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Number of items at this level: 2639.

(2005). The mathematics of sex: one to two, or two to one? In: ed. Sexuality and culture in medieval and renaissance Europe. Studies in Medieval and Renaissance History, 2 (3). New York, NY U.S.: AMS Press, pp. 47–58. restricted access item, not available for direct download

(2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19. file

Aguilar, Jesús; Buckareff, Andrei and Frankish, Keith eds. (2011). New Waves in Philosophy of Action. New Waves in Philosophy. Basingstoke: Palgrave Macmillan .

Alzola Romero, Aarón ed. (2011). Archaeology for the Masses: Theoretical and Methodological Approaches to a Neglected Identity Category. Oxford, UK: British Archaeological Reports (In Press).

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Asbee, Sue ed. (2013). Yellow Book Writers. The Women Aesthetes: British Writers, 1870 - 1900, 3. London: Pickering and Chatto.

Barber, Alex ed. (2003). Epistemology of language. Oxford, UK: Oxford University Press.

Barber, Alex and Stainton, Robert J. eds. (2009). Concise Encyclopedia of Philosophy of Language and Linguistics. Elsevier.

Barker, Hannah and Vincent, David eds. (2001). Language, print and electoral politics, 1790-1832. Parlimentary History Record Series. UK: The Boydell Press/The Parlimentary History Yearbook Trust.

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2013). New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford: Oxford University Press (forthcoming).

Beckerlegge, Gwilym ed. (2001). From Sacred Text to Internet. Aldershot: Ashgate.

Beckerlegge, Gwilym ed. (2008). Colonialism, Modernity, and Religious Identities: Religious Reform Movements in South Asia. New Delhi: Oxford University Press.

Beckerlegge, Gwilym ed. (2001). The World Religions Reader. 2nd Edition. London: Routledge.

Belshaw, Christopher and Kemp, Gary eds. (2009). 12 Modern Philosophers. Chichester: John Wiley and Sons Ltd.

Benatti, Francesca; Ryder, Sean and Tonra, Justin eds. (2013). Thomas Moore: Texts, Contexts, Hypertext. Reimagining Ireland, 24. Peter Lang.

(2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208. file

Bessel, Richard and Emsley, Clive eds. (2000). Patterns of Provocation: Police and Public Disorder. UK: Berghahn Books.

Blain, Jenny; Ezzy, Douglas and Harvey, Graham eds. (2004). Researching Paganisms. Lanham, MD, USA: AltaMira.

Bowman, Marion ed. (2000). Healing and Religion. Hisarlik Studies in Contemporary Religion. London: Hisarlik Press.

Bowman, M. and Valk, Ü. eds. (2012). Vernacular Religion in Everyday Life: Expressions of Belief. Sheffield, Oakville CT: Equinox.

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Burke, Victoria E. and Gibson, Jonathan eds. (2004). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate.

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2014). George Frideric Handel: collected documents: volume 2 1725-1734. Cambridge University Press (In Press).

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Carroll, Maureen and Graham, Emma-Jayne eds. (2014). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series, 96. Ann Arbor: Journal of Roman Archaeology.

Chappell, Timothy ed. (2009). The Problem of Moral Demandingness: New Philosophical Essays. London: Palgrave Macmillan.

Chappell, Timothy ed. (2006). Values and Virtues: Aristotelianism in contemporary ethics. Oxford: Oxford University Press.

Chin, C. C. and Hack, Karl eds. (2004). Dialogues with Chin Peng: New light on the Malayan communist party. Singapore: Singapore University Press.

Christian, Kathleen Wren and Drogin, David J. eds. (2010). Patronage and Italian Renaissance Sculpture. Farnham: Ashgate.

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Clifton, Chas and Harvey, Graham eds. (2004). The Paganism Reader. London, UK: Routledge.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Wahtley, Christopher A. eds. (1998). Major Documents. Modern Scottish History: 1707 to the Present, 5. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Transformation of Scotland, 1707-1850. Modern Scottish History: 1707 to the Present, 1. East Linton, East Lothian: Tuckwell Press.

Cooke, Anthony; Donnachie, Ian; MacSween, Ann and Whatley, Christopher A. eds. (1998). The Modernisation of Scotland, 1850 to the Present. Modern Scottish History: 1707 to the Present, 2. East Linton, East Lothian: Tuckwell Press.

Courtney, Julia and James, Paula eds. (2006). The Role of the Parrot in Selected Texts from Ovid to Jean Rhys: Telling a Story from an Alternative Viewpoint. Lampeter: Edwin Mellen Press.

Crone, Rosalind; Gange, David and Jones, Katy eds. (2007). New Perspectives in British Cultural History. Newcastle: Cambridge Scholars Publishing.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan .

da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Daly, Kathleen ed. (2006). Abrege des Croniques de France, par Noel de Fribois. Societe de l'histoire de France. Paris, France: Champion.

Davies, Jon; Harvey, Graham and Watson, Wilfred G. E. eds. (1995). Words Remembered, Texts Renewed: Festschrift for Prof John F.A. Sawyer. Library of Hebrew Bible/Old Testament Studies, 195. Sheffield: Sheffield Academic Press.

Davis, Jim and Katritzky, M. A. eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate.

Decroupet, Pascal and Samuels, Robert [trans.] eds. (2005). Pierre Boulez. Le marteau sans maître: facsimile of the draft score and the first fair copy of the full score. Publications from the Paul Sacher Foundation. Mainz; London: Schott.

Devlin, Zoe and Graham, Emma-Jayne eds. (2013). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Oxford: Oxbow (In press).

Donnachie, Ian and Lavin, Carmen eds. (2003). From enlightenment to romanticism. Anthology I. Manchester, UK: Manchester University Press.

Donnachie, Ian ed. (1996). Studying Scottish History, Literature & Culture. Edinburgh: The Open University in Scotland.

Donnachie, Ian; Harvie, Christopher and Wood, Ian S. eds. (1989). Foward! Labour Politics in Scotland 1888-1988. Determinations. Edinburgh: Polygon.

Donnachie, Ian and Whatley, Christopher eds. (1992). The Manufacture of Scottish History. Determinations. Edinburgh: Polygon.

Dries, Manuel ed. (2008). Nietzsche on Time and History. Berlin: Walter de Gruyter GmbH & Co. file

Edge, Peter W. and Harvey, Graham eds. (2000). Law and Religion in Contemporary Society: Communities, Individualism and the State. Aldershot: Ashgate.

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London : Routledge.

Emlyn-Jones, Chris ed. (2007). Plato, Republic 1-2.368c4. Aris and Phillips Classical Commenatries Series. Oxford, UK: Oxbow Books.

Emsley, Clive ed. (2005). The Persistent Prison: Problems, Images and Alternatives. London: Francis Boutle.

Emsley, Clive; Johnson, Eric and Spierenburg, Pieter eds. (2004). Social Control in Europe 1800-2000. Columbus, OH,: Ohio State University Press.

Emsley, Clive and Knafla, Louis A. eds. (1996). Crime Histories and Histories of Crime: Studies in the Historiography of Crime and Criminal Justice in Modern History. Westport, Conn.: Greenwood Press.

Emsley, Clive ed. (2011). Theories and Origins of the Modern Police. The History of Policing, 1. Farnham: Ashgate.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Evans, Jonathan and Frankish, Keith eds. (2009). In Two Minds: Dual Processes and Beyond. Oxford: Oxford University Press.

Fairclough, Graham; Harrison, Rodney; Jameson, John H. and Schofield, John eds. (2008). The Heritage Reader. New York: Routledge.

Faltin, Lucia and Wright, Melanie J. eds. (2007). The religious roots of contemporary European identity. T&T Clark Theology. London, UK: Continuum.

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Frankish, Keith and Ramsey, William eds. (2012). The Cambridge Handbook of Cognitive Science. Cambridge, UK: Cambridge University Press (In Press).

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica . Mexico: Fondo de Cultura Economica .

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume Two: Perspectives from South Asia. Basingstoke: Palgrave.

Gaiger, Jason ed. (2002). Sculpture: Some observations on Shape and Form from Pygmalion's Creative Dream by Johann Gottfried Herder. Chicago, Illinois, USA: University of Chicago Press.

Godfrey, Barry; Emsley, Clive and Dunstall, Graeme eds. (2003). Comparative Histories of Crime. UK: Willan Publishing.

Graves-Brown, Paul; Harrison, Rodney and Piccini, Angela eds. (2013). The Oxford Handbook of the Archaeology of the Contemporary World. Oxford Handbooks in Archaeology. Oxford: Oxford University Press.

Grell, Ole Peter and Cunningham, Andrew eds. (2007). Medicine and Religion in Enlightenment Europe. History of medicine in context. Aldershot, UK: Ashgate Publishing Ltd.

Grell, Ole Peter; Cunningham, Andrew and Jütte, Robert eds. (2002). Health care and poor relief in 18th and 19th Century Northern Europe. The History of medicine in context. Aldershot, UK: Ashgate.

Grell, Ole Peter; Cunningham, Andrew and Roeck, Bernd eds. (2005). Health care and poor relief in 18th and 19th Century Southern Europe. The History of medicine in context. Aldershot, UK: Ashgate.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Hack, Karl and Blackburn, Kevin eds. (2008). Forgotten Captives in Japanese-Occupied Asia. Routledge Studies in the Modern History of Asia, 48. Abingdon: Routledge.

Hack, Karl and Margolin, Jean-Louis eds. (2010). Singapore from Temasek to the 21st Century: Reinventing the Global City. Singapore: National University of Singapore Publishing.

Hack, Karl and Rettig, Tobias eds. (2006). Colonial armies in southeast Asia. Routledge Studies in the Modern History of Asia. London, UK: Routledge.

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Hardwick, Lorna and Gillespie, Carol eds. (2007). Classics in Post-Colonial Worlds. Classical Presences. Oxford, UK: Oxford University Press.

Hardwick, Lorna and Stray, Christopher eds. (2007). A Companion to Classical Receptions. Oxford, UK: Wiley - Blackwell.

Harrison, Charles; Wood, Paul J. and Gaiger, Jason eds. (2000). Art in Theory 1648-1815: An Anthology of Changing Ideas. Oxford: Blackwell.

Harrison, Rodney and Williamson, Christine eds. (2004). After Captain Cook: The archaeology of the recent Indigenous Past in Australia. Indigenous Archaeologies, 2. USA: AltaMira Press; co-published with University of Sydney Archaeological Laboratory.

Harrison, Charles; Wood, Paul W. and Gaiger, Jason eds. (1998). Art in Theory 1815-1900: An Anthology of Changing Ideas. Oxford: Blackwell.

Harrison, Rodney; Byrne, Sarah and Clarke, Anne eds. (2013). Reassembling the Collection: Ethnographic Museums and Indigenous Agency. Advanced Seminar. Santa Fe, NM: SAR Press.

Harvey, Graham ed. (2003). Shamanism: A Reader. London, UK: Routledge.

Harvey, Graham ed. (2005). Ritual and Religious Belief: a reader. Critical Categories in the Study of Religion. London, UK: Equinox.

Harvey, Graham ed. (2009). Religions in Focus: New Approaches to Tradition and Comtemporary Practices. London: Equinox.

Harvey, Graham ed. (2000). Indigenous Religions: A Companion. New York: Cassell.

Harvey, Graham and Hardman, Charlotte eds. (1996). Paganism Today: Witches, Druids, the Goddess and Ancient Earth Traditions for the Twenty-First Century. London: Thorsons.

Harvey, Graham and Thompson Jr, Charles D. eds. (2005). Indigenous diasporas and dislocations. Vitality of Indigenous Religions. Aldershot, UK: Ashgate.

Harvey, Graham and Wallis, Robert eds. (2004). Historical Dictionary of Shamanism. Historical Dictionaries of Religions, Philosophies, and Movements Series, 77. Lanham, MD, USA: Scarecrow.

Harvey, Graham ed. (2013). Handbook of Contemporary Animism. Handbooks on Contemporary Religion. Durham: Acumen Publishing.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi .

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate.

Herbert, David ed. (2002). Religion and social transformations. Religion Today: Tradition, Modernity and Change, 2. Ashgate.

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Hitchcock, Tim; King, Pete and Sharpe, Pam eds. (1997). Chronicling Poverty: The Voices and Strategies of the English Poor 1640-1840. London: Palgrave Macmillan.

Hooper, Glenn ed. (2005). Landscape and Empire, 1770-2000. Aldershot, UK: Ashgate.

Hooper, Glenn ed. (2001). Letters from Ireland: Harriet Martineau. Dublin, Ireland: Irish Academic Press.

Hooper, Glenn and Graham, Colin eds. (2002). Irish and postcolonial writing: history, theory, practice. Basingstoke, UK: Palgrave.

Hope, Valerie M. and Huskinson, Janet eds. (2011). Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books.

Horstmansoff, Manfred; King, Helen and Zittel, Claus eds. (2012). Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture, 25. Leiden: Brill.

Hussain, Mazhar and Wilkinson, Robert eds. (2006). The Pursuit of comparative aesthetics: an interface between the East and West. Aldershot, UK: Ashgate.

Kennedy, Beccy; Mitha, Alnoor and Wainwright, Leon eds. (2014). Triennial City: Localising Asian Art. Manchester: Cornerhouse. file

King, Peter ed. (2006). Narratives of the poor in Eighteenth-Century Britain: Volume 4 Institutional responses: the refuge for the destitute. London, UK: Pickering and Chatto.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge c. 1790-1900. Manchester: Manchester University Press.

Laurence, Anne; Bellamy, Joan and Perry, Gillian eds. (2000). Women, Scholarship and Criticism: Gender and Knowledge, c.1790-1900. Manchester: Manchester University Press.

Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. (2009). Women and their money 1700-1950: Essays on women and finance. London: Routledge.

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Lavin, Carmen and Donnachie, Ian eds. (2004). From Enlightenment to Romanticism: Anthology II. Manchester, UK: Manchester University Press.

Lawrence, Paul ed. (2011). The New Police in the Nineteenth Century. The History of Police, 2. Farnham, U.K.: Ashgate.

Lawrence, Paul ed. (2014). Policing the Poor. The Making of the Modern Police, 3. London: Pickering & Chatto.

Lymberopoulou, Angeliki ed. (2011). Images of the Byzantine World: Visions, Messages and Meanings: Studies Presented to Leslie Brubaker. Farnham, UK: Ashgate.

Lymberopoulou, Angeliki and Rembrandt , Duits eds. (2013). Byzantine Art and Renaissance Europe. Farnham: Ashgate.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Marwick, Arthur; Emsley, Clive and Simpson, Wendy eds. (2001). Total War and Historical Change: Europe 1914-1955. Buckinghamshire: Open University Press.

Mombauer, Annika and Deist, Wilhelm eds. (2003). The Kaiser. New Research on Wilhelm II's role in Imperial Germany. Cambridge, UK: Cambridge University Press.

Mombauer, Annika ed. (2013). The Origins of the First World War: diplomatic and military documents. Manchester: Manchester University Press .

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Moore, James and Desmond, Adrian eds. (2004). The Descent of Man, and Selection in Relation to Sex by Charles Darwin. London: Penguin Classics.

Mumm, Susan ed. (2001). All Saints Sisters of the Poor: an Anglican sisterhood in the Nineteenth Century. Church of England Record Society (9). Woodbridge, UK: Boydell.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Nattiez, Jean-Jacques and Samuels, Robert [trans.] eds. (1993). The Boulez-Cage Carrespondence. Cambridge: Cambridge University Press.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Owens, W. R. ed. (1980). Seventeenth Century England: A Changing Culture Vol 2 Modern Studies. London, U.K.: Ward Lock Educational.

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Owens, W.R. and Johnson, Hamish eds. (1998). Romantic Writings: An Anthology. Milton Keynes, U.K.: The Open University.

Perry, Gill ed. (2004). Difference and Excess In Contemporary Art: The Visibility of Women's Practice. Art History Special Issues. Oxford, UK: Blackwells.

Perry, Gill and Wood, Paul eds. (2004). Themes in Contemporary Art. London and New Haven: Yale University Press.

Perry, Gillian ed. (1999). Gender and Art. Yale University Press.

Perry, Gillian and Cunningham, Colin eds. (1999). Academies, Museums and Canons of Art. Yale University Press.

Perry, Gillian; Frascina, Francis and Harrison, Charles eds. (1993). Primitivism, Cubism, Abstraction: The Early Twentieth Century. Yale University Press.

Perry, Gillian and Rossington, Michael eds. (1994). Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester: Manchester University Press.

Perry, Gill; Retford, Kate and Vibert, Jordan eds. (2013). Placing Faces: the portrait and the English country house in the long eighteenth century. Manchester: Manchester University Press. file

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Ralls-MacLeod, Karen and Harvey, Graham eds. (2000). Indigenous religious musics. SOAS Musicology Series. Aldershot, UK: Ashgate.

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Rebay-Salisbury, Katharina; Sorensen, Marie Louise Stig and Hughes, Jessica eds. (2010). Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford: Oxbow.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Richardson, Carol and Smith, Graham eds. (2001). Brittania, Germania, Italia: Taste and travel in the 19th Century. Occasional papers (1). Edinburgh, UK: VARIE, pp. 125–142.

Roberts, G.K. and Russell, C.A. eds. (2005). Chemical history: reviews of the recent literature. Cambridge, UK: The Royal Society of Chemistry.

Rowland, David ed. (2010). The Correspondence of Muzio Clementi. Muzio Clementi Opera Omnia. Critical Edition, 14. Bologna: Ut Orpheus Edizioni.

Sandwell, Isabella and Huskinson, Janet eds. (2003). Culture and Society in late Roman Antioch. Oxford, UK: Oxbow.

Shih, Fang-long; Tremlett, Paul and Thompson, Stuart eds. (2008). Re-Writing Culture in Taiwan. Asia's Transformations. London: Routledge.

Sinclair, Georgina ed. (2011). Globalising British Policing. The History of Policing, 4. Farnham. Surrey: Ashgate Publising Limited.

Smith, Richard Langham and Potter, Caroline eds. (2006). French Music since Berlioz. UK: Ashgate.

Sutcliffe, Steven and Bowman, Marion eds. (2000). Beyond New Age: Exploring Alternative Spirituality. Edinburgh: Edinburgh University Press.

Swaddling, Judith and Perkins, Philip eds. (2009). Etruscan by Definition: The Cultural, Regional and Personal Identity of the Etruscans. The British Museum Research Publications (173). London: The British Museum Press.

Tarlow, Sarah and West, Susie eds. (1999). The Familiar Past? Archaeologies of Later Historical Britain. London and New York: Routledge.

Tickell, Alex ed. (2005). Selections from 'Bengaliana' by Shoshee Chunder Dutt. Nottingham, UK: Trent Editions.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

Warburton, Nigel and Edmonds, David eds. (2010). Philosophy Bites. Oxford: Oxford University Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Wilkinson, Robert ed. (2007). New Essays in Comparative Aesthetics. Cambridge: Cambridge Scholars Press.

Williams, Chris ed. (2004). Giving the past a future: preserving the heritage of the UK's Criminal Justice System. London, UK: Francis Boutle.

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Brown, Duncan and Kiguli, Susan (2006). People Feel no Event is Complete without a Poet: Zolani Mkiva Interviewed by Duncan Brown and Susan Kiguli. In: Lutge Coullie, Judith; Meyer, Stephan; Thengani H. Ngwenya, Thengani and Olver, Thomas eds. Selves in Question: Interviews on Southern African Auto/biography. Writing Past Colonialism. Honolulu, Hawai'i, USA: University of Hawai'i Press, pp. 132–147.

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Brown, Richard Danson (2005). Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War. Journal of Modern Literature, 28(3) pp. 109–129.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2010). ‘I would abate the sternenesse of my stile’: diction and poetic subversion in Two Cantos of Mutabilitie’. In: Grogan, Jane ed. Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos. Manchester Spenser. Manchester: Manchester University Press, pp. 275–294.

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Brown, Richard Danson (2006). MacNeice in Fairy Land. In: Lethbridge, J. B. ed. Edmund Spenser: New and Renewed Directions. Madison, U.S.A.: Fairleigh Dickinson University Press, pp. 352–369.

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Brown, Richard (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272. file

Brown, Richard (2013). Call you ’em stanzos? Stanza form and reading poetry. The English Review, 23(4) pp. 32–34.

Brown, Richard (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. Department of Theatre, Film and Television, University of York, York. file

Brown, Richard (2011). 'Can't we ever, my love, speak in the same language?': everyday language and creative tension in the poetry of Louis MacNeice. In: Swann, Joan; Pope, Rob and Carter, Ronald eds. Creativity in Language and Literature: The State of the Art. Houndmills: Palgrave Macmillan, pp. 39–54.

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Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 62, http://www.wasafiri.org/.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548. file

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2008). Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed). The Modern Language Review, 103(1) pp. 213–214.

Brown, Richard Danson (2011). Reading iambic pentameter. English Review, 22(2) pp. 34–37. file

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene: with two studies of Spenser's Rhymes. The Manchester Spenser. Manchester: Manchester University Press. restricted access item, not available for direct download

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Brunton, Deborah (1999). The problems of implementation: the failure and success of public vaccination against smallpox in Ireland, 1840-1873. In: Jones, Greta and Malcolm, Elizabeth eds. Medicine, Disease and the State in Ireland 1650-1940. Cork: Cork University Press, pp. 138–157.

Brunton, Deborah (2002). Power, policy and practice: the public response to public health in the Scottish city. In: Sturdy, Steven ed. Medicine, health and and the public sphere in Britain, 1600-2000. Routledge Studies in the Social History of Medicine. UK: Routledge, pp. 171–188.

Brunton, Deborah (2013). Health and Wellness in the 19th Century. Health and Wellness in Daily Life . Santa Barbara: ABC Clio.

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Budelmann, Felix (2006). The mediated ending of Sophocles' Oedipus Tyrannus. Materiali e discussioni per l'analisi dei testi classici, 57 pp. 43–62.

Budelmann, Felix (2007). The reception of Sophocles' representation of physical pain. American Journal of Philology, 128(4) pp. 443–467.

Budelmann, Felix (2001). Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship. In: Budelmann, Felix and Michelakis, Pantelis eds. Homer, tragedy and beyond: studies in honour of P. E. Easterling. London, UK: Society for the Promotion of Hellenic Studies, pp. 209–240.

Budelmann, Felix (2007). Trojan Women in Yorubaland: Femi Osofisan's Women of Owu. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Oxford: Oxford University Press, pp. 15–39.

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Edwards, Stephen (2013). Beard Patentee: Daguerrotype Property and Authorship. Oxford Art Journal, 36(3) pp. 369–394.

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Elmer, Peter (2003). English Witchcraft 1560-1736: Volume 4 The post-Restoration synthesis and its opponents; Volume 5 The later English trial pamphlets. Pickering & Chatto, London, UK.

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Emsley, Clive (2005). Hard Men: Violence in England since 1750. London, UK: Hambledon Press.

Emsley, Clive (2007). Crime, police and penal policy: European experiences 1750-1940. Oxford, UK: Oxford University Press.

Emsley, Clive (2005). Filling in, adding up, moving on; Criminal Justice History in contemporary Britain. Crime, History and Societies, 9(1) pp. 117–138.

Emsley, Clive (2005). El ejercito, la policia y el mantenimiento del orden publico en Inglaterra (c.1750-1950). Política y sociedad, 42(3) pp. 15–29. file

Emsley, Clive (2004). Crime and Society in England, 1750-1900. 3rd edition. Themes in British Social History. Harlow, UK: Pearson Longman.

Emsley, Clive (2007). Community Policing/Policing and Communities: Some Historical Perspectives. Policing: A Journal of Policy and Practice, 1(2) pp. 235–243.

Emsley, Clive (2008). Violent crime in England in 1919: post-war anxieties and press narratives. Continuity and Change, 23(1) pp. 173–195. file

Emsley, Clive (2009). The Great British Bobby: A History of British Policing from the 18th Century to the Present. London: Quercus.

Emsley, Clive (2003). Napoleon: Conquest, Reform and Reorganisation. UK: Longman.

Emsley, Clive (2000). Britain and the French Revolution. UK: Longman.

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Emsley, Clive (1991). The English Police: A Political and Social History. London: Harvester Wheatsheaf.

Emsley, Clive (2003). La historia social evolutiva de la criminalidad y de los sistemas de justicia penal. Revista de Historia, 48, pp. 155–179.

Emsley, Clive (2003). Police, maintien de l'ordre et espaces urbains: une lecture anglaise. Revue d'histoire moderne et contemporaine, 50(1) pp. 5–12.

Emsley, Clive (2000). The Policeman as worker: a comparative survey c. 1800-1940. International Review of Social History, 45(1) pp. 89–110.

Emsley, Clive (1999). A typology of nineteenth-century police. Crime, History and Societies, 3(1) pp. 29–44.

Emsley, Clive (1999). The origins of the modern police. History Today, 49(4) pp. 8–14.

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Emsley, Clive (2013). Soldier, Sailor, Beggarman, Thief: Crime and the British Armed Services since 1914. Oxford: Oxford University Press.

Emsley, Clive (2012). Crucifying Tommy: punishment in the First World War. History Today, 62(11) pp. 29–35. file

Emsley, Clive (2010). A legacy of conflict? The ‘brutalised veteran’ and violence in Europe after the Great War. In: Avdela, Efi; D'Cruze, Shani and Rowbotham, Judith eds. Problems of Crime and Violence in Europe, 1780-2000: Essays in Criminal Justice. UK: Edwin Mellen Press, pp. 43–64.

Emsley, Clive (2004). The Police. In: Bogdanor, Vernon ed. The British Constitution in the Twentieth Century. UK: Oxford University Press/British Academy, pp. 557–583.

Emsley, Clive (2002). The English police: A unique development? In: Bottoms, Anthony and Tonry, Michael eds. Ideology, Crime and Criminal Justice: A symposium in honour of Sir Leon Radzinowicz. Cullompton: Willan Publishing, pp. 74–93.

Emsley, Clive (2006). Recidivists and recidivism: some broad conclusions from the English experience. In: Briegel, Francoise and Porret, Michel eds. Le criminal endurci: Recidive e trecidivists du Moyen Age au XXe siecle. Geneva: Droz, pp. 171–185.

Emsley, Clive (1998). Les gendarmes et les paysans: vers une histoire institutionnelle et sociale comparée. In: Chauvaud, Frédéric and Petit, Jacques-Guy eds. L'histoire comtemporaine et les usages des archives judiciaires (1800-1939). Histoire et Archives, revue semestrielle de la Société des Amis des Archives de France (2). Paris: Honoré Champion, pp. 305–315.

Emsley, Clive (2000). The Pop-Gun Plot, 1794. In: Davis, Michael T. ed. Radicalism and Revolution in Britain, 1775-1848: Essays in Honour of Malcolm I. Thomis. London: Macmillan, pp. 56–68.

Emsley, Clive (2004). Control and legitimacy: the police in comparative perspective since circa 1800. In: Emsley, Clive; Johnson, Eric and Spierenburg, Pieter eds. Social Control in Europe, Volume 2 1800-2000. History of crime and criminal justice series. Columbus OH: Ohio State University Press, pp. 193–209.

Emsley, Clive (1996). Albion's fatal attractions: Reflections upon the history of crime in England. In: Emsley, Clive and Knafla, Louis A eds. Crime History and Histories of Crime: Studies in the Historiography of Crime and Criminal Justice in Modern History. Westport, Conn.: Greenwood Press, pp. 67–85.

Emsley, Clive (2006). From ex-con to expert: the police detective in 19th-century France. In: Emsley, Clive and Shpayer-Makov, Haia eds. Police Detectives in History, 1750–1950. Aldershot: Ashgate, pp. 61–78.

Emsley, Clive (2007). Entrepreneurs prives, fonctionnaires et juristes: Les transformations de la procedure judiciaire dans l'Angleterre du XIXe siecle. In: Farcy, Jean-Claude; Kalifa, Dominique and Luc, Jean-Noel eds. L'enquete judiciaire en Europe au XIXe siecle. Paris: Creaphis, pp. 43–58.

Emsley, Clive (2004). The Second World War and the police in England and Wales. In: Fijnaut, Cyrille ed. The Impact of World War II on Policing in North West Europe. Samenleving Criminaliteit en Strafrechtspleging (27). Leuven: Leuven University Press, pp. 151–172.

Emsley, Clive (2005). The changes in policing and penal policy in nineteenth-century Europe. In: Godfrey, Barry and Dunstall, Graeme eds. Crime and Empire, 1840-1940 : Criminal Justice in Local and Global Context. Cullompton: Willan Publishing, pp. 8–24.

Emsley, Clive (2008). Behind the wooden walls: the British defence against invasion, 1803-1805. In: Harding, Richard ed. A Great and Glorious Victory: New perspectives on the Battle of Trafalgar. Barnsley: Seaforth, pp. 80–89.

Emsley, Clive (1999). P.C. Dixon and Commissaire Maigret: some myths and realities in the development of English and continental police. In: Howell, David W. and Morgan, Kenneth O. eds. Crime, Protest and Police in Modern British Society: essays in memory of David J. V. Jones. Cardiff: University of Wales Press, pp. 97–117.

Emsley, Clive (1997). The regulation of motor traffic in Britain. In: Kellens, Georges and Perez Dias, Claudine eds. Le Contrôle de la Circulation Routière dans les Pays de la CEE. Logiques sociales. Paris: L'Harmattan, pp. 77–89.

Emsley, Clive (1995). The archives of the English and Welsh police forces: a survey. In: Knafla, Louis A. and Binne, Susan W.S. eds. Law, Society and the State: Essays in Modern Legal History. Toronto: University of Toronto Press, pp. 465–476.

Emsley, Clive (2000). The best way to keep the peace in a country : Napoleon's gendarmes and their legacy. In: Laven, David and Riall, Lucy eds. Napoleon's Legacy: Problems of Government in Restoration Europe. Oxford: Berg, pp. 257–274.

Emsley, Clive (2006). Security work: citizens, employees and officials working on crime - a response. In: Levy, Rene; Muchielli, Laurent and Zauberman, Renee eds. Crime et Insecurite: Un Demi-Siecle de Bouleversements. Paris: L'Harmattan, pp. 281–286.

Emsley, Clive (2002). La gendarmerie et l'état. In: Luc, Jean-Noël ed. Gendarmerie, État et Société au XIXe Siècle. Paris: Publications de la Sorbonne, pp. 475–477.

Emsley, Clive (2007). Historical perspectives on crime. In: Maguire, Mike; Morgan, Rod and Reiner, Robert eds. The Oxford Handbook of Criminology. 4th edition. Oxford, UK: Oxford University Press, pp. 122–138.

Emsley, Clive (1997). Political police and the European nation-state in the nineteenth century. In: Mazower, Mark ed. The Policing of Politics in the Twentieth Century: Historical Perspectives. Providence, RI: Berghahn Books, pp. 1–25.

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Emsley, Clive (2003). Policemen on a dark continent in an age of extremes. In: Oram, Gerard ed. Conflict and Legality: Policing mid-twentieth-century Europe. London: Francis Boutle, pp. 192–212.

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Emsley, Clive (1999). Law reform and penal reform in England in the age of the French Revolution. In: Rousseaux, Xavier; Bouchat, Marie-Sylvie Dupont and Vael, Claude eds. Revolutions et justice penale. Modeles francais et traditions nationales. Paris: L'Harmattan, pp. 319–331.

Emsley, Clive (1997). The nation-state, the law and the peasant in nineteenth-century Europe. In: Rousseaux, Xavier and Lévy, René eds. Le pénal dans tous ses États: justice, États et sociétés en Europe (XIe-XXe siècles). Publications des Facultés universitaires Saint-Louis (74). Brussels: Facultés universitaires Saint-Louis, pp. 153–178.

Emsley, Clive (2005). Sergeant Goddard: the story of a rotten apple or a diseased orchard? In: Srebnik, Amy Gilman and Levy, Rene eds. Crime and culture: an historical perspective. Advances in Criminology. Aldershot, UK: Ashgate, pp. 85–104.

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Emsley, Clive and Clapson, Mark (2002). Street, beat and respectability : the culture and self-image of the Victorian and Edwardian policeman. In: Knafla, Louis A. ed. Policing and War in Europe: Criminal Justice History, Volume 16. Greenwood Press, pp. 107–131.

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Emsley, Clive; Levy, Rene and Rousseaux, Xavier (2000). The theory and practice of justice: laws, norms, deviance. In: 19th International Congress of Historical Sciences, 6-13 August 2000, Oslo, Norway, University of Oslo, pp. 155–166.

Emsley, Clive and Phillips, Sabine (1999). The Habsburg gendarmerie: a research agenda. German History, 17(2) pp. 241–250.

Emsley, Clive and Sinclair, Georgina (2011). Bobbies Abroad. History Today, 61(10) pp. 49–51. file

Fear, Trevor (2005). Propertian closure: the elegiac inscription of the liminal male and ideological contestation in Augustan Rome. In: Ancona, Ronnie and Greene, Ellen eds. Gendered Dynamics in Latin Love Poetry. Arethusa Books. Baltimore, US: The John Hopkins University Press, pp. 13–40.

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Fear, Trevor (2012). Ah pereant, si quos ianua clausa iuvat: Propertius 2.23 and the revision of the elegiac code. Classica et Mediaevalia, 63 file

Fear, Trevor (2012). New Voices in Classical Reception Studies Vol. 7 (2012). The Open University.

Feldherr, Andrew and James, Paula (2004). Making the most of Marsyas. Arethusa, 37(1) pp. 75–104.

Fentress, Elizabeth; Fontana, Sergio; Hitchner, R. Bruce and Perkins, Philip (2004). Accounting for ARS: fineware and sites in Sicily and Africa. In: Alcock, Susan E. and Cherry, John F. eds. Side-by-side survey: comparative regional studies in the Mediterranean world. Oxford, UK: Oxbow Books, pp. 147–162.

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Finnegan, Ruth (2003). Music, experience and the anthropology of emotion. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The cultural study of music: a critical introduction. New York, USA: Routledge, pp. 181–192.

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Frankish, Keith (2004). Mind and supermind. Cambridge Studies in Philosophy. Cambridge, UK: Cambridge University Press.

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Frankish, Keith (2010). Qualia: the real thing. In: Second Annual Online Consciousness Conference, February/March 2010.

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Frankish, Keith (1998). A matter of opinion. Philosophical Psychology, 11(4) pp. 423–443. file

Frankish, Keith (1996). How should we revise the paratactic theory? Analysis, 56(4) pp. 251–263. file

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Frankish, Keith (2005). The anti-zombie argument for physicalism. Not Set. file

Frankish, Keith (2011). Conscious thinking, acceptance, and self-deception. Behavioral and Brain Sciences, 34(1) pp. 20–21.

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Frankish, Keith (1998). Natural language and virtual belief. In: Carruthers, Peter and Boucher, Jill eds. Language and thought : Interdisciplinary themes. Cambridge, UK: Cambridge University Press, pp. 248–269. file

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Frankish, Keith (2009). Partial belief and flat-out belief. In: Huber, F. and Schmidt-Petri, C. eds. Degrees of Belief. Synthese Library, 342. UK: Springer, pp. 73–93. file

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Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

Fraser, Robert (2002). The Chameleon Poet: A Life of George Barker. Paperback edition [revised]. London, UK: Pimlico.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Fraser, Robert (2001). "Not that fair field of Enna": Milton, Ruskin and Protestant Longing. The Long Poem Newsletter(10) pp. 3–4.

Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

Fraser, Robert (2002). "Is there a Gibbon in the house?": Migration, Postcoloniality and the Fall and Rise of Europe. Moving Worlds: A Journal of Transcultural Studies, 2(2) pp. 102–114.

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-September 2004) pp. 116–120.

Fraser, Robert (2002). Hume, Sir James Frazer, Irony and Belief. The Edinburgh Review, 110(1) pp. 48–55.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2007). Letters of J.G.Frazer. The Classical Review, 57 (New Series)(1) pp. 243–245.

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2003). The Lamp of Truth: Proust and George Eliot. In: Bloom, Harold ed. Marcel Proust. Modern Critical Views. Philadelphia, USA: Chelsea House Publishers, pp. 37–62.

Fraser, Robert (2007). Sir James Frazer and Marian McNeill. In: Brown, Ian; Clancy, Thomas Owen; Manning, Susan and Pittock, Murray G. eds. The Edinburgh History of Scottish Literature, Volume 3. Edinburgh: Edinburgh University Press, pp. 69–74.

Fraser, Robert (2002). Charles Kingsley (1819-1875). In: Clark, Robert and Todd, Janet eds. The Literay Encycopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Sir James Frazer (1854-1941). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London, UK: The LIterary Dictionary.

Fraser, Robert (2002). George Barker (1913-1991). In: Clark, Robert and Todd, Janet eds. The Literay Encyclopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Ben Okri (1959-). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2007). George Barker's Sonnet of Fishes. In: Hanke, Michael ed. Fourteen English sonnets: critical essays. Studien Zur Anglistischen Literatur-und-Sprach-Wissenschaft (28). Trier, Germany: Wissenschaftlicher Verlag, pp. 145–157.

Fraser, Robert (2004). George Granville Barker (1913-1991). In: Harrison, Brian ed. The Oxford Dictionary of National Biography, Volume 3. Oxford: Oxford University Press, pp. 373–374.

Fraser, Robert (2004). Marina Warner with Robert Fraser. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. London and New York: Routledge, pp. 365–376.

Fraser, Robert (2005). Frantz Fanon. In: Poddar, Prem and Johnson, David eds. A Historical Companion to Postcolonial Literatures in English. Edinburgh: Edinburgh University Press, pp. 152–154.

Fraser, Robert (2005). Mapping the mind: borders, migration and myth. In: Ponzanesi, Sandra and Merolla, Daniela eds. Migrant cartographies: new cultural and literary spaces in post-colonial Europe. Oxford, UK: Lexington Books, pp. 55–66.

Fraser, Robert (2004). Nineteenth-century adventure and fantasy: James Morier, George Meredith, Lewis Carroll and Robert Louis Stevenson. In: Saunders, Corrine ed. A Companion to Romance: from Classical to Contemporary. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell, pp. 389–406.

Fraser, Robert (2003). New York. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume ii. New York and London: Fitzroy Dearbourn/Routledge, pp. 846–848.

Fraser, Robert (2003). Mungo Park. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume ii. New York and London: Fitzroy Dearbourn/Routledge, pp. 924–926.

Fraser, Robert (2003). Sahel. In: Speake, Jennifer ed. Literature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1044–1046.

Fraser, Robert (2003). Timbuctoo. In: Speake, Jennifer ed. LIterature of Travel and Exploration, Volume iii. New York and London: Fitzroy Dearbourn/Routledge, pp. 1181–1183.

Fraser, R. (2011). Leonard Bast's library: aspiration, emulation, and the imperial national tradition. In: Spiers, John ed. Nationalisms and the National Canon. The culture of the publisher's series (2). Basingstoke, U.K.: Palgrave Macmillan, pp. 116–133. file

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15. file

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Gupta, Suman (2002). The replication of violence: thoughts on international terrorism after September 11th 2001. London, UK: Pluto Press.

Gupta, Suman (2007). Social constructionist identity politics and literary studies. Basingstoke, UK: Palgrave Macmillan.

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Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

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Gupta, Suman (2008). Xenophobia and the academic disposition of migration studies. In: Ivanov, Zhivko and Katsarska, Milena eds. Migration, Modern Nationalism, and Nostalgia for the Homeland. Plovdiv: Plovdiv University Press, pp. 59–78.

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Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53. file

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143. file

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Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58. file

Gupta, Suman (2013). Big issues around a small-scale phenomenon: vernacular pulp fiction in English translation for Indian readers. Journal of Commonwealth Literature, 48(1) pp. 159–175.

Gupta, Suman (2009). The origins and impact of outsourcing: reconfiguring the post-colonial city. In: Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. Globalization in India: Contents and Discontents. Delhi: Pearson, pp. 18–33. file

Gupta, Suman and Katsarska, Milena (2010). Introduction: on English studies and philology, and on collaboration and contributions. In: Gupta, Suman and Katsarska, Milena eds. English Studies on This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press, pp. 17–44. file

Hack, Karl (2001). Defence and decolonisation in southeast Asia: Britain, Malaya and Singapore, 1941-1968. Richmond, UK: Curzon.

Hack, Karl (2010). The Malayan trajectory in Singapore's history. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of Singapire Press, pp. 243–291.

Hack, Karl (2010). Remaking Singapore 1990-2004: from disciplinarian development to bureaucratic proxy democracy. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore from Temasek to the 21st Century. Singapore: National University of singpaore Publishing, pp. 345–383.

Hack, Karl (2008). The long march to peace of the Malayan Communist Party in southern Thailand. In: Monetesano, Michael J and Jory, Patrick eds. Thai South and Malay North: Ethnic Interactions on a Plural Peninsula. Singapore: National University of Singapore Press, pp. 173–200.

Hack, Karl and Blackburn, Kevin (2007). The Bridge on the River Kwai and King Rat: protest and ex-prisoner of war memory in Britain and Australia. In: Hack, Karl and Blackburn, Kevin eds. Forgotten Captives in Japanese Occupied Asia: National Memories and Forgotten Captivities. Routledge Studies in the Modern History of Asia. Abingdon, Oxon., UK and New York, NY, USA: Routledge, pp. 147–171.

Hack, Karl and Blackburn, Kevin (2007). Japanese-occupied Asia from 1941 to 1945: one occupier, many captivities and memories. In: Hack, Karl and Blackburn, Kevin eds. Forgotten Captives in Japanese Occupied Asia: National Memories and Forgotten Captivities. Routledge Studies in the Modern History of Asia. Abingdon, Oxon., UK and New York, NY, USA: Routledge, pp. 1–20.

Hack, Karl and Margolin, Jean-Louis (2010). Singapore: reinventing the global city. In: Hack, Karl; Margolin, Jean-Louis and Delaye, Karine eds. Singapore fromTemasek to the 21st Century. Singapore: National University of Singapore Press, pp. 3–36.

Hack, Karl (2009). The origins of the Asian Cold War: Malaya 1948. Journal of Southeast Asian Studies, 40(3) pp. 471–496. file

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Hack, Karl (2009). Extracting counterinsurgency lessons: The Malayan Emergency and Afghanistan. History on Rusi.org, Expand file

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Hack, Karl (2011). Between terror and talking, the place of 'negotiation' in colonial conflict. Journal of Imperial and Commonwealth History, 39(4) pp. 539–549.

Hack, Karl (2012). Everyone lived in fear: Malaya and the British way of counter-insurgency'. Small Wars & Insurgencies, 23(4-5) pp. 671–699. file

Hack, Karl (2012). Decolonization and violence in Southeast Asia: crises of authority and identity. In: Bogaerts, Els and Raben, Remco eds. Beyond Empire and Nation: Decolonizing Societies in Africa and Asia, 1930s-1970s. Leiden: KITLV, pp. 137–166.

Hack, Karl (2003). Theories and approaches to British decolonization in southeast Asia. In: Frey, Marc; Preussen, Ronald W and Tan, Tai Yong eds. The Transformation of Southeast Asia. New York, NY U.S.: M.E. Sharpe, pp. 105–126.

Hack, Karl (2004). Communist Policy and Support: 1948-57. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 295–301.

Hack, Karl (2004). From Baling to Merdeka: 1955-60. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 306–316.

Hack, Karl (2006). Imperialism and decolonisation in Southeast Asia: colonial forces and British world power post colonial analyses and residues. In: Rettig, Tobias and Hack, Karl eds. Colonial Armies in Southeast Asia. Routledge Studies in the Modern History of Asia. London: Routledge, pp. 239–266.

Hack, Karl (2012). Framing Singapore's History. In: Tarling, Nicholas ed. Studying Singapore's Past: C.M. Turnbull and the History of Modern Singapore. Singapore: NUS Press, pp. 17–64.

Hack, Karl and Blackburn, Kevin (2012). War Memory and the Making of Modern Malaysia and Singapore. Singapore: NUS Press.

Hack, Karl; Brocheux, Pierre; El Mechat, Samia; Frey, Marc; Nanta, Arnaud; Randrianja, Solofo and Regnault, Jean-Marc (2012). Les Décolonisations au XX Siècle: La Fin des Empires Européens et Japonais. Paris: Armand Colin.

Hack, Karl and Chin, C. C. (2004). The Malayan Emergency. In: Hack, Karl and Chin, C. C. eds. Dialogues with Chin Peng: New Light on the Malayan Communist Party. Singapore: Singapore University Press, pp. 3–37.

Hack, Karl and Rettig, Tobias (2006). Imperial systems of power, colonial forces and the making of modern Southeast Asia. In: Hack, Karl and Rettig, Tobias eds. Colonial Armies in Southeast Asia. Routledge Studies in the Modern History of Asia. London: Routledge, pp. 3–36.

Hack, Karl and Rettig, Tobias (2006). Demography and domination in Southeast Asia. In: Hack, Karl and Rettig, Tobias eds. Colonial Armies in Southeast Asia. Routledge Studies in the Modern History of Asia. London: Routledge, pp. 39–73.

Hack, Karl and Wade, Geoff (2009). The origins of the Southeast Asian Cold War. Journal of Southeast Asian Studies, 40(3) pp. 441–448. file

Hack, Karl A. (2002). Biar mati anak: Jangan mati adat [Better your children die than your traditions]: Locally raised forces as a barometer for imperialism and decolonisaiton in British South East Asia, 1874-2001. South East Asia Research, 10(3) pp. 245–275.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 July 2009, Salzburg Universität, Austria.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Hamilton, Walter and Emlyn-Jones, Chris (2004). Gorgias: revised edition translated by Walter Hamilton and Chris Emlyn-Jones: Introduction, commentary, and notes by Chris Emlyn-Jones. Penguin Books, UK.

Hammond, Mary (2004). Hall Caine and the Melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31(1) pp. 39–57.

Hammond, Mary (2002). Thackeray's Waterloo: History and War in Vanity Fair. Literature and History, 11(2) pp. 19–38.

Hammond, Mary (2002). 'The Great Fiction Bore': free Libraries and the construction of a reading public in England, 1880-1914. Libraries and Culture: a journal of library history, 37(2) pp. 83–108.

Hammond, Mary (2006). Reading, publishing and the formation of literary taste in England, 1880-1914. The Nineteenth Century. London, UK: Ashgate.

Hammond, Mary (2005). Going public: exploring outlets; presentation and proposal. In: Anderson, Linda ed. Creative writing: a workbook with readings. London, UK: Routledge, pp. 383–410.

Hammond, Mary (2004). Monsters and metaphors: 'Buffy the Vampire Slayer' and the Old World. In: Gwenllian-Jones, Sarah and Pearson, Roberta E. eds. Cult Television. Minneapolis, Minneapolis, USA: Minnesota University Press.

Hammond, Mary (2005). The Reading experience database 1450-1945. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Owners, annotators and the signs of reading. Publishing Pathways. London, UK and New Castle Delaware, USA: British Library and Oak Knoll Press, pp. 175–187.

Hammond, Mary (2006). Amid the Dear Old Horrors: memory, London, and literary labour in 'The Private Papers of Henry Ryecroft'. In: Spiers, John ed. Gissing and the city: cultural crisis and the making of books in Late Victorian Engand. London, UK: Palgrave Macmillan, pp. 171–179.

Hardwick, Lorna (2001). Who owns the plays?: Issues in the translation and performance of Greek drama on the modern stage. Eirene (Studia Graeca et Latina, Theatralia)(XXXVll, Theatralia special edition) pp. 23–29.

