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Book

Arciszewska, Barbara and McKellar, Elizabeth (2004). Articulating British classicism: New approaches in Eighteenth Century architecture. Reinterpreting classicism: culture, reaction and appropriation. Aldershot, UK: Ashgate.

Barker, Emma (2005). Greuze and the painting of sentiment. Cambridge, UK: Cambridge University Press.

Benton, Tim (2006). The Modernist Home. London: Victoria and Albert Museum.

Benton, Tim (2007). The Villas of Le Corbusier and Pierre Jeanneret 1920-1930. Basel, Switzerland: Birkhauser.

Benton, Tim (2007). Le Corbusier conférencier. Paris, France: Editions Le Moniteur.

Benton, Tim (2009). The Rhetoric of Modernism: Le Corbusier as Lecturer. Basel: Birkhäuser Publications.

Benton, Tim (2013). LC Foto: Le Corbusier Secret Photographer. Zurich: Lars Muller Publishers GmbH.

Benton, Tim (2013). Lc Foto : Le Corbusier : Secret Photographer. Zurich: Lars Müller.

Benton, Tim (2015). Le Corbusier Peintre a Cap Martin. Paris: Editions du Patrimoine.

Benton, Tim; Cohen, Jean-Louis and Phaidon Editors (2008). Le Corbusier le Grand. London: Phaidon. file

Christian, Kathleen Wren (2010). Empire without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, CT: Yale University Press.

Clark, Leah (2018). Collecting Art in the Italian Renaissance Court: Objects and Exchanges. Cambridge: Cambridge University Press. file

Clarke, Richard; McKellar, Elizabeth and Symes, Michael (2005). Russell Square: a lifelong resource for teaching and learning. Birkbeck FCE Occasional paper, 5. London: Centre for European Protected Area Research (CEPAR), Birkbeck, University of London.

Cohen, Jean-Louis and Benton, Tim (2008). Le Corbusier the Great. London/New York: Phaidon.

Dohmen, Renate (2016). Encounters beyond the Gallery. Relational Aesthetics and Cultural Difference? International Library of Modern and Contemporary Art. London: I.B.Tauris.

Dumont D'Ayot, Catherine and Benton, Tim (2012). Le Corbusier's Pavilion for Zurich: Model and Prototype of an Ideal Exhibition Space. Ennetbaden: Lars Muller Verlag. restricted access item, not available for direct download

Edwards, Stephen (2006). Photography: A Very Short Introduction. Very Short Introductions. Oxford, UK: Oxford University Press.

Edwards, Stephen (2012). Martha Rosler, The Bowery in two inadequate descriptive systems. London: Afterall (Forthcoming).

Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

Lymberopoulou, Angeliki (2006). The church of the Archangel Michael at Kavalariana: art and society on fourteenth-century Venetian-dominated Crete. London, UK: Pindar Press.

McKellar, Elizabeth (1999). The birth of modern London: The development and design of the city 1660-1720. Manchester, UK: Manchester University Press.

McKellar, Elizabeth (2013). Landscapes of London: the City, the Country and the Suburbs, 1660-1840. New Haven: Yale University Press.

Norman, Diana (2003). Painting in late medieval and Renaissance Siena (1260-1555). New Haven, USA: Yale University Press.

Perry, Gill (2007). Spectacular Flirtations: Viewing the Actress in British Art and Theatre 1768-1820. New Haven, USA: Yale University Press.

Perry, Gill (2013). Playing at Home: The House in Contemporary Art. Art Since the '80s. London: Reaktion books Ltd.

Perry, Gillian (1995). Women Artists and the Parisian Avant-Garde: Modernism and 'feminine' art 1900-1920s. Manchester: Manchester University Press.

Perry, Gillian (1979). Paula Modersohn-Becker: Her life and work. Women's Press Ltd.

Perry, Gillian; Roach, Joseph and West, Shearer (2011). The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery and University of Michigan Press.

Wainwright, Leon (2011). Timed Out: Art and the Transnational Caribbean. Rethinking Art's Histories. Manchester: Manchester University Press.

Wainwright, Leon (2017). Phenomenal Difference: A Philosophy of Black British Art. Value: Art: Politics, 13. Liverpool: Liverpool University Press.

West, Susie (2008). Hardwick Old Hall. London: English Heritage.

Woods, Kim W. (2007). Imported Images: Netherlandish Late Gothic Sculpture in England, c.1400-c.1550. Donington: Paul Watkins Publishing.

Edited Book

Benton, Tim; Fontan del Junco, Manuel and Zozaya, Maria eds. (2015). Modern Taste: Art Deco in Paris 1910-1935. Madrid: Fundacion Juan March.

Christian, Kathleen and de Divitiis, Bianca eds. (2018). Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press.

Christian, Kathleen W.; Guest, Clare E. L. and Wedepohl, Claudia eds. (2014). The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia 26. London: Warburg Institute.

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse. file

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Lymberopoulou, Angeliki ed. (2018). Cross-Cultural Interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies, 22. London: Routledge.

Lymberopoulou, Angeliki; Bracewell-Homer, Pamela and Robinson, Joel eds. (2012). Art and Visual Culture: A Reader. London: Tate.

Lymberopoulou, Angeliki and Rembrandt, Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

McKellar, Elizabeth and Holder, Julian eds. (2016). Neo-Georgian Architecture 1880-1970: a reappraisal. Swindon, UK: Historic England.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press. restricted access item, not available for direct download

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Wainwright, Leon ed. (2017). Disturbing pasts: memories, controversies and creativity. Manchester: Manchester University Press.

Wainwright, Leon and Fuglerud, Øivind eds. (2015). Objects and Imagination: Perspectives on Materialization and Meaning. Material Mediations: People and Things in a World of Movement, 3. Oxford: Berghahn Books.

Wainwright, Leon and Zijlmans, Kitty eds. (2017). Sustainable art communities: Contemporary creativity and policy in the transnational Caribbean. Manchester University Press. file

Woods, Kim W.; Richardson, Carol M. and Lymberopoulou, Angeliki eds. (2007). Viewing Renaissance Art. Yale University Press.

Blacker, Uilleam; Edwards, Elizabeth and Wainwright, Leon eds. (2014). Disturbing Pasts: Memories, Controversies and Creativity. Open Arts Journal (3). The Open University. file

Book Section

Baker-Bates, Piers (2008). The bishop and the artist: the quest for patronage in high renaissance rome. In: Burke, Jill and Bury, Michael eds. Art and Identity in Early Modern Rome. Aldershot, UK: Ashgate, pp. 45–58.

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

Barker, Emma (2016). Ghosts and Heroes: Girodet and the Ossianic Mode in Post-Revolutionary French Art. In: Padiyar, Satish; Shaw, Philip and Simpson, Philippa eds. Visual Culture and the Revolutionary and Napoleonic Wars. London and New York: Routledge, pp. 102–119.

Barker, Emma (2013). Georgiana at Althorp: Spencer Family Portraits 1755-1783. In: Perry, Gillian; Retford, Kate; Vibert, Jordan and Lyons, Hannah eds. Placing Faces: The Portrait and the Country House 1650-1850. Manchester: Manchester University Press.

Benton, Tim (2009). The art of the well-tempered lecture: Reyner Banham and Le Corbusier. In: Aynsley, Jeremy and Atkinson, Harriet eds. The Banham Lectures: Essays on Designing the Future. Oxford, UK and New York, USA: Berg, pp. 11–32. restricted access item, not available for direct download

Benton, Tim (2003). Italian architecture and design. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 218–229.

Benton, Tim (2012). La rhétorique de la vérité: Le Corbusier à Alger. In: Bonillo, Jean-Lucien ed. Le Corbusier, Visions d'Alger. Les Rencontres de la Fondation Le Corbusier. Paris: Editions de La Villette, pp. 172–187. restricted access item, not available for direct download

Benton, Tim (2014). Le Corbusier et la Méditerranée. In: Bonillo, Jean-Lucien ed. Domus Mare Nostrum. Toulon: Hemisud for Conseil General du Var, pp. 23–33. restricted access item, not available for direct download

Benton, Tim (2012). Art Deco and Japonisme. In: Brown, Kendall H. ed. Deco Japan: Shaping Modern Culture 1920-1945. Alexandria, VA, USA: Art Services International, pp. 25–34. restricted access item, not available for direct download

Benton, Tim (2010). Le Corbusier e il vernacolare: Le Sextant a Les Mathes 1935. In: Canziani, Andrea ed. Le Case per artisti sull'Isola Comacina. Quaderni fondation montandon. Como: NodoLibri, pp. 22–43. restricted access item, not available for direct download

Benton, Tim (2013). Marseille: Unité d'habitation or "The company of clouds, the sky, or the stars". In: Cohen, Jean-Louis ed. Le Corbusier: an Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 201–211. restricted access item, not available for direct download

Benton, Tim (2013). Atlantic Coast: nature as inspiration. In: Cohen, Jean-Louis ed. Le Corbusier: An Atlas of Modern Landscapes. New York: Museum of Modern Art, pp. 162–167. restricted access item, not available for direct download

Benton, Tim (2012). The miracle of Le Corbusier's roof terrace. In: Gargiani, Roberto ed. L'Architrave, le Plancher, la Plate-forme: Nouvelle Histoire de la Construction. Lausanne: Presses Polytechniques et Universitaires Romandes, pp. 710–718. restricted access item, not available for direct download

Benton, Tim (2012). Le Corbusier's secret photographs. In: Herschdorfer, Natalie and Umstatter, Lada eds. Le Corbusier and the Power of Photography. London: Thames and Hudson, pp. 30–55. restricted access item, not available for direct download

Benton, Tim (2013). Les peintures murales. In: Prélorenzo, Claude ed. Eileen Gray, L'Etoile de Mer, Le Corbusier: Trois Aventures en Méditerranée. Paris: Archibooks, pp. 122–133. restricted access item, not available for direct downloadrestricted access item, not available for direct download

Benton, Tim (2010). Il concorso per il palazzo del Littorio, 1934-1937. In: Reichlin, Bruno and Tedeschi, Letizia eds. Luigi Moretti Razionalismo e trasgressività tra barocco e informale. Milan: Electa. restricted access item, not available for direct download

Benton, Tim (2011). The Villa de Mandrot and the place of the imagination. In: Richard, Michel ed. Massilia 2011. Annuaire d'Études Corbuséennes. Marseilles: Editions Imbernon, pp. 92–105. restricted access item, not available for direct download

Benton, Tim (2012). Funktionnel. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias Culturales. Valencia: General de Ediciones de Arquitectura, pp. 253–268. restricted access item, not available for direct download

Benton, Tim (2012). La maison La Roche et les ateliers d’artistes de Le Corbusier. In: Torres, Jorge ed. Le Corbusier Mise au Point. Memorias culturales. Valencia: General de Ediciones de la Arquitectura, pp. 10–35. restricted access item, not available for direct download

Benton, Tim (2017). E-1027 and the Drôle De Guerre. In: Weaver, Thomas ed. AA Files, Volume 74. Architectural Association, pp. 123–143.

Benton, Tim (2014). Dom-Ino and the Phantom Pilotis. In: Weaver, Thomas ed. AA Files. AA Files, 69 (69). London: Architectural Association, pp. 13–37.

Benton, Tim (2006). Modernism and nature. In: Wilk, Christopher ed. Modernism: designing a new world. London: Victoria and Albert Museum, pp. 311–339.

Benton, Tim and Benton, Charlotte (2003). Avant garde sources. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 244–259.

Benton, Tim and Benton, Charlotte (2003). Decline and revival. In: Benton, Charlotte; Benton, Tim and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 426–429.

Benton, Tim and Benton, Charlotte (2003). The Style and the Age. In: Benton, Tim; Benton, Charlotte and Woods, Ghislaine eds. Art Deco 1910-1939. London, UK: Victoria and Albert Museum, pp. 12–27.

Blackmore, Chris; Foster, Natalie; Collins, Kevin and Ison, Ray (2017). Understanding and developing communities of practice through diagramming. In: Oreszczyn, Sue and Lane, Andy eds. Mapping environmental sustainability: reflecting on systemic practices for participatory research. London: Policy Press, pp. 155–182.

Carter, Warren (2013). The Dialectical Legacies of Radical Art History: Meyer Schapiro and German Aesthetic Debates in the 1930s and 1940s. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 64–77.

Carter, Warren (2013). Introduction: Towards a History of the Marxist History of Art. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. Art Books Publishing, pp. 14–31.

Carter, Warren (2012). The Artist as Worker: Radical Responses to the New Deal Federal Art Projects. In: Moss, Avigail and Stakemeier, Kerstin eds. Painting: The Implicit Horizon. Maastricht: The Jan van Eyck Academie, pp. 23–38. file

Christian, K. (2016). Apollo Belvedere. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, K. (2016). The Three Graces. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael and the image multiplied. Manchester: Manchester University Press.

Christian, Kathleen (2012). For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections. In: Bartsch, Tatjana and Seiler, Peter eds. Rom zeichnen. Maarten van Heemskerck 1532-1536/37. Humboldt-Schriften zur Kunst- und Bildgeschichte (8). Berlin: Gebr. Mann Verlag, pp. 129–156.

Christian, Kathleen (2018). Roma caput mundi: Rome's local antiquities as symbol and source. In: Christian, Kathleen and de Divitiis, Bianca eds. Local antiquities, local identities: Art, literature and antiquarianism in Europe, c. 1400-1700. Manchester: Manchester University Press, pp. 57–78.

Christian, Kathleen (2014). The multiplicity of the Muses: the reception of antique images of the Muses in Italy, 1400-1600. In: Christian, Kathleen; Guest, Clare and Wedepohl, Claudia eds. The Muses and their Afterlife in post-Classical Europe. Warburg Institute Colloquia (26). London: The Warburg Institute, pp. 103–153.

Christian, Kathleen (2008). Landscapes of ruin and the imagination in the antiquarian gardens of renaissance Rome. In: Conan, Michel ed. Gardens and Imagination: Cultural History and Agency. Dumbarton Oaks Colloquium Series in the History of Landscape Architecture (30). Washington DC: Dumbarton Oaks Research Library and Collection (Distributed by Harvard University Press), pp. 116–137. restricted access item, not available for direct download

Christian, Kathleen (2001). Petrarch's Triumph of Chastity in Leonardo's Lady with an Ermine. In: Jones, Lars and Matthew, Louisa eds. Coming About ... A Festschrift for John Shearman. Cambridge MA: Harvard University Art Museums, pp. 33–40. restricted access item, not available for direct download

Christian, Kathleen (2006). Poetry and 'Spirited' Ancient Sculpture. In: Kenda, Barbara ed. Aeolian Winds and the Spirit of Renaissance Architecture: Academia Eolia Revisited. Taylor and Francis, pp. 103–24. restricted access item, not available for direct download

Christian, Kathleen (2017). Architecture and Antique Sculpture in Early Modern Rome. In: Mallgrave, Harry Francis and Payne, Alina eds. Companions to the History of Architecture: Volume I, Renaissance and Baroque Architecture. John Wiley & Sons, pp. 73–103.

Christian, Kathleen (2015). Between reality and representation. Portraits, objects, and collectors. In: Settis, Salvatore; Anguissola, Anna and Gasparotto, Davide eds. Serial / Portable Classic. The Greek Canon and its Mutations. Milan: Fondazione Prada.

Christian, Kathleen (2014). Antiquities. In: Wyatt, Michael ed. The Cambridge Companion to the Italian Renaissance. Cambridge: Cambridge University Press, pp. 40–58.

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. In: Wouk, Edward ed. Marcantonio Raimondi, Raphael, and the Image Multiplied. Manchester University Press.

Christian, Kathleen Wren (2013). Mummies, scimitars, and a lost Crucifixion by Domenichino: the collections of Pietro and Nicolò Francesco della Valle in seventeenth-century Rome. In: Israëls, Machtelt and Waldman, Louis A. eds. Renaissance Studies in Honor of Joseph Connors. Villa I Tatti (29). Florence: Villa I Tatti, pp. 568–573. restricted access item, not available for direct download

Christian, Kathleen Wren (2008). Instauratio and Pietas: the della Valle collections of ancient sculpture. In: Penny, Nicholas and Schmidt, Eike D. eds. Collecting Sculpture in Early Modern Europe. Studies in the History of Art (70). Washintgton: National Gallery of Art, pp. 33–65. restricted access item, not available for direct download

Clark, Leah (2013). Replication, quotation, and the ‘original’ in Quattrocento collecting practices. In: Großmann, G. Ulrich and Krutisch, Petra eds. The Challenge of the Object / Die Herausforderung des Objekts, Congress Proceedings (CIHA). Wissenschaftliche Beibände zum Anzeiger der Germanischen Nationalmuseums, 1 (32). Nuremberg: Germanisches Nationalmuseum Press, pp. 136–140. restricted access item, not available for direct download

Clark, Leah R (2017). Dispersal, Exchange and the Culture of Things in Fifteenth-century Italy. In: Jurkowlaniec, Grażyna; Matyjaszkiewicz, Ika and Sarnecka, Zuzanna eds. The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation. London: Routledge, pp. 91–102.

Clark, Leah R. (2019). The Politics of Acquisition: Venetian Objects in Italian Courtly Collections, ca. 1475-1525. In: Cordez, Philippe and Schnitz-Esser, Romedio eds. Typical Venice? Venetian Commodities, 13th-16th Centuries. Turnhout: Brepols (In Press).

Clark, Leah R. (2018). From Naples to Ferrara. The Collections of Duchess Eleonora d’Aragona. In: Ippoliti, Alessandro ed. Atti del convegno internazionale: Biagio Rossetti e il suo tempo. Rome: Ginevra Bentivoglio Editoria, 255-265 (In Press).

Dohmen, Renate (2018). The Global, the Post-Abyssal and the Cosmopolitical: Casting a Creative Post-Underdeveloped, Post-Peripheral, Tropical Eye. In: Di Paola, Modesta ed. Cosmopolitics and Biopolitics. Ethics and Aesthetics in Contemporary Art. Art, Globalization, Interculturality. Barcelona: Barcelona University Press, pp. 77–94.

Dohmen, Renate (2016). Material (Re)collections of the ‘Shiny East’: A Late Nineteenth-Century Travel Account by a Young British Woman in India. In: Henes, Mary and Murray, Brian H. eds. Travel Writing, Visual Culture and Form, 1760–1900. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke: Palgrave Macmillan, pp. 42–64.

Dohmen, Renate (2016). A fraught challenge to the status quo: The 1883-4 Calcutta International Exhibition, conceptions of art and industry, and the politics of world fairs. In: Nichols, Kate; Wade, Rebecca and Williams, Gabriel eds. Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Studies in Design and Material Culture. Manchester: Manchester University Press, pp. 199–216.

Edwards, Stephen (2013). An 'Ever Recurring Controversy': John Thompson, W.J. Stillman and the Boot Blacks. In: Carter, Warren; Haran, Barnaby and Schwartz, Frederic J. eds. ReNew Marxist Art History. London: Art/Books.

Edwards, Stephen (2003). A 'pariah in the world of art': Richter in Reverse Gear. In: Green, D.; Lowry, J. and Campany, D. eds. Where is the Photograph? Brighton, UK: Photoforum, pp. 31–46.

Edwards, Stephen (2001). The accumulation of knowledge or, William Whewell's eye. In: Purbrick, Louise ed. The Great Exhibition of 1851: New Interdisciplinary Essays. Manchester: Manchester University Press, pp. 26–52.

Edwards, Stephen (2012). Una 'polemic recurrent': John Thompson, William James Stillman i els enllustradors de sabates. In: Ribalta, Jorge ed. Per Què La Fotografia Es Avui Més Important Com A Document Que Mai. Barcelona: The Private Space Books, pp. 71–103.

Edwards, Steve (2014). Décor and Decorum in the 'Temple of Photography'. In: Arnold, Dana ed. Interdisciplinary Encounters: Hidden and Visible Explorations of the Work of Adrian Rifkin. IB Tauris, pp. 73–105.

Edwards, Steve (2003). An interview with Martha Rosler. In: Campany, David ed. Art and Photography. London: Phaidon, p. 250.

Edwards, Steve (2007). Un 'paia en el mundo del arte': Richter marcha artas. In: Green, David ed. ¿Que ha sisdo de la fotografia? Barcelona: Gustavo Gili, pp. 30–48.

Edwards, Steve (2007). Allegorical photography. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. London: Routledge, pp. 27–29.

Edwards, Steve (2007). National survey: Great Britain. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 606–614.

Edwards, Steve (2007). Societies, groups, institutions, and exhibitions in the United Kingdom. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 2. Routledge, pp. 1303–1307.

Edwards, Steve (2007). Robert Hunt. In: Hannavay, John ed. Encyclopedia of Nineteenth-Century Photography, Volume 1. Routledge, pp. 731–732.

Edwards, Steve (1999). Art & language's doubt. In: Harrison, Charles ed. Art & Language in Practice,, Volume 2. Barcelona: Fundacio Antonio Tapie, pp. 101–107.

Edwards, Steve (2004). The colonisation of Utopia. In: Mabb, David ed. William Morris. Manchester: Whitworth Art Gallery, pp. 12–40.

Edwards, Steve (2006). Instantaneos de historia Passagens sobre o argumento pos-moderno. In: Nicolau, Ricardo ed. Fotografia Na Arte: De Ferramenta A Paradigma. Colecção de Arte Contemporânea Público Serralves (6). Porto: Fundação de Serralves, pp. 142–151.

Edwards, Steve (2005). Location, location, location: the place of provenance. In: Sheffield Hallam University and Showroom Cinema eds. Transmission: Speaking and Listening, Volume 4. Sheffield: Site Gallery, pp. 85–91.

Edwards, Steve (2015). Allan Sekula’s Chronotopes: Uneven and Combined Capitalism. In: Van Gelde, Hilde ed. Allan Sekula. Ship of Fools / The Dockers Museum. Leuven University Press, pp. 31–43.

Edwards, Steve (2002). Snapshooters of history: passages on the postmodern argument. In: Wells, Liz ed. The Photography Reader. Routledge, pp. 180–195.

Edwards, Steve; Fusco, Maria and O, Steve (2007). William Lake Price and James Mudd: the shattered utopia. In: Gergley, Chris ed. Copy Work. Vancouver: Contemporary Art Gallery, pp. 9–21.

Harrison, Jill (2012). Being Florentine : a question of identity in the Arte della Lana, Florence. In: Cardarelli, Sandra; Anderson, Emily Jane and Richards, John eds. Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127–148.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

Lymberopoulou, Angeliki (2019). Domenikos Theotokopoulos and Ancient Greek Art. In: Assimakopoulou, Ianthi ed. Echoes of Antiquity in the Oeuvre of Domenikos Theotokopoulos. Heraklion: Municipality of Heraklion, pp. 15–36.

Lymberopoulou, Angeliki (2007). 'Fish on a Dish' and its Table Companions in fourteenth-century Wall-Paintings on Venetian-domianted Crete. In: Brubaker, Leslie and Linardou, Kallirroe eds. Eat, Drink, and Be Merry (Luke 12:19) – Food and Wine in Byzantium. Publications of the Society for the Promotion of Byzantine Studies. Ashgate.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. In: Harvey, Graham and Hughes, Jessica eds. Sensual Religion. Religion and the Five Senses. Sheffield: Equinox Publishingh Ltd, pp. 109–130.

Lymberopoulou, Angeliki (2010). Late and post-Byzantine art under Venetian rule: frescoes vesrus icons, and Crete in the middle. In: James, Liz ed. A Companium to Byzantium. Oxford, UK: Wiley-Blackwell.

Lymberopoulou, Angeliki (2018). Introduction. In: Lymberopoulou, Angeliki ed. Cross-Cultural interaction between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 1–18. file

Lymberopoulou, Angeliki (2018). The Fogg Triptych: Testimony of a case study to the society and artistic production of Venetian Crete. In: Lymberopoulou, Angeliki ed. Cross-cultural interatcion between Byzantium and the West, 1204-1669. Whose Mediterranean is it anyway? Society for the Promotion of Byzantine Studies (22). London: Routledge, pp. 59–73. file

Lymberopoulou, Angeliki (2013). Regional Byzantine Monumental Art from Venetian Crete. In: Lymberopoulou, Angeliki and Duits, Rembrandt eds. Byzantine Art and Renaissance Europe. Farnham: Ashgate, pp. 61–99.

Lymberopoulou, Angeliki (2007). The painter Angelos and post-Byzantine Art. In: Richardson, Carol M ed. Locating Renaissance Art. London: Yale University Press, pp. 175–212.

Lymberopoulou, Angeliki (2007). 'Pro anima mea', but do not touch my icons: provisions for personal icons in wills from Venetian-dominated Crete. In: Stathakopoulos, Dionysios ed. The kindness of strangers. Charity in the pre-modern Mediterranean, Volume 2007. London, UK: King's College London, Occasional Publications, pp. 71–89.

Lymberopoulou, Angeliki (2007). Audiences and markets for Cretan icons. In: Woods, Kim W; Richardson, Carol M and Lymberopoulou, Angeliki eds. Viewing Renaissance Art. London: Yale University Press, pp. 171–208.

Lymberopoulou, Angeliki; Harrison, Lynne and Ambers, Janet (2011). The Noli Me Tangere icon at the British Museum: vision, message and reality. In: Lymberopoulou, Angeliki ed. Images of the Byzantine World: Visions, Messages and Meanings: Studies presented to Leslie Brubaker. Farnham, UK: Ashgate, pp. 185–214.

McKellar, Elizabeth (2009). The suburban villa tradition in seventeenth and eighteenth-century London. In: Arciszewska, Barbara ed. The Baroque Villa: Suburban and Country Residencies c.1600-1800. Warsaw: Wilanow Palace Museum, pp. 197–208. restricted access item, not available for direct download

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Journal Item

Baker-Bates, P. A. (2011). Sebastianello Nostro Venetiano: the career of Sebastiano del Piombo and the concept of a 'court artist' in renaissance Rome. The Court Historian - The International Journal of Court Studies, 16(1) pp. 7–23.

Baker-Bates, P.A. (2011). A means for the projection of soft power: 'Spanish churches' at Rome 1469-1527. Intersections: Interdisciplinary Studies in Early Modern Culture, 22

Baker-Bates, Piers (2013). Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts. Renaissance Studies, 27(1) pp. 51–72.

Baker-Bates, Piers (2008). A portrait of Cardinal Pompeo Colonna, rival and imitator of the papal Caesars. Papers of the British School at Rome, 76 pp. 183–199.

Barker, Emma (2007). Mme Geoffrin, painting and galanterie: Carle Van Loo’s Conversation espagnole and Lecture espagnole. Eighteenth-Century Studies, 40(4) pp. 587–614.

Barker, Emma (1997). Painting and Reform in Eighteenth-Century France: Greuze's L'Accordé de Village. Oxford Art Journal, 20(2) pp. 42–52.

Barker, Emma (2010). From Charity to Bienfaisance: Picturing Good Deeds in Late Eighteenth-Century France. Journal for Eighteenth-Century Studies, 33(3) pp. 285–311.

Barker, Emma (2009). Rehabilitating the Rococo. Oxford Art Journal, 32(2) pp. 306–313.

Barker, Emma (2017). 'No Picture more Charming’: The Family Portrait in Eighteenth-Century France. Art History, 40(3) pp. 526–553. file

Barker, Emma (2009). Imaging childhood in eighteenth-century France: Greuze's Little Girl with a Dog. Art Bulletin, 91(4) pp. 426–445. restricted access item, not available for direct download

Barker, Emma (2012). Reading the Greuze Girl: the daughter's seduction. Representations, 117 pp. 86–119. file

Barnes, Amy Jane (2019). Chinese Propaganda Posters at the British Library. Visual Resources (In Press).

Benton, Tim (2001). Humanism and fascism. Comparative Criticism: An Annual Journal, 23 pp. 69–115.

Benton, Tim (2010). Review: Pride in modesty: modernist architecture and the vernacular tradition in Italy by Michelangelo Sabatino. Harvard Design Magazine, 33 pp. 141–144.

Benton, Tim (2009). New books on Le Corbusier. Journal of Design History, 22(3) pp. 271–284.

Benton, Tim (2018). E-1027 and the «drôle de guerre». Rassegna di architettura e urbanistica(153) pp. 46–61. restricted access item, not available for direct download

Benton, Tim (2008). The complexities and contradicitions of modernism. Positions pp. 16–21. restricted access item, not available for direct download

Carter, Warren (2014). Painting the Revolution: State, Politics and Ideology in Mexican Muralism. Third Text, 28(3) pp. 282–291. file

Carter, Warren (2000). The Public (Mis)use of Art: Radical Artists, Reformist States, and the Politics of Mural Painting in 1930s and 1940s America and Mexico. Oxford Art Journal, 23(2) pp. 163–171. file

Carter, Warren (2012). [Book Review] Meyer Schapiro Abroad: Letters to Lillian and Travel Notebooks. Studies in Travel Writing, 16(1) pp. 87–91. file

Charlesworth, Amy (2017). On Absence and Saturation in Chantal Akerman's De l’autre côté (From the Other Side). Oxford Art Journal, 40(2) pp. 287–305. file

Charlesworth, Amy (2015). Caught Between the Factory and the Home: Re-Visiting Feminist ‘Documentary’ Aesthetics under Globalised Capital. Third Text, 29(1-2) pp. 88–103.

Charlesworth, Amy (2014). Navigating spheres, shifts in emphasis: The documentary, the video essay and the social. Art & the Public Sphere, 3(1) pp. 31–44.

Charlesworth, Amy (2016). The 1970s and Today. Oxford Art Journal, 39(1) pp. 147–152.

Charlesworth, Amy (2017). From Representation to the Biopolitical? A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki. Historical Materialism, 25(4) 201 -214.

Charlesworth, Amy (2017). Voice in Ursual Biemann's Performing the Border. Dissect(3) pp. 277–291. file

Christian, Kathleen (2002). From ancestral cults to art: the Santacroce Collection of antiquities. Annali della Scuola normale superiore di Pisa. Classe di lettere e filosofia, 14 pp. 255–272. restricted access item, not available for direct download

Christian, Kathleen W. (2016). Raphael’s Vitruvius and Raimondi’s Caryatid Façade. Bulletin of the John Rylands Library, 92(2) pp. 91–127. file

Christian, Kathleen Wren (2004). Raphael's 'Philemon' and the collecting of antiquities in Rome. The Burlington Magazine, 146(1220) pp. 760–763. restricted access item, not available for direct download

Christian, Kathleen Wren (2002). The de' Rossi Collection of Ancient Sculptures, Leo X, and Raphael'. Journal of the Warburg and Courtauld Institutes, 65 pp. 132–200. restricted access item, not available for direct download

Christian, Kathleen Wren (2003). The Della Valle Sculpture Court Rediscovered. The Burlington Magazine, 145(1209) pp. 847–850. restricted access item, not available for direct download

Clark, Leah and Um, Nancy (2016). Introduction: The Art of Embassy: Situating Objects and Images in the Early Modern Diplomatic Encounter. Journal of Early Modern History, 20 pp. 1–16.

Clark, Leah R. (2016). Collecting and replicating antiquities: casts, substitutions, and the culture of the copy in the Quattrocento. Journal of the History of Collections, 28(1) pp. 1–13.

Clark, Leah R. (2011). Transient possessions: circulation, replication, and transmission of gems and jewels in Quattrocento Italy. Journal of Early Modern History, 15(3) pp. 185–221. restricted access item, not available for direct download

Clark, Leah R. (2013). Collecting, exchange, and sociability in the Renaissance studiolo. Journal of the History of Collections, 25(2) pp. 171–184. restricted access item, not available for direct download

Clark, Leah R. (2019). The peregrinations of porcelain: The collections of Duchess Eleonora d’Aragona of Ferrara. Journal of the History of Collections (Early Access). restricted access item, not available for direct download

Clark, Leah R. (2018). Objects of Exchange: Diplomatic Entanglements in Fifteenth-century Naples. Predella, 43-44 pp. 129–154. file

Day, Gail; Edwards, Steve and Mabb, David (2010). ‘What keeps mankind alive?’: the Eleventh International Istanbul Biennial. Once More on Aesthetics and Politics. Historical Materialism, 18(4) pp. 135–171.

Dohmen, Renate (2012). Memsahibs and the “Sunny East”: Representations of British India by Millicent Douglas Pilkington and Beryl White. Victorian Literature and Culture, 40(1) pp. 153–177.

Dohmen, Renate (2001). Happy Homes and the Indian Nation: Women's Designs in Post-colonial Tamil Nadu. Journal of Design History, 14(2) pp. 129–139.

Dohmen, Renate (2013). Towards a cosmopolitan criticality: Relational aesthetics, Rirkrit Tiravanija and transnational encounters with pad thai. Open Arts Journal(1) pp. 35–46. file

Dohmen, Renate (2004). The home in the world: women, threshold designs and performative relations in contemporary Tamil Nadu, south India. Cultural Geographies, 11(1) pp. 7–25.

Edwards, S. (2002). The Dialectics of Skill in Talbot's Dream World. History of Photography, 26(2) pp. 113–118.

Edwards, Stephen (2007). Jeff Wall: introduction. Oxford Art Journal, 30(1) pp. 1–15.

Edwards, Stephen (2009). Commons and crowds: figuring photography from above and below. Third Text, 23(4) pp. 447–464.

Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

Edwards, Steve (2001). Factory and fantasy in Andrew Ure. Journal of Design History, 14(1) pp. 17–33.

Edwards, Steve (2006). Produkcija objektivnosti v fotografiji zgodnjega 19. stoletja. Borec: Revija Za Zgodivino, literaturo in antropologijo(LVIII) pp. 163–181.

Edwards, Steve (2007). ‘Poor Ass!’ (A Donkey in Blackpool, 1999). Oxford Art Journal, 30(1) pp. 39–54.

Edwards, Steve (2009). Apocalyptic Sublime: On the Brighton Photo-Biennial. Historical Materialism, 17(2) pp. 84–102.

Edwards, Steve (2013). 'Socialism and the Sea: Allan Sekula 1951-2013'. Radical Philosophy(182) pp. 61–65.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Hebbert, Michael and McKellar, Elizabeth (2008). Tall buildings in the London landscape. The London Journal, 33(3) pp. 199–200.

King, Catherine (2006). Architecture, gender and politics: the Villa Imperiale at Pesaro. Art History, 29(5) pp. 796–826.

King, Catherine (2006). An etching and Lelio Orsi's house. The Print Quarterly, 23(2) pp. 176–182.

Lymberopoulou, Angeliki (2003). The Madre della Consolazione icon in the British Museum: Post-Byzantine Painting, Painters, and Society on Crete. Jahrbuch der Österreichischen Byzantinistik, 53 pp. 239–257.

Lymberopoulou, Angeliki (2003). A Winged Saint John the Baptist icon in the British Museum. Apollo, CLVIII(500) pp. 19–24.

Lymberopoulou, Angeliki (2018). Sight and the Byzantine Icon. Body and Religion, 2(1) pp. 46–67.

McKellar, Elizabeth (2007). Representing the Georgian interior in the Early Twentieth Century, 1890-1930. Journal of Design History, 20(4) pp. 325–344.

McKellar, Elizabeth (1999). Peripheral Visions: Alternative aspects and rural presences in mid-eighteenth-century London. Art History, 22(4) pp. 495–513.

McKellar, Elizabeth (1996). 'Architectural History: The Invisible Subject' in The Architecture Journal. Journal of Architecture, 1(22) pp. 159–164.

McKellar, Elizabeth (2007). C.H.B. Quennell (1872-1935): architecture, history and the quest for the modern. Architectural History, 50 pp. 211–246. restricted access item, not available for direct download

McKellar, Elizabeth (2013). Tales of two cities: architecture, print and early guidebooksto Paris and London. Humanities, 2(3) pp. 328–350. file

Norman, Diana (2005). Sano di Pietro's Assunta polyptych for the Convent of Santa Petronilla in Siena. Renaissance Studies, 19(4) pp. 433–457.

Norman, Diana (2001). A place of pilgrimage: A proposal for the orginal location of the Arca of Saint Cerbone. Papers of the British School at Rome, 69 pp. 191–221.

Norman, Diana (2007). A case of mistaken identity: Ambrogio Lorenzetti's Saint Dorothy from the Church of Santa Petronilla, Siena. Zeitschrift für Kunstgeschichte, 70(3) pp. 297–324.

Norman, Diana (2006). 'Sotto uno baldachino trionfale': the ritual significance of the painted canopy in Simone Martini's Maestà. Renaissance Studies, 20(2) pp. 147–160.

Norman, Diana (2009). The prince and the bishop: A new hypothesis for Tabernacle 35 in Siena’s Pinacoteca Nazionale. Studies in Iconography, 30 pp. 96–125.

Norman, Diana (2010). Sanctity, kingship and succession: art and dynastic politics in the lower church at Assisi. Zeitschrift für Kunstgeschichte, 73 pp. 297–334.

Norman, Diana (2010). Politics and piety: locating Simone Martini's Saint Louis of Toulouse altarpiece. Art History, 33(4) pp. 597–619.

Perry, Gill (2009). Watery Weather: Roni Horn in Iceland. Art History, 32(1) pp. 177–182.

Taylor, Clare (2011). Eckhardts & Co and the supply of wall decorations for Shugborough. The Georgian Group Journal, XIX pp. 145–150. restricted access item, not available for direct downloadrestricted access item, not available for direct download

Taylor, Clare (2008). Reading the cards: discovering the British eighteenth-century wallpaper trade. The Wallpaper History Review pp. 29–32. restricted access item, not available for direct download

Taylor, Clare (2012). English wallpaper manufacture, c.1700-c.1800. The Quarterly (Journal of the British Association of Paper Historians), 83 pp. 13–23. restricted access item, not available for direct download

Wainwright, Leon (2009). Aubrey Williams: a painter in the aftermath of painting. Wasafiri, 24(3) pp. 65–79.

Wainwright, Leon (2009). On being unique: world art and its British institutions. Visual Culture in Britain, 10(1) pp. 87–101.

Wainwright, Leon (2009). New provincialisms: curating art of the African diaspora. Radical History Review(103) pp. 203–213.

Wainwright, Leon (2008). Frank Bowling and the appetite for British pop. Third Text, 22(2) pp. 195–208.

Wainwright, Leon (2008). Solving Caribbean mysteries: art, embodiment and an eye for the Tropics. Small Axe(25) pp. 133–144.

Wainwright, Leon (2015). Timed Out: Pathways and Pitfalls for Art History and Caribbean Studies. Small Axe: A Caribbean Journal of Criticism, 19(2) pp. 185–196.

Wainwright, Leon (2013). Americocentrism and art of the Caribbean: contours of a time-space logic. Journal of American Studies, 47(2) pp. 417–438. file

Wainwright, Leon (2012). Arrested transmission: from periphery to center. Art Papers Magazine, 36(6) pp. 44–49. file

Wainwright, Leon (2013). Transatlantic movement and the taste for ethnicity: art and ‘exchange’ between Suriname and the Netherlands. Etnofoor, 24(2) pp. 13–40. restricted access item, not available for direct download

Wainwright, Leon (2014). Disturbing pasts: memories, controversies and creativity. Open Arts Journal(3) file

Wainwright, Leon (2017). Bodily relations and reciprocity in the art of Sonia Khurana. Cultural Dynamics, 29(4) pp. 255–274. file

Wainwright, Leon (2007). ‘Indian Art’ in Trinidad? Ethnicity at its Limits. Journal of Creative Communications, 2(1&2) pp. 163–188.

