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2023To Top

Allan, William and Swift, Laura (2023). Euripides: Bacchae. Cambridge: Cambridge University Press (In Press).

King, Helen (2023). Being flesh: bodies, history and Living in Love and Faith. In: Modern Believing, Liverpool University Press, 64(1) (In Press).

Murray, Andrew (2023). Speculation. In: Winkenweder, Brian and Tunali, Tijen eds. The Routledge Companion to Marxist Art History. Abingdon: Routledge, (In press).

Tickell, Alex (2023). The Work of Art in the Age of Transnational Reproduction: Form and Intertextuality in Xiaolu Guo’s A Concise Chinese-English Dictionary for Lovers and A Lover’s Discourse. Studies in the Novel, 55(1) (In Press).

2022To Top

Brunet, Luc-Andre ed. (2022). NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. Abingdon: Routledge.

Herbert, Trevor; Clarke, Martin V. and Barlow, Helen eds. (2022). A History of Welsh Music (forthcoming). Cambridge: Cambridge University Press.

Murray, Andrew and Van den Maagdenberg, Joannes eds. (2022). Jan Dumolyn and Jeller Haemers, Communes and Conflict: Urban Rebellion in Late Medieval Flanders. Historical Materialism. Leiden: Brill.

Swift, Laura ed. (2022). A Companion to Greek Lyric. Blackwell Companions to the Ancient World. Wiley-Blackwell (In Press).

Barker, Elton (2022). Die Another Day: Sarpedon, Aristodemos, and Homeric Intertextuality in Herodotus. Histos, Supplement(14) pp. 161–210.

Barker, Emma (2022). Woman in a Turban: Domenichino’s Sibyl, Staël’s Corinne and the Image of Female Genius. Word and Image (In press).

Blackburn-Daniels, Sally (2022). “Book Birthing” and Conspicuous Literary Consumption: Writing and Reading Books in the Time of COVID-19. English Studies (Early Access).

Blackburn-Daniels, Sally and G. C. King, Edmund (2022). Bookshelves, Social Media and Gaming. English Studies, 103(5) pp. 653–659.

Brown, Richard Danson (2022). Literature and Form in the Renaissance. In: Rabinowitz, Paula and Hadfield, Andrew eds. Oxford Research Encyclopedia of Literature. Oxfordre.com. Oxford & New York: Oxford University Press.

Brunet, Luc-Andre (2022). Introduction: The Strategic Defence Initiative and the Atlantic Alliance in the 1980s. In: Brunet, Luc-Andre ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge.

Brunet, Luc-André (2022). Canada’s "Polite No" to the SDI: A Question of Sovereignty? In: Brunet, Luc-André ed. NATO and the Strategic Defence Initiative: A Transatlantic History of the Star Wars Programme. Cold War History. London: Routledge (In Press).

Butcher, John and Clarke, Anactoria (2022). ‘Part-time mature students and (the unexpected benefits of?) access to the arts’. In: Broadhead, Samantha ed. Access and Widening Participation in Arts Higher Education: Current Practice and Research. The Arts in Higher Education. Switzerland: Springer Nature - Palgrave Macmillan, pp. 119–139.

Clarke, Martin V. (2022). A Brief History of Congregational Song: Shaping Theology through Hymn Compilations. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 77–112.

Clarke, Martin V. and Hawn, C. Michael (2022). An Introduction to the Study of Congregational Song. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 441–474.

Clarke, Martin V. and Howard, Beverly A. (2022). How Does a Hymn Mean? In: Hawn, C. Michael ed. Sing with Understanding - Third Edition. Chicago: GIA, pp. 49–76.

Clarke, Martin V. and Moore, Geoffrey C. (2022). "God in Three Persons, Blessed Trinity": Singing the Trinity. In: Hawn, C. Michael ed. Sing with Understanding (Third Edition). Chicago: GIA, pp. 277–286.

Crone, Rosalind (2022). Illiterate Inmates: Educating Criminals in Nineteenth-Century England. Oxford: Oxford University Press.

Donington, Katie (2022). [Book Review] Blood Legacy: Reckoning with a Family’s History of Slavery by Alex Renton. Slavery & Abolition, 43(3) pp. 671–673.

Drott, Eric and Thompson, Marie (2022). "Is your baby getting enough music?" Musical interventions into gestational labor. Women and Music: a Journal of Gender and Culture, 26 (In press).

Dueck, Byron and Essele Essele, Kisito (2022). Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon. Ethnomusicology, 66(1) pp. 21–50.

Golding, Rosemary (2022). Sounding the Archival Silence: Searching for Music in the Nineteenth-Century English Asylum. Social History of Medicine (Early access).

Gupta, Suman (2022). Political Catchphrases and Contemporary History: A Critique of New Normals. Oxford: Oxford University Press.

Hamer, Laura (2022). [Book Review] Review of Jeanice Brooks (ed.), Nadia Boulanger and Her World (Chicago: University of Chicago Press, 2020). Twentieth-Century Music, 19(1) pp. 159–165.

Harrison, Rebecca (2022). Telephone Networks and Transactional Motherhood in Channel 4's It's A Sin. European Journal of Cultural Studies (Early access).

Haslam, Sara (2022). Losing and Finding Balance: Food as Fordian Diagnostic. Last Post: A literary journal from the Ford Madox Ford Society, 1(5) pp. 47–58.

Haslam, Sara (2022). Biography of a wartime 'miracle': women's literary caregiving 1914 to 1918. In: 3rd Joint GOTH-Health & Wellbeing NetWorkshop, 3 Feb 2022, Online.

Hawn, C. Michael; Clarke, Martin V. and Howard, Beverly A. (2022). Christian Hymn: A Proposed Definition. In: Hawn, C. Michael ed. Sing with Understanding. Chicago: GIA, pp. 41–48.

Haywood, Jan and Post, Doris (2022). The downfall of Croesus and Oedipus: Tracing affinities between Herodotus’ Histories and Sophocles’ Oedipus Tyrannus. Classical World (In Press).

Johnson, David (2022). ‘With the Abyssinian Armies, in Defence of Africa’s Only Native State’: Varieties of South African Anti-Fascism, 1930s–1960s. South African Historical Journal (Early access).

King, Edmund G. C. (2022). Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter. English Studies, 103(5) pp. 706–731.

Kolassa, Alexander (2022). The medievalist origins of (British) modernist music. In: Falconieri, Tommaso di Carpegna; Savy, Pierre and Yawn, Lila eds. Middle Ages without Borders: an international conversation on medievalism. Rome: École française de Rome.

Langley, Chris (2022). Clergy widows in early modern Scotland. Scottish Church History (In Press).

Lora-Wainwright, Anna; Wainwright, Leon and Loong, Shona (2022). British Chinese or British ESEA? Articulating creativity and care across scales and disciplines. British Journal of Chinese Studies, 12(1) pp. 138–142.

Mac Cathmhaoill, Dónall (2022). Boundaries: Respecting Authenticating Limits in the Production of a Play on Trans Marginality. Platform: Journal of Theatre and Performing Arts, 16(1) pp. 111–117.

Michael-Fox, Bethan (2022). [Book Review] Mediated Death by Johanna Sumiala, Cambridge, Polity Press, 2022. Mortality (Early access).

Middle, Sarah (2022). Investigating Linked Data Usability for Ancient World Research. PhD thesis The Open University.

Mombauer, Annika (2022). Statesman of Europe: A Life of Sir Edward Grey [Book review]. Diplomacy & Statecraft, 33(2) pp. 406–407.

Mooney, James; Green, Owen and Williams, Sean (2022). Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41(2-3) pp. 193–215.

Murray, Andrew (2022). Mourning and Non-Ordered Religious Behaviour in the Tombs of Philip the Bold, John the Fearless and Margaret of Bavaria. Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek, 72 (In press).

Murray, Andrew (2022). A Field of Invention: Fictive Frames in Van Eyck’s Portraits.*. In: Lecuppre-Desjardin, Elodie and Nils, Bock eds. Innovation and Medieval Communities (1200-1500). Turnhout: Brepols, (In press).

O'Shea, Helen (2022). Cultural histories, reproductive rights and collective remembering: Contemporary Ireland and Scotland in a post-Roe v. Wade world. Scottish Affairs, 31(4) (In Press).

Plassart, Anna (2022). Montesquieu, Smith and Burke on the "labouring poor": an eighteenth-century debate. In: O'Flaherty, Niall and Mills, R. W. eds. Ideas of Poverty. Manchester: Manchester University Press (In Press).

Plastow, Christine (2022). ASPECTS OF ATHENIAN COURT RHETORIC - (A.) Glazebrook Sexual Labor in the Athenian Courts. Pp. xviii + 246, ills, maps. Austin: University of Texas Press, 2021. Cased, US\$55. ISBN: 978-1-4773-2440-0. The Classical Review pp. 1–3.

Richardson, Heather (2022). 'The Mermaid's Curse': Case Study of a Multimodal Work-in-Progress. Writing in Practice, 7 pp. 18–29.

Sciampacone, Amanda (2022). The ‘Scourge of Modern Times’: Cholera, Race, and Empire in Early Nineteenth-Century British Illustrated Print Culture. Journal of Victorian Culture (Early Access).

Stevens, Amanda (2022). ‘Home on the Rails’: The design, fitting and decoration of train interiors in Britain c. 1920-1955. PhD thesis The Open University.

Vincent, David (2022). [Book Review] Katie Hindmarch-Watson. Serving a Wired World. London’s Telecommunications Workers and the Making of an Information Capital. The American Historical Review, 127(1) pp. 543–544.

Wainwright, Leon (2022). Taste and geographical movement in contemporary art of the Caribbean. Caribbean Intransit, 3(6) pp. 36–47.

Wainwright, Leon (2022). 'A New Paradigm, Moving on from Bakhtin'. Journal of Festival Culture Inquiry and Analysis, 1 (In Press).

Wainwright, Leon (2022). A suitable distance? Revisiting a millennial approach to curating art in the Caribbean. Art Journal (In Press).

Yamagata, Naoko (2022). Socrates the Homer-lover as portrayed in Plato, Xenophon and Aristophanes. Synthesis, 29(1), article no. e118.

Younger, Neil (2022). New Light on Henry Lanman, Owner of the Curtain. Early Theatre, 25(1) pp. 117–125.

2021To Top

Hamer, Laura ed. (2021). The Cambridge Companion to Women in Music since 1900. Cambridge Companions. Cambridge: Cambridge University Press.

Hughes, Jessica ed. (2021). Material Religion in Pompeii. Open University: Open Arts Journal.

King, Edmund G.C. and Smialkowska, Monika eds. (2021). Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan.

Kynan-Wilson, William; Fonnesberg-Schmidt, Iben; Opitz-Trotman, Gesine and Lauge Christensen, Emil eds. (2021). The Papacy and Communication in the Central Middle Ages. London: Routledge.

Kynan-Wilson, William and Munns, J. M. eds. (2021). Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer.

Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. (2021). The Clergy in Early Modern Scotland. London: Boydell.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2021). Art in Theory: The West in the World - An Anthology of Changing Ideas. Art in Theory -- An Anthology of Changing Ideas. United States: Wiley-Blackwell.

Antonini, Alessio; Benatti, Francesca; Watson, Nicola; King, Edmund and Gibson, Jonathan (2021). Death and Transmediations: Manuscripts in the Age of Hypertext. In: HT '21: Proceedings of the 32nd ACM Conference on Hypertext and Social Media, Association for Computing Machinery, New York, NY, USA, pp. 17–26.

Antonini, Alessio; Suárez-Figueroa, Mari Carmen; Adamou, Alessandro; Benatti, Francesca; Vignale, François; Gravier, Guillaume and Lupi, Lucia (2021). Understanding the phenomenology of reading through modelling. Semantic Web Journal, 12(2) pp. 191–217.

Arts & Ideas Podcast (2021). New Thinking: Diverse Classical Music. BBC Radio 3.

Axioti, Eleni (2021). Architecture as an Apparatus of Governance: (British) Architecture from the Welfare State to the State of Neoliberal Workfare. PhD thesis The Open University.

Baker-Bates, Piers (2021). Spanish Painting: Recreating a Perceived ‘Golden Age’. In: Potter, Matthew C. ed. Representing the Past in the Art of the Long Nineteenth Century. Routledge, pp. 106–123.

Barker, Elton (2021). On Space, Place, and Form in Herodotus’ Histories. Histos, 15 pp. 88–130.

Barker, Elton (2021). Geography. In: Baron, Christopher ed. The Herodotus Encyclopedia. John Wiley & Sons.

Barker, Elton and Christensen, Joel (2021). An epic Heracles. In: Ogden, Daniel ed. The Oxford Handbook of Heracles. Oxford Handbooks Online. Oxford: Oxford University Press, pp. 283–300.

Barker, Elton; Foka, Anna; Konstantinidou, Kyriaki; Mostofian, Nasrin; Talatas, Linda; Kiesling, John Brady; Demiroglu, Cenk; Palm, Kajsa; McMeekin, David and Vekselius, Johan (2021). Heritage metadata: a digital Periegesis. In: Koraljka, Golub and Ying-Hsang, Liu eds. Information and Knowledge Organisation in Digital Humanities. London: Routledge, pp. 227–242.

Barker, Elton; Isaksen, Leif and O'Doherty, Marianne (2021). Introduction to the Pelagios special issue. International Journal of Humanities and Arts Computing, 15(1-2) pp. 1–4.

Barker, Naomi J (2021). Frescobaldi at the Ospedale di Santo Spirito: a portfolio career in seventeenth-century Rome. Early Music (Early Access).

Benatti, Francesca and Antonini, Alessio (2021). Into the Macroscope: Systematic integration of micro- and macro-scale study of digital reading. In: The 17th IGEL Conference, 23 Jun - 26 Jun 2021, University of Liverpool (Remote).

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2021). Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training. Digital Humanities Quarterly, 15(3)

Benton, Tim (2021). Milieu, spirit, flesh and fusion in Le Corbusier’s life and work. ZARCH(17) pp. 12–41.

Betts, Eleanor (2021). [Book Review] Greg Woolf. The Life and Death of Ancient Cities: A Natural History (Oxford: Oxford University Press, 2020). European Journal of Archaeology, 24(4) pp. 559–562.

Blackburn-Daniels, Sally and Geoffroy, Sophie (2021). “Traces of the exotic” in Vernon Lee’s “Oke of Okehurst; Or, The Phantom Lover”. Women's Writing, 28(4) pp. 569–588.

Bridges, Emma (2021). Small grants, big impact: The Institute of Classical Studies’ seed funding scheme for public engagement. Research for All, 5(2) pp. 290–301.

Bridges, Emma and Stead, Henry (2021). [Subject Review] Reception. Greece and Rome, 68(2) pp. 348–352.

Brunet, Luc-Andre (2021). [Book review] Mohammed Lakhdar Ghettas. Algeria and the Cold War: International Relations and the Struggle for Autonomy. The American Historical Review, 126(1) pp. 427–429.

Brunton, Deborah (2021). [Book Review] Michael Bennett, War Against Smallpox. Edward Jenner and the Global Spread of Vaccination. Social History of Medicine, 34(1) pp. 331–332.

Burrows, Donald (2021). Handel’s singers from the London choirs. Early Music, 49(2) pp. 173–183.

Butcher, John and Clarke, Anactoria (2021). Widening HE participation in the arts: Impacts of an access module on learner preparedness. Arts and Humanities in Higher Education (Early Access).

Butler, Sarah (2021). Writing Home: An Exploration of The Writing of Jack and Bet (A Novel) And A Consideration of What the Novel – As A Space and A Practice – Might Offer to Our Understanding of The Concept of Home, And What A Consideration of Home Might Offer to Our Understanding of The Novel. PhD thesis The Open University.

Calver, Kay and Michael-Fox, Bethan (2021). Under pressure: representations of student suicide in British documentary television. Mortality (Early Access).

Calver, Kay and Michael-Fox, Bethan (2021). Constructing the university student in British documentary television. In: Brooks, Rachel and O'Shea, Sarah eds. Reimagining the Higher Education Student. Routledge, pp. 151–168.

Campbell, Siobhan (2021). New Poetry | Filíocht Nua. New Hibernia Review, 25(2) pp. 76–88.

Cathcart, Charles (2021). A Source for the Satirised Vocabulary in Poetaster. Notes and Queries, 68(1) pp. 136–138.

Charnley, Kim (2021). Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Radical Aesthetics-Radical Art. London: Bloomsbury Publishing.

Clark, Leah (2021). Merchant-banker, Diplomat, Courtier or Agent? Intermediaries and Collecting Art in the Renaissance Courts. In: Reist, Inge ed. When Michelangelo Was Modern: The Art Market and Collecting in Italy, 1450-1650. Leiden: Brill (In Press).

Clark, Leah R. and Campbell, Caroline (2021). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, vol. 2. London: Bloomsbury, (In Press).

Clarke, Anactoria (2021). Manti kakon: The Uncanny Prophecies of Calchas in the Iliad and Beyond. Preternature: Critical and Historical Studies on the Preternatural, 10(1) pp. 11–33.

Clarke, Martin V. (2021). Charles Wesley, Methodism and new art music in the long eighteenth century. Eighteenth-Century Music, 18(2) pp. 271–293.

Clarke, Martin V. (2021). Music. In: Barbeau, Jeffrey W. ed. The Cambridge Companion to British Romanticism and Religion. Cambridge Companions. Cambridge: Cambridge University Press, pp. 293–310.

Coffey, Helen (2021). Life as an Emperor's Musician. Musikleben des Spätmittelalters in der Region Österreich.

Conway, David and Williams, Chris (2021). The role of trade unions in promoting wellbeing. In: Mental Health and Wellbeing Conference, 1-2 Dec 2021, The Open University, Milton Keynes, United Kingdom.

Crisp, Lindsay P (2021). Breaking Down Colston: Destruction and transformation in London and Bristol. The Jugaad Project

Cui, Feng and Tickell, Alex (2021). Han Suyin: The little voice of decolonizing Asia. Journal of Postcolonial Writing, 57(2) pp. 147–153.

da Sousa Correa, Delia (2021). ‘Fragmented Music, Fragmented Minds: Janet Frame's Faces in the Water (1961)’. In: Bernhart, Walter and Englund, Axel eds. Arts of Incompletion: Fragments in Words and Music. Word and Music Studies (18). Amsterdam: Brill.

De Ornellas, Kevin and Mac Cathmhaoill, Dónall (2021). Addressing the legacy of inter-communal violence through drama: mainstream theatre and community drama. Glencree Journal, 2021 pp. 164–174.

Dee, Ashley (2021). “A System of Maltreatment”: Marital Cruelty in Victorian Glasgow. PhD thesis The Open University.

Doloughan, Fiona (2021). Literary Translingualism and Fiction. In: Kellman, Steven G. and Lvovich, Natasha eds. Routledge Handbook of Literary Translingualism. Routledge Literature Handbooks. Routledge, pp. 31–42.

Fallas, Rebecca (2021). ‘Infertile’ and ‘sub-fertile’ semen in the Hippocratic Corpus and the biological works of Aristotle. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. Routledge, pp. 120–133.

Foka, Anna; Demiroglu, Osman Cenk; Barker, Elton; Mostofian, Nasrin; Konstantinidou, Kyriaki; Kiesling, Brady; Talatas, Linda and Palm, Kajsa (2021). Visualizing Pausanias’s Description of Greece with contemporary GIS. Digital Scholarship in the Humanities (Early access).

Foka, Anna; McMeekin, David A.; Konstantinidou, Kyriaki; Mostofian, Nasrin; Barker, Elton; Demiroglu, O. Cenk; Chiew, Ethan; Kiesling, Brady and Talatas, Linda (2021). Mapping Ancient Heritage Narratives with Digital Tools. In: Champion, E. M. ed. Virtual Heritage: A Guide. London: Ubiquity Press, pp. 55–65.

Goh, Annie and Thompson, Marie (2021). Sonic Cyberfeminisms: Introduction. Feminist Review, 127(1) pp. 1–12.

Golding, Rosemary (2021). Music and Moral Management in the Nineteenth-Century English Lunatic Asylum. Mental Health in Historical Perspective, 1. Cham, Switzerland: Palgrave Macmillan.

Golding, Rosemary (2021). Music as Therapy for the ‘exceptionally wealthy’ at the Nineteenth-Century Ticehurst Asylum. Royal Musical Association Research Chronicle (In Press).

Goodrich, Amanda (2021). [Book review] Ryan Hanley. Beyond Slavery and Abolition: Black British Writing, c. 1770–1830. The American Historical Review, 126(1) pp. 381–382.

Graham, Emma-Jayne (2021). At home with the Lares: lived religion rematerialised at Pompeii. Open Arts Journal, 10(2) pp. 33–50.

Graham, Emma-Jayne (2021). Interactional sensibilities: bringing ancient disability studies to its archaeological senses. In: Adams, Ellen ed. The Forgotten Other: Disability Studies and the Classical Body. Studies in Ancient Disabilities. Abingdon: Routledge, pp. 165–191.

Granieri, Niccolò; Dooley, James and Michailidis, Tychonas (2021). Retaining pianistic virtuosity in #MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study. In: Hepworth-Sawyer, Russ; Paterson, Justin and Toulson, Rob eds. Innovation in Music: Future Opportunities. Abingdon, UK: Routledge.

Griffiths, Andrew (2021). Masculinity, Madness and Empire in Kipling’s ‘Thrown Away’ and ‘The Madness of Private Ortheris’. Journal of Victorian Culture, 26(4) pp. 552–567.

Gupta, Suman (2021). Procedural Democracy and Electronic Agents. AI Magazine, 42(1) pp. 30–38.

Gupta, Suman (2021). The University as a Political Site: 1968 and Now. European Review, 29(6) pp. 725–737.

Gupta, Suman and GRAF (2021). Brazil: the real dystopia project. Disjunctures, pandemics, and politics under Bolsonaro. Digithum(27) pp. 1–11.

Hack, Karl (2021). [Book Review] A Global History of Relocation in Counterinsurgency Warfare by Edward J. Erickson (ed.). Journal of Contemporary History, 56(4) pp. 1203–1205.

Hack, Karl (2021). The Malayan Emergency: Revolution and Counterinsurgency at the End of Empire. Cambridge Military Histories. Cambridge: Cambridge University Press.

Hamer, Laura (2021). 'Preface'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, xxi-xxix.

Hamer, Laura (2021). 'On the Podium: Women Conductors'. In: Hamer, Laura ed. The Cambridge Companion to Women in Music since 1900. Cambridge: Cambridge University Press, pp. 64–79.

Harrison, Rebecca (2021). Mabel, Marilyn, and Me: Writing about Mabel Normand as a Feminist Film Historian. Early Popular Visual Culture (In Press).

Haslam, Sara and King, Edmund G. C. (2021). “Medicinable Literature”: Bibliotherapy, Literary Caregiving, and the First World War. Literature and Medicine, 39(2) pp. 296–318.

Haywood, Jan (2021). The use(s) of inscriptions in Herodotus’ Histories. American Journal of Philology, 142(2) pp. 217–257.

Haywood, Jan (2021). Lade. In: Baron, Christopher ed. The Herodotus Encyclopedia. Wiley-Blackwell.

Hazareesingh, Sandip (2021). 'Our grandmother used to sing whilst weeding': Oral histories, millet food culture, and farming rituals among women smallholders in Ramanagara district, Karnataka. Modern Asian Studies, 55(3) pp. 938–972.

Hazareesingh, Sandip (2021). [Book review] Flachs, Andrew. Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India. The AAG Review of Books, 9(4) pp. 12–14.

Howard, Patricia (2021). Guadagni in Handel’s London: the formation of a voice. Early Music, 49(2) pp. 195–210.

Hughes, Jessica (2021). Material religion and Pompeii: introduction. Open Arts Journal(10) pp. 3–12.

Kahn, Rebecca; Isaksen, Leif; Barker, Elton; Simon, Rainer; de Soto, Pau and Vitale, Valeria (2021). Pelagios – Connecting Histories of Place. Part II: From Community to Association. International Journal of Humanities and Arts Computing, 15(1-2) pp. 85–100.

Katritzky, M A (2021). William Hogarth and Book Illustration: Visualizing “Otherness” in pre-Victorian images of Shakespeare’s Caliban. In: Pietrini, Sandra ed. Shakespearean Characters Transposed: Iconography, Adaptations, Cultural Exchanges and Staging. L’immaginario teatrale, 1. Alessandria: Edizioni dell’Orso, 65-83 & 237-241.

Katritzky, M. A. (2021). William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia, 24(1) pp. 313–356.

Katritzky, M. A. (2021). Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi. European Medieval Drama, 25 pp. 239–281.

Katritzky, M. A. (2021). Generisches und spezifisches Anderssein: Shackshoone (1665–1680), Antonio Martinelli (1718–1740) und frühneuzeitliche Darstellungen von menschlichen Doppelfehlbildungen. In: Stolberg, Michael ed. Körper-Bilder in der Frühen Neuzeit: Kunst-, medizin- und mediengeschichtliche Perspektiven. Schriften des Historischen Kollegs Herausgegeben von Hartmut Leppin Kolloquien 107. Berlin/Boston: Walter de Gruyter GmbH, pp. 199–228.

King, Edmund and Smialkowska, Monika (2021). Introduction: Memorialising Shakespeare, Memorialising Ourselves. In: King, Edmund and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Palgrave Shakespeare Studies (PASHST). Basingstoke: Palgrave Macmillan, pp. 1–32.

King, Edmund G. C. (2021). [Book Review] Book Traces: Nineteenth-Century Readers and the Future of the Library, by Andrew M. Stauffer. Library & Information History, 37(2) pp. 186–187.

King, Edmund G.C. (2021). From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier during the First World War. In: King, Edmund G.C. and Smialkowska, Monika eds. Memorialising Shakespeare: Commemoration and Collective Identity, 1916-2016. Basingstoke: Palgrave Macmillan, pp. 35–64.

King, Helen (2021). Seeing the bigger picture: what is gynaecology for? Ágora: Estudos Clássicos em Debate, 23(1) pp. 17–48.

King, Helen (2021). A history of our own? Using Classics in disability histories. In: Adams, Ellen ed. Disability Studies and the Classical Body: The Forgotten Other. Routledge Studies in Ancient Disabilities. London: Routledge, pp. 237–263.

King, Helen (2021). Opening the body of fluids: Taking in and pouring out in Renaissance readings of Classical women. In: Bradley, Mark; Leonard, Victoria and Totelin, Laurence eds. Bodily Fluids in Antiquity. London: Routledge, pp. 381–398.

Kolassa, Alexander (2021). ‘A crazy clutter of the mediaeval, medical mind’: Ken Russell, Peter Maxwell Davies, and Modernist Medievalism in The Devils. Journal of the Royal Musical Association (In press).

Kolassa, Alexander (2021). [Book Review] The Oxford Handbook of Music and Medievalism. Ed. by Stephen C. Meyer and Kirsten Yri. Music and Letters (In press).

Kolassa, Alexander (2021). Intertextuality and (modernist) medievalism in British post-war music. In: Kostka, Violetta; Castro, Paulo Ferreira de and Everett, William eds. Intertextuality in Music: Dialogical Composition. London: Routledge, pp. 114–128.

Kynan-Wilson, William (2021). Henry of Blois and the construction of Roman identity. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 185–208.

Kynan-Wilson, William and Munns, J. M. (2021). Introduction: Approaches to Henry of Blois. In: Kynan-Wilson, William and Munns, J. M. eds. Henry of Blois: New Interpretations. Woodbridge: Boydell & Brewer, pp. 1–25.

Kyratsou, Chrysi; McNulty Burrows, Cathrinea; Nguyen, Hoa; Barry, Heather E. and Simones, Lilian (2021). [Editorial] Introducing the IMPACT Journal and its First Issue. International Modern Perspectives in Academia and Community Today(1)

Langley, Chris R. (2021). Parish Politics and Godly Agitation in Late Interregnum Scotland. Church History, 90(3) pp. 557–578.

Langley, Chris R. (2021). Anticlericalism in Early Modern Scotland? In: Langley, Chris R.; McMillan, Catherine E. and Newton, Russell eds. The Clergy in Early Modern Scotland. London: Boydell, pp. 89–110.

Layton-Jones, Katy (2021). [Book Review] Greening the City: Nature in French Towns from the 17th Century. By Charles-François Mathis and Émilie-Anne Pepy. Urban History, 48(4) pp. 754–756.

Mackie, Robin (2021). [Book review] Müller (ed.), Scotland and Arbroath 1320–2020. 700 years of Fighting for Freedom, Sovereignty, and Independence. The Scottish Historical Review, 100(1) pp. 152–155.

Marsden, Richard (2021). Blaenau Gwent REACH Summary Report. Open University in Wales, Cardiff.

Marsden, Richard (2021). [Book Review] The First Scottish Enlightenment: Rebels, Priests and History. By Kelsey Jackson Williams. Scottish Historical Review, 100(2) pp. 293–295.

Marsden, Richard and Ford, Elizabeth (2021). Blaenau Gwent REACH Online Exhibition. The OU in Wales, Cardiff.

McEneaney, Sinead (2021). “Not picketing in front of bra factories...”: Marxism, feminism, and the Weather Underground. In: Phelps, Christopher and Vandome, Robin eds. Marxism and America: New Appraisals. Manchester: Manchester University Press.

Michael-Fox, Bethan (2021). [Book Review] Navigating miscarriage: social, medical and conceptual perspectives edited by Susie Kilshaw and Katie Berg. Mortality (Early Access).

Michael-Fox, Bethan and Coward-Gibbs, Matt (2021). Sexual Encounters Between the Living and the (Un) dead in Popular Culture. In: Gibson, Rebecca and Vanderveen, James M. eds. Gender, Supernatural Beings, and the Liminality of Death Monstrous Males/Fatal Females. New York: Rowman and Littlefield.

Michael-Fox, Bethan and Visser, Renske (2021). The Death Studies Podcast. The Death Studies Podcast.

Michell, Sophie (2021). Historical Infanticide Through An Interdisciplinary Lens. The Open University.

Murray, Andrew (2021). Burgundian Sword Ritual: Charismatic and Regnal Authority at the Funeral of Philip the Good in Bruges, 1467. The Court Historian - The International Journal of Court Studies, 26(1) pp. 11–28.

Murray, Andrew (2021). Philip the Bold’s Tomb (1412): Creative Agency, Courtly Patronage and Labour History. In: Cordez, Philippe ed. Mittelalter und Mittelalterbild / Le Moyen Âge et son image. Heidelberg: Heidelberg University Publishing.

Olney, Tom; Walker, Steve; Wood, Carlton and Clarke, Anactoria (2021). Are We Living in LA (P)LA Land? Reporting on the Practice of 30 STEM Tutors in Their Use of a Learning Analytics Implementation at The Open University. Journal of Learning Analytics, 8(3) pp. 45–59.

Paul, Joanna (2021). Afterword. In: Potter, Amanda and Gardner, Hunter eds. Ancient Epic in Film and Television. Edinburgh: Edinburgh University Press, pp. 233–239.

Perkins, Phil (2021). The Etruscan pithos revolution. In: Gleba, Margarita; Marín-Aguilera, Beatriz and Dimova, Bela eds. Making cities: Economies of production and urbanization in Mediterranean Europe, 1000–500 BC. McDonald Institute Conversations. Cambridge, UK: McDonald Institute for Archaeological Research, pp. 231–258.

Plassart, Anna (2021). [Book Review] Parliamentarism: From Burke to Weber. European Journal of Political Theory (Early Access).

Plassart, Anna (2021). “Sovereign of the Sea”: Adam Ferguson on Britain’s Empire. In: Brown, Michael and Hill, Jack A. eds. Adam Ferguson Unfurled. Aberdeen: Aberdeen University Press (In Press).

Plassart, Anna and Bonin, Hugo (2021). Democratic struggle or national uprising? The Canadian rebellions in British political thought, 1835–1840. Global Intellectual History (Early Access).

Plassart, Anna and Forbes, Suzanne (2021). La « nationalité » dans les discours parlementaires britanniques au XIXe siècle. Mots: Les langages du politique, 121 pp. 15–36.

Plassart, Anna and Mosher, Michael (2021). Introduction: A Cultural History of Democracy in the Age of Enlightenment. In: Plassart, Anna and Mosher, Michael eds. A Cultural History of Democracy in the Age of Enlightenment. London: Bloomsbury, pp. 1–16.

Plastow, Christine (2021). [Book review] Democratic Law in Classical Athens, written by Michael Gagarin. Polis: The Journal for Ancient Greek and Roman Political Thought, 38(2) pp. 332–335.

Post, Doris (2021). [Book Review] D. Kovacs Sophocles Oedipus the King: A New Verse Translation. Oxford: Oxford University Press, 2020. The Journal of Hellenic Studies, 141 pp. 251–252.

Post, Doris (2021). [Book Review] P.J. Finglass Sophocles (Greece and Rome New Surveys in the Classics 44). Cambridge: Cambridge University Press, 2019. The Journal of Hellenic Studies, 141 pp. 250–251.

Prescott, Lynda (2021). [Book review] Sarah Wasserman, The Death of Things: Ephemera and the American Novel. Literature & History, 30(1) pp. 97–99.

Probert, Thomas (2021). Psychiatric casualties and the British counter-insurgency in Malaya. Small Wars & Insurgencies (Early Access).

Richardson, Heather (2021). Stitching a Divided City. TEXTILE: Cloth and Culture (Early Access).

Shaw, Samuel (2021). The Graphic’s ‘Heads of the People’ (1875-1883): Further Influences and Legacies. The Burlington Magazine, 163(1420) pp. 516–523.

Simones, Lilian (2021). Certificate for Music Educators Guidebook: Teaching Children and Young People. Routledge.

Steele, Matthew George (2021). The Conservation and Adaptation of Historic Anglican Churches in England for Secular Community Use and Continued Worship, Post‐1945. PhD thesis The Open University.

Sutton-Vane, Angela (2021). Investigating the Murder File: A Biographical Analysis of Creation, Survival and Impact. PhD thesis The Open University.

Sutton-Vane, Angie (2021). Debate: The preservation of police force records for future research—Why it is important, what is failing and lessons that can be learned. Public Money & Management (Early access).

Swift, Laura (2021). Sappho and the Gods. In: Finglass, Patrick and Kelly, Adrian eds. The Cambridge Companion to Sappho. Cambridge Companions to Literature. Cambridge: Cambridge University Press, pp. 209–222.

Swift, Laura (2021). Negotiating hegemony in early Greek Poetry. In: Zucchetti, Emilio and Cimino, Anna Maria eds. Antonio Gramsci and the Ancient World. London: Routledge, pp. 44–62.

Tabony, Aiman (2021). The Ecological Superblock - Computational Ecology Principles in Urban Systems Design. PhD thesis The Open University.

Taylor, Clare and Richardson, Heather (2021). The Creative Interactions Project. Writing in Education, 84 pp. 58–62.

Taylor, Jack (2021). Against his will? Recovering male on male sexual violence in London, 1761-1861. PhD thesis The Open University.

Thofner, Margit (2021). [Book Review] Northern European reformations. Transnational perspectives. Edited by James E. Kelly, Henning Laugerud and Salvador Ryan. Cham: Palgrave Macmillan, 2020. The Journal of Ecclesiastical History, 72(4) pp. 885–888.

Thompson, Marie (2021). ‘Your Womb, the Perfect Classroom’: Prenatal Sound Systems and Uterine Audiophilia. Feminist Review, 127(1) pp. 73–89.

Tickell, Alex (2021). Han Suyin’s Cold War fictions: Life-writing, intimacy, and decolonization. Journal of Postcolonial Writing, 57(2) pp. 241–254.

Trott, Vincent (2021). Humour, Neutrality and Preparedness: American Satirical Magazines and the First World War, 1914-1917. War in History (Early access).

Vitale, Valeria; de Soto, Pau; Simon, Rainer; Barker, Elton; Isaksen, Leif and Kahn, Rebecca (2021). Pelagios – Connecting Histories of Place. Part I: Methods and Tools. International Journal of Humanities and Arts Computing, 15(1-2) pp. 5–32.

Wainwright, Leon (2021). The Parallax Effect. In: Westgeest, Helen and Zijlmans, Kitty eds. Mix and Stir: New Outlooks on Contemporary Art from Global Perspectives. Amsterdam: Valiz, with support of Mondriaan Fonds, Academy of Creative and Performing Arts (ACPA), University of the Arts, The Hague / Faculty of Humanities, Leiden University, pp. 347–352.

Wallis, Robert (2021). [Book review] The rock art landscapes of Rombalds Moor, West Yorkshire, by Vivien Deacon. Time and Mind (Early Access).

Wallis, Robert (2021). Reproduction, Simulation and the Hyperreal: A Case Study of 'Lascaux III'. In: Rozwadowski, Anrzej and Hampson, Jamie eds. Visual Culture and Identity: Using Rock Art to Reconnect Past and Present. Oxford: Archaeopress.

Wallis, Robert J. (2021). Hunters and shamans, sex and death: relational ontologies and the materiality of the Lascaux 'shaft-scene'. In: Moro Abadía, Oscar and Porr, Martin eds. Ontologies of Rock Art: Images, Relational Approaches and Indigenous Knowledge. Abingdon: Routledge, pp. 319–334.

Wallis, Robert J. and Carocci, Max (2021). Introduction to the Special Issue Art, Shamanism and Animism. Religions, 12(10), article no. e853.

Wetherilt, Anne (2021). Emergency politics and the middlebrow novel: A comparative analysis of Han Suyin’s … and the Rain my Drink and Mary McMinnies’s The Flying Fox. Journal of Postcolonial Writing, 57(2) pp. 255–268.

Wilding, Alexandra (2021). Reinventing the Amphiareion at Oropos. Leiden: Brill, pp. 19–46.

Wilding, Alexandra (2021). [Book Review] Visual Approaches to the Gods of the Greeks - (E.) Simon The Gods of the Greeks. Translated by Jakob Zeyl. Edited by Alan Shapiro with a Foreword by Fritz Graf. Pp. xxviii + 440, ills, maps. Madison, WI and London: The University of Wisconsin Press, 2021 (originally published as Die Götter der Griechen, 1969). The Classical Review, 71(2) pp. 532–534.

Wilkinson, Louise J. and Wolfson, Sara J. (2021). Introduction: premodern queenship and diplomacy. Women's History Review, 30(5) pp. 713–722.

Winters, Ben (2021). 'Magic Fire': a Wagner Film with a Difference. The Wagner Journal, 15(3) pp. 11–22.

Winters, Ben (2021). Historical sound-film presentation and the closed-curtain roadshow overture. In: Cenciarelli, Carlo ed. The Oxford Handbook of Cinematic Listening. Oxford Handbooks. Oxford University Press.

Yamagata, Naoko (2021). [Book Review] R. Gagné) and M. Herrero de Jáuregui (eds) Les dieux d’Homère 2: anthropo-morphismes (Kernos Supplement 33). Liège: Presses Universitaires de Liège, 2019. The Journal of Hellenic Studies, 141 pp. 243–244.

Yamagata, Naoko (2021). Thetis and the Shield of Achilles – Reading the Iliad with Auden. In: Paprocki, M; Vos, G.P. and Wright, D.J. eds. The Staying Power of Thetis: Allusion, Interaction, and Reception from Homer to the 21st Century. De Gruyter, (In Press).

Ziegler, Molly (2021). ‘For Fear to Be Infect’: Reading the Female Body in Early Modern Revenge Drama. Journal of Early Modern Studies, 10 pp. 249–268.

2020To Top

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2020). George Frideric Handel: Collected Documents, Volume 4. 1742-1750. Cambridge University Press.

Canova-Green, Marie-Claude and Wolfson, Sara eds. (2020). The wedding of Charles I and Henrietta Maria, 1625. Celebrations and controversy. European Festival Studies: 1450-1700 (EFS). Brepols Publishers.

da Sousa Correa, Delia ed. (2020). The Edinburgh Companion to Literature and Music. Edinburgh Companions to Literature and the Humanities. Edinburgh University Press.

Hutchison, David and Johnson, David eds. (2020). Stuart Hood: Twentieth-Century Partisan. Newcastle: Cambridge Scholars.

Katritzky, M. A. and Drábek, Pavel eds. (2020). Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press.

Langley, Chris R. ed. (2020). The National Covenant in Scotland, 1638-1689. London: Boydell.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Volume 1 Essays. Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, 1. Cambridge: Cambridge University Press.

Lymberopoulou, Angeliki ed. (2020). Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean (Volume 1 & 2). Hell in the Byzantine World A History of Art and Religion in Venetian Crete and the Eastern Mediterranean. Cambridge: Cambridge University Press.

Neale, Derek ed. (2020). Writing Talk: Interviews with writers about the creative process. London: Routledge.

Tickell, Alex and Ranasinha, Ruvani eds. (2020). Delhi: New Literatures of the Megacity. Abingdon: Routledge.

Alexiou, Katerina; Zamenopoulos, Theodore; Hale, Vera; West, Susie and de Sousa, Sophia (2020). Empowering design practices: exploring relations between architecture, faith, society and community. Open Arts Journal(9), article no. 5.

Antonini, Alessio and Benatti, Francesca (2020). *ing the Written Word: Digital Humanities Methods for Book History. In: SHARP 2020: Power of the Written Word, 11-15 Jul 2020, Amsterdam.

Antonini, Alessio; Benatti, Francesca and Blackburn-Daniels, Sally (2020). On Links To Be: Exercises in Style #2. In: 31st ACM Conference on Hypertext and Social Media (HT’20), 13-15 Jul 2020, Online, pp. 27–36.

Antonini, Alessio; Benatti, Francesca and King, Edmund (2020). Restoration and Repurposing of DH legacy projects: the UK-RED case. In: Book of Abstracts of DH2020.

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 9(1) pp. 40–68.

Aylett, Sam (2020). The impact of architecture and space on understanding historical progress at the Museum of London. The Open University.

Aylett, Samuel Paul Tobias (2020). The Museum of London 1976-2007: Reimagining Metropolitan Narratives in Postcolonial London. PhD thesis The Open University.

Barker, Elton (2020). What would Indy do? Resisting post-truth through the practice of annotation. In: Roosevelt, Chris ed. Spatial Webs: Mapping Anatolian Pasts for Research and the Public. ANAMEDD: Research Center for Anatolian Civilizations. Istanbul: Koç University Research Centre for Anatolian Civilizations, pp. 5–31.

Barker, Elton; Foka, Anna and Konstantinidou, Kyriaki (2020). Coding for the Many, Transforming Knowledge for All: Annotating Digital Documents. Publications of the Modern Language Association, 135(1) pp. 195–202.

Barker, Elton T. E. and Christensen, Joel P. (2020). Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. Hellenic Studies, 84. Harvard University Press.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) pp. 91–116.

Barlow, Helen (2020). ‘Praise the Lord! We are a musical nation’: the Welsh working classes and religious singing. Nineteenth-Century Music Review, 17(3) pp. 445–472.

Barlow, Helen and Herbert, Trevor (2020). Introduction - Listeners in music history: studying the evidence. Nineteenth-Century Music Review, 17(3) pp. 343–357.

Barlow, Helen and Herbert, Trevor eds. (2020) Nineteenth-Century Music Review (17) Special Issue 3: The Experience of Listening to Music in the Nineteenth Century, Cambridge University Press.

Barnes, Amy Jane (2020). Chinese Propaganda Posters at the British Library. Visual Resources, 36(2) pp. 124–147.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. Contemporary China Centre, University of Westminster.

Barnes, Amy Jane; Charnley, Kim; Dohmen, Renate and Lotz, Nicole (2020). Colonial histories, museum collections, FabLabs and community engagement: flows of practices, cultures and people – a roundtable. Open Arts Journal, 9 pp. 91–118.

Brown, Richard Danson (2020). Why at all Complain? "Bad" Poetry and Denatured Form in Spenser's Daphnaida. Spenser Studies, 34 pp. 77–110.

Brown, Richard Danson (2020). A. D. Cousins and Daniel Derrin, eds., Shakespeare and the Soliloquy in Early Modern English Drama. Spenser Review, 50(2), article no. 8.

Brunet, Luc-Andre (2020). 'A Bridge to Better Relations between London and Vichy': Jan Smuts, South Africa, and Commonwealth Diplomacy in the Second World War. In: Dubow, Saul and Drayton, Richard eds. Commonwealth History in the Twenty-First Century. Cambridge Imperial and Post-Colonial Studies Series (CIPCSS). Basingstoke: Palgrave Macmillan, pp. 251–269.

Bullock, Emily (2020). Inside the Beautiful Inside. Everything with Words.

Campbell, Siobhan (2020). Writing in a Time of Violence: Padraic Fiacc’s Demotic Aesthetic. PNReview, 46(4)

Campbell, Siobhan and Jensen, Meg (2020). Writing-based interventions: from Communities of Practice to Life Stories. Writing in Education(82) pp. 54–60.

Charlesworth, Amy and Begonia, Marissa (2020). 'Whose Housework, Whose Artwork? The Voice of Domestic Workers’. In: Deepwell, Katy ed. Feminist Art Activisms And Artivisms. Plural. Amsterdam: Valiz.

Charnley, Kim (2020). Art, design and modernity: the Bauhaus and beyond. Open Arts Journal, 9 pp. 43–56.

Clark, Leah R. (2020). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections, 32(2) pp. 275–288.

Clarke, Martin V. (2020). Hearing and Believing: Listening Experiences as Religious Experiences in Nineteenth-Century British Methodism. Nineteenth-Century Music Review, 17(3) pp. 381–402.

Clarke, Martin V. (2020). Churches and Devotional Practice. In: Watt, Paul; Collins, Sarah and Allis, Michael eds. The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century. Oxford: Oxford University Press.

Colclough, Stephen and King, Edmund G. C. (2020). Readers: Books and Biography. In: Eliot, Simon and Rose, Jonathan eds. A Companion to the History of the Book, 2nd. ed. Blackwell Companions to Literature and Culture, 1. Oxford: Wiley-Blackwell, pp. 157–171.

da Sousa Correa, Delia (2020). From 'the great Handel chorus' to 'wild passion and fancy': Listening to Handel and Purcell in The Mill on the Floss. 19: Interdisciplinary Studies in the Long Nineteenth Century(29), article no. 1934.

da Sousa Correa, Delia (2020). George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 437–446.

da Sousa Correa, Delia (2020). Introduction: Part IV: Literature and Music in the Nineteenth Century. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh University Press, pp. 383–394.

da Sousa Correa, Delia (2020). Introduction. In: da Sousa Correa, Delia ed. The Edinburgh Companion to Literature and Music. Edinburgh: Edinburgh University Press, pp. 1–15.

Dohmen, Renate (2020). Art, industry and the laws of nature: the South Kensington method revisited. Open Arts Journal(9) pp. 23–42.

Dohmen, Renate (2020). The Artist as Postindian Warrior: Saviourism, Appropriation and Care in the Art of Kent Monkman. Journal of Global Studies and Contemporary Art, 7(1) pp. 409–442.

Drábek, Pavel and Katritzky, M. A. (2020). Introduction. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 1–19.

Fear, Trevor (2020). The Role of Quintus Dellius in the meeting of Antony and Cleopatra at Tarsus. Phoenix, 74(1-2) pp. 91–99.

Foka, Anna; Barker, Elton; Konstantinidou, Kyriaki; Mostofian, Nasrin; Demiroglu, O. Cenk; Kiesling, Brady and Talatas, Linda (2020). Semantically geo-annotating an ancient Greek "travel guide" Itineraries, Chronotopes, Networks, and Linked Data. In: Proceedings of the 4th ACM SIGSPATIAL Workshop on Geospatial Humanities, ACM.

Gibson, Jonathan (2020). The Development of William Cecil's Italic Handwriting. Etudes Anglaises, 73(3) pp. 329–346.

Gibson, Jonathan and Coatalen, Guillaume (2020). Robert Cecil's Handwriting Advice to his Son. Etudes Anglaises, 73(3) pp. 313–328.

Golding, Rosemary (2020). ‘Appeasing the unstrung mental faculties’: listening to music in nineteenth-century lunatic asylums. Nineteenth-Century Music Review, 17(3) pp. 403–425.

Goodrich, Amanda (2020). The Two Henry Redhead Yorkes, radical to liberal: BAME presence in British Politics, 1790-1850. Journal of Liberal History(108) pp. 20–31.

Gouly, Daniel (2020). SoundCloud, Sampling and Sonic Experimentation: Knowledge Transmission in Hip-Hop’s Underground. PhD thesis The Open University.

Graham, Emma-Jayne (2020). Reassembling Religion in Roman Italy. Routledge.

Graham, Emma-Jayne (2020). Hand in hand: Rethinking anatomical votives as material things. In: Gasparini, V; Patzelt, M; Raja, R; Rieger, A-K; Rupke, J and Urciuoli, E eds. Lived Religion in the Ancient Mediterranean World: Approaching Religious Transformations from Archaeology, History and Classics. De Gruyter, pp. 209–236.

Graham, Emma-Jayne (2020). Mobility impairment: identifying lived experiences in Roman Italy. In: Laes, Christian ed. A Cultural History of Disability in Antiquity. London: Bloomsbury, pp. 31–45.

Granados-García, Paula Loreto (2020). Cultural Contact in Early Roman Spain through Linked Open Data. PhD thesis The Open University.

Greenhalgh, Claire Elizabeth (2020). The Depiction of Slavery in Ancient World Television Drama: Politics, Culture and Society. PhD thesis The Open University.

Gupta, Suman (2020). Digital India and the Poor: Policy, Technology and Society. Routledge.

Gupta, Suman; Allen, Richard; Schuller, Sebastian; Tu, Peter; Basu, Maitrayee; Gupta, Ayan-Yue; Durao, Fabio Akcelrud and Katsarska, Milena (2020). Social Analysis and the COVID-19 Crisis: A Collective Journal. Delhi and London: Routledge.

Gupta, Suman and Tu, Peter H (2020). What is Artificial Intelligence?: A Conversation between an AI Engineer and a Humanities Researcher. Singapore and London: World Scientific.

Gustar, Andrew (2020). The laws of musical fame and obscurity. Significance, 17(5) pp. 14–17.

Hall, Edith and Stead, Henry (2020). A People's History of Classics: Class and Greco-Roman Antiquity in Britain 1689-1939. London: Routledge.

Hamer, Laura (2020). [Book Review] Paul Dukas, Composer and Critic. Music & Letters, 101(1) pp. 172–174.

Harrison, Rebecca (2020). The Empire Strikes Back. BFI Film Classics. Bloomsbury.

Haslam, Sara (2020). Reading, Trauma and Literary Caregiving 1914-1918: Helen Mary Gaskell and the War Library. Journal of Medical Humanities, 41 pp. 305–321.

Haslam, Sara (2020). The Other in Ford's Making: Elsie, Fiction and Collaboration. In: Brasme, Isabelle ed. Homo Duplex: Ford Madox Ford's Experience and Aesthetics of Alterity. Present Perfect. Montpelier, France: PULM, pp. 21–42.

Haywood, Jan (2020). Alice Oswald's Memorial, a new Iliad. In: Silva, Maria de Fátima; Bouvier, David and Augusto, Maria das Graças eds. A Special Model of Classical Reception: Summaries and Short Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 73–90.

Hazareesingh, Sandip (2020). 'I remember when it used to rain well and we could trust the weather'. Women's stories of changing farming lives in southern India. Open University, Milton Keynes, UK.

Herbert, Trevor (2020). Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 1850. Nineteenth-Century Music Review, 17(3) pp. 427–444.

Hogan, Edward (2020). Loops And Reels: Narrative disruption in film, fiction, and cinemagoing history. Writing in Practice, 6

Hogan, Edward (2020). The Electric. London: John Murray.

Hope, Valerie (2020). Life at Sea, Death on Land: the Funerary Commemoration of the Sailors of Roman Misenum. In: Bargfeldt, Niels and Hjarl Petersen, Jane eds. Reflections: Harbour City Deathscapes in Roman Italy and Beyond. Rome: Quasar, pp. 79–98.

Hope, Valerie (2020). Octavia: a Roman mother in mourning. In: Sharrock, Alison and Keith, Alison eds. Maternal conceptions in classical literature and philosophy. University of Toronto Press.

Hughes, Jessica (2020). A Sense of Disruption. Material Religion, 16(3) pp. 371–373.

Jarrett-Macauley, Delia and Nasta, Susheila (2020). Between the Wars: Caribbean, Pan-African, and Asian Networks from (I) - Global Locals. In: Nasta, Susheila and Stein, Mark U. eds. The Cambridge History of Black and Asian British Writing. Cambridge: Cambridge University Press, pp. 99–115.

Johnson, David (2020). Stuart Hood’s search for community: Novels beyond the nation. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 207–224.

Johnson, David and Hutchison, David (2020). Introduction. In: Hutchison, David and Johnson, David eds. Stuart Hood, Twentieth-Century Partisan. Newcastle: Cambridge Scholars, pp. 1–7.

Katritzky, M. A. (2020). Shakespeare’s picture of ‘We Three’ An image for illiterates? In: Duits, Rembrandt ed. The Art of the Poor: The Aesthetic Material Culture of the Lower Classes in Europe, 1300–1600. London: Bloomsbury, pp. 185–198.

Katritzky, M. A. (2020). London and The Hague, 1638: Performing quacks at court. In: Katritzky, M. A. and Drábek, Pavel eds. Transnational Connections in Early Modern Theatre. Manchester: Manchester University Press, pp. 114–138.

Katritzky, M. A. (2020). Margaret Cavendish’s Female Fairground Performers. In: Sewell, Jan and Smout, Clare eds. The Palgrave Handbook of the History of Women on Stage. Palgrave Macmillan, pp. 151–175.

Katritzky, M. A. (2020). The itinerant healer as a stage role: its origins in religious drama. In: von Contzen, Eva and Goodblatt, Chanita eds. Enacting the Bible in medieval and early modern drama. Manchester Medieval Literature and Culture. Manchester: Manchester University Press, pp. 81–103.

King, Helen (2020). Hippocrates Now: The 'Father of Medicine' in the Internet Age. Bloomsbury Studies in Classical Reception. London: Bloomsbury.

King, Helen (2020). The body beyond Laqueur: Hippocratic sex and its rediscovery. In: Höfele, Andreas and Kellner, Beate eds. Natur-Geschlecht-Politik: Denkmuster und Repräsentationsformen vom Alten Testament bis in die Neuzeit. Wilhelm Fink Verlag, pp. 199–216.

King, Helen (2020). ‘Treating the Patient, Not Just the Disease’: Reading Ancient Medicine in Modern Holistic Medicine. In: Thumiger, Chiara ed. Holism in Ancient Medicine and its Reception. Leiden: Brill, pp. 402–426.

King, Helen (2020). Hippocratic whispers: telling the story of the life of Hippocrates on the internet. In: Totelin, Laurence and Flemming, Rebecca eds. Medicine and Markets: Essays on Ancient Medicine in honour of Vivian Nutton. Classical Press of Wales, pp. 143–160.

Kolassa, Alexander (2020). Hail the Nightmare: Music, Sound, and Materiality in Bloodborne. The Soundtrack, 11(1-2) pp. 23–38.

Langley, Chris R. (2020). Cultures of Care: Domestic Welfare, Discipline and the Church of Scotland, c. 1600–1689. Leiden: Brill.

Langley, Chris R. (2020). Deportment, emotion and moderation at the Glasgow Assembly, 1638. Historical Research, 93(261) pp. 466–482.

Langley, Chris R. (2020). Reading John Knox in the Scottish Revolution, 1638-42. In: Langley, Chris R. ed. The National Covenant in Scotland, 1638–1689. London: Boydell, pp. 89–104.

Lawrence, Paul (2020). Policing, ‘Science’ and the Curious Case of Photo-FIT. The Historical Journal, 63(4) pp. 1007–1031.

Lymberopoulou, Angeliki (2020). ‘…κέ παντός του λαου τοῡ χορίου τ(ης) Μάζας…’ Communal Patronage of Church Decoration in Rural Venetian Crete. In: The Art of the Poor The Aestehtic Material Culture of the Lower Classes in Europe 1300-1600 (Duits, Rembrandt ed.), Bloomsbury, London, pp. 53–63.

Lymberopoulou, Angeliki (2020). The five senses in Hell. Material religion, 16(3) pp. 364–367.

Lymberopoulou, Angeliki (2020). Hell on Crete. In: Lymberopoulou, Angeliki ed. Hell in the Byzantine World. A History of Art and Religion in Venetian Crete and the Eastern Mediterranean, Volume 1. Cambridge: Cambridge University Press, pp. 117–190.

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Tickell, Alex (2020). Postcolonial Fiction and the Question of Influence: Arundhati Roy, The God of Small Things and Rumer Godden. Postcolonial Text, 15(1)

Tickell, Alex and Ranasinha, Ruvani (2020). Introduction to Delhi: New Literatures of the Megacity. In: Tickell, Alex and Ruvani, Ranasinha eds. Delhi: New Literatures of the megacity. Abingdon: Routledge, pp. 3–13.

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2019To Top

Archibald, Zosia and Haywood, Jan eds. (2019). The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales.

Neale, Derek ed. (2019). Writing Talk- How stories are found and made. London: Routledge (In Press).

Tickell, Alex ed. (2019). The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press.

Adamou, Alessandro; Brown, Simon; Barlow, Helen; Allocca, Carlo and d’Aquin, Mathieu (2019). Crowdsourcing Linked Data on listening experiences through reuse and enhancement of library data. International Journal on Digital Libraries, 20(1) pp. 61–79.

Allen, Gemma (2019). The Rise of the Ambassadress: English Ambassadorial Wives and Early Modern Diplomatic Culture. The Historical Journal, 62(3) pp. 617–638.

Antonini, Alessio; Benatti, Francesca; King, Edmund; François, Vignale and Guillaume, Gravier (2019). Modelling Changes in Diaries, Correspondence and Authors’ Libraries to support research on reading: the READ-IT approach. In: Open Data and Ontologies for Cultural Heritage (ODOCH'19), 3 - Jun -2019, Rome, Italy.

Archibald, Zosia and Haywood, Jan (2019). Preface. In: Archibald, Zosia and Haywood, Jan eds. The Power of Individual and Community in Ancient Athens and Beyond. Swansea: The Classical Press of Wales, ix-xxvii.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Elton; Simon, Rainer; Vitale, Valeria; Kahn, Rebecca and Isaksen, Leif (2019). Revisiting Linking Early Geospatial Documents with Recogito. e-Perimetron, 14(3) pp. 150–163.

Barker, Naomi J. (2019). Mottos and Metaphors: Towards an Interpretation of the Emblems in Frescobaldi’s Primo libro d’arie musicali. Journal of Seventeenth-Century Music, 25(1)

Barker, Naomi J. (2019). The Italian Keyboard Toccata c. 1615-1650: A Repository for Oral Compositional Practices. Royal Musical Association Research Chronicle, 50(1) pp. 1–28.

Barlow, Helen (2019). Progress and tradition: listening to the singing of the Welsh c.1870 to c.1920. In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. The Open University.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. University of Sheffield; Birkbeck University.

Benatti, Francesca (2019). Superhero comics and the digital communications circuit: a case study of Strong Female Protagonist. Journal of Graphic Novels and Comics, 10(3) pp. 306–319.

Benatti, Francesca (2019). Young Ireland and the Superannuated Bard: Rewriting Thomas Moore in The Nation. In: McCleave, Sarah and O'Hanlon, Triona eds. The Reputations of Thomas Moore: Poetry, Music, and Politics. Poetry and Song in the Age of Revolution. New York and London: Routledge, pp. 214–234.

Benatti, Francesca; Gooding, Paul and Sillence, Matthew (2019). Developing a Community of Practice: The CHASE Model for Digital Humanities Researcher Training. In: Digital Humanities Conference 2019: Complexities, 9-12 Jul 2019, Utrecht, the Netherlands.

Benzan, Carla (2019). Coming to Life at the Sacro Monte of Varallo: the sacred image al vivo in post-Tridentine Italy. In: Balfe, Thomas; Woodall, Joanna and Zittel, Claus eds. Ad Vivum: visual materials and the vocabulary of life-likeness in Europe before 1800. Intersections: Interdisciplinary studies in early modern culture (61). Leiden: Brill, pp. 224–246.

Brown, Richard Danson (2019). The art of The Faerie Queene. The Manchester Spenser. Manchester: Manchester University Press.

Brown, Richard Danson (2019). Three Poems in Spenserian Poetry: 'Merlin's Mirror', 'Faerie Queene Palimpsest', 'Figures of Speech'. Spenser Review, 49(3), article no. 2.

Brown, Richard Danson (2019). Caring to turn back: overhearing Spenser in Donne. In: Ryzhik, Yulia ed. Spenser and Donne: Thinking Poets. The Manchester Spenser, 1. Manchester: Manchester University Press, pp. 13–31.

Brown, Richard Danson (2019). Wise wights in privy places: rhyme and stanza form in Spenser and Chaucer. In: Stenner, Rachel; Badcoe, Tamsin and Griffith, Gareth eds. Rereading Chaucer and Spenser: Dan Geffrey with the New Poete. The Manchester Spenser. Manchester: Manchester University Press, pp. 113–136.

Brown, Richard Danson; Berry, Craig A.; Hadfield, Andrew and Grogan, Jane (2019). Editorial Introduction: Creative Responses to Spenser; Spenserian Poetry. Spenser Review, 49(3), article no. 1.

Brunet, Luc-André (2019). Unhelpful Fixer? Canada, the Euromissile Crisis, and Pierre Trudeau’s Peace Initiative, 1983-84. International History Review, 41(6) pp. 1145–1167.

Bullock, Emily (2019). Portfolio of short stories: 2015-2019. (Various Publishers).

Campbell, Siobhan (2019). ‘Bygone canon, bygone spleen’: Richard Murphy as a conflict poet in The Battle of Aughrim. In: Keatinge, Benjamin ed. Making Integral: Critical essays on Richard Murphy. Cork University Press, pp. 111–126.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 pp. 39–59.

Cathcart, Charles (2019). Alexander Grosart, ‘The First True Gentleman That Ever Breathed’, and the Independent Scholar. English: Journal of the English Association, 68(262) pp. 264–282.

Cathcart, Charles (2019). ‘Heavens Tones’ and ‘Tones of Heaven’ in Antonio’s Revenge and What You Will. Notes and Queries, 66(3) pp. 469–473.

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury.

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols.

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing.

Clarke, Martin V. (2019). [Book Review] Wesley Hymns. Wesley and Methodist Studies, 11(2) pp. 222–224.

Clarke, Martin V. (2019). ‘O Lord, open thou our lips’: listeners’ experiences of BBC Radio 3’s Choral Evensong on The New Radio 3 Forum. In: Barlow, Helen and Rowland, David eds. The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University.

Clarke, Martin V. (2019). “Come, all you people”: Lutheran Influences on the Spread of Global Hymnody. In: Schildt, Maria; Lundberg, Mattias and Lundblad, Jonas eds. Celebrating Lutheran Music: Scholarly Perspectives at the Quincentenary. Studia musicologica Upsaliensia. Uppsala: Acta Universitatis Upsaliensis, pp. 337–350.

Coffey, Helen (2019). Music and ceremony in Maximilian's Innsbruck. Musikleben des Spätmittelalters in der Region Österreich.

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Di Donato, Balandino; Dooley, James and Coccioli, Lamberto (2019). HarpCI, Empowering Performers to Control and Transform Harp Sounds in Live Performance. Contemporary Music Review, 38(6) pp. 667–686.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Doloughan, Fiona (2019). The problematics and performance of self-translation: The case of Xiaolu Guo. In: Bennett, Karen and Queiroz de Barros, Rita eds. Hybrid Englishes and the challenge of and for translation: Identity, mobility and language change. Routledge Advances in Translation and Interpreting, 1. New York: Routledge, pp. 21–36.

Donington, Katie (2019). The bonds of family: Slavery, commerce and culture in the British Atlantic. Studies in Imperialism. Manchester: Manchester University Press.

Donington, Katie (2019). Relics of empire: Colonialism and culture wars. In: Ward, Stuart and Rasch, Astrid eds. Embers of Empire in Brexit Britain. London: Bloomsbury, pp. 121–132.

Donnachie, Ian (2019). ‘We must give them an education, large, liberal and comprehensive’. Catherine Vale Whitwell: teacher, artist, author, feminist and Owenite communitarian. Women's History Review, 28(4) pp. 552–565.

Donnachie, Ian (2019). Catherine Vale Whitwell (1789-1873), educationist and communitarian. Oxford Dictionary of National Biography, OUP.

Dueck, Byron (2019). Powwow and Indigenous Modernities: Traditional Music, Public Education, and Child Welfare. In: Levine, Victoria Lindsay and Robinson, Dylan eds. Music and Modernity Among First Peoples of North America. Wesleyan University Press, pp. 158–173.

Edinburgh, Kerri-Anne (2019). A Study of the Experience of Listening to Music in World War Two Britain. PhD thesis The Open University.

Emsley, Clive (2019). British Police in Postwar Vienna: Chasing the Real Harry Lime. History Today, 69(2) pp. 40–53.

Faire, Lucy and Mchugh, Denise (2019). Twelve shades of grey: encountering urban colour in the street in British provincial towns, c. 1945–1970. Urban History, 46(2) pp. 288–308.

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis The Open University.

Golding, Rosemary (2019). Music and Mass Education: Cultivation or Control? In: Collins, Sarah ed. Music and Victorian Liberalism: Composing the Liberal Subject. Cambridge University Press, pp. 60–80.

Goodrich, Amanda (2019). Henry Redhead Yorke, Colonial Radical: Politics and Identity in the Atlantic World, 1772-1813. The Enlightenment World, 33. London and New York: Taylor & Francis, Routledge.

Graham, Emma-Jayne (2019). Pilgrimage, mobile behaviours and the creation of religious place in early Roman Latium. In: Kuuliala, Jenni and Rantala, Jussi eds. Travel, Pilgrimage and Social Interaction from Antiquity to the Middle Ages. Routledge, pp. 15–36.

Griffiths, Andrew (2019). An Anglo-American Encounter in Africa: Henry M. Stanley in Abyssinia, 1868. In: Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman (2019). Indian student protests and the nationalist–neoliberal nexus. Postcolonial Studies, 22(1) pp. 1–15.

Gupta, Suman (2019). Creative writing programmes and patronage. British Journal of Educational Studies, 67(3) pp. 321–336.

Gupta, Suman and Chattarji, Subarno (2019). Protests, Repression, Restructuring: Contemplating Indian Higher Education in 2018. Postcolonial Studies, 22(1) pp. 117–130.

Gupta, Suman and Gupta, Ayan-Yue (2019). “Resilience” as a policy keyword: Arts Council England and austerity. Policy Studies (Early Access).

Gustar, Andrew (2019). Fame, Obscurity and Power Laws in Music History. Empirical Musicology Review, 14(3-4) pp. 186–215.

Gustar, Andrew (2019). The Bad Nauheim Hotels in The Good Soldier: A Re-evaluation. Last Post: A literary journal from the Ford Madox Ford Society, 1(2) pp. 22–52.

Hack, Karl (2019). Unfinished Decolonisation and Globalisation. Journal of Imperial and Commonwealth History, 47(5) pp. 818–850.

Hack, Karl (2019). We Meet Again: Britain and Singapore 1945-1946. In: Koh, Tommy and Wightman, Scott eds. 200 years of Singapore and the United Kingdom. Singapore: Straits Times Press, pp. 118–125.

Hamer, Laura (2019). Women on the Podium: Issues and Strategies of Women Orchestral Conductors. Estudios bandísticos, 3(1) pp. 21–39.

Hamer, Laura (2019). Critiquing the Canon: The Role of Criticism in Canon Formation. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 231–248.

Hamer, Laura (2019). The Gender Paradox: Criticism of Women and Women as Critics. In: Dingle, Christopher ed. The Cambridge History of Music Criticism. The Cambridge History of Music. Cambridge University Press, pp. 272–290.

Hamer, Laura (2019). A Cultural Formation: Paul Dukas and Elsa Barraine. In: Minors, Helen Julia and Watson, Laura eds. Paul Dukas: Legacies of a French Musician. Abingdon and New York: Routledge, pp. 131–149.

Harlow, Nicky (2019). When I am Laid in Earth: a novel, and critical commentary investigating ‘Evocations of the Gothic: Creating “The Great Wrong Place’ and Material Evidence in Contemporary Crime Fiction. PhD thesis The Open University.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Harrison, Rebecca (2019). Gender, Race, and Representation in the Star Wars Franchise: An Introduction. Media Education Journal, 65(2) pp. 16–19.

Haslam, Sara (2019). Ford Studies in the Twenty-first Century: Bibliography, Criticism and the Gaps on the Map. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Companion to Ford Madox Ford. Routledge, pp. 1–22.

Haslam, Sara and Saunders, Max (2019). Ford's Letters. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 25–38.

Haslam, Sara; Saunders, Max and Skinner, Paul (2019). Editing Ford. In: Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. The Routledge Research Companion to Ford Madox Ford. Routledge, pp. 441–460.

Herbert, Trevor (2019). Solo and ensemble brass instrument recordings. Early Music, 47(2) pp. 277–280.

Hope, Valerie M. (2019). An Emperor's Tears: the significance of the mourning of the Julio-Claudian emperors. Thersites: Journal for Transcultural Presences and Diachronic identities from antiquity to date, 9 pp. 117–146.

Hughes, Jessica (2019). Tiny and Fragmented Votive Offerings from Classical Antiquity. In: Martin, S. Rebecca and Langin-Hooper, Stephanie M. eds. The Tiny and the Fragmented : Miniature, Broken, or Otherwise Incomplete Objects in the Ancient World. Oxford: Oxford University Press, pp. 48–71.

Jensen, Meg and Campbell, Siobhan (2019). Negotiated Truths and Iterative Practice: The Women in Conflict Expressive Life Writing Project. In: Douglas, Kate and Barnwell, Ashley eds. Research Methods for Auto/Biography Studies. Routledge Auto/Biography Studies. Routledge, pp. 115–129.

Johnson, David (2019). Dreaming of Freedom in South Africa: Literature between Critique and Utopia. Edinburgh: Edinburgh University Press.

Johnson, David (2019). An Interview with Ania Loomba and Suvir Kaul. Wasafiri, 34(1) pp. 52–57.

Johnson, Liz; Dooley, James; Hurst, Dane and McNeill, Jack (2019). Scintilla for dancer, clarinet and live electronics. Sound and Music.

Moohan, Elaine and Elliott, Kenneth, eds. Complete Works (Musica Scotica vol. 8). By Robert Johnson . Glasgow, Musica Scotica (2019).

Jones, Richard J. (2019). The eighteenth-century review journal as allegory: Smollett’s Critical Review and the work of criticism. The Eighteenth Century: Theory and Interpretation, 60(1) pp. 45–63.

Katritzky, M. A. (2019). Stefanelo Botarga and Zan Ganassa: Textual and visual records of a musical commedia dell’arte duo, in and beyond early modern Iberia. Music in Art, 44 pp. 83–104.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

King, Edmund G. C. (2019). [Book Review] John Kerrigan, Shakespeare's Originality. Spenser Review, 49(3), article no. 13.

King, Edmund G. C.; Parmar, Maya and Towheed, Shafquat (2019). Reusing Historical Questionnaire Data and Using Newly Commissioned Oral History Interviews as Evidence in the History of Reading. Participations: Journal of Audience & Reception Studies, 16(1) pp. 530–553.

King, Helen (2019). Reflection: Phrontis: The Patient Meets the Text. In: Adamson, Peter ed. Health: A History. Oxford University Press, pp. 95–102.

Kynan-Wilson, William (2019). Play and performance in Ottoman costume albums. In: Boyar, Ebru and Fleet, Kate eds. Entertainment among the Ottomans. Leiden: Brill, pp. 62–89.

Kynan-Wilson, William (2019). The Origins of Orientalism: A Plurality of Orients and Occidents (c.1500-1800). In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 32–43.

Kynan-Wilson, William (2019). Looking East catalogue entries. In: Greenwood, William and de Guise, Lucien eds. Inspired by the East: How the Islamic World Influenced Western Art. London: British Museum, pp. 112–135.

Lawrence, Paul (2019). Historical Criminology and the Explanatory Power of the Past. Criminology and Criminal Justice, 19(4) pp. 493–511.

Lee, Catherine and Logan, Anne (2019). Women’s agency, activism and organisation. Women's History Review, 28(6) pp. 831–834.

Lloyd, Mair E. and Robson, James (2019). Staying the distance: transforming Latin pedagogy at the Open University. Journal of Latin Linguistics, 18(1-2) pp. 101–128.

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Mackie, Robin (2019). Succession and inheritance in Scottish business families, c.1875-1935. Business History (Early Access).

Marsden, Richard (2019). National histories and national identities: Brexit and devolution, past and future. OpenTALKS History Lecture, Open University.

McBride, Terence (2019). Scottishness and ‘foreigners’: the role of a developing Scottish ‘machinery of government’ before 1939. Historical Research, 92(256) pp. 410–431.

McEneaney, Sinead (2019). Home Sweet Home? Housing Activism and Political Commemoration in Sixties Ireland. History Workshop Journal, 87(1) pp. 5–26.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 pp. 237–269.

Michael, Bethan (2019). The Return of the Dead: Fears and Anxieties Surrounding the Return of the Dead in Late Postmodern Culture. In: Michael-Fox, Bethan; Dixon, Izabela and Doran, Selina E.M. eds. There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill, pp. 31–45.

Michael-Fox, Bethan (2019). [Book Review] Death, the Dead and Popular Culture, by Ruth Penfold-Mounce. Mortality, 24(4) pp. 488–489.

Michael-Fox, Bethan and Jarrett-Kerr, Adele (2019). Breastfeeding Beyond Infancy: An Autoethnographic Dialogue Between Two Women. CULTIVATE The Feminist Journal of the Centre for Women's Studies(2), article no. 4.

Plassart, Anna, ed. Letters of Crito. By John Millar (1796). History of European Ideas 45:2, 148-190 (2019).

Plassart, Anna, ed. Letters of Sidney. By John Millar (1796). History of European Ideas 45:2, 191-231 (2019).

Murray, Andrew (2019). The Montpellier Parchment and the Signature of Iustitia. Acta Academiae Artium Vilnensis, 94 pp. 301–323.

Murray, Andrew and Dumolyn, Jan (2019). Artist. Kunst und Politik. Jahrbuch der Guernica-Gesellschaft, 21 pp. 21–27.

Neale, Derek (2019). Practice research, a new terminology. Writing in Education(79) pp. 48–49.

Neale, Derek (2019). Bright beginnings, end of term. Writing in Education(79) pp. 9–11.

Neale, Derek (2019). New directory and forthcoming election. Writing in Education(78) p. 5.

Neale, Derek (2019). Writing, research and paradox. Writing in Education(77) pp. 4–5.

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Neale, Derek, Etter, Carrie, Cashdan, Liz and Melrose, Andrew (eds.) (2019) Writing in Practice: The Journal of Creative Writing Research. (Vol. 5) National Association of Writers in Education.

Parmar, Maya (2019). Reading Cultural Representations of the Double Diaspora: Britain, East Africa, Gujarat. Cham: Palgrave Macmillan.

Paul, Joanna (2019). Drones Over Pompeii: Cinematic Perspectives on Antiquity in the Digital Era. Classical Receptions Journal, 11(3) pp. 274–295.

Paul, Joanna (2019). Archaeology, historical fiction and Classical Reception Studies. In: Witcher, Robert and van Helden, Daniël P. eds. Researching the Archaeological Past through Imagined Narratives: A Necessary Fiction. Routledge Studies in Archaeology. Routledge, pp. 255–262.

Plassart, Anna (2019). James Mill, the Scottish Enlightenment and the Problem of Civil Religion. Modern Intellectual History, 16(3) pp. 679–711.

Plassart, Anna (2019). Introduction: Millar and his Circle. History of European Ideas, 45(2) pp. 128–147.

Plastow, Christine (2019). Doctors in Attic Forensic Oratory. Greek, Roman, and Byzantine Studies, 59(4) pp. 575–595.

Plastow, Christine (2019). Use and Abuse of Law in the Athenian Courts. Mnemosyne supplements. History and archaeology of classical antiquity, 419. Bryn Mawr Classical Review, 2019(10), article no. 10.

Plastow, Christine (2019). The Devil's in the Detail: Including 'irrelevant' details in homicide narratives. In: Edwards, Mike and Spatharas, Dimos eds. Forensic Narratives in Athenian Courts. Routledge, pp. 40–54.

Plastow, Christine (2019). Space, place, and identity in Antiphon 'On the Murder of Herodes'. In: Filonik, Jakub; Griffith-Williams, Brenda and Kucharski, Janek eds. The Making of Identities in Athenian Oratory. Routledge, pp. 191–205.

Robson, James and Lloyd, Mair (2019). Making IT Count: Measuring Student Engagement with Online Resources at the Open University. In: Natoli, Bartolo and Hunt, Steven eds. Teaching Classics with Technology. London: Bloomsbury, pp. 39–52.

Rothe, Ursula (2019). The Toga and Roman Identity. London: Bloomsbury Academic.

Rowland, David (2019). The listening experiences of John Yeoman (1748 – 1824). In: Barlow, Helen and Rowland, David eds. The experience of listening to music: methodologies, identities, histories. Milton Keynes: The Open University.

Rowland, David (2019). Music Publishing in Britain ca. 1840-1900. In: Sala, Massimiliano ed. Music and the Second Industrial Revolution. Music, Science & Technology (2). Turnhout: Brepols.

Simones, Lilian (2019). Understanding the Meaningfulness of Vocal and Instrumental Music Teachers' Hand Gestures Through the Teacher Behavior and Gesture Framework. Frontiers in Education, 4, article no. 141.

Simones, Lilian Lima (2019). A framework for studying teachers’ hand gestures in instrumental and vocal music contexts. Musicae Scientiae, 23(2) pp. 231–249.

Slight, John (2019). Reactions to the Ottoman Jihad fatwa in the British Empire, 1914-1918. In: Johnson, Robert and Kitchen, James E. eds. The Great War in the Middle East. Routledge.

Stewart, Lindsey (2019). ‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848). Journal of Victorian Culture, 24(4) pp. 492–506.

Swift, Laura (2019). Archilochus: The Poems: Introduction, Text, Translation, and Commentary. Oxford University Press.

Swift, Laura (2019). Ajax the Hero. In: Stuttard, David ed. Looking at Ajax. Bloomsbury Academic, pp. 29–41.

Thompson, Marie (2019). Spinoza and musical power. Textual Practice, 33(5) pp. 803–820.

Tickell, Alex (2019). Introduction. In: Tickell, Alex ed. The Oxford History of the Novel in English Volume 10: The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, xvii-xxxiv.

Tickell, Alex (2019). Life-Writing, Testimony and Biographical Fiction. In: Tickell, Alex ed. The Oxford History of the Novel in English: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 428–442.

Tickell, Alex and Gabriel, Sharmani (2019). History, Memory, and Cultural Identity in the Novel of South East Asia. In: Tickell, Alex ed. The Novel in South and South East Asia since 1945. The Oxford History of the Novel in English, 10. Oxford: Oxford University Press, pp. 398–413.

Towheed, Shafquat (2019). Publishing the South and South East Asian Novel in the Global Market. In: Tickell, Alex ed. The Oxford History of the Novel in English, Volume 10: The Novel in South and South East Asia since 1945, Volume 10. Oxford: Oxford University Press, pp. 595–609.

Towheed, Shafquat; Nash, Andrew and Squires, Claire (2019). Reading and Ownership. In: Nash, Andrew; Squires, Claire and Willison, I.R. eds. The Cambridge History of the Book in Britain, Volume 7: The Twentieth Century and Beyond. Cambridge History of the Book in Britain, 7. Cambridge: Cambridge University Press, pp. 231–276.

Trott, Vincent (2019). [Book Review] Words and the First World War: language, memory, vocabulary, by Julian Walker. First World War Studies, 10(1) pp. 160–161.

Vignale, François; Benatti, Francesca and Antonini, Alessio (2019). Reading in Europe - Challenge and Case Studies of READ-IT Project. In: Digital Humanities Conference 2019, 9-12 Jul 2019, Utrecht, Netherland.

Vincent, David (2019). ‘The Modern History of Literacy'. In: Rury, John L. and Tamura, Eileen eds. The Oxford Handbook of the History of Education. Oxford: Oxford University Press, pp. 507–522.

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2019). Mona Hatoum’s Roadworks and Measures of Distance’. In: Aitken, Nick and Robles, Elizabeth eds. The Place is Here: Black Art in 1980s Britain. The Van Abbemuseum and Nottingham Contemporary: Sternberg Press, pp. 307–320.

Williams, Sean (2019). The EMS Synthi 100: Rare, expensive and not actually very good. In: Sustainable Sounds: Interrogating the Materials of Music Making Technologies, 11 May 2019, University of Edinburgh.

Williams, Sean (2019). New composition strategies and the EMS Synthi 100. In: Music and Sonic Art conference 2019, 31 Jun - 2 Jul 2019, Karlsruhe, Germany.

Winters, Ben (2019). New Opportunities in Film: Korngold and Warner Bros. In: Goldmark, Daniel and Karnes, Kevin C eds. Korngold and His World. Princeton: Princeton University Press, pp. 111–130.

Yamagata, Naoko (2019). 第六章　ホメロスの英雄像—アキレウスとヘクトル、サルぺドン、パトロクロス— [Chapter 6 Images of Homeric heroes – Achilles, Hector, Sarpedon and Patroclus]. In: 川島重成、古澤ゆう子、小林薫編 [Kawashima, S.; Furusawa, Y. and Kobayashi, K. eds.] 『ホメロス『イリアス』への招待』 [An Invitation to Homer’s Iliad]. Tokyo: Pinakes, pp. 163–189.

Yeh, Jane (2019). Discipline. Manchester, UK: Carcanet Press.

2018To Top

Allan, William and Swift, Laura eds. (2018). Moralizing Strategies in Early Greek Poetry. Mouseion, 15 (1). Toronto: University of Toronto Press.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2018). George Frideric Handel: Collected Documents. Volume 3. 1734–1742. Cambridge University Press.

Caldari, Valentina and Wolfson, Sara J. eds. (2018). Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Studies in Early Modern Cultural, Political and Social History, 31. Woodbridge: Boydell and Brewer.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Cook, James; Kolassa, Alexander and Whittaker, Adam eds. (2018). Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. (2018). Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge.

Golding, Rosemary ed. (2018). The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge.

Griffiths, Andrew; Alves, Audrey and Trindade, Alice eds. (2018). Literary Journalism and Africa's Wars: Colonial, Decolonial and Postcolonial Perspectives. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Gupta, Suman and Virdee, Satnam eds. (2018). Race and Crisis. Ethnic & Racial Studies. London: Routledge.

Harvey, Graham and Hughes, Jessica eds. (2018). Sensual Religion: Religion and the Five Senses. Religion and the Senses. Sheffield: Equinox.

Haslam, Sara; Colombino, Laura and O'Malley, Seamus eds. (2018). The Routledge Research Companion to Ford Madox Ford. Routledge Research Companions. London and New York: Routledge.

Herbert, Trevor; Myers, Arnold and Wallace, John eds. (2018). The Cambridge Encyclopedia of Brass Instruments. Cambridge: Cambridge University Press.

Hoppe, C.; Goldbeck, M. and Kawabata, M. eds. (2018). Exploring Virtuosities: Heinrich Wilhelm Ernst, Nineteenth-Century Musical Practices and Beyond. Göttingen Studies in Musicology, 10. Olms.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. (2018). Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge.

Althoff, Gerd; Fonnesberg-Schmidt, Iben and Kynan-Wilson, William (2018). Framing papal communication in the central Middle Ages. Journal of Medieval History, 44(3) pp. 251–260.

Bakogianni, Anastasia and James, Paula (2018). Classical Drama at a Distance: Teaching Performance Reception in an Online Environment. Classical World, 112(1) pp. 707–725.

Barker, Naomi J. (2018). Learning the trade: What did Froberger do in Rome? In: Vejvar, Andreas and Grassl, Markus eds. "Avec discrétion": Rethinking Froberger. Wiener Veröffentlichungen zur Musikgeschichte (14). Vienna: Böhlau Verlag, pp. 205–221.

Barlow, Helen (2018). The British Army and the music profession: the impact of regimental bands on the status and identity of professional musicians. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London: Routledge, pp. 72–89.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Barnes, Amy Jane (2018). Introduction to Part I. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 9–13.

Bell, Simon; Benatti, Francesca; Edwards, Neil R.; Laney, Robin; Morse, David R.; Piccolo, Lara and Zanetti, Oliver (2018). Smart Cities and M3: Rapid Research, Meaningful Metrics and Co-Design. Systemic Practice and Action Research, 31(1) pp. 27–53.

Benatti, Francesca and King, David (2018). One Year After. A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: RSVP/VSAWC 2018 The Body and the Page in Victorian Culture, 26-28 Jul 2018, University of Victoria, British Columbia, Canada.

Benatti, Francesca and King, David (2018). A Question of Style: corpus building and stylistic analysis of the Edinburgh Review and Quarterly Review, 1814-1820. In: DHC (Digital Humanities Congress) 2018, 06-08 Sep 2018, University of Sheffield.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Benzan, Carla (2018). Alone at the Summit: Solitude and the Ascetic Imagination at the Sacro Monte of Varallo. In: Enenkel, Karl A.E. and Göttler, Christine eds. Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Interdisciplinary Studies in Early Modern Culture (56). Leiden and Boston: Brill, pp. 336–363.

Bloxham, John (2018). Willmoore Kendall’s ‘McCarthyite’ Socrates in conservative free speech debates of the 1950s and 1960s. International Journal of the Classical Tradition, 25(1) pp. 72–88.

Brown, Richard Danson (2018). Trevor Joyce, Fastness: a Translation from the English of Edmund Spenser. Spenser Review, 48(1), article no. 14.

Brown, Richard Danson (2018). [Book Review] Catherine Bates, ed., A Companion to Renaissance Poetry. The Spenser Review, 48(3)

Brown, Richard Danson (2018). “And dearest loue”: Virgilian half-lines in Spenser’s Faerie Queene. Proceedings of the Virgil Society, 29 pp. 49–74.

Brunet, Luc-Andre (2018). 'The creation of the Monnet Plan, 1945-46: a critical re-evaluation'. Contemporary European History, 27(1) pp. 23–41.

Brunet, Luc-André (2018). [Book Review] A Vision of Europe: Franco-German Relations During the Great Depression, 1929–1932, by Conan Fischer. The English Historical Review, 133(565) pp. 1651–1652.

Brunet, Luc-Andre (2018). Jean Monnet et l'organisation des économies alliées pour la guerre (1939-1940). In: Bossuat, Gérard ed. Jean Monnet et l'économie. Euroclio. Bruxelles: Peter Lang.

Brunet, Luc-Andre (2018). The Role of Algeria in Debates over Post-War Europe within the French Resistance. In: Davis, Muriam Haleh and Serres, Thomas eds. North Africa and the Making of Europe: Governance, Institutions and Culture. London: Bloomsbury, pp. 23–42.

Caldari, V.; Questier, M. and Wolfson, S. (2018). Introduction. In: Caldari, Valentina and Wolfson, Sara eds. Stuart Marriage Diplomacy. Dynastic Politics in their European Context, 1604-1630. Boydell and Brewer.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Chambers, Helen (2018). Conrad's Reading: Space, Time, Networks. New Directions in Book History (NDBH). London: Palgrave Macmillan, Cham.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, pp. 255–265.

Clarke, Martin V. (2018). Church musicians in nineteenth-century Durham. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Abingdon: Routledge, pp. 90–109.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). Music in fantasy pasts: neomedievalism and Game of Thrones. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 229–250.

Cook, James; Kolassa, Alexander and Whittaker, Adam (2018). [Introduction] Understanding the present through the past and the past through the present. In: Kolassa, Alexander; Cook, James and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon: Routledge, pp. 1–14.

Crone, Rosalind (2018). Educating the labouring poor in nineteenth-century Suffolk. Social History, 43(2) pp. 161–185.

Crone, Rosalind; Hoskins, Lesley and Preston, Rebecca (2018). Guide to the Criminal Prisons of Nineteenth-Century England. London Publishing Partnership.

Davis, Caroline and Trott, Vincent (2018). Introduction. Logos, 29(2-3) pp. 6–8.

De Renzi, Silvia (2018). Seats and series: dissecting diseases in the seventeenth century. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 96–115.

De Renzi, Silvia (2018). Family resemblance in the Old Regime. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction. Antiquity to the Present Day. Cambridge: Cambridge University Press, pp. 241–252.

De Renzi, Silvia; Bresadola, Marco and Conforti, Maria (2018). Pathological dissections in early modern Europe: practice and knowledge. In: De Renzi, Silvia; Bresadola, Marco and Conforti, Maria eds. Pathology in Practice: Diseases and Dissections in Early Modern Europe. The History of Medicine in Context. London: Routledge, pp. 3–19.

Dobinson, Colin; Ferraby, Rose; Lucas, Jason; Millett, Martin and Wallace, Lacey (2018). Archaeological Field Survey in the Environs of Aldborough (Isurium Brigantum). Yorkshire Archaeological Journal, 90(1) pp. 29–58.

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dooley, James (2018). rive (moog). Royal Birmingham Conservatoire, Birmingham, UK. [Performance]. (Unpublished)

Droy, Laurence; Hughes, Lotte; Lamont, Mark; Nguura, Peter; Parsitau, Damaris and Wamue Ngare, Grace (2018). Alternative Rites of Passage in FGM/C Abandonment Campaigns in Africa: A research opportunity. LIAS Working Paper Series, Vol. 1, University of Leicester.

Dueck, Byron (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2) pp. 206–223.

Dueck, Byron (2018). North American Indigenous Song, the Sacred and the Senses. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion: Religion and the Five Senses. Equinox Publishing Ltd., pp. 170–188.

Emsley, Clive (2018). A Police Officer and a Gentleman: A.F. 'Michael' Wilcox. London: Blue Lamp Books.

Emsley, Clive (2018). ‘Du concept à l’institution: Les spécifités du mot “police” en langue anglaise’. In: Cicchini, Marco and Denis, Vincent eds. Le Nœud gordien. Police et justice: des Lumières à l’État libéral (1750-1850). Chêne-Bourg, Switzerland: Georg, pp. 47–69.

Forbes, Suzanne (2018). A 'Lost' Quaker-Baptist Pamphlet Debate between William Penn and John Plimpton in 1698. Eighteenth-Century Ireland, 32 pp. 44–64.

Forbes, Suzanne (2018). Print and Party Politics in Ireland, 1689-1714. Palgrave Macmillan.

Gibson, Jonathan (2018). Miscellanies in manuscript and print. In: Bates, Catherine ed. A Companion to Renaissance Poetry. Chichester: Wiley-Blackwell, pp. 103–114.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 49–58.

Gibson, Jonathan (2018). Textual Introduction. In: Clarke, Elizabeth; Norbrook, David and Stevenson, Jane eds. The Works of Lucy Hutchinson, Volume 2: Theological Writings and Translations. Oxford: Oxford University Press, pp. 181–187.

Golding, Rosemary (2018). Music teaching in the late-nineteenth century: a professional occupation? In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. Routledge, pp. 128–148.

Golding, Rosemary (2018). Introduction. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Routledge, pp. 1–11.

Golding, Rosemary (2018). Finding Musicology in nineteenth-century Britain: contexts and conflicts. In: Wald-Fuhrmann, Melanie and Keym, Stefan eds. Wege zur Musikwissenschaft / Paths to Musicology. Bärenreiter Verlag.

Graham, Emma-Jayne (2018). ‘There Buds the Laurel’: Nature, Temporality and the Making of Place in the Cemeteries of Roman Italy. Theoretical Roman Archaeology Journal (TRAJ), 1(1), article no. 3.

Graham, Emma-Jayne; Sulosky Weaver, Carrie L. and Chamberlain, Andrew T. (2018). "Pars Pro Toto" and Personhood in Roman Cremation Ritual: New Bioarchaeological Evidence for the Rite of "Os Resectum". Bioarchaeology International, 2(4) pp. 240–254.

Griffiths, Andrew (2018). Seeking the Sources of Heart of Darkness: the African Narratives of late-Victorian Explorers and Journalists. Continents manuscrits(11)

Gupta, Suman (2018). [Book Review] On race: 34 conversations in a time of crisis. Ethnic and Racial Studies, 42(3) pp. 472–475.

Gupta, Suman and Allen, Richard (2018). “Liderazgo académico” y las condiciones del trabajo académico. Literatura: teoría, historia, crítica, 20(2) pp. 293–319.

Gupta, Suman and Virdee, Satnam (2018). Introduction: European crises: contemporary nationalisms and the language of “race”. Ethnic and Racial Studies, 41(10) pp. 1747–1764.

Hack, Karl (2018). ‘Devils that suck the blood of the Malayan People’: The Case for Post-Revisionist Analysis of Counter-insurgency Violence. War in History, 25(2) pp. 202–226.

Hamer, Laura (2018). 'Every impulse and spring of art seems to have died in me, except for music': Gerard Manley Hopkins as composer. The Musical Times, 159(1945) pp. 27–41.

Hamer, Laura (2018). Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939. Abingdon: Routledge.

Hamer, Laura (2018). Beyond neoclassicism: symphonic form, catharsis, and political commentary in Barraine’s Deuxième symphonie (1938). In: Mawer, Deborah ed. Historical Interplay in French Music and Culture 1860 - 1960. Abingdon and New York: Routledge, pp. 121–138.

Hardwick, Lorna (2018). The poetics of cultural memory: WWI refractions of ancient peace. Classical Receptions Journal, 10(4) pp. 393–414.

Harrison, Rebecca (2018). From Steam to Screen: Cinema, the Railways and Modernity. Cinema and Society. London: I B Tauris.

Harrison, Rebecca (2018). Fuck the Canon (or, How Do You Solve a Problem Like von Trier?): Teaching, Screening, and Writing About Cinema in the Age of #MeToo. MAI: Feminism and Visual Culture, 1(2)

Haslam, Sara (2018). Ford Madox Ford's Last Library: Details, Dedications, and Remaining Mysteries in the Berg Collection, New York. Last Post: A literary journal from the Ford Madox Ford Society, 1(1) pp. 1–23.

Haslam, Sara (2018). No more Parades End: Ford Madox Ford’s last library and what it tells us about ‘the Tietjens saga’. Times Literary Supplement(6010)

Haywood, Jan (2018). From Croesus to Pausanias: Tragic Individuals in Early Greek Historiography. In: Archibald, Z. and Haywood, J. eds. The Power of the Individual in Ancient Athens: Essays in Honour of John K. Davies. Swansea: Classical Press of Wales.

Haywood, Jan and Mac Sweeney, Naoise (2018). Homer's Iliad and the Trojan War: Dialogues on Tradition. Bloomsbury Studies in Classical Reception (1). London: Bloomsbury.

Herbert, Trevor (2018). Cornetti e tromboni in the high Renaissance and Baroque. Early Music, 46(2) pp. 343–345.

Herbert, Trevor (2018). Cornett. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 151–152.

Herbert, Trevor (2018). Military music. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 409–411.

Herbert, Trevor (2018). Musica Reservata. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, p. 427.

Herbert, Trevor (2018). Serpent. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 572–573.

Herbert, Trevor (2018). Trombone. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 630–632.

Herbert, Trevor (2018). Tuba and ophicleide. In: Lawson, Colin and Stowell, Robin eds. The Cambridge Encyclopedia of Historical Performance in Music. Cambridge: Cambridge University Press, pp. 636–638.

Herbert, Trevor (2018). Foreword: amateur bands, their localities, and their challenges – the lessons of history. In: Reily, Suzel A. and Brucher, Katherine eds. The Routledge Companion to the Study of Local Musicking. Routledge Music Companions. Abingdon: Routledge, xv-xxv.

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Hogan, Edward (2018). The Electric: a novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma. PhD thesis The Open University.

Hope, Valerie (2018). Vocal expression in Roman mourning. In: Butler, Shane and Nooter, Sarah eds. Sound and the Ancient Senses. The Senses in Antiquity. London and New York: Routledge, pp. 61–76.

Hope, Valerie (2018). Funerary practice in the city of Rome. In: Holleran, Claire and Claridge, Amanda eds. A Companion to the City of Rome. Blackwell Companions to the Ancient World. Wiley Blackwell, pp. 383–401.

Hope, Valerie (2018). Dead people's clothes: Materialising mourning and memory in ancient Rome. In: Newby, Zahra and Toulson, Ruth eds. The Materiality of Mourning: Cross-disciplinary Perspectives. London: Routledge, pp. 23–39.

Hope, Valerie Margaret (2018). 'Dulce et decorum est pro patria mori': the practical and symbolic treatment of the Roman war dead. Mortality: Promoting the interdisciplinary study of death and dying, 23(1) pp. 35–49.

Hughes, Jessica (2018). The texture of the gift: religious touching in the Greco-Roman world. Body and Religion, 2(1) pp. 88–112.

Hughes, Jessica (2018). Phallic Fertility in Pompeii. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: CUP.

