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Open University Faculties (391)
- Faculty of Arts and Social Sciences (FASS) (391)
  - Arts and Humanities (391)
    - Art History (391)

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Number of items at this level: 391.

Book

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Barnes, Amy Jane (2014). Museum Representations of Maoist China: From Cultural Revolution to Commie Kitsch. Routledge.

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2007). The Villas of Le Corbusier and Pierre Jeanneret 1920-1930. Basel, Switzerland: Birkhauser.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2013). LC Foto: Le Corbusier Secret Photographer. Zurich: Lars Muller Publishers GmbH.

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Benton, Tim (2013). Lc Foto : Le Corbusier : Secret Photographer. Zurich: Lars Müller.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon.

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press.

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag.

restricted access item, not available for direct download

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Stephen (2012). Martha Rosler, The Bowery in two inadequate descriptive systems. London: Afterall (Forthcoming).

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

Lymberopoulou, Angeliki (2006). The church of the Archangel Michael at Kavalariana: art and society on fourteenth-century Venetian-dominated Crete. London, UK: Pindar Press.

McKellar, Elizabeth (1999). The birth of modern London: The development and design of the city 1660-1720. Manchester, UK: Manchester University Press.

McKellar, Elizabeth (2013). Landscapes of London: the City, the Country and the Suburbs, 1660-1840. New Haven: Yale University Press.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Norman, Diana (2018). Siena and the Angevins (1300-1350): Art, Diplomacy and Dynastic Ambition. Beguinage of Turnhout, Belgium: Brepols Publishers.

Norman, Diana (1999). Siena and the Virgin: Art and Politics in a Late-Medieval City State. London and New Haven, USA: Yale University Press.

Perry, Gill (2007). Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768-1820. New Haven, USA: Yale University Press.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gillian (1995). Women Artists and the Parisian Avant-Garde: Modernism and 'feminine' art 1900-1920s. Manchester: Manchester University Press.

Perry, Gillian (1979). Paula Modersohn-Becker: Her life and work. Women's Press Ltd.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Pierson, Stacey and Barnes, Amy Jane (2002). A Collector's Vision: Ceramics for the Qianlong Emperor. London: Percival David Foundation of Chinese Art.

Taylor, Clare (2018). The Design, Production and Reception of Eighteenth-century Wallpaper in Britain. The Histories of Material Culture and Collecting, 1700-1950, ed. Stacey J. Pierson. Abingdon, Oxon and New York: Routledge.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Woods, Kim W. (2007). Imported Images: Netherlandish Late Gothic Sculpture in England, c.1400-c.1550. Donington: Paul Watkins Publishing.

Edited Book

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

McKellar, Elizabeth and Holder, Julian eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press.

Wood, Paul; Wainwright, Leon and Harrison, Charles eds. (2020). Art in Theory: The West in the World - An Anthology of Changing Ideas. Wiley-Blackwell.

Woods, Kim W.; Richardson, Carol M. and Lymberopoulou, Angeliki eds. (2007). Viewing Renaissance Art. Yale University Press.

Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2011). The Thing about Museums: Objects and Experience, Representation and Contestation. Abingdon: Routledge.

Dudley, Sandra H.; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. (2012). Narrating Objects, Collecting Stories. Abingdon: Routledge.

Knell, Simon J.; Aronsson, Peter; Amundsen, Peter Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane and Hughes, Sarah A. eds. (2011). National Museums: New Studies from Around the World. Abingdon: Routledge.

Scott, Rosemary; Barnes, Amy Jane; Nikles, Estelle; Teo, Catherine and Pierson, Stacey eds. (2002). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art.

Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. (2018). A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University.

Book Section

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

Barker, Emma (2013). Greuze and England. In: Andries, Lise; Ogée, Frédéric; Dunkley, John and Sanfey, Daragh eds. Intellectual Journeys: The Translation of Ideas in Enlightenment England, France and Ireland. Studies on Voltaire and the Eighteenth Century. United Kingdom: Voltaire Foundation, pp. 133–165.

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Barnes, Amy Jane (2011). Displaying the Communist Other: Perspectives on the Exhibition and Interpretation of Communist Visual Culture. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing about Museums: Objects and Experience, Representation and Contestation. Routledge.

Barnes, Amy Jane (2011). Exhibiting China in London. In: Knell, Simon J.; Aronsson, Peter; Amunsden, Arne Bugge; Barnes, Amy Jane; Burch, Stuart; Carter, Jennifer; Gosselin, Viviane; Hughes, Sarah A. and Kirwan, Alan eds. National Museums: New Studies from Around the World. Routledge, pp. 386–399.

Barnes, Amy Jane (2018). Representing the China Dream: A case study in revolutionary cultural heritage. In: Watson, Sheila; Barnes, Amy Jane and Bunning, Katy eds. A Museum Studies Approach to Heritage. Leicester Readers in Museum Studies. Abingdon: Routledge, pp. 797–813.

Barnes, Amy Jane and Walklate, Jennifer (2011). Afterword: a conversation with Sue Pearce. In: Dudley, Sandra; Barnes, Amy Jane; Binnie, Jennifer; Petrov, Julia and Walklate, Jennifer eds. The Thing About Museums: Objects and Experience, Representation and Contestation. Routledge.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32.

Benton, Tim (2003). Italian architecture and design. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 218–229.

Benton, Tim (2012). La rhétorique de la vérité: Le Corbusier à Alger. In: Bonillo, Jean-Lucien ed. Le Corbusier, Visions d'Alger. Les Rencontres de la Fondation Le Corbusier. Paris: Editions de La Villette, pp. 172–187.

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33.

Benton, Tim (2012). Art Deco and Japonisme. In: Brown, Kendall H. ed. Deco Japan: Shaping Modern Culture 1920-1945. Alexandria, VA, USA: Art Services International, pp. 25–34.

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43.

Benton, Tim (2013). Marseille: Unité d'habitation or "The company of clouds, the sky, or the stars". In: Cohen, Jean-Louis ed. Le Corbusier: an Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 201–211.

Benton, Tim (2013). Atlantic Coast: nature as inspiration. In: Cohen, Jean-Louis ed. Le Corbusier: An Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 162–167.

Benton, Tim (2012). The miracle of Le Corbusier's roof terrace. In: Gargiani, Roberto ed. L'Architrave, le Plancher, la Plate-forme: Nouvelle Histoire de la Construction. Lausanne: Presses Polytechniques et Universitaires Romandes, pp. 710–718.

Benton, Tim (2012). Le Corbusier's secret photographs. In: Herschdorfer, Natalie and Umstatter, Lada eds. Le Corbusier and the Power of Photography. London: Thames and Hudson, pp. 30–55.

Benton, Tim (2013). Les peintures murales. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerranée. Paris: Archibooks, pp. 122–133.

Benton, Tim (2013). E1027, une icône de la modernité des années 1920. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerrannée. Paris: Archibooks, pp. 67–76.

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa.

Benton, Tim (2011). The Villa de Mandrot and the place of the imagination. In: Richard, Michel ed. Massilia 2011. Annuaire d'Études Corbuséennes. Marseilles: Editions Imbernon, pp. 92–105.

Benton, Tim (2012). La maison La Roche et les ateliers d’artistes de Le Corbusier. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias culturales. Valencia: General de Ediciones de la Arquitectura, pp. 10–35.

Benton, Tim (2012). Funktionnel. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales. Valencia: General de Ediciones de Arquitectura, pp. 253–268.

Benton, Tim (2012). Funktionnel (HO). In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales, pp. 227–242.

Benton, Tim (2012). La maison La Roche et les ateliers d'artistes de Le Corbusier. In: Torres Cueco, Jorge ed. Le Corbusier Mise au Point. Valencia: Memorias Culturales, pp. 8–33.

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benton, Tim (2014). Dom-Ino and the Phantom Pilotis. In: Weaver, Thomas ed. AA Files. AA Files, 69 (69). London: Architectural Association, pp. 13–37.

Benton, Tim (2006). Modernism and nature. In: Wilk, Christopher ed. Modernism: designing a new world. London: Victoria and Albert Museum, pp. 311–339.

Benton, Tim and Benton, Charlotte (2003). Avant garde sources. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 244–259.

Benton, Tim and Benton, Charlotte (2003). Decline and revival. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 426–429.

Benton, Tim and Benton, Charlotte (2003). The Style and the Age. In: Benton, Tim; Benton, Charlotte and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 12–27.

Benton, Tim and Watson, Nicola (2010). Museum practice and heritage. In: West, Susie ed. Understanding Heritage in Practice. Manchester: Manchester University Press, pp. 127–165.

Carter, Warren (2018). Mexican Muralism Reconsidered. In: Carter, Warren ed. Art after Empire: From Colonialism to Globalisation. Manchester: Manchester University Press in association with the OU, pp. 59–97.

Carter, Warren (2013). The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the 1930s and 1940s. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 64–77.

Carter, Warren (2013). Introduction: Towards a History of the Marxist History of Art. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 14–31.

Carter, Warren (2012). The Artist as Worker: Radical Responses to the New Deal Federal Art Projects. In: Moss, Avigail and Stakemeier, Kerstin eds. Painting: The Implicit Horizon. Maastricht: The Jan van Eyck Academie, pp. 23–38.

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137.

Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40.

Christian, Kathleen (2006). Poetry and 'Spirited' Ancient Sculpture. In: Kenda, Barbara ed. Aeolian Winds and the Spirit of Renaissance Architecture: Academia Eolia Revisited. Taylor and Francis, pp. 103–24.

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573.

Christian, Kathleen Wren (2008). Instauratio and Pietas: the della Valle collections of ancient sculpture. In: Penny, Nicholas and Schmidt, Eike D. eds. Collecting Sculpture in Early Modern Europe. Studies in the History of Art (70). Washintgton: National Gallery of Art, pp. 33–65.

Clark, Leah (2013). Replication, quotation, and the â€˜originalâ€™ in Quattrocento collecting practices. In: GroÃŸmann, G. Ulrich and Krutisch, Petra eds. The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings (CIHA). Wissenschaftliche BeibÃ¤nde zum Anzeiger der Germanischen Nationalmuseums, 1 (32). Nuremberg: Germanisches Nationalmuseum Press, pp. 136–140.

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clark, Leah R. (2019). Artefacts. In: Buono, Amy and Dupré, Sven eds. A Cultural History of Color in the Renaissance. A Cultural History of Color, vol. 3. London: Bloomsbury, (In Press).

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols (In Press).

Clark, Leah R. (2019). Representing the World: Collecting and Display in the Renaissance and Today. In: Galdy, Andrea ed. Collecting and Museology. Cambridge: Cambridge Scholars Publishing, (In Press).

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, 255-265 (In Press).

Clark, Leah R. and Campbell, Caroline (2020). Exhibition and Display. In: Campbell, Erin J. and Miller, Stephanie eds. A Cultural History of Furniture in the Middle Ages and Renaissance. A Cultural History of Furniture, vol. 2. London: Bloomsbury, (In Press).

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Stephen (2001). The accumulation of knowledge or, William Whewell's eye. In: Purbrick, Louise ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, pp. 26–52.

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

Edwards, Steve (2007). National survey: Great Britain. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 606–614.

Edwards, Steve (2007). Societies, groups, institutions, and exhibitions in the United Kingdom. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 2. Routledge, pp. 1303–1307.

Edwards, Steve (2007). Robert Hunt. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 731–732.

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

Edwards, Steve (2006). Instantaneos de historia Passagens sobre o argumento pos-moderno. In: Nicolau, Ricardo ed. Fotografia Na Arte: De Ferramenta A Paradigma. Colecção de Arte Contemporânea Público Serralves (6). Porto: Fundação de Serralves, pp. 142–151.

Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University and Showroom Cinema eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

Edwards, Steve (2002). Snapshooters of history: passages on the postmodern argument. In: Wells, Liz ed. The Photography Reader. Routledge, pp. 180–195.

Edwards, Steve; Fusco, Maria and O, Steve (2007). William Lake Price and James Mudd: the shattered utopia. In: Gergley, Chris ed. Copy Work. Vancouver: Contemporary Art Gallery, pp. 9–21.

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Journal Item

Asquith, Wendy and Wainwright, Leon (2020). A moment to celebrate? Art of the Caribbean at the Venice Biennale. Journal of Curatorial Studies, 19(1) (In Press).

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Baker-Bates, Piers (2019). Establishing Spanish Cultural Identities at Rome (1516–1598). Hispanic Research Journal, 19(5) pp. 461–480.

Barker, Emma (2007). Mme Geoffrin, painting and galanterie: Carle Van Loo’s Conversation espagnole and Lecture espagnole. Eighteenth-Century Studies, 40(4) pp. 587–614.

Barker, Emma (1997). Painting and Reform in Eighteenth-Century France: Greuze's L'Accordé de Village. Oxford Art Journal, 20(2) pp. 42–52.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Barker, Emma (2012). Reading the Greuze Girl: the daughter's seduction. Representations, 117 pp. 86–119.

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553.

Barker, Emma (2020). Envisioning Blindness in Eighteenth-Century Paris. Oxford Art Journal, 43(1) (In Press).

Barnes, Amy Jane (2014). Forum: Museums and Mental Health. Introduction. Museum Worlds: Advances in Research, 2(1) pp. 133–135.

Barnes, Amy Jane (2012). A Trojan Horse? An icon of the anti-establishment at the Victoria & Albert Museum. Museum and Society, 10(2) pp. 69–80.

Barnes, Amy Jane (2019). Chinese Propaganda Posters at the British Library. Visual Resources (In Press).

Barnes, Amy Jane (2003). China in Britain: The representation of twentieth century Chinese art and culture in contemporary British museums. Museological Review(9) pp. 1–15.

Barnes, Amy Jane (2018). 大英图书馆收藏的中国革命年画研究 [‘Research on Chinese Revolutionary New Year Paintings Collected by the British Library’]. 年画研究2018 [‘Nianhua Journal 2018’] pp. 27–29.

Barnes, Amy Jane and Kraamer, Malika (2015). Japanese Saris: Dress, Globalisation and Multiple Migrants. Textile History, 46(2) pp. 169–188.

Benton, Tim (2001). Humanism and fascism. Comparative Criticism: An Annual Journal, 23 pp. 69–115.

Benton, Tim (2010). Review: Pride in modesty: modernist architecture and the vernacular tradition in Italy by Michelangelo Sabatino. Harvard Design Magazine, 33 pp. 141–144.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2008). The complexities and contradicitions of modernism. Positions pp. 16–21.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61.

Carter, Warren (2014). Painting the Revolution: State, Politics and Ideology in Mexican Muralism. Third Text, 28(3) pp. 282–291.

Carter, Warren (2000). The Public (Mis)use of Art: Radical Artists, Reformist States, and the Politics of Mural Painting in 1930s and 1940s America and Mexico. Oxford Art Journal, 23(2) pp. 163–171.

Carter, Warren (2012). [Book Review] Meyer Schapiro Abroad: Letters to Lillian and Travel Notebooks. Studies in Travel Writing, 16(1) pp. 87–91.

Carter, Warren (2019). The Slow Fuse of the Revolutionary Mural: Diego Rivera, Historical Revisionism and Poststructuralism. Acta Academiae Artium Vilnensis, 94 (In Press).

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291.

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305.

Charlesworth, Amy (2014). Navigating spheres, shifts in emphasis: The documentary, the video essay and the social. Art & the Public Sphere, 3(1) pp. 31–44.

Charlesworth, Amy (2015). Caught Between the Factory and the Home: Re-Visiting Feminist ‘Documentary’ Aesthetics under Globalised Capital. Third Text, 29(1-2) pp. 88–103.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Christian, Kathleen (2002). From ancestral cults to art: the Santacroce Collection of antiquities. Annali della Scuola normale superiore di Pisa. Classe di lettere e filosofia, 14 pp. 255–272.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) pp. 91–127.

Christian, Kathleen Wren (2004). Raphael's 'Philemon' and the collecting of antiquities in Rome. The Burlington Magazine, 146(1220) pp. 760–763.

Christian, Kathleen Wren (2002). The de' Rossi Collection of Ancient Sculptures, Leo X, and Raphael'. Journal of the Warburg and Courtauld Institutes, 65 pp. 132–200.

Christian, Kathleen Wren (2003). The Della Valle Sculpture Court Rediscovered. The Burlington Magazine, 145(1209) pp. 847–850.

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clark, Leah R. (2019). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections (Early Access).

Clark, Leah R. (2011). Transient possessions: circulation, replication, and transmission of gems and jewels in Quattrocento Italy. Journal of Early Modern History, 15(3) pp. 185–221.

Clark, Leah R. (2013). Collecting, exchange, and sociability in the Renaissance studiolo. Journal of the History of Collections, 25(2) pp. 171–184.

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154.

Day, Gail; Edwards, Steve and Mabb, David (2010). ‘What keeps mankind alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4) pp. 135–171.

Dohmen, Renate (2012). Memsahibs and the “Sunny East”: Representations of British India by Millicent Douglas Pilkington and Beryl White. Victorian Literature and Culture, 40(1) pp. 153–177.