Wainwright, Leon (2018). Sonia Khurana: The Contemporary Art of Relationality. Wasafiri, 33(3) pp. 30–38. restricted access item, not available for direct download

Wainwright, Leon (2012). Varieties of Belatedness and Provincialism: Decolonisation and British Pop. Art History, 35(2) pp. 442–461.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3) pp. 455–486.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1) pp. 109–128.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4) pp. 523–550.

West, Susie (2013). An architectural typology for the early modern country house library, 1660-1720. Library, 14(4) pp. 441–464. file

West, Susie (2016). Finding Wroth's Loughton Hall. Sidney Journal, 34(1) pp. 15–32. file

West, Susie (2009). The English Country House Chapel: Building a Protestant Tradition, by Annabel Ricketts. The Journal of British Studies, 48(3) pp. 753–754. file

West, Susie (2002). Studies and status: spaces for books in seventeenth-century Penshurst Place, Kent. Transactions of the Cambridge Bibliographical Society, 12(3) pp. 266–292. file

West, Susie (2003). An overlooked inventory for Blickling Hall, Norfolk. Library History, 19(2) pp. 143–145. file

Woods, Kim (2006). A passion altarpiece restored. Apollo pp. 40–45.

Woods, Kim (2012). The Master of Rimini and the tradition of alabaster carving in the early 15th century Netherlands. Nederlands Kunsthistorisch Jaarboek, 62(1) pp. 56–83.

Woods, Kim (2017). The activation of the image: expatriate carvers and kneeling effigies in late Gothic Spain. The Sculpture Journal, 26(1) pp. 11–24. file

Woods, Kim (2018). [Book Review] The Materiality of Devotion in Late Medieval Northern Europe: Images, Objects and Practices. Material Religion, 14(2) pp. 271–272.

Woods, Kim W. (2002). The pre-reformation altarpiece of Long Melford Church. Antiquaries Journal, 82 pp. 93–104.

Conference or Workshop Item

Christian, Kathleen (2006). Michelangelo's Bacchus and 'Forgeries' in Renaissance Collections of Ancient Sculpture. In: The XVIth International Congress of Classical Archaeology., 23-26 Aug 2003, Boston. restricted access item, not available for direct download

Lymberopoulou, Angeliki (2010). Fourteenth-century provincial Cretan church decoration: the case of the painter Pagomenos and his clientele. In: Towards Rewriting? New Approaches to Byzantine Art and Archaeology. Krakow Symposium on Byzantine Art and Archaeology, 8-10 Sep 2008, Krakow, Poland.

Lymberopoulou, Angeliki (2015). 'El Greco: A Cretan painter?'. In: El Greco (Moreno, Ana and de Cos, Leticia eds.), Museo Thyssen-Bornemisza, 2015, pp. 21–35.

McKellar, Elizabeth (2014). Defining the Boundaries of London: Perambulation and the City in the Long Eighteenth Century. In: Investigating and Writing Architectural History: Subjects, Methodologies and Frontiers Papers from the Third EAHN International Meeting (Rosso, Michela ed.), pp. 437–447. file

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, Jan 2009, Berlin.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, Jan 2008, Open University, Milton Keynes.

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

Woods, Kim (2012). The fortunes of art in alabaster: a historiographical analysis. In: From minor to major: the minor arts and their current status in art history, Mar 2011, Princeton, USA.

Woods, Kim (2013). Sculpture from the Elsloo Group in England. In: A Masterly Hand: Interdisciplinary Research on the Late-Medieval Sculptor Master of Elsloo in an International Perspective, Scientia Artis, Royal Institute for Cultural Heritage, pp. 148–161.

Thesis

Garrard, Nicholas James Havelock (2019). An Exploration of Four Sixteenth-Century Artefacts from St Helen's Ranworth: Conformity, Decency, Moderation and Memory in the Post-Reformation era. PhD thesis The Open University. file

Lamb, Jane (2019). The Commodification of the Celebrity Portrait: An Analysis of Photographic Business Practice in Relation to Image Mass Production in London c.1857-1880. PhD thesis The Open University. file

Mcdermott, Siobhan Clare (2019). Irish Travelling Artists: Ireland, Southern Asia and the British Empire 1760-1850. PhD thesis The Open University. file

Other

Benton, Tim (2003). Art Deco architecture. Victoria and Albert Museum, London, UK.

Benton, Tim (2006). Building Utopia. Victoria and Albert Museum, London, UK.

Clark, Leah and Um, Nancy (2016). Co-edited special volume of the Journal of Early Modern History, ‘The Art of Embassy: Objects and Images of Early Modern Diplomacy’. Koninklijke Brill NV, Leiden.

Dohmen, Renate (2016). All Bark and No Bite: India at Tate Britain’s ‘Artist and Empire’ Exhibition. Third Text Forum: Artist and Empire Part 1: Tate. file

Edwards, Stephen (2007). Special Issue of Oxford Art Journal: Jeff Wall. Oxford University Press, UK.

McKellar, Elizabeth (2011). Charles and Marjorie Quennell. Oxford University.

Perry, Gillian (2011). Crystal World: Introduction. The Royal Society, The Royal Society.

Wainwright, Leon and Zijlmans, Kitty (2016). Open Arts Journal Issue 5: Sustainable Art Communities: Creativity and Policy in the Transnational Caribbean. The Open University.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

This list was generated on Sun Nov 17 00:48:54 2019 GMT.

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