Hardwick, Lorna (2002). Electra and the Theatre of Affliction: towards a textual turn? Didaskalia, 5(3)

Hardwick, Lorna (2001). The Reception of the texts and images of ancient Greece in late twentieth-century drama and poetry in English. Not Set, Milton Keynes, UK.

Hardwick, Lorna (2002). Classical texts in post-colonial literatures: consolation, redress and new beginnings in the work of Derek Walcott and Seamus Heaney. International Journal of the Classical Tradition, 9(2) pp. 236–256.

Hardwick, Lorna (2006). Murmurs in the Cathedral: the impact of translations from Greek poetry and drama on modern work in English by Michael Longley and Seamus Heaney. Yearbook of English Studies, 36(1) pp. 204–215.

Hardwick, Lorna (2007). Translating greek tragedy to the modern stage. Theatre Journal, 59(3) pp. 358–361.

Hardwick, Lorna (2009). Book Review: Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination (Shanyn Fiske). Romanticism and Victorianism on the Net, 55,

Hardwick, Lorna (2004). Shards and suckers: modern receptions of homer. In: Fowler, Robert ed. The Cambridge companion to homer. The Cambridge Companion. Cambridge: Cambridge University Press, pp. 344–362.

Hardwick, Lorna (2005). Refiguring Classical Texts: Aspects of the Postcolonial Condition. In: Goff, Barbara ed. Classics and Colonialism. London, UK: Duckworth, pp. 107–117.

Hardwick, Lorna (2007). Singing across the faultlines: cultural shifts in twentieth century receptions of Homer. In: Graziosi, Barbara and Greenwood, Emily eds. Homer in the 20th Century: Between World Literature and the Western Canon. Oxford, UK: Oxford University Press, pp. 47–71.

Hardwick, Lorna (2004). Greek drama and anti-colonialism: de-colonising classics. In: Hall, E.; Macintosh, F. and Wrigley, A. eds. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford, UK: Oxford University Press, pp. 219–242.

Hardwick, Lorna (2010). Negotiating Translation for the Stage. In: Hall, Edith and Harrop, Stephe eds. Theorising Performance: Greek drama, cultural history and critical practice. London: Duckworth, pp. 192–207.

Hardwick, Lorna (2007). Shades of multi-lingualism and multi-vocalism in modern performances of Greek tragedy in post-colonial contexts. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Classical Presences. Oxford: Oxford University Press, pp. 305–338.

Hardwick, Lorna (2009). Is 'the Frail Silken Line' worth more than 'a Fart in a Bearskin'? or, how translation practice matters in poetry and drama. In: Harrison, S. J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Classical presences. Oxford: Oxford University Press, pp. 172–193.

Hardwick, Lorna (2007). Contests and Continuities in Classical Traditions: African Migrations in Greek Drama. In: Hilton, John and Gosling, Anne eds. Alma Parens Originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States, and Cuba. Oxford, UK: Peter Lang, pp. 43–72.

Hardwick, Lorna (2006). Post-colonial studies. In: Kallendorf, Craig ed. A Companion to the Classical Tradition. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell, pp. 312–327.

Hardwick, Lorna (2008). Translated Classics: Vibrant Hybrids or Shattered Icons? In: lianeri, Alexandra and Zajko, Vanda eds. Translation and the Classics: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 341–366.

Hardwick, Lorna (2005). Staging Agamemnon: the languages of translation. In: Macintosh, F.; Michelakis, P.; Hall, E. and Taplin, O. eds. Agamemnon in Performance 458 BC to AD 2004. Oxford, UK: Oxford University Press, pp. 207–222.

Hardwick, Lorna (2006). Remodelling receptions: Greek drama as diaspora in performance. In: Martindale, C. and Thomas, R. eds. Classics and the uses of reception. Classical Receptions. Oxford, UK: Blackwell, pp. 204–215.

Hardwick, Lorna (2009). Can (modern) poets do classical drama? The case of Ted Hughes. In: Rees, Roger ed. Ted Hughes and the Classics. Classical Presences. Oxford, UK: Oxford University Press, pp. 39–61.

Hardwick, Lorna (2006). Staging Sophocles in post-colonial contexts. In: Shiafkalis, Nicos ed. The Influence of Sophocles on Contemporary Theatre. Nicosia: International Theatre Institute, pp. 258–276.

Hardwick, Lorna (2007). Decolonising the mind?: Controversial productions of Greek Drama in late Twentieth-Century Britain and Ireland. In: Stray, Christopher ed. Remaking the Classics: literature, genre and media in Britain 1800-2000. London, UK: Duckworth, pp. 89–105.

Hardwick, Lorna (2010). Lysistratas on the modern stage. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 80–89.

Hardwick, Lorna (2007). Text and Performance in Ancient Greek Plays on the Modern Stage: The Case of Aristophanes 'Ecclesiazusai'. In: Vivilakis, I. ed. Stephanos: Tribute to Walter Puchner. Athens: Ergo Editions, pp. 493–500.

Hardwick, Lorna (2005). The comic in the tragic: parody and critique in modern productions of Euripides’ Hecuba. Documenta (Special issue: The Performance of the Comic - eds Kolk, M. and Decreus, F.)), 23(3) pp. 306–315.

Hardwick, Lorna (2004). Sophocles’ Oedipus and conflicts of identity in post-colonial contexts. Documenta, 22(4) pp. 376–386.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Hardwick, Lorna (1999). Placing Prometheus. In: Hardwick, Lorna ed. Tony Harrison's Poetry, Drama and Film: The Classical Dimension. Milton Keynes, U.K.: Dept of Classical Studies, the Open University, pp. 1–15.

Hardwick, Lorna (2000). Theatres of the mind: Greek tragedy in women's writings in English in the nineteenth century. In: Hardwick, Lorna; Easterling, P.E.; Ireland, S.; Lowe, N. and Macintosh, F. eds. Theatre Ancient and Modern. Milton Keynes, U.K.: Dept of Classical Studies, The Open University, pp. 68–81.

Hardwick, Lorna (2011). Antigone's journey: from Athens to Edinburgh via Athens and Tbilisi. In: Mee, Erin B. and Foley, Helene P. eds. Antigone on the Contemporary World Stage. Classical Presences. Oxford: Oxford University Press, pp. 392–406.

Hardwick, Lorna (2011). Fuzzy connections: classical texts and modern poetry in English. In: Parker, Jan and Mathews, Timothy eds. Tradition,Translation,Trauma: The Classic and the Modern. Classical Presences. Oxford: Oxford University Press, pp. 39–60.

Harisson, Lynne; Ambers, Janet; Stacey, Rebecca; Cartwright, Caroline and Lymberopoulou, Angeliki (2011). The Noli me Tangere: study and conservation of a Cretan icon. The British Museum Technical Research Bulletin, 5 pp. 25–38.

Harrison, Charles (2005). Painting the difference: sex and spectator in modern art. Chicago. USA: University of Chicago Press.

Harrison, Charles (2001). Conceptual art and painting: further essays on Art & Language. Cambridge, USA: The MIT Press.

Harrison, Charles (2005). Saving pictures. In: Alexander, Darsie ed. Slideshow: projected images in contemporary art. Pennsylvania: Pennsylvania State University Press and Baltimore Museum of Art, pp. 32–48.

Harrison, Charles (2006). Specialisation, self-criticism and the boundaries of practice. In: Buchmann, S; Lehnhardt, M; Linger, M and Smolik, N eds. Querdurch: Kunst + Wissenschaft. Hamburg: Hochschule fur Bildende Kunste, Hamburg, pp. 17–32.

Harrison, Charles (2004). Gute Grunde: die Arbeit von Gerry Schum/Grounds for optimism: the work of Gerry Schum. In: Groos, Ulricke; Hess, Barbara and Wevers, Ursula eds. Fernsehgalerie Ready Gerry Schum to videogalerie Shoot schum. Dusseldorf and Cologne: Snoeck, pp. 48–57.

Harrison, Charles (2002). Sentir la terre bouger (Feeling the earth move). In: Nancy, J.-L. ed. Sans commune mesure: image et texte dans l'art actuel. Paris: Editions Leo Scheer, pp. 114–127.

Harrison, Charles (2005). Scenes and details: a Rothko sketchbook from the late 1930s. In: Phillips, Glenn and Crow, Thomas eds. Seeing Rothko. Issues & Debates (13). Los Angeles, USA: Getty Research Institute, pp. 178–231.

Harrison, Charles (2007). Partial accounting. In: Salas, Charles G. ed. The life and the work: art and biography. Los Angeles: Getty Research Institute, pp. 97–107.

Harrison, Charles (2007). The printed picture in Renaissance Europe. In: Woods, Kim ed. Making Renaissance Art. New Haven and London: Yale University Press in association with the Open University, pp. 210–247.

Harrison, Rodney (2006). An Artefact of Colonial Desire? Kimberley Points and the Technologies of Enchantment. Current Anthropology, 47(1) pp. 63–88.

Harrison, Rodney (2003). 'The magical virtue of these sharp things': Colonialism, Mimesis and Knapped Bottle Glass Artefacts in Australia. Journal of Material Culture, 8(3) pp. 311–336.

Harrison, Rodney (2002). Archaeology and the colonial encounter: Kimberley spearpoints, cultural identity and masculinity in the north of Australia. Journal of Social Archaeology, 2(3) pp. 352–377.

Harrison, Rodney (2007). Kimberley points and the politics of enchantment - a reply to Akerman. Current Anthropology, 48(1) pp. 133–134.

Harrison, Rodney (2003). The archaeology of ‘lost places’: ruin, memory and the heritage of the Aboriginal diaspora in Australia. Historic Environment, 17(1) pp. 18–23.

Harrison, Rodney (2002). Australia’s Iron Age: Aboriginal post-contact metal artefacts from Old Lamboo station, southeast Kimberley, WA. Australasian Historical Archaeology, 20 pp. 67–76.

Harrison, Rodney (2000). 'Nowadays with glass': Regional variation in Aboriginal bottle glass artefacts from Western Australia. Archaeology in Oceania, 35(1) pp. 34–37.

Harrison, Rodney (2006). 'It will always be set in your heart': archaeology and community values at the former Dennawan Reserve, northwestern NSW, Australia. In: Agnew, Neville and Birdgeland, Janet eds. Of the past, for the Future: Integrating Archaeology and Conservation. Los Angeles, US: The Getty Conservation Institute, pp. 94–101.

Harrison, Rodney (2006). Aboriginal people and pastoralism. In: Atkinson, Alan; Ryan, J.S.; Davidson, Iain and Piper, Andrew eds. High Lean Country: Land, people and memory in New England. Crows Nest, Australia: Allen & Unwin, pp. 111–121.

Harrison, Rodney (2007). Materiality, 'ambiguity' and the unfamiliar in the archaeology of inter-societal confrontations: A case study from northwest Australia. In: Cornell, Per and Fahlander, Fredrik eds. Encounters|Materialities|Confrontations: Archaeologies of Social Space and Interaction. UK: Cambridge Scholars Press, pp. 42–57.

Harrison, Rodney (2008). The Politics of the Past: Conflict in the use of heritage in the modern world. In: Fairclough, Graham; Harrison, Rodney; Jameson, John H. and Schofield, John eds. The Heritage Reader. New York: Routledge, pp. 177–190.

Harrison, Rodney (2005). Contact archaeology and native title. Australian Aboriginal Studies, 2005(1) pp. 16–29.

Harrison, Rodney (2004). Shared histories and the archaeology of the pastoral industry in Australia. In: Harrison, Rodney and Williamson, Christine eds. After Captain Cook: The archaeology of the recent indigenous past in Australia. Indigenous Archaeologies (2). Sydney: AltaMira Press, pp. 37–58.

Harrison, Rodney (2010). Stone tools. In: Hicks, Dan and Beaudry, Mary C. eds. The Oxford Handbook of Material Culture Studies. Oxford Handbooks in Archaeology. Oxford: Oxford University Press, pp. 521–542.

Harrison, Rodney (2000). Challenging the authenticity of antiquity: Contact archaeology and Native Title in Australia. In: Lilley, Ian ed. Native Title and the Transformation of Archaeology in a Postcolonial World. Sydney: Oceania Publications, pp. 35–53.

Harrison, Rodney (2005). Dreamtime, Old Time, This Time: Archaeology, memory and the present-past in a Northern Australian Aboriginal community. In: Lydon, Jane and Ireland, Tracy eds. Object Lessons: Archaeology and Heritage in Australia. Melbourne: Australian Scholarly Publishing, pp. 243–264.

Harrison, Rodney (2008). Historical Archaeology in the Land of the Black Stump. In: Mayne, Alan ed. Beyond the Black Stump: Histories of Outback Australia. Kent Town, South Australia: Wakefield Press, pp. 85–112.

Harrison, Rodney (2004). Contact archaeology and the landscapes of pastoralism in the north-west of Australia. In: Murray, Tim ed. The Archaeology of Contact in Settler Societies. New directions in archaeology. Cambridge, UK: Cambridge University Press, pp. 109–143.

Harrison, Rodney; Fairclough, Graham; Jameson, John H. and Schofield, John (2008). Heritage, memory and modernity: an introduction. In: Fairclough, Graham; Harrison, Rodney; Jameson, John H. and Schofield, John eds. The Heritage Reader. New York: Routledge, pp. 1–12.

Harrison, Rodney and Frink, Douglas S. (2000). The OCR carbon dating procedure in Australia: New dates from Wilinyjibari Rockshelter, southeast Kimberley, Western Australia. Australian Archaeology, 51 pp. 6–15.

Harrison, Rodney; Gibbs, Martin; Burke, Shane; Przywolnik, Kathryn and Sellers, Annette (2008). Engagements in the field: Teaching field archaeology in the context of a community-driven research project. Archaeological Heritage, 1(1) pp. 29–36.

Harrison, Rodney and Schofield, John (2010). After Modernity: Archaeological Approaches to the Contemporary Past. Oxford/New York: Oxford University Press.

Harrison, Jill (2012). Being Florentine : a question of identity in the Arte della Lana, Florence. In: Cardarelli, Sandra; Anderson, Emily Jane and Richards, John eds. Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 127–148.

Harrison, Rodney (2004). Shared landscapes: archaeologies of attachment and the pastoral industry in New South Wales. Studies in the Cultural Construction of Open Space. Sydney, Australia: UNSW Press. file

Harrison, Rodney (2009). Excavating Second Life: Cyber-archaeologies, heritage and virtual communities. Journal of Material Culture, 14(1) pp. 75–106. file

Harrison, Rodney (2009). The archaeology of the Port Hedland coastal plain and implications for understanding the prehistory of shell mounds and middens in Northwestern Australia. Archaeology in Oceania, 44(S1) pp. 81–98. restricted access item, not available for direct download

Harrison, Rodney (2009). Towards an archaeology of the welfare state in Britain, 1945–2009. Archaeologies, 5(2) pp. 238–262. file

Harrison, Rodney (2010). Exorcising the ‘plague of fantasies’: mass media and archaeology’s role in the present; or, why we need an archaeology of ‘now’. World Archaeology, 42(3) pp. 328–340. file

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Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

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Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Herbert, Trevor (1996). Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes. Welsh Music History, 1 pp. 92–102.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

Herbert, Trevor (1989). The trombone in 19th-century Italian opera. Welsh National Opera.

Herbert, Trevor (1996). The Origin of the Species: The Cyfarthfa Repertory on Period Instruments. Nimbus.

Herbert, Trevor (1996). The Victorian Christmas. JVC.

Herbert, Trevor (1997). Virtuosi: Ian Bousfield. EMI.

Herbert, Trevor (2000). Hammered Brass. Linn.

Herbert, Trevor (2001). Baltic Brass. Deux-Elles.

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Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press , pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian , Volume 5. Merthyr Tydfil : Merthyr Tydfil Historical Society, pp. 35–42.

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press .

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Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

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Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

Katritzky, M. A. (2004). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15(Shakespeare and the Low Countries) pp. 113–140.

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52 pp. 63–93.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd edition. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. Centre for Reformation and Renaissance Studies.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra, 70(9) pp. 24–27.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: "Der Politische Quacksalber" (1693) und "Der Musicalische Qvack=salber" (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F. , Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, (In Press).

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232. file

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81. file

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125. file

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215. file

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167. file

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120. file

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173. file

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419. file

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103. file

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125. file

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: divadelní ko?ovníci v ran? novov?ké Evrop? Divaldelni Revue, 2(1) pp. 48–61. file

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Ninth World Shakespeare Congress: Renaissance Shakespeare: Shakespeare Renaissances:, 17–22 July 2011, Prague, Czech Republic, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509. file

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153. file

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate. file

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 5: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh (In Press).

King, Catherine (2006). Architecture, gender and politics: the Villa Imperiale at Pesaro. Art History, 29(5) pp. 796–826.

King, Catherine (2006). An etching and Lelio Orsi's house. The Print Quarterly, 23(2) pp. 176–182.

King, Catherine (2002). Artists' houses: mass advertising artistic status and theory in Antwerp c. 1565. In: Heck, Michèle-Caroline; Lemerle, Frédérique and Pauwels, Yves eds. Théorie des arts et création artistique dans l'Europe du Nord du XVIe au début du XVIIIe siècle. Villeneuve d’Ascq, France: Université Charles-de-Gaulle - Lille 3, pp. 173–189.

King, Catherine E. (2007). Representing Renaissance Art 1500-1600. Manchester, UK: Manchester University Press.

King, Pete (2004). The Summary courts and social relations in eighteenth-century England. Past and Present, 183(1) pp. 125–172.

King, Pete (2000). Crime, Justice and Discretion in England 1740-1820. UK: Oxford University Press.

King, Pete (1999). Locating histories of crime: A bibliographical study. British Journal of Criminology, 39(1) pp. 161–174.

King, Pete (1998). The rise of juvenile delinquency in England 1780-1840, Changing patterns of perception and prosecution, past and present. Past and Present, 160(1) pp. 116–166.

King, Pete (1996). Female offenders, work and life-cycle change in late-eighteenth-century London. Continuity and Change, 11(1) pp. 61–90.

King, Pete (1996). Edward Thompson's contribution to eighteenth-century studies. The patrician-plebeian model re-examined. Social History, 21(2) pp. 215–228.

King, Pete (1996). Punishing assault: The transformation of attitudes in the English courts. Journal of Interdisciplinary History, 27(1) pp. 43–74.

King, Pete (1999). Gender, crime and justice in late eighteenth and early nineteenth-century England. In: Arnot, Meg and Usborne, Cornelie eds. Gender and Crime in Modern Europe. UK: Routledge, pp. 44–74.

King, Pete (2006). Destitution, desperation and delinquency. Female petitions to the London Refuge for the Destitute 1805-1830. In: Gestrich, A; King, S and Raphael, L eds. Being Poor in Modern Europe: Institutions, Surveillance and Experiences. Bern: Peter Lang, pp. 157–178.

King, Pete (2003). Moral panics and violent street crime 1750-2000: A comparative perspective. In: Godfrey, Barry; Emsley, Clive and Dunstall, Graeme eds. Comparative Histories of Crime. UK: Willan, pp. 53–71.

King, Pete (1997). Pauper inventories and the material life of the poor in the eighteenth and early nineteenth centuries. In: Hitchcock, Tim; King, Pete and Sharpe, Pam eds. Chronicling Poverty: The Voices and Strategies of the English Poor 1640-1840. London: Palgrave Macmillan, pp. 72–98.

King, Peter (2006). Crime and law in England, 1750-1850: remaking justice from the margins. Past and Present Publications. Cambridge, UK: Cambridge University Press.

King, Peter (2009). Making crime news: newspapers, violent crime and the selective reporting of Old Bailey trials in the late eighteenth century. Crime, History and Societies, 13(1) pp. 91–116.

King, Peter (2004). Social inequality, identity and the labouring poor in eighteenth-century England. In: French, Harry and Barry, Jonathan eds. Identity and Agency in English Society 1500-1800. Ashgate: Palgrave Macmillan, pp. 60–86.

King, Peter (2002). War as a judicial resource. Press gangs and prosecution rates, 1740-1830. In: Landau, Norma ed. Law, Crime and English Society 1660-1840. Cambridge: Cambridge University Press, pp. 97–116.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13. file

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53. file

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86. file

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 February 2008, University of Otago, Dunedin, New Zealand.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading andthe First World War, 12 February 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference , 28-30 April 2011, University of Queensland, Brisbane, Australia.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271. file

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387. restricted access item, not available for direct download

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) (In press). restricted access item, not available for direct download

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268. file

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 July 2011, Washington, D.C., USA.

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57. file

King, Edmund G. C. (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94. filefile

King, Helen (2004). Chamberlen, Peter (1601–1683). Oxford University Press, Oxford, UK.

King, Helen (2004). The Disease of Virgins: Green Sickness, Chlorosis and the Problems of Puberty. London: Routledge.

King, Helen (2004). Chamberlen, Hugh, the elder (b. 1630x34, d. after 1720). Oxford University Press, Oxford, UK.

King, Helen (2007). Midwifery, Obstetrics and the Rise of Gynaecology: The Uses of a Sixteenth-Century Compendium. Women and Gender in the Early Modern World. Aldershot: Ashgate.

King, Helen (2012). History without historians? Medical history and the internet. Social History of Medicine, 25(1) pp. 212–221.

King, Helen (2012). Response to Shelton. Social History of Medicine, 25(1) pp. 232–238.

King, Helen (2011). Galen and the widow: towards a history of therapeutic masturbation in ancient gynaecology. EuGeStA: Journal on Gender Studies in Antiquity, 1 pp. 205–235. file

King, Helen (1998). Hippocrates' Woman: Reading the Female Body in Ancient Greece. London: Routledge.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

King, Helen (1999). Hippocratic gynaecological therapy in the sixteenth and seventeenth centuries. In: Aspetti della Terapia nel Corpus Hippocraticum (Atti del IXe Colloque hippocratique), 25-29 September 1996, Pisa, Italy.

King, Helen (2013). The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate. file

King, Helen (2002). De dokter aan het sterfbed. Raster, 99 pp. 90–106.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

King, Helen (2013). Motherhood and health in the Hippocratic corpus: does maternity protect against disease? Mètis. Anthropologie des mondes grecs anciens, 11 pp. 51–70. file

King, Helen (2013). Commentary: Fighting through fiction. Culture, Medicine and Psychiatry, 37(4) pp. 668–693.

King, Helen (2013). Sex and gender: the Hippocratic case of Phaethousa and her beard. EuGeStA: Journal on Gender Studies in Antiquity, 3 pp. 124–142.

King, Helen (1994). Producing woman: Hippocratic gynaecology. In: Archer, Leonie; Fischler, Susan and Wyke, Maria eds. Women in Ancient Societies: an Illusion of the Night:. New York: Macmillan, pp. 102–114.

King, Helen (2012). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60. file

King, Helen (1995). Conversion disorder and hysteria. In: Berrios, G. E. and Porter, Roy eds. History of Clinical Psychiatry: the Origin and History of Psychiatric Disorders. London: Athlone Press, pp. 442–450.

King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

King, Helen (2002). The power of paternity: the Father of Medicine meets the Prince of Physicians. In: Cantor, David ed. Reinventing Hippocrates. The History of Medicine in Context. Aldershot: Ashgate, pp. 21–36.

King, Helen (1995). Half-human creatures. In: Cherry, John ed. Mythical Beasts. London: British Museum Press, pp. 138–166.

King, Helen (2007). When is a foetus not a foetus? Diagnosing false conceptions in early modern France. In: Dasen, Veronique ed. L' Embryon humain à travers l' histoire: Images, savoirs et rites. Testimonia. Gollion: Infolio, pp. 223–238.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

King, Helen (2006). The origins of medicine in the second century AD. In: Goldhill, Simon and Osborne, Robin eds. Rethinking revolutions through Ancient Greece. Cambridge: Cambridge University Press, pp. 246–263.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48. file

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282. file

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (2013). Female fluids in the Hippocratic corpus: how solid was the humoral body? In: Horden, Peregrine and Hsu, Elisabeth eds. The Body in Balance: Humoral Medicines in Practice. Epistemologies of Healing (13). Oxford: Berghahn Books, pp. 25–49.

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17. file

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Helen (2005). Women's health and recovery in the Hippocratic corpus. In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 150–161.

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King, Helen (2005). Introduction: what is health? In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 1–11.

King, Helen (2007). Ancient medicine. In: Malti-Douglas, Fedwa ed. Encyclopedia of sex and gender, Volume 3. Detroit: Macmillan Reference USA, pp. 982–985.

King, Helen (1993). The politick midwife: models of midwifery in the work of Elizabeth Cellier. In: Marland, Hilary ed. The Art of Midwifery: Early Modern Midwives in Europe. Wellcome Institute Series in the History of Medicine. London: Routledge, pp. 115–130.

King, Helen (2004). Hodges, Nathaniel (1629–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography, Volume 27. Oxford, UK: Oxford University Press, p. 456.

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King, Helen (2010). Engendrer "la femme": Jacques Dubois et Diane de Poitiers. In: McClive, Cathy and Pellegrin, Nicole eds. Femmes en Fleurs, Femmes en Corps : Sang, Santé, Sexualité du Moyen Âge aux Lumières. L'école de Genre. Nouvelles Recherches (4). Saint-Étienne: Publications de l'Université de Saint-Etienne, pp. 125–138.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (2012). Knowing the body: renaissance medicine and the classics. In: Olmos, Paula ed. Greek Science in the Long Run: Essays on the Greek Scientific Tradition (4th c. BCE – 16th c. CE). Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 281–300. file

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

King, Helen (1994). Sowing the field: Greek and Roman sexology. In: Porter, Roy and Teich, Mikulas eds. Sexual Knowledge, Sexual Science: the History of Attitudes to Sexuality. Cambridge: Cambridge University Press, pp. 29–46.

King, Helen (1995). Medical texts as a source for women's history. In: Powell, Anton ed. The Greek World. Routledge Worlds. London: Routledge, pp. 199–218.

King, Helen (2002). The limits of normality in Hippocratic gynaecology. In: Thivel, Antoine and Zucker, Arnaud eds. Le normal et le pathologique dans la Collection hippocratique. Nice: Publications de le Faculté des Lettres, Arts et Sciences Humaines de Nice, pp. 563–574.

King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

King, Helen (1995). Food and blood in Hippokratic gynaecology. In: Wilkins, John; Harvey, David and Dobson, Michael J. eds. Food in Antiquity. Exeter: University of Exeter Press, pp. 351–358.

King, Helen and Dasen, Véronique (2008). La Médecine dans l' Antiquité grecque et romaine. Lausanne: Editions BHMS.

King, Peter (2007). Newspaper reporting and attitudes to crime and justice in late eighteenth and early nineteeth century London. Continuity and Change, 22(1) pp. 73–112. file

Laurence, Anne (2008). The emergence of a private clientele for banks in the early eighteenth century: Hoare's Bank and some women customers. Economic History Review, 61(3) pp. 565–586.

Laurence, Anne (2003). Women using building in seventeenth-century England: a question of sources? Royal Historical Society Transactions, 13 pp. 293–303.

Laurence, Anne (2003). Space, status and gender in English topographical paintings c.1660-c.1740. Architectural History, 46 pp. 81–94.

Laurence, Anne (2006). Women, godliness and personal appearance in seventeenth-century England. Women's History Review, 15(1) pp. 69–81.

Laurence, Anne (2006). Women investors, 'that nasty South Sea affair', and the rage to speculate in early eighteenth-century England. Accounting, Business and Financial History, 16(2) pp. 245–264.

Laurence, Anne (2006). Lady Betty Hastings, her half-sisters and the South Sea Bubble: family fortunes and strategies. Women's History Review, 15(4) pp. 533–540.

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Laurence, Anne (2009). Women, banks and the securities market in early eighteenth century England. In: Laurence, Anne; Maltby, Josephine and Rutterford, Janette eds. Women and their Money 1700-1950: Essays on Women and Finance. Routledge International Studies in Business History. London: Routledge, pp. 46–58. file

Laurence, Anne (2008). Real and imagined communities in the lives of women in seventeenth-century Ireland: identity and gender. In: Tarbin, Stephanie and Broomhall, Susan eds. Women, Identities and Communities in Early Modern Europe. Aldershot, UK: Ashgate, pp. 13–27. file

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Lawrence, Paul (2005). Nationalism: history and theory. Pearson Longman.

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Lawrence, Paul (2003). The Paris police and the regulation of the poor in late-nineteenth-century Paris. Proceedings of the Western Society for French History, 29 pp. 176–185.

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Lawrence, Paul; Baycroft, Timothy and Grohmann, Carolyn (2001). 'Degrees of foreignness' and the construction of identity in French border regions during the inter-war period. Contemporary European History, 10(1) pp. 51–71.

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