Dohmen, Renate (2004). The home in the world: women, threshold designs and performative relations in contemporary Tamil Nadu, south India. Cultural Geographies, 11(1) pp. 7–25.

Dohmen, Renate (2013). Towards a cosmopolitan criticality: Relational aesthetics, Rirkrit Tiravanija and transnational encounters with pad thai. Open Arts Journal(1) pp. 35–46.

Dohmen, Renate (2001). Happy Homes and the Indian Nation: Women's Designs in Post-colonial Tamil Nadu. Journal of Design History, 14(2) pp. 129–139.

Dohmen, Renate (2019). Counter-Epistemologies of the Global South: Indian Floor Drawings Re-envisaged. South Asian Popular Culture, 16(2-3) pp. 235–244.

Edwards, S. (2002). The Dialectics of Skill in Talbot's Dream World. History of Photography, 26(2) pp. 113–118.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Stephen (2009). Commons and crowds: figuring photography from above and below. Third Text, 23(4) pp. 447–464.

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Steve (2001). Factory and fantasy in Andrew Ure. Journal of Design History, 14(1) pp. 17–33.

Edwards, Steve (2006). Produkcija objektivnosti v fotografiji zgodnjega 19. stoletja. Borec: Revija Za Zgodivino, literaturo in antropologijo(LVIII) pp. 163–181.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy(182) pp. 61–65.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Harrison, Jill (2019). Fresh Perspectives on Hugo van der Goes’ Portrait of Margaret of Denmark and the Trinity Altarpiece. The Court Historian, 24(2) pp. 120–137.

Hebbert, Michael and McKellar, Elizabeth (2008). Tall buildings in the London landscape. The London Journal, 33(3) pp. 199–200.

King, Catherine (2006). Architecture, gender and politics: the Villa Imperiale at Pesaro. Art History, 29(5) pp. 796–826.

King, Catherine (2006). An etching and Lelio Orsi's house. The Print Quarterly, 23(2) pp. 176–182.

King, Catherine (2019). The Special Value of Precarious Patrons: Lucrezia Agliardi and the Tradition of Italian Laywomen Church Builders. Early Modern Women: An Interdisciplinary Journal, 13(2)

Lymberopoulou, Angeliki (2003). The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters, and Society on Crete. Jahrbuch der Österreichischen Byzantinistik, 53 pp. 239–257.

Lymberopoulou, Angeliki (2003). A Winged Saint John the Baptist icon in the British Museum. Apollo, CLVIII(500) pp. 19–24.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

McKellar, Elizabeth (2007). Representing the Georgian interior in the Early Twentieth Century, 1890-1930. Journal of Design History, 20(4) pp. 325–344.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth-century London. Art History, 22(4) pp. 495–513.

McKellar, Elizabeth (1996). 'Architectural History: The Invisible Subject' in The Architecture Journal. Journal of Architecture, 1(22) pp. 159–164.

McKellar, Elizabeth (2013). Tales of two cities: architecture, print and early guidebooksto Paris and London. Humanities, 2(3) pp. 328–350.

McKellar, Elizabeth (2007). C.H.B. Quennell (1872-1935): architecture, history and the quest for the modern. Architectural History, 50 pp. 211–246.

McKellar, Elizabeth (2019). All roof, no wall: Peter Boston, A-frames, and the Primitive Hut in Twentieth-century British Architecture c. 1890-1970. Architectural History, 62 (In Press).

Norman, Diana (2005). Sano di Pietro's Assunta polyptych for the Convent of Santa Petronilla in Siena. Renaissance Studies, 19(4) pp. 433–457.

Norman, Diana (2001). A place of pilgrimage: A proposal for the orginal location of the Arca of Saint Cerbone. Papers of the British School at Rome, 69 pp. 191–221.

Norman, Diana (2007). A case of mistaken identity: Ambrogio Lorenzetti's Saint Dorothy from the Church of Santa Petronilla, Siena. Zeitschrift für Kunstgeschichte, 70(3) pp. 297–324.

Norman, Diana (2006). 'Sotto uno baldachino trionfale': the ritual significance of the painted canopy in Simone Martini's Maestà. Renaissance Studies, 20(2) pp. 147–160.

Norman, Diana (2009). The prince and the bishop: A new hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale. Studies in Iconography, 30 pp. 96–125.

Norman, Diana (2010). Sanctity, kingship and succession: art and dynastic politics in the lower church at Assisi. Zeitschrift für Kunstgeschichte, 73 pp. 297–334.

Norman, Diana (2010). Politics and piety: locating Simone Martini's Saint Louis of Toulouse altarpiece. Art History, 33(4) pp. 597–619.

Norman, Diana (2014). The Sicilian Connection: Imperial Themes in Simone Martini’s St. Louis of Toulouse Altarpiece. Gesta, 53(1) pp. 25–45.

Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150.

Taylor, Clare (2012). English wallpaper manufacture, c.1700-c.1800. The Quarterly (Journal of the British Association of Paper Historians), 83 pp. 13–23.

Taylor, Clare (2008). Reading the cards: discovering the British eighteenth-century wallpaper trade. The Wallpaper History Review pp. 29–32.

Taylor, Clare (2018). [Book Review] Designing the French interior: the modern home and mass media. Cultural and Social History, 15(4) pp. 618–620.

Wainwright, Leon (2009). Aubrey Williams: a painter in the aftermath of painting. Wasafiri, 24(3) pp. 65–79.

Wainwright, Leon (2009). On being unique: world art and its British institutions. Visual Culture in Britain, 10(1) pp. 87–101.

Wainwright, Leon (2009). New provincialisms: curating art of the African diaspora. Radical History Review(103) pp. 203–213.

Wainwright, Leon (2008). Frank Bowling and the appetite for British pop. Third Text, 22(2) pp. 195–208.

Wainwright, Leon (2008). Solving Caribbean mysteries: art, embodiment and an eye for the Tropics. Small Axe(25) pp. 133–144.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

Wainwright, Leon (2007). ‘Indian Art’ in Trinidad? Ethnicity at its Limits. Journal of Creative Communications, 2(1&2) pp. 163–188.

Wainwright, Leon (2012). Arrested transmission: from periphery to center. Art Papers Magazine, 36(6) pp. 44–49.

Wainwright, Leon (2013). Americocentrism and art of the Caribbean: contours of a time-space logic. Journal of American Studies, 47(2) pp. 417–438.

Wainwright, Leon (2013). Transatlantic movement and the taste for ethnicity: art and ‘exchange’ between Suriname and the Netherlands. Etnofoor, 24(2) pp. 13–40.

Wainwright, Leon (2014). Disturbing pasts: memories, controversies and creativity. Open Arts Journal(3)

Wainwright, Leon (2019). Frank Bowling at Tate Britain: Provincialism, Transnationalism, and the Atlantic Divide. ASAP Journal Open-access platform of the Association for the Study of the Art of the Present (United States)

Wainwright, Leon (2017). Bodily relations and reciprocity in the art of Sonia Khurana. Cultural Dynamics, 29(4) pp. 255–274.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38.

Wainwright, Leon (2019). [Book Review] Creole in the Archive: Imagery, Presence and the Location of the Caribbean Figure, by Roshini Kempadoo. The New West Indian Guide/Nieuwe West-Indische Gids, 93(3-4) pp. 345–346.

Wainwright, Leon (2012). Varieties of Belatedness and Provincialism: Decolonisation and British Pop. Art History, 35(2) pp. 442–461.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

West, Susie (2009). The English Country House Chapel: Building a Protestant Tradition, by Annabel Ricketts. The Journal of British Studies, 48(3) pp. 753–754.

West, Susie (2013). An architectural typology for the early modern country house library, 1660-1720. Library, 14(4) pp. 441–464.

West, Susie (2016). Finding Wroth's Loughton Hall. Sidney Journal, 34(1) pp. 15–32.

West, Susie (2003). An overlooked inventory for Blickling Hall, Norfolk. Library History, 19(2) pp. 143–145.

West, Susie (2002). Studies and status: spaces for books in seventeenth-century Penshurst Place, Kent. Transactions of the Cambridge Bibliographical Society, 12(3) pp. 266–292.

Woods, Kim (2006). A passion altarpiece restored. Apollo pp. 40–45.

Woods, Kim (2012). The Master of Rimini and the tradition of alabaster carving in the early 15th century Netherlands. Nederlands Kunsthistorisch Jaarboek, 62(1) pp. 56–83.

Woods, Kim (2017). The activation of the image: expatriate carvers and kneeling effigies in late Gothic Spain. The Sculpture Journal, 26(1) pp. 11–24.

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim W. (2002). The pre-reformation altarpiece of Long Melford Church. Antiquaries Journal, 82 pp. 93–104.

Conference or Workshop Item

Christian, Kathleen (2006). Michelangelo's Bacchus and 'Forgeries' in Renaissance Collections of Ancient Sculpture. In: The XVIth International Congress of Classical Archaeology., 23-26 Aug 2003, Boston.

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 Sep 2008, Krakow, Poland.

Lymberopoulou, Angeliki (2019). Palaiologan art from regional Crete: Artistic decline or social progress? In: Late Byzantium Reconsidered The Arts of the Palaiologan Era in the Mediterranean (Mattiello, Andrea and Rossi, Maria Alessia eds.), Routledge (Taylor & Francis Group), London and New York, pp. 132–155.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

McKellar, Elizabeth (2014). Defining the Boundaries of London: Perambulation and the City in the Long Eighteenth Century. In: Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers Papers from the Third EAHN International Meeting (Rosso, Michela ed.), pp. 437–447.

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, Jan 2009, Berlin.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, Jan 2008, Open University, Milton Keynes.

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Woods, Kim (2012). The fortunes of art in alabaster: a historiographical analysis. In: From minor to major: the minor arts and their current status in art history, Mar 2011, Princeton, USA.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Thesis

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis. The Open University.

Gómez Gutiérrez, Juan José (2002). Italian Communist Party cultural policies during the post-war period 1944-1951. PhD thesis. The Open University.

Hanna, Heather J. (2012). Women Framing Hair: Serial Strategies in Contemporary Art. PhD thesis. The Open University.

Horton, Ian Peter (2000). The foreign architectural book society and architectural elitism. PhD thesis. Open University.

Lamb, Jane (2019). The Commodification of the Celebrity Portrait: An Analysis of Photographic Business Practice in Relation to Image Mass Production in London c.1857-1880. PhD thesis. The Open University.

Masters, David (1996). Construction of national identity: British art 1930-1990. PhD thesis. The Open University.

Mcdermott, Siobhan Clare (2019). Irish Travelling Artists: Ireland, Southern Asia and the British Empire 1760-1850. PhD thesis. The Open University.

Mobus, Melody Ann Clara (2012). The Burford Masons and the changing world of building practice in England, 1630-1730. PhD thesis. The Open University.

Norman, Diana (1989). The patronage of Cardinal Oliviero Carafa 1430-1511. PhD thesis. The Open University.

Priest, Robert Charles (1995). Pre-Raphaelitism and the professional ideal : art, criticism, and sexuality. PhD thesis. The Open University.

Taylor, Clare (2010). 'Figured Paper for Hanging Rooms': The manufacture, design and consumption of wallpapers for English domestic interiors, c.1740-c.1800. PhD thesis. The Open University.

Other

Barnes, Amy Jane (2014). What makes a good museum? The Art Fund knows. The Conversation.

Barnes, Amy Jane (2019). ‘Knock Down the Gang of Four!’: caricatures in the British Library’s collection of post-1949 Chinese posters. University of Sheffield; Birkbeck University.

Barnes, Amy Jane (2020). 'Do the Chinese always smile?' Exhibiting the Cultural Revolution in Britain. Contemporary China Centre, University of Westminster.

Barnes, Amy Jane; Chrusciel, Anna; Houlberg Rung, Mette; Lee, Jeong-eun; Lleras, Christina; Ottevanger, Jeremy and Woodham, Anna (2008). Museological Review, 13. School of Museum Studies, University of Leicester, Leicester.

Benton, Tim (2003). Art Deco architecture. Victoria and Albert Museum, London, UK.

Benton, Tim (2006). Building Utopia. Victoria and Albert Museum, London, UK.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate.

Edwards, Stephen (2007). Special Issue of Oxford Art Journal: Jeff Wall. Oxford University Press, UK.

McKellar, Elizabeth (2011). Charles and Marjorie Quennell. Oxford University.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Wainwright, Leon (2018). Entwining Caribbean, British and American Art Histories: Trouble at the Turn to the "Transnational" and "Provincial". Post: Notes on Contemporary Art around the Globe. Museum of Modern Art (MoMA), New York.

Wainwright, Leon and Zijlmans, Kitty (2016). Open Arts Journal Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean. The Open University.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

This list was generated on Wed May 27 09:39:51 2020 BST.

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