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Number of items at this level: 252.

Authored Book

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Dueck, Byron (2013). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate .

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2012). Music in Words: A Guide to Researching and Writing about music. London: ABRSM Publishing.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press .

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

Parsonage, Catherine (2005). The Evolution of Jazz in Britain, 1880-1935. Ashgate Popular and Folk Music Series. Aldershot: Ashgate.

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Richards, Fiona (2001). The music of John Ireland. UK: Ashgate.

Samuels, Robert (1995). Mahler's Sixth Symphony: a Study in Musical Semiotics. Cambridge Studies in Music Theory and Analysis, 6. Cambridge: Cambridge University Press.

Tackley, Catherine (2012). Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Studies in Recorded Jazz. New York: Oxford University Press.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Winters, Benjamin (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

Edited Book

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2014). George Frideric Handel: collected documents: volume 2 1725-1734. Cambridge University Press (In Press).

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press.

Clarke, Martin ed. (2012). Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate.

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Decroupet, Pascal and Samuels, Robert [trans.] eds. (2005). Pierre Boulez. Le marteau sans maître: facsimile of the draft score and the first fair copy of the full score. Publications from the Paul Sacher Foundation. Mainz; London: Schott.

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Nattiez, Jean-Jacques and Samuels, Robert [trans.] eds. (1993). The Boulez-Cage Carrespondence. Cambridge: Cambridge University Press.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Smith, Richard Langham and Potter, Caroline eds. (2006). French Music since Berlioz. UK: Ashgate.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate.

Book Chapter

(2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208. file

Boulez, Pierre and Samuels, Robert [trans.] (2004). The musician writes: for the eyes of the deaf? In: Ashby, Arved ed. The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology. Eastman Studies in Music. Rochester, NY: University of Rochester Press, pp. 197–222.

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms , pp. 280–307.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Clarke, Martin (2012). 'Meet and Right it is to Sing': nineteenth-century hymnals and the reasons for singing. In: Clarke, Martin ed. Music and Theology in Nineteenth-Century Britain. Music in Ninteenth-Century Britain. Farnham: Ashgate, pp. 21–36.

Clarke, Martin (2010). John Frederick Lampe's Hymns on the Great Festivals and Other Occasions. In: Temperley, Nicholas and Banfield, Stephen eds. Music and the Wesleys. Urbana: University of Illinois Press, pp. 52–62.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68. file

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93. file

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2005). Communication in Indian Raga performance. In: Miell, Dorothy; Hargreaves, David J. and MacDonald, Raymond eds. Musical Communication. Oxford, UK: Oxford University Press, pp. 361–381. file

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169. file

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78. file

Coffey, Helen (2014). City Life and Music for Secular Entertainment in Maximilian I’s Germany (1486-1519). In: Biddle, Ian and Gibson, Kirsten eds. Noise, Audition, Aurality: Histories of the Sonic Worlds of Europe, 1500–1918. Ashgate (In Press).

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Dueck, Byron (2014). Race, standards, and success: a tangle in discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, (In Press).

Finnegan, Ruth (2003). Music, experience and the anthropology of emotion. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The cultural study of music: a critical introduction. New York, USA: Routledge, pp. 181–192.

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller , Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Herbert, Trevor (2005). Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence'. In: Polk, Keith ed. Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Renaissance into the Nineteenth Century. Utrecht, Netherlands: STIMU, pp. 57–67.

Herbert, Trevor (2005). Susato's colleagues: the trombonists of the Tudor court. In: Polk, Keith ed. Tielman Susato and the music of his time: print culture, compositional technique and instrumental music in the Renaissance. Bucina: The Historic Brass Society Series (5). Hillsdale, New York: Pendragon Press, pp. 117–132.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press , pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian , Volume 5. Merthyr Tydfil : Merthyr Tydfil Historical Society, pp. 35–42.

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

Herbert, Trevor and Barlow, Helen (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, Paul ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 247–266.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

Leante, Laura (2005). Transcultural reception and meaning in world music: the case of British-Asian musics. In: Astrauskas, Rimantas ed. Traditional music and research in the Baltic area: New approaches in ethnomusicology. Vilnius, Lithuania: Lithuanian Academy of Music and Theatre, pp. 122–130.

Moohan, Elaine (2005). The Sacred Music Institution in Glasgow, 1796-1805. In: Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; Mackay, Margaret A.; Moohan, Elaine and Hair, Graham eds. Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical Studies of Scottish Music. Glasgow: Musica Scotica Trust, pp. 231–250.

Parsonage, Catherine (2007). Fascination and fear: Responses to early jazz in Britain. In: Wynn, Neil A. ed. Cross the Water Blues: African American Music in Europe. University Press of Mississippi, pp. 89–105. file

Parsonage, Catherine and Dyson, Kathy (2007). The history of women in jazz in Britain. In: Adkins Chiti, Patricia ed. Women in Jazz/Donne in Jazz. Rome: Editore Columbo, pp. 129–140. file

Philip, Robert (2003). Historical recordings of orchestras. In: Lawson, Colin ed. The Cambridge companion to the orchestra. Cambridge companions to music. Cambridge, UK: Cambridge University Press, pp. 203–217.

Philip, Robert (2005). Freedom and restraint in recordings of Mozart. In: Link, Dorothea and Nagley, Judith eds. Words about Mozart: essays in honour of Stanley Sadie. Woodbridge, UK: Boydell Press, pp. 121–138.