Hughes, Jessica and Flemming, Rebecca (2018). Exhibit 40 - The Room of the Ribbons. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge: Cambridge University Press, p. 672.

Hughes, Lotte (2018). Alternative Rites of Passage: Faith, rights, and performance in FGM/C abandonment campaigns in Kenya. African Studies, 77(2) pp. 274–292.

Hughes, Lotte; Akoth, Steve Ouma and Nyamweru, Celia (2018). The Politics of Culture in Kenya since 2010: Implications for pluralism. In: Ghai, Yash Pal and Ghai, Jill C. eds. Pluralism in Kenya. The Katiba Institute and the Global Institute for Pluralism.

Hughes, Lotte and Lamont, Mark (2018). Introduction: Cultural rights and constitutional change. African Studies, 77(2) pp. 159–170.

Hunt, Steven; Letchford, Clive; Lloyd, Mair; Manning, Laura and Plummer, Rachel (2018). The Virtue of Variety: Opening the Doors to Wider Pedagogical Practices in UK Schools and Universities. Journal of Classics Teaching, 19(38) pp. 53–60.

Huskinson, Janet (2018). Early Christian Art and Archaeology in Sixteenth and Seventeenth Century Rome. In: Jensen, Robin M. and Ellison, Mark D. eds. The Routledge Handbook of Early Christian Art. Routledge, pp. 364–379.

Johnson, David (2018). The limits of African nationalism: from anti-apartheid resistance to postcolonial critique. In: Deckard, Sharae and Varma, Rashmi eds. Marxism, Postcolonial Theory and the Future of Critique: Critical Engagements with Benita Parry. Routledge Research in Postcolonial Literatures. New York: Routledge, pp. 191–212.

Jones, Richard J. (2018). Continued Continuations of Complete Histories: Tobias Smollett and the Work of History. Journal for Eighteenth-Century Studies, 41(3) pp. 391–406.

Jones, Richard J. (2018). Tobias Smollett and the work of writing. Literature Compass, 15(8), article no. e12485.

Katritzky, M. A. (2018). German-Speaking Countries. In: Balme, Christopher B.; Vescovo, Piermario and Vianello, Daniele eds. Commedia dell'Arte in Context. Cambridge: Cambridge University Press, pp. 98–105.

Katritzky, M. A. (2018). Les représentations du charlatan pendant la première modernité et leur origine dans la scène du marchand du théâtre religieux. In: Dhraief, Beya; Negrel, Eric and Ruimi, Jennifer eds. Théâtre et charlatans dans l'Europe moderne. Registres collection des etudes théâtrales. Paris: Presses Sorbonne Nouvelle, pp. 99–116.

Katritzky, M. A. (2018). Commedia dell’arte related glass: early modern Venice. In: Ferrone, S. ed. Commedia dell’arte . Nuova Serie, Volume 1. Polistampa, pp. 11–31.

Katritzky, M. A. (2018). Stefanelo Botarga and Pickelhering: Fishy Italian and English Stage Clowns in Spain and Germany. In: Kuepper, Joachim and Pawlita, Leonie eds. Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain. Berlin/Boston: Walter de Gruyter, pp. 15–39.

King, David and Benatti, Francesca (2018). A (Data) Tale Of Two Faculties. In: Data Conversations, 26 Nov 2018, The Open University, UK.

King, Helen (2018). 'First behead your viper’: acquiring knowledge in Galen’s poison stories. In: Grell, Ole Peter; Cunningham, Andrew and Arrizabalaga, Jon eds. "It All Depends on the Dose": Poisons and Medicines in European History. Abingdon: Routledge, pp. 25–42.

King, Helen (2018). Women and Doctors in Ancient Greece. In: Hopwood, Nick; Flemming, Rebecca and Kassell, Lauren eds. Reproduction: Antiquity to the Present Day. Cambridge University Press, pp. 39–52.

King, Helen and Green, Monica H (2018). On the misuses of medical history. Lancet, 391(10128) pp. 1354–1355.

King, Helen and Zuccolin, Gabriella (2018). Rethinking nosebleeds: gendering spontaneous bleedings in medieval and early modern medicine. In: Johnson, Bonnie Lander and DeCamp, Eleanor eds. Blood Matters. Studies in European Literature and Thought, 1400-1700. Philadelphia, PA: University of Pennsylvania Press, pp. 79–91.

Kolassa, Alexander (2018). Presentness and the past in contemporary British opera. In: Cook, James; Kolassa, Alexander and Whittaker, Adam eds. Recomposing the Past: Representations of Early Music on Stage and Screen. Ashgate Screen Music Series. Abingdon and New York: Routledge, pp. 155–173.

Kolassa, Alexander (2018). The Past is a Different Planet: Sounding Medievalism in Aleksei German’s Hard to Be a God. In: Fugelso, Karl ed. Studies in Medievalism XXVII: Authenticity, Medievalism, Music. Studies in Medievalism, XXVII. Cambridge: D.S.Brewer, pp. 227–250.

Kolassa, Alexander (2018). Introduction to Part III. In: Fugelso, Karl ed. Authenticity, Medievalism, Music. Studies in Medievalism (27). Cambridge: Boydell & Brewer, pp. 181–182.

Kraamer, Malika and Barnes, Amy Jane (2018). Un-placed heritage: Making identity through fashion. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 598–618.

Kynan-Wilson, William (2018). Subverting a Papal Message? Master Gregory’s use of the Mirabilia urbis Romae. Journal of Medieval History, 44(3) pp. 347–364.

Kynan-Wilson, William and Fonnesberg-Schmidt, Iben (2018). Smiling, Laughing and Joking in Papal Rome: Thomas of Marlborough and Gerald of Wales at the Court of Pope Innocent III (1198-1216). Papers of the British School at Rome, 86 pp. 153–181.

Langley, Chris R. (2018). “In the execution of his office”: lay officials and the exercise of ecclesiastical discipline in Scotland, c. 1600-1660. The Seventeenth Century, 33(5) pp. 497–512.

Langley, Chris R. (2018). ‘So necessarie and charitable a worke’: welfare, identity and Scottish prisoners of war in England, 1650–55. In: Appleby, David and Hopper, Andrew eds. Battle-scarred: Mortality, medical care and military welfare in the British Civil Wars. Manchester: Manchester University Press, pp. 211–229.

Layton-Jones, Katy (2018). How to Lay Out a Very Large Garden Indeed: Edward Kemp’s Liverpool Parks, their History and Legacy. Garden History, 46(Suppl. 1) pp. 72–82.

Layton-Jones, Katy (2018). Manufactured landscapes: Victorian public parks and the industrial imagination. In: Dick, Malcolm and Mitchell, Elaine eds. Gardens and Green Spaces in the West Midlands since 1700. Hatfield: University of Hertfordshire Press, pp. 120–137.

Lee, Catherine (2018). ‘Giddy Girls’, ‘Scandalous Statements’ and a ‘Burst Bubble’: the war babies panic of 1914–1915. Women's History Review, 27(4) pp. 565–578.

Lloyd, Mair E. and Robson, James (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Latin. Council of University Classical Departments Bulletin, 47

Loftus, Donna (2018). Markets and culture. In: Handley, Sasha; McWilliam, Rohan and Noakes, Lucy eds. New Directions in Social and Cultural History. London: Bloomsbury, pp. 109–128.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18.

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Cross-cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? (Lymberopoulou, Angeliki ed.), Society for the Promotion of Byzantine Studies, Routledge, London, pp. 59–73.

Marsden, Richard (2018). Scottish parliamentary record scholarship in the devolution era. Parliaments, Estates and Representations, 39(1) pp. 113–132.

Marsden, Richard (2018). Henry Tudor: a Welsh hero...? OpenLearn, The Open University, Milton Keynes.

Marsden, Richard (2018). Game of Thrones: imagined world combines romantic and grotesque visions of Middle Ages. The Conversation.

Marsden, Richard (2018). Brexit and the mythologies of nationalism: a warning for Wales. History and Policy.

Marsden, Richard A. (2018). Medievalism: New discipline or scholarly no-man’s land? History Compass, 16(2), article no. e12439.

McEneaney, Sinead (2018). Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle. Radical Americas, 3(1)

Michael-Fox, Bethan and Hayden, Nikita (2018). Transforming the Community, Transforming the Self: Young People, Social Action and community Leadership. The Sheffield Student Journal for Sociology(2), article no. 7.

Michailidis, Tychonas; Dooley, James; Granieri, Niccolò and Di Donato, Balandino (2018). Improvising through the senses: a performance approach with the indirect use of technology. Digital Creativity, 29(2-3) pp. 149–164.

Neale, Derek (2018). Introduction: Critical and creative reflections on process. Writing in Practice, 4, article no. 1.

Neale, Derek (2018). World writing and radio drama. Writing in Education(76) pp. 8–9.

Neale, Derek, Spencer, Amy, Howitt-Dring, Holly and Cable, Liz (eds.) (2018) Writing in Practice: The Journal of Creative Writing Research. (Vol. 4) National Association of Writers in Education.

Neale, Derek with Greenberg, Susan, Holloway, Simon and Melrose, Andrew (2018) Creative Writing Research Benchmark Statement. National Association of Writers in Education, UK.

Neville, Patricia Jean (2018). A World of Reading:An Intertextual Study of Janet Frame's Novels. PhD thesis The Open University.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Plastow, Christine (2018). Conversations with Iphigenia: two roundtable discussions with the playwrights of 'The Iphigenia Quartet'. Practitioners' Voices in Classical Reception Studies, 9

Plastow, Christine (2018). Staff-Student partnerships in pedagogy and research-based education: lessons for Classics. Council of University Classical Departments Bulletin 47.

Plastow, Christine (2018). Ancient Greek Law in the 21st Century. Ashley and Peter Larkin Endowment in Greek and Roman Culture. Bryn Mawr Classical Review, 2018(10), article no. 49.

Raudnitz, Sophie (2018). Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature. PhD thesis The Open University.

Richard, Wallace; Harrison, Rebecca and Brunsdon, Charlotte (2018). Toward a History of Women Projectionists in Post-war British Cinemas. Journal of British Cinema and Television, 15(1) pp. 46–65.

Richards, Fiona (2018). Max & Mick: the partnership of Peter Maxwell Davies and Randolph Stow. The Musical Times, 159(1943) pp. 25–38.

Richards, Fiona (2018). Australasia. In: Herbert, Trevor; Myers, Arnold and Wallace, John eds. The Cambridge Encyclopedia of Brass Instruments. Cambridge University Press, pp. 41–44.

Richardson, Heather (2018). A dress for Kathleen. Review of Irish Studies in Europe, 2(1) pp. 279–294.

Robson, James (2018). Whoring, Gaping and Hiding Meat: The Humour of Male-on-Male Sexual Insults in Aristophanes' Knights. Archimède: Archéologie et Histoire Ancienne, 5 pp. 24–34.

Robson, James and Graham, Emma-Jayne (2018). Classics online at the Open University: teaching and learning with interactive resources. In: Holmes-Henderson, Arlene; Hunt, Steven and Musié, Mai eds. Forward with Classics: Classical Languages in Schools and Communities. London: Bloomsbury, pp. 217–299.

Robson, James and Lloyd, Mair E. (2018). A Survey of Beginner's Language Teaching in UK Classics Departments: Ancient Greek. Council of University Classical Departments Bulletin, 47

Rodgers, Michael (2018). Nabokov and Nietzsche: Problems and Perspectives. Bloomsbury.

Rothe, Ursula (2018). Veiling in Pannonia. In: Ivleva, Tatiana; De Bruin, Jasper and Driessen, Mark eds. Embracing the Provinces: Society and Material Culture of the Roman Frontier Regions. Oxford: Oxbow Books, pp. 93–100.

Rothe, Ursula (2018). The Roman Villa: Definitions And Variations. In: Marzano, Annalisa and Métraux, Guy P. R. eds. The Roman Villa in the Mediterranean Basin: Late Republic to Late Antiquity. Cambridge: Cambridge University Press, pp. 42–58.

Rothe, Ursula; Kenkel, Frauke and Zerbini, Andrea (2018). Excavations in Area III on Tall Zar‘ā. Annual of the Department of Antiquities of Jordan, 58 pp. 257–273.

Rowland, David (2018). Composers and publishers in Clementi's London. In: Golding, Rosemary ed. The Music Profession in Britain, 1780-1920: New Perspectives on Status and Identity. Music in Nineteenth-Century Britain. London and New York: Routledge, pp. 32–52.

Rowland, David (2018). Clementi's Introduction in European musical life, 1801-1830. In: Sala, Luca Lévi and Stewart-MacDonald, Rohan H. eds. Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style. Abingdon: Routledge, pp. 69–83.

Saunders, Elaine (2018). 'Men of good Character, strong, decent and active': Hertfordshire's Petty Constables, 1730-1799. PhD thesis The Open University.

Shaw, Samuel (2018). Weighing Down the Landscape: The Quarry as a Site of Rural Modernity. In: Bluemel, Kristin and McCluskey, Michael eds. Rural Modernity in Britain: A Critical Intervention. Edinburgh: Edinburgh University Press, pp. 69–83.

Shaw, Samuel (2018). Aliens at Prayer: Representing Jewish Life in the East End of London, c.1905. In: Shaw, Samuel; Shaw, Sarah and Carle, Naomi eds. Edwardian Culture: Beyond the Garden Party. Among the Victorians and Modernists. London: Routledge, pp. 133–153.

Shaw, Samuel and Plumb, Christopher (2018). Zebra. Animal Series. London: Reaktion Books.

Slight, John (2018). Global War and its impact on the Gulf States of Kuwait and Bahrain, 1914-1918. War and Society, 37(1) pp. 21–37.

Slight, John (2018). Anglo-French connections and co-operation against ‘Islamic’ resistance, 1914-1917. In: Fichter, James R. ed. British and French Colonialism in Africa, Asia and the Middle East: Connected Empires across the Eighteenth to the Twentieth Centuries. Cambridge Imperial and Post-Colonial Studies Series. Palgrave Macmillan.

Stead, Henry (2018). Kane O’Hara’s Midas: The Irish Origins of Classical Burlesque. In: Macintosh, Fiona; McConnell, Justine; Harrison, Stephen and Kenward, Claire eds. Epic Performances from the Middle Ages into the Twenty-First Century. Oxford University Press, pp. 461–475.

Stead, Henry (2018). Classics down the mineshaft: a buried history. In: Richardson, Edmund ed. Classics in Extremis: The Edges of Classical Reception. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Stewart, Lindsey (2018). Monomania: The Life and Death of a Psychiatric Idea in Nineteenth-Century Fiction 1836-1860. PhD thesis The Open University.

Swift, Laura (2018). Thinking with Brothers in Sappho and Beyond. Mouseion: Journal of the Classical Association of Canada, 15(1) pp. 71–87.

Swift, Laura (2018). Competing generic narratives in Aeschylus' Oresteia. In: Andujar, Rosa; Hadjimichael, Theodora and Coward, Thomas eds. Paths of Song: The Lyric Dimension of Greek Tragedy. De Gruyter, pp. 119–136.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Thompson, Marie (2018). Gendered sound. In: Bull, Michael ed. The Routledge Companion to Sound Studies. Routledge Media and Cultural Studies Companions. Abingdon: Routledge, pp. 108–117.

Tickell, Alex (2018). Writing in the Necropolis: Arundhati Roy's The Ministry of Utmost Happiness. Moving Worlds: A Journal of Transcultural Studies, 18(1) pp. 100–112.

Tickell, Alex (2018). ‘Writing the City and Indian English Fiction: Planning, Violence and Aesthetics’. In: Boehmer, Elleke and Davies, Dominic eds. Planned Violence: Post/colonial Urban Infrastructure, Literature & Culture. Cham: Palgrave Macmillan, pp. 195–211.

Tickell, Alex and Ranasinha, Ruvani (2018). Delhi: New writings on the megacity. Journal of Postcolonial Writing, 54(3) pp. 297–306.

Towheed, Shafquat (2018). [Book Review] Alaistair Fowler, The Mind of the Book: Pictorial Title Pages. The Spenser Review, 48(2), article no. 3.

Vincent, David (2018). [Book Review] The Littlehampton Libels: A Miscarriage of Justice and a Mystery about Words in 1920s England, by Christopher Hilliard. The English Historical Review, 133(565) pp. 1647–1649.

Vincent, David (2018). ‘Social Reform’. In: Patten, Robert L.; Jordan, John O. and Waters, Catherine eds. The Oxford Handbook of Charles Dickens. Oxford University Press, pp. 420–435.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon (2018). Visualising Figures of Caribbean Slavery through Modernism. In: Meecham, Pam ed. A Companion to Modern Art. Blackwell Companions to Art History. Chichester: Wiley-Blackwell, pp. 411–424.

Wainwright, Leon (2018). Materialities and Mobilities: A Note on the Political Geography of Contemporary Caribbean Art. In: Ueckmann, Natascha; Brüske, Anne and Bandau, Anja eds. Reshaping (g)local dynamics of the Caribbean: Relaciones y Deconexiones – Relations et Déconnexions – Relations and Disconnections. Heidelberg: Heidelberger Universitätsverlag HeiUp, pp. 143–157.

Walder, Dennis (2018). The Climb. In: Adeaga, Tomi and Udoh-Grossfurthner, Sarah eds. Payback and Other Stories: An Anthology of African and African Diaspora Short Stories. Vienna African Languages & Literatures (1). Vienna/Zurich: LITVerlag, pp. 156–163.

Watson, Nicola J. (2018). [Book Review] Transatlantic Literature and Author Love in the Nineteenth Century, edited by Paul Westover and Ann Wierda Rowland. Victorian Studies, 60(4) pp. 666–668.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy (2018). Introduction. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 1–5.

Wilding, Alexandra (2018). Review of Berti, Irene, Katharina Bolle, Fanny Opdenhoff and Fabian Stroth (eds), Writing Matters: Presenting and Perceiving Monumental Inscriptions in Antiquity and the Middle Ages. Materiale Textkulturen, 14. Berlin; Boston: De Gruyter, 2017. Bryn Mawr Classical Review

Williams, Sean (2018). Architecture for musical performance: backstage at the West German spherical pavilion at Expo 70, Osaka. In: Performance Studies Network 2018, 5-8 Jul 2018, Norwegian Academy of Music, Oslo.

Williams, Sean and Green, Owen (2018). Negotiating sonic space for group electronics. In: Doğantan-Dack, Mine and Dack, John eds. Music and Sonic Art: Theories and Practices. Cambridge Scholars Publishing, pp. 200–217.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim (2018). Cut in Alabaster: a Material of Sculpture and its European Traditions 1330-1530. Brepolis.

Younger, Neil (2018). How Protestant was the Elizabethan Regime? The English Historical Review, 133(564) pp. 1060–1092.

2017To Top

Attfield, Nicholas and Winters, Ben eds. (2017). Music, Modern Culture, and the Critical Ear. Abingdon: Routledge.

Barlow, Helen and Rowland, David eds. (2017). Listening to music: people, practices and experiences. The Open University.

Betts, Eleanor ed. (2017). Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon, UK: Routledge.

Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. (2017). Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy.

Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. (2017). The Routledge Companion to Screen Music and Sound. New York: Routledge.

Papaioannou, Tao and Gupta, Suman eds. (2017). Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge Research in Cultural and Media Studies. London: Routledge.

Richards, Fiona ed. (2017). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Attfield, Nicholas and Winters, Ben (2017). Introduction. In: Attfield, Nicholas and Winters, Ben eds. Music, Modern Culture, and the Critical Ear. Abingdon: Routledge, pp. 1–12.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barlow, Helen (2017). “Human voices are alone themselves sufficient”: Protestant and Catholic currents in the listening experiences of an Anglo-Prussian marriage. In: Barlow, Helen and Rowland, David eds. Listening to Music: People, Practices and Experiences. The Open University.

Barnes, Amy Jane (2017). Introduction to Part III. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums Objects and Experience, Representation and Contestation. Abingdon: Routledge, pp. 217–218.

Bates, Lis (2017). Honour-based Abuse in England and Wales: Who Does What to Whom? PhD thesis University of Bristol.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: 49th Annual Conference of The Research Society for Victorian Periodicals: Borders and Border Crossings, 27-29 Jul 2017, University of Freiburg, Germany.

Benatti, Francesca and King, David (2017). Algorithmic criticism, Distant Reading and the Edinburgh Review. In: BARS (British Association for Romantic Studies) 2017 Romantic Improvement, 27-30 Jul 2017, University of York, UK.

Benatti, Francesca and King, David (2017). Hidden Authors and Reading Machines: Investigating 19th-century authorship with 21st-century technologies. In: SHARP 2017: Technologies of the book, 9-12 Jul 2017, University of Victoria, Canada.

Benatti, Francesca and King, David (2017). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: DHSI 2017 Colloquium, 6-15 Jun 2017, University of Victoria, Canada.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benzan, Carla (2017). Atomic Atopic: Piero Manzoni’s space-age subtext and the ‘ins and outs’ of the modern intellectual. In: Guilbaut, Serge and O'Brian, John eds. Breathless Days: 1959–1960. Durham, NC: Duke University Press, pp. 275–312.

Betts, Eleanor (2017). Introduction: Senses of empire. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. London: Routledge, pp. 1–12.

Betts, Eleanor (2017). The multivalency of sensory artefacts in the city of Rome. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 23–38.

Betts, Eleanor (2017). Afterword: Towards a methodology for Roman sensory studies. In: Betts, Eleanor ed. Senses of the Empire: Multisensory Approaches to Roman Culture. Abingdon: Routledge, pp. 193–199.

Brunet, Luc-Andre (2017). Forging Europe: Industrial Organisation in France, 1940-1952. Security, Conflict and Cooperation in the Contemporary World. Basingstoke: Palgrave Macmillan.

Brunet, Luc-Andre (2017). [Book Review] Fernando Guirao and Frances M.B. Lynch (eds), Alan S. Milward and Contemporary European History. Collected Academic Reviews. Journal of Contemporary History, 52(3) pp. 797–799.

Brunet, Luc-André (2017). Patrons Résistants? French industrialists during the Second World War. French History, 31(4) pp. 512–534.

Campbell, Siobhan (2017). Heat Signature. Bridgend, Wales: Seren Press.

Campbell, Siobhan (2017). Crossing the Lines: Borders, Transgressions, and a Spot of Smuggling. New Hibernia Review, 21(4) pp. 11–19.

Campbell, Siobhan (2017). Eavan Boland and the development of a poetics: ‘It may be beauty/but it isn’t truth’. In: Campbell, Siobhan and O'Mahony, Nessa eds. Eavan Boland: Inside History. Arlen House, pp. 155–176.

Campbell, Siobhan and O'Mahony, Nessa (2017). Eavan Boland: Inside History. London, Dublin and New York: Arlen House.

Chambers, Helen (2017). “The first mate is a Polish count, a very quiet fellow”: Some New Torrens Documents. The Conradian, 42(2) pp. 69–87.

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Griffiths, Andrew (2017). Strategic Fictions? John Buchan, The Times and the Ypres Salient. In: Griffiths, Andrew; Prieto, Sara and Zehle, Soenke eds. Literary Journalism and World War I: Marginal Voices. ReportAGES. Nancy, France: Presses Universitaires de Nancy, pp. 55–75.

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Gupta, Suman (2017). Media-Framing Analysis, One-Word Framing and ‘Austerity’. In: Papaioannou, Tao and Gupta, Suman eds. Media Representations of Anti-Austerity Protests in the EU: Grievances, Identities and Agency. Routledge.

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Hughes, Lotte (2017). Implementing cultural rights (nature, issues at stake and challenges) - Report 2010 (A/HRC/14/36). In: Belder, Lucky and Porsdam, Helle eds. Negotiating Cultural Rights: Issues at Stake, Challenges and Recommendations. Edward Elgar, pp. 37–58.

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King, Edmund G. C. (2017). [Book Review] The British Soldier and His Libraries, c. 1822–1901. Library & Information History, 33(4) pp. 279–280.

King, Edmund G. C. (2017). Discovering Shakespeare’s Personal Style: Editing and Connoisseurship in the Eighteenth Century. In: Depledge, Emma and Kirwan, Peter eds. Canonising Shakespeare: Stationers and the Book Trade, 1640–1740. Cambridge: Cambridge University Press, pp. 130–142.

Kynan-Wilson, William (2017). The Ottoman Imagery of Jacopo Ligozzi. In: Arfioli, Maurizio and Caroscio, Marta eds. The Grand Ducal Medici and the Levant: Material Culture, Diplomacy, and Imagery in the Early Modern Mediterranean. The Medici Archive Project (3). Turnhout: Brepolis, pp. 101–111.

Kynan-Wilson, William (2017). ‘Painted by the Turcks themselves’: Reading Peter Mundy’s Ottoman Costume Album in Context. In: Babaie, Sussan and Gibson, Melanie eds. The Mercantile Effect: On Art and Exchange in the Islamicate World. London: Gingko Library, pp. 38–50.

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Langley, Chris R. (2017). Lying Sick to Die: Dying, Informal Care and Authority in Scotland, ca. 1600–1660. Sixteenth Century Journal, 48(1) pp. 27–46.

Langley, Chris R. (2017). Sheltering under the Covenant: The National Covenant, Orthodoxy and the Irish Rebellion, 1638–1644. The Scottish Historical Review, 96(2) pp. 137–160.

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Lawrence, Paul (2017). The Vagrancy Act (1824) and the Persistence of Pre-emptive Policing in England since 1750. British Journal of Criminology, 57(3) pp. 513–531.

Loftus, Donna (2017). Time, history and the making of the industrial middle class: the story of Samuel Smith. Social History, 42(1) pp. 29–51.

Marsden, Richard and Bestic, Penni (2017). The Weakness of European Wales. Planet: the Welsh Internationalist, 225 pp. 29–36.

Mcbride, Terence (2017). Migrants and the Public World in Scotland, 1885–1939: A Way Forward for Comparative Research. Journal of Migration History, 3(1) pp. 54–77.

Mckie, Stuart (2017). The Social Significance of Curse Tablets in the North-Western Provinces of the Roman Empire. PhD thesis The Open University.

Mera, Miguel; Sadoff, Ronald and Winters, Ben (2017). Introduction: Framing Screen Music and Sound. In: Mera, Miguel; Sadoff, Ronald and Winters, Ben eds. The Routledge Companion to Screen Music and Sound. New York: Routledge, pp. 1–14.

Midorikawa, Emily and Sweeney, Emma Claire (2017). A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf. Aurum Press.

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Mooney, James; Green, Owen and Williams, Sean (2017). Performing Hugh Davies’s Live Electronic Music. In: Performing Indeterminacy, 30 Jun - 2 Jul 2017, University of Leeds.

Morris, Robert M. (2017). What the Met brought to the party - reinforcement, colonization, specialization and fusion. In: Stevenson, K; Cox, D. J. and Channing, I eds. LEADING THE POLICE: A HISTORY OF CHIEF CONSTABLES 1835-2017. Routledge SOLON Explorations in Crime and Criminal Justice Histories. Abingdon: Routledge, pp. 158–173.

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Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2016). New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press.

Dixon, Izabela; Doran, Selina E.M. and Michael, Bethan eds. (2016). There's More to Fear than Fear Itself: Fears and Anxieties in the 21st Century. Oxford and Leiden: Inter-Disciplinary Press and Brill.

Donington, Katie; Hanley, Ryan and Moody, Jessica eds. (2016). Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press.

Draycott, Jane and Graham, Emma-Jayne eds. (2016). Bodies of Evidence: Ancient Anatomical Votives Past, Present and Future. Medicine and the Body in Antiquity. London: Routledge.

Gupta, Suman; Habjan, Jernej and Tutek, Hrvoje eds. (2016). Academic Labour, Unemployment and Global Higher Education: Neoliberal Policies of Funding and Management. Palgrave Critical University Studies. London: Palgrave Macmillan.

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Holder, Julian and McKellar, Elizabeth eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Langley, Chris R. ed. (2016). The Minutes of the Synod of Lothian and Tweeddale, 1648-1659. London: Boydell.

Maat, Haaro and Hazareesingh, Sandip eds. (2016). Local Subversions of Colonial Cultures. Commodities and Anti-Commodities in Global History. Palgrave Macmillan.

Rodgers, Michael and Sweeney, Susan Elizabeth eds. (2016). Nabokov and the Question of Morality: Aesthetics, Metaphysics, and the Ethics of Fiction. New York: Palgrave Macmillan.

Swift, Laura and Carey, Chris eds. (2016). Iambus and Elegy: New Approaches. Oxford: Oxford University Press.

Tickell, Alex ed. (2016). South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan.

Tickell, Alex ed. (2016). A335 Literature in Transition: from 1800 to the Present. Book 2 'Movements' (1870-1940). Milton Keynes: Open University.

Allen, Gemma (2016). Women as counsellors in sixteenth-century England: The letters of Lady Anne Bacon and Lady Elizabeth Russell. In: Daybell, James and Gordon, Andrew eds. Women and Epistolary Agency in Early Modern Culture, 1450-1690. Women and Gender in the Early Modern World. Abingdon: Routledge, pp. 81–95.

Barker, Elton (2016). Orestes. In: McClure, Laura K. ed. A Companion to Euripides. Wiley-Blackwell, pp. 270–283.

Barker, Elton and Bouzarovski, Stefan (2016). Between east and west: movements and transformations in Herodotean topology. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 155–180.

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2016). Introduction: Creating new worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 1–21.

Barker, Elton; Isaksen, Leif and Ogden, Jessica (2016). Telling stories with maps: digital experiments with Herodotean geography. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 181–224.

Barker, Elton and Pelling, Chris (2016). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds from Old Texts: Revisiting Ancient Space and Place. Oxford: Oxford University Press, pp. 225–251.

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). Peripleo: a Tool for Exploring Heterogenous Data through the Dimensions of Space and Time. Code4Lib, 31

Barker, Elton; Simon, Rainer; Isaksen, Leif and de Soto Cañamares, Pau (2016). The Pleiades Gazetteer and the Pelagios Project. In: Berman, Merrick Lex; Mostern, Ruth and Southall, Humphrey eds. Placing Names: Enriching and Integrating Gazetteers. Bloomington: Indiana University Press, pp. 97–109.

Barker, Elton and Terras, Melissa (2016). Greek Literature, the Digital Humanities, and the Shifting Technologies of Reading. Oxford University Press, Oxford.

Barker, Elton T. E. and Christensen, Joel P. (2016). Odysseus’s nostos and the Odyssey’s nostoi: rivalry within the epic cycle. Philologia Antiqua, 7 pp. 85–110.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barlow, Helen (2016). From the Band of Musick to the Concert Party, ca. 1780–1918: Musical Entertainment in the British Army. Music in Art, 41

Benatti, Francesca and King, David (2016). In Search of the Voice of the Edinburgh Review. In: Romantic Voices, 22-23 Jun 2016, The Oxford Research Centre in the Humanities, Oxford, UK, British Association for Romantic Studies.

Benatti, Francesca and King, David (2016). A Question of Style: individual voices and corporate identity in the Edinburgh Review, 1814-1820. In: Digital Humanities Congress 2016, 8-10 Sep 2016, University of Sheffield, UK.

Betts, Eleanor (2016). Places of transition and deposition: phenomena of water in the sacred landscape of Iron Age Central Adriatic Italy. Accordia Research Papers, 14 pp. 63–83.

Campbell, Siobhán (2016). Periwinkles. Poetry Ireland Review(119) p. 88.

Chambers, Helen (2016). ‘Le traducteur E. M. (une femme)’: Conrad, The Hueffers and the 1903 Maupassant translations. In: Becquet, Alexandra and Davison-Pégon, Claire eds. Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris. International Ford Madox Ford Studies (15). Amsterdam: Brill Rodopi, pp. 155–173.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

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Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

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Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

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Crone, Rosalind (2016). Education in the working-class home: modes of learning as revealed by nineteenth-century criminal records. In: de Bellaigue, Christina ed. Home Education in Historical Perspective: Domestic pedagogies in England and Wales, 1750-1900. Routledge.

Crone, Rosalind (2016). Literacy. In: John, Juliet ed. Oxford Bibliographies: Victorian Literature. Oxford: Oxford University Press.

De Renzi, Silvia (2016). [Book Review] Forensic Medicine and Death Investigation in Medieval England, written by Sara M. Butler, 2015. Early Science and Medicine, 21(1) pp. 87–89.

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Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

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Donington, Katie; Hanley, Ryan and Moody, Jessica (2016). Introduction. In: Donington, Katie; Hanley, Ryan and Moody, Jessica eds. Britain’s History and Memory of Transatlantic Slavery: Local Nuances of a ‘National Sin’. Studies in International Slavery. Liverpool: Liverpool University Press, pp. 15–32.

Donnachie, Ian (2016). Landscape, Industry and the Reforming Vision of David Dale and Robert Owen: Visitors to the Falls of Clyde and New Lanark in the later 18th and early 19th centuries. The Pleasaunce: ‘Falls of Clyde’ special issue pp. 10–17.

Donnachie, Ian (2016). 'Anything You Want It to Mean'? Scotland's Changing Heritage Landscape. In: Hooper, Glenn ed. Heritage and Tourism in Britain and Ireland. London: Palgrave Macmillan, pp. 145–160.

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Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533.

Dueck, Byron (2016). Song, Participation, and Intimacy at Truth and Reconciliation Gatherings. In: Robinson, Dylan and Martin, Keavy eds. Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON, Canada: Wilfrid Laurier University Press, pp. 267–281.

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Fentress, Elizabeth and Perkins, Phil (2016). Cosa and the Ager Cosanus. In: Cooley, Alison E. ed. A Companion to Roman Italy. Chichester: Wiley-Blackwell, pp. 378–400.

Gibson, Jonathan (2016). From Palatino to Cresci: Italian Writing Books and the Italian Scripts of Early Modern English Letters. In: Daybell, James and Gordon, Andrew eds. Cultures of Correspondence in Early Modern Britain. Material Texts. Philadelphia: University of Pennsylvania Press, pp. 29–47.

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Graham, Emma-Jayne and Hope, Valerie M. (2016). Funerary practices. In: Cooley, Alison E. ed. A Companion to Roman Italy. Blackwell Companions to the Ancient World. Oxford: Wiley-Blackwell, pp. 159–180.

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Hamer, Laura (2016). [Review-Article] 'Paths to the Podium' Review-Article of The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars by Jeanice Brooks. Journal of the Royal Musical Association, 141(2) pp. 495–504.

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Harrison, Rebecca (2016). The Coming of the Projectionettes: Women’s Work in Film Projection and Changing Modes of Spectatorship in Second World War British Cinemas. Feminist Media Histories, 2(2) pp. 47–70.

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Herbert, Trevor (2016). Trumpets, drums and the sources for their symbolic authority in Britain. Music in Art: International Journal for Music Iconography,, 41(1-2) pp. 65–81.

Hughes, Jessica (2016). Fractured Narratives: Writing the Biography of a Votive Offering. In: Weinryb, Ittai ed. Ex Voto: Votive Giving Across Cultures. Bard Graduate Center - Cultural Histories of the Material World. Chicago: University of Chicago Press, pp. 23–48.

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Katritzky, M. A. (2016). Maik Goth, Monsters and the Poetic Imagination in The Faerie Queene, and Tara Pedersen, Mermaids and the Production of Knowledge in Early Modern England. Spenser Review, 46(1), article no. 6.

Katritzky, M. A. (2016). The theatrical impact of St Francis Xavier's canonization: Pietro Della Valle's account of the 1624 Jesuit festivities in Goa. Ludica. Annali di storia e civiltà del gioco, 2013-2014(19-20) pp. 24–38.

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97.

King, Edmund G. C. (2016). Radicalism in the Margins: The Politics of Reading Wilfrid Scawen Blunt in 1920. Journal of British Studies, 55(3) pp. 501–518.

King, Edmund G. C. (2016). Editors. In: Smith, Emma ed. The Cambridge Companion to Shakespeare's First Folio. Cambridge: Cambridge University Press, pp. 121–136.

Kynan-Wilson, William (2016). Stories and Storytellers: The Naming of Textiles in West Africa. From Traditional to Contemporary Aesthetic Practices in West Africa, Benin and Togo. The Art Histories and Aesthetic Practices Blog, Medium.

Langley, Chris R. (2016). Worship, Civil War and Community, 1638–1660. London: Routledge.

Langley, Chris R. (2016). ‘A Sweet Love-Token betwixt Christ and His Church’: Kirk, Communion and the Search for Further Reformation, 1646–1658. In: McCallum, John ed. Scotland's Long Reformation: New Perspectives on Scottish Religion, c. 1500–1660. Leiden: Brill, pp. 87–111.

Lawrence, Paul (2016). The Historiography of Crime and Criminal Justice. In: Knepper, Paul and Johansen, Anja eds. The Oxford Handbook of the History of Crime and Criminal Justice. The Oxford Handbooks in Criminology and Criminal Justice. Oxford: Oxford University Press, pp. 17–37.

Layton-Jones, Katy (2016). Beyond the metropolis: the changing nature of urban Britain, 1780-1880. Manchester University Press.

Layton-Jones, Katy (2016). What has the future of urban parks to do with their past? In: von Lunen, Alexander and Griffiths, Sam eds. Spatial Cultures: Towards a New Social Morphology of Cities Past and Present. Design and Built Environment. Abingdon and New York: Routledge, pp. 128–138.

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Marsden, Richard A. (2016). Innes, Cosmo Nelson (1798-1874), antiquary. In: Cannadine, David ed. Oxford Dictionary of National Biography. Oxford: Oxford University Press.

Masterson, Mark and Robson, James (2016). Foreword: The Book and its Influence. In: Dover, K. J. ed. Greek Homosexuality (3rd edition). London: Bloomsbury, xv-xxvii.

McEneaney, Sinead (2016). Righting Women in the 1960s: Gender, Power and Conservatism in the Pages of The New Guard. In: Ritchie, Rachel; Hawkins, Sue; Phillips, Nicola and Kleinberg, S. Jay eds. Women in Magazines: Research, Representation, Production and Consumption. Routledge Research in Gender and History. Routledge, pp. 92–103.

McKellar, Elizabeth (2016). Writing the New Urbanism: Architecture and Guidebooks to London and Paris, c.1650-1730. In: Arnold, Dana and Cohen, Jean-Louis eds. Paris-Londres. Paris: INHA & Infolio, pp. 15–69.

McKellar, Elizabeth (2016). Georgian London before 'Georgian London': Beresford Chancellor, Rasmussen and the 'The true and sad story of Regent's Street. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 38–51.

McKellar, Elizabeth and Holder, Julian (2016). Chapter 1: Introduction: reappraising the Neo-Georgian. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England, pp. 1–12.

Mombauer, Annika (2016). Sir Edward Grey, Germany, and the Origins of the First World War: A Re-Evaluation. The International History Review, 38(2) pp. 301–325.

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Neale, Derek (2016). El cuento en la academia: mimesis, diégesis y el rol del drama y el cine. In: Angel, Marcos and Fernández, Gerardo Argüelles eds. Recetas para el misterio: ensayos de escritura creativa. Autores, Textos y Temas. Literatura (44). Mexico city, Mexico; Buenos Aires, Argentina; Barcelona and Madrid, Spain: Anthropos, pp. 47–67.

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Parmar, Maya (2016). Writing South-Asian Diasporic Identity Anew. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Palgrave Macmillan UK, pp. 235–252.

Payne, Emily; Schuling, Floris; Stroud, Rachel and Williams, Sean (2016). Performing Notations: Relational Approaches to Musical Materials. In: Royal Musical Association Conference 2016, 3-5 Sep 2016, The Guildhall, London.

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Rodgers, Michael (2016). The Will to Disempower? Nabokov and his Readers. In: Rodgers, Michael and Sweeney, Susan Elizabeth eds. Nabokov and the Question of Morality: Aesthetics, Metaphysics and the Ethics of Fiction. Palgrave Macmillan, pp. 51–69.

Rowland, David (2016). Roger Long’s gut-strung keyboard instruments and Thomas Barton’s harpsichord stringing. Early Music, 44(3) pp. 461–471.

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Shaw, Samuel and Rough, William (2016). In Focus: 'The Doll’s House' 1899–1900 by William Rothenstein. Tate.

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Swift, Laura (2016). Greek Tragedy: Themes and Contexts. Classical World. London: Bloomsbury Academic.

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Swift, Laura (2016). Medea. In: McClure, Laura ed. A Companion to Euripides. Blackwell Companions to the Ancient World. Chichester: Wiley-Blackwell, pp. 80–91.

Swift, Laura (2016). Poetics and precedents in Archilochus’ erotic imagery. In: Swift, Laura and Carey, Chris eds. Iambus and Elegy: New Approaches. Oxford: Oxford University Press, pp. 253–270.

Taylor, Clare (2016). ‘Modern Swedish rococo’: the Neo-Georgian interior in Britain, c 1920–c 1945. In: McKellar, Elizabeth and Holder, Julian eds. Neo-Georgian Architecture 1880-1970: A Reappraisal. Swindon: Historic England, pp. 151–166.

Thompson, Marie (2016). Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism. Contemporary Music Review, 35(1) pp. 85–101.

Tickell, Alex (2016). Introduction. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Basingstoke: Palgrave Macmillan, pp. 1–18.

Tickell, Alex (2016). 'An Idea Whose Time Has Come': Indian Fiction in English After 1991. In: Tickell, Alex ed. South-Asian Fiction in English: Contemporary Transformations. Houndmills, Basingstoke: Palgrave Macmillan, pp. 37–58.

Trott, Vincent (2016). "The market is flooded with them": Richard Aldington's Death of a Hero and the War Books Boom. In: Wilson, Nicola ed. The Book World: Selling and Distributing British Literature, 1900 - 1940. Leiden: Brill, 95 -116.

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Vincent, David (2016). Working-class autobiography in the nineteenth century. In: Smyth, Adam ed. A History of English Autobiography. Cambridge: Cambridge University Press, pp. 165–178.

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Walder, Dennis (2016). Editorial. Journal of Southern African Studies, 42(6) pp. 1027–1031.

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2015To Top

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2015). George Frideric Handel: Collected Documents: Volume 2: 1725-1734. Cambridge: Cambridge University Press.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Devlin, Zoë L. and Graham, Emma-Jayne eds. (2015). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Studies in Funerary Archaeology, 9. Oxford: Oxbow.

Hope, Valerie and Bakogianni, Anastasia eds. (2015). War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury.

Hughes, Jessica and Buongiovanni, Claudio eds. (2015). Remembering Parthenope: The Reception of Classical Naples from Antiquity to the Present. Classical Presences. Oxford: Oxford University Press.

Masterson, Mark; Rabinowitz, Nancy Sorkin and Robson, James eds. (2015). Sex in Antiquity: Exploring Gender and Sexuality in the Ancient World. Rewriting Antiquity. Abingdon, New York: Routledge.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Stead, Henry and Hall, Edith eds. (2015). Greek and Roman Classics in the British Struggle for Social Reform. Bloomsbury Studies in Classical Reception. Bloomsbury Academic.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Allington, Daniel; Dueck, Byron and Jordanous, Anna (2015). Networks of value in electronic music: SoundCloud, London, and the importance of place. Cultural Trends, 24(3) pp. 211–222.

Barker, Naomi J. (2015). Music, antiquity and self-fashioning in the Accademia dei Lincei. The Seventeenth Century, 30(4) pp. 375–390.

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Hope, Valerie (2015). Bodies on the Battlefield: the spectacle of Rome's fallen soldiers. In: Hope, Valerie and Bakogiannia, Anastasia eds. War as Spectacle. Ancient and Modern Perspectives on the Display of Armed Conflict. London: Bloomsbury, pp. 157–178.

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King, Edmund G. C. (2015). A Captive Audience? The Reading Lives of Australian Prisoners of War, 1914–1918. In: Towheed, Shafquat and King, Edmund G. C. eds. Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan, pp. 153–167.

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Williams, Sean; Moonie, James; Green, Owen; Green, Owen; Lloyd, Emma; Sturm, Armin and Murray-Rust, Dave (2015). Grey Area Performs: Hugh Davies, Stockhausen, Christian Wolff, Owen Green. University of Leeds.

Williams, Sean and Stockhausen, Karlheinz (2015). "Kontakte - electronic music" sound projection. Edinburgh College of Art.

Williams, Sean and Stockhausen, Karlheinz (2015). "Hymnen - electronic music" sound projection. Edinburgh College of Art.

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2014To Top

Allen, Gemma ed. (2014). The Letters of Lady Anne Bacon. Camden Fifth Series, 44. Cambridge: Cambridge University Press.

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Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Crone, Rosalind ed. (2014). Policing Entertainment. The Making of the Modern Police (4). London: Pickering & Chatto.

Godfrey, Barry and Lawrence, Paul eds. (2014). Crime and Justice since 1750 (2nd ed). Abingdon: Routledge.

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

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Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Coatalen, Guillaume and Gibson, Jonathan (2014). Six Holograph Letters in French from Queen Elizabeth I to the Duke of Anjou: Texts and Analysis. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I’s Foreign Correspondence: Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 27–62.

Coombes, Annie E. and Hughes, Lotte (2014). Managing Heritage, Making Peace: History, Identity and Memory in Contemporary Kenya. London: I B Tauris.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

Donington, Katie (2014). Transforming capital: slavery, family, commerce and the making of the Hibbert family. In: Donington, Katie; Draper, Nicholas; Hall, Catherine; Lang, Rachel and McClelland, Keith eds. Legacies of British Slave-Ownership: Colonial Slavery and the Formation of Victorian Britain. Cambridge: Cambridge University Press, pp. 203–249.

Donnachie, Ian (2014). 'Overwhelmed with poverty, divisions and distress': Robert Owen's Tour of Ireland, 1822-3. History Ireland, 22(3) pp. 24–27.

Donnachie, Ian (2014). People, places and spaces. Education in Robert Owen's New Society. In: Mills, Sarah and Kraftl, Peter eds. Informal Education, Childhood and Youth. Geographies, Histories, Practices. Basingstoke: Palgrave Macmillan Ltd, pp. 81–96.

Dueck, Byron (2014). Standard, advantage, and race in British discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 199–220.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

Fear, Trevor (2014). New Voices in Classical Reception Studies Vol. 9 (2014). The Open University.

Gibson, Jonathan (2014). 'Dedans la plie de mon fidelle affection': Familiarity and Materiality in Elizabeth’s Letters to Anjou. In: Bajetta, Carlo M.; Coatalen, Guillaume and Gibson, Jonathan eds. Elizabeth I's Foreign Correspondence Letters, Rhetoric, and Politics. Basingstoke: Palgrave Macmillan, pp. 63–89.

Golding, Rosemary (2014). Organ Recitals, education, repertoire, and a new musical public in nineteenth-century Edinburgh. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(24) pp. 89–113.

Goodrich, Amanda (2014). Radical “Citizens of the World,” 1790–95: The Early Career of Henry Redhead Yorke. Journal of British Studies, 53(3) pp. 611–635.

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Gustar, Andrew (2014). The life and times of Black Ey’d Susan: the story of an English ballad. Folk Music Journal, 10(4) pp. 432–448.

Gustar, Andrew James (2014). Statistics in Historical Musicology. PhD thesis The Open University.

Hamer, Laura (2014). [Book Review] Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 by Barbara L. Kelly. H-France Review, 14(158)

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Hamer, Laura (2014). [Book Review] Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head. Women's History Review, 23(3) pp. 505–507.

Hamer, Laura and Dingle, Christopher (2014). 'False Memories and Dissonant Truths: Digital Newspaper Archives as a Catalyst for a New Approach to Music Reception Studies'. Studies in the Digital Humanities

Harrison, Rebecca (2014). Inside the Cinema Train: Britain, Empire and Modernity in the Twentieth Century. Film History, 26(4) pp. 32–57.

Hazareesingh, Sandip (2014). The everyday lives of ancient Colombians. Open University, Milton Keynes.

Hope, Valerie (2014). Inscriptions and Identity. In: Millet, Martin; Revell, Louise and Moore, Alison eds. The Oxford Handbook of Roman Britain. Oxford: Oxford University Press.

Hughes, Jessica (2014). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Supplements to the Memoirs of the American Academy in Rome (10). Ann Arbor, MI: University of Michigan Press, pp. 103–116.

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James, Paula (2014). Book Review: Literature and Identity in The Golden Ass of Apuleius. Ancient Narrative, 11 pp. 229–236.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84.

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Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480.

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Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128.

Kawabata, Maiko (2014). How Gilles Apap's new cadenza illuminates Mozart, via Bakhtin. ECHO: A Music-Centered Journal, 12(1)

Kawabata, Maiko (2014). The aura of Stradivari’s violins. Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 12(23) pp. 61–74.

Yamagata, Naoko, ed. A New Interpretation of Sophocles’ Oedipus Tyrannus: In the Light and Darkness of Apollo. By Shigenari Kawashima (2014). Edwin Mellen Press (2014). Translated from Japanese [日本語]

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

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King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244.

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King, Helen and Toner, Jerry (2014). Medicine and the senses: humours, potions and spells. In: Toner, Jerry ed. A Cultural History of the Senses in Antiquity, 500 BCE-500 CE. A Cultural History of the Senses. London: Bloomsbury, pp. 139–161.

Lamont, Mark (2014). 3 Malinowski and the "Native Question". In: Darnell, Regna and Gleach, Frederic W. eds. Anthropologists and Their Traditions Across National Borders. Histories of Anthropology Annual. University of Nebraska Press, pp. 69–110.

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Robson, James (2014). Slipping one in: the introduction of obscene lexical items in Aristophanes. In: Olson, S. Douglas ed. Ancient Comedy and Reception: Essays in Honor of Jeffrey Henderson. Berlin: De Gruyter, pp. 29–50.

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Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178.

Simon, Rainer; Pilgerstorfer, Peter; Isaksen, Leif and Barker, Elton (2014). Towards semi-automatic annotation of toponyms on old maps. e-Perimetron, 9(3) pp. 105–112.

Slight, John (2014). British Understandings of the Sanussiyya Sufi Order’s Jihad against Egypt, 1915–17. The Round Table: The Commonwealth Journal of International Affairs, 103(2) pp. 233–242.

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Taylor, Clare (2014). “Painted paper of Pekin”: the taste for eighteenth-century Chinese papers in Britain, c.1918-c.1945. In: Huang, Michelle Ying-ling ed. The Reception of Chinese Art across Cultures. Cambridge: Cambridge Scholars Publishing, pp. 44–64.

Vincent, David (2014). ‘The invention of counting: the statistical measurement of literacy in nineteenth-century England’. Comparative Education, 50(3) pp. 266–281.

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Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Williams, Chris A. (2014). Police Control Systems in Britain, 1775–1975: From Parish Constable to National Computer. Manchester: Manchester University Press.

Williams, Sean (2014). Pinging Filters: From serialism through the 808 to DIY. In: Studying Music: An International Conference in Honour of Simon Frith, 10-12 Apr 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). Separation/Integration. The University of Edinburgh.

Williams, Sean (2014). Gemini 8. Artifact Music Limited.

Williams, Sean (2014). Strict serialism or structured improvisation?: The performance practice inherent in the technical realisation of early electronic music in the WDR Studio, Cologne. In: Centre for Musical Performance as Creative Practice 3, 17-20 Jul 2014, Cambridge, United Kingdom.

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

Williams, Sean (2014). "Set Sail for the Sun", from "Aus den Sieben Tagen" by Karlheinz Stockhausen. Institute for Advanced Studies in the Humanities.

Williams, Sean and Green, Owen (2014). Negotiating Sonic Space for Group Electronics. In: Fifth International Symposium on Music/Sonic Art: Practices and Theories, 14 Jun 2014, Karlsruhe, Germany.

Williams, Sean and Kolkowski, Aleks (2014). The Exponential Horn: In Search of Perfect Sound: "Spiral for soloist", Karlheinz Stockhausen. Science Museum, London.

Williams, Sean and Strang, David (2014). Light Entropy. Contemporary Music Festival, Plymouth.

Winters, Ben (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Wolfson, Sara (2014). Kevin Sharpe, Reading Authority and Representing Rule in Early Modern England (Bloomsbury: London, 2013) in Reviews in History (2014). Reviews in History, article no. 1643.

Woods, Kim (2014). Altarpieces in alabaster. In: Fajt, Jiri and Hörsch, Markus eds. Niederländische Skulpturenexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert. Studia Jagellonica Lipsiensia. Ostfildern: Jan Thorbecke Verlag, pp. 41–58.

Yamagata, Naoko (2014). Camilla and Tomoe: female warriors in Virgil and in medieval Japan. Proceedings of the Virgil Society, 28 pp. 81–98.

Yamagata, Naoko (2014). The Justice of Zeus revisited. In: Christopoulos, Menelaos and Paizi-Apostolopoulou, Machi eds. Crime and Punishment in Homeric and Archaic Epic: Proceedings of the 12th International Symposium on the Odyssey, Ithaca, September 3-7, 2013. Ithaca, Greece: Centre for Odyssean Studies, pp. 47–56.

2013To Top

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Mombauer, Annika ed. (2013). The Origins of the First World War: diplomatic and military documents. Manchester: Manchester University Press.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Thompson, Marie and Biddle, Ian eds. (2013). Sound, Music, Affect: Theorizing Sonic Experience. New York: Bloomsbury.

Wilson, Janet; Kimber, Gerri and da Sousa Correa, Delia eds. (2013). Katherine Mansfield and the (Post)Colonial. Katherine Mansfield Studies, 5. Edinburgh: Edinburgh University Press.

Allen, Gemma (2013). The Cooke sisters: education, piety and politics in early modern England. Politics, Culture & Society in Early Modern Britain. Manchester University Press.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60.

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Bakogianni, Anastasia (2013). ‘Who rules this nation? (Ποιός κυβερνά αυτόν τον τόπο;): political intrigue and the struggle for power in Michael Cacoyannis’ Iphigenia (1977)’. In: Bakogianni, Anastasia ed. Dialogues with the Past: Classical Reception Theory and Practice. BICS Supplement, 1 (126.1). London: Institute of Classical Studies, pp. 225–249.

Bakogianni, Anastasia (2013). Demotic power to the people: the triumph of dimotiki, the triumph of Medea. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A Democratic Turn? Classical Presences. Oxford: Oxford University Press, pp. 197–212.

Bakogianni, Anastasia (2013). Annihilating Clytemnestra: the severing of the mother-daughter bond in Michael Cacoyannis’ Iphigenia (1977). In: Nikoloutsos, Konstantinos P. ed. Ancient Greek Women in Film. Classical Presences. Oxford: Oxford University Press, pp. 207–234.

Barker, Elton (2013). All mod cons: power, openness and text in a digital turn. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A ‘Democratic Turn’? Oxford: Oxford University Press, pp. 411–426.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Writing space, living space: time, agency and place relations in Herodotus’s Histories. In: Heirman, Jo and Klooster, Jacqueline eds. The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Ghent: Academia Press, pp. 229–247.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Extracting, investigating and representing geographical concepts in Herodotus: the case of the Black Sea. In: The Bosporus: Gateway between the Ancient West and East (1st Millennium BC–5th Century AD) (Tsetskhladze, Gocha R.; Atasoy, Sümer; Avram, Alexandru; Dönmez, Şevket and Hargrave, James eds.), BAR International Series, Archaeopress, Oxford, pp. 7–17.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World.

Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan and Pelling, Chris (2013). On using a digital resources for the study of an ancient text: the case of Herodotus’ Histories. In: Dunn, Stuart and Mahony, Simon eds. The Digital Classicist. Bulletin of the Institute of Classical Studies Supplement (122). Institute of Classical Studies, University of London, pp. 45–62.

Barker, Emma (2013). Greuze and England. In: Andries, Lise; Ogée, Frédéric; Dunkley, John and Sanfey, Daragh eds. Intellectual Journeys: The Translation of Ideas in Enlightenment England, France and Ireland. Studies on Voltaire and the Eighteenth Century. United Kingdom: Voltaire Foundation, pp. 133–165.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Barker, Naomi J. (2013). Charivari and popular ritual in 17th-century Italy: a source and context for improvised performance? Early Music, 41(3) pp. 447–459.

Barker, Naomi J. (2013). The ear of the lynx: The musical legacy of the Accademia dei Lincei. In: Smith, David J. and Taylor, Rachelle eds. Networks of music and culture in the late sixteenth and early seventeenth centuries. Surrey: Ashgate Publishing Limited, pp. 59–70.

Benatti, Francesca (2013). Joining the press-gang: Thomas Moore and the Edinburgh Review. In: Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland (24). Oxford: Peter Lang.

Benton, Tim (2013). Lc Foto : Le Corbusier : Secret Photographer. Zurich: Lars Müller.

Benton, Tim (2013). Atlantic Coast: nature as inspiration. In: Cohen, Jean-Louis ed. Le Corbusier: An Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 162–167.

Benton, Tim (2013). Marseille: Unité d'habitation or "The company of clouds, the sky, or the stars". In: Cohen, Jean-Louis ed. Le Corbusier: an Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 201–211.

Benton, Tim (2013). E1027, une icône de la modernité des années 1920. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerrannée. Paris: Archibooks, pp. 67–76.

Benton, Tim (2013). Les peintures murales. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerranée. Paris: Archibooks, pp. 122–133.

Betts, Eleanor (2013). Cubrar matrer: goddess of the Picenes? Accordia Research Papers, 12 pp. 119–147.

Brown, Richard Danson (2013). Call you ’em stanzos? Stanza form and reading poetry. The English Review, 23(4) pp. 32–34.

Brown, Richard Danson (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. Department of Theatre, Film and Television, University of York, York.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press.

Brunton, Deborah (2013). Health and Wellness in the 19th Century. Health and Wellness in Daily Life. Santa Barbara: ABC Clio.

Bullock, Jamie; Coccioli, Lamberto; Dooley, James and Michailidis, Tychonas (2013). Live Electronics in Practice: Approaches to Training Professional Performers. Organised Sound, 18(2) pp. 170–177.

Carter, Warren (2013). Introduction: Towards a History of the Marxist History of Art. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 14–31.

Carter, Warren (2013). The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the 1930s and 1940s. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 64–77.

Chambers, Helen (2013). ‘“A Sort of Still Uproar”: Conrad’s Reading of Periodicals’. Conrad First, The Joseph Conrad Periodical Archive, Uppsala, Sweden.

Rowland, David, ed. Chopin Rondos. By Frederic Chopin . London, Edition Peters (2013).

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