Gerschel, Liz and Nasta, Susheila (1989). There's no such thing as only literature : English teaching in an anti-racist and multicultural context. In: Brooker, Peter and Humm, Peter eds. Dialogue and Difference: English into the Nineties. New Accents. London: Routledge , pp. 132–148.

Herbert, Trevor (1989). The trombone in 19th-century Italian opera. Welsh National Opera.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Samuels, Robert (1989). Derrida and Snarrenberg. In Theory Only, 11(1-2) pp. 45–58.

Sondheim, Stephen and Herbert, Trevor (1989). Sondheim's technique. Contemporary Music Review, 5(1) pp. 199–214.

Yamagata, Naoko (1989). The apostrophe in Homer as part of the oral technique. Bulletin of the Institute of Classical Studies, 36(1) pp. 91–103.

1988

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1988). William Lee of Sheffield: Sanitary Reformer and Defoe Bibliographer. The Book Collector, 37(2) pp. 185–206.

Furbank, P. N. and Owens, W. R. (1988). The Defoe canon again. Papers of the Bibliographical Society of America, 82 pp. 95–98.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Wallace , John (1988). Divertimento in D: (Trumpet and Piano) by Josef Fiala. Faber Music, London.