Philip, Robert (2003). Brahms's musical world: balancing the evidence. In: Musgrave, Michael and Sherman, Bernard D. eds. Performing Brahms: early evidence of performance style. Musical performance and reception. Cambridge, UK: Cambridge University Press, pp. 349–372.

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2006). Journeys across Australia: Ealing film scores of the 1940s and '50s. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Rowland, David (2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002. Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.

Rowland, David (2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.

Rowland, David (2005). Performance practices in the nineteenth-century concerto. In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.

Rowland, David (2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions. Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.

Rowland, David (2005). The Performance of Chopin's works for piano and orchestra. In: Szklener, Artur ed. Chopin in performance: History, theory, practice. Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.

Samuels, Robert (2006). Narratives of masculinity and femininity: two Schumann song cycles. In: Da Sousa Correa, Delia ed. Phrase and subject: Studies in Literature and Music. Oxford, UK: Legenda, pp. 135–145.

Samuels, Robert (2011). The act of performance as Mahlerian topic. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: essays on performativity and on surveying the field. Words and Music Studies (12). Amsterdam: Rodopi , pp. 35–52. restricted access item, not available for direct download

Samuels, Robert (2014). Schubert’s instrumental voice: vocality in melodic construction in the late works. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 161–178. restricted access item, not available for direct downloadfile

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50. file

Samuels, Robert (2007). Music as Narrative's Limit and Supplement. In: Mazanas, Ana and Benito, Jesus eds. The Dynamics of the Threshold. Studies in Liminality and Literature 5. Madrid: The Gateway Press, pp. 149–163. file

Samuels, Robert (1994). Music as text: Mahler, Schumann and issues in analysis. In: Pople, Anthony ed. Theory, Analysis and Meaning in Music. Cambridge: Cambridge University Press, pp. 152–163.

Smith, Richard Langham (2004). Quelques aspects du langage musical d'Alfred Bruneau. In: Branger, Jean-Christophe and Ramaut, Alban eds. Le naturalisme sur la scène lyrique. Saint-Etienne, France: Publications de l'université de Saint-Etienne, pp. 80–93.

Smith, Richard Langham (2007). ‘Taming two Spanish Women: reflections on editing Opera.’. In: Kelly, Barbara and Murphy, Kerry eds. Berlioz and Debussy: sources, contexts, legacies. (Essays in honour of François Lesure). Aldershot, UK: Ashgate, pp. 83–102.

Smith, Richard Langham (2002). Francis Poulenc outre-manche : séjours, concerts, réception. In: Ramaut, Albert ed. Francis Poulenc et la voix: Texte et contexte: actes du colloque tenu les 19, 20 et 21 Avril 2001 au Musée d'art moderne de Saint-Étienne (France). Musicologie. Saint-Étienne/Lyon, France: Publications de l'Université de Saint-Étienne/Symétrie, pp. 11–21.

Smith, Richard Langham (2006). French operatic spectacle in the twentieth century. In: Smith, Richard Langham and Potter, Caroline eds. French music since Berlioz. Aldershot, UK: Ashgate, pp. 117–159.

Tackley, Catherine (2010). Jazz recordings as social texts. In: Bayley, Amanda ed. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press, pp. 167–186. file

Tackley, Catherine (2012). Benny Carter in Britain, 1936-37. In: Cerchiari, Luca; Cugny, Laurent and Kerschbaumer , Franz eds. Eurojazzland: Jazz and European Sources, Dynamics and Contexts. Lebanon, NH: Northeastern University Press.

Tackley, Catherine (2013). Jazz, dance and black British identities. In: Dodds, Sherril and Cook, Susan eds. Bodies of Sound: Studies Across Popular Music and Dance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 193–208.

Tackley, Catherine (2015). “Art or Debauchery?”: the reception of Ellington in the UK. In: Howland, John and Green, Edward eds. Ellington Studies. Cambridge University Press, (In press).

Tackley, Catherine (2014). Race, identity and the meaning of Jazz in 1940s Britain. In: Stratton, Jon and Zuberi, Nabeel eds. Black Popular Music in Britain Since 1945. Ashgate Popular and Folk Music Series. Farnham: Ashgate, (In press). restricted access item, not available for direct download

Tackley, Catherine (2014). Tiger Bay and the roots/routes of black British jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership and Performance. Ashgate.

Toynbee, Jason (2003). Music, culture and creativity. In: Clayton, Martin; Middleton, Richard and Herbert, Trevor eds. The cultural study of music. New York, NY, USA: Routledge, pp. 102–112.

Toynbee, Jason and Dueck, Byron (2011). Migrating Music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. Routledge, pp. 1–18.

Weber, William and Burrows, Donald (2005). Henry Purcell and The Universal Journal: the building of musical canon in the 1720s. In: Jackson, Jeffrey H and Pelkey, Stanley C eds. Music and History: Bridging the Disciplines. Jackson: University Press of Mississippi, pp. 181–199.

Winters, Ben (2014). The sound of satire; or, trading places with Mozart. In: Evans, Mark ed. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, (In press).

Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Winters, Ben (2012). ‘It’s all really happening’: sonic shaping in the films of Wes Anderson. In: Wierzbicki, James ed. Music, Sound, and Filmmakers: Sonic Style in Cinema. Routledge Music and Screen Media Series. Abingdon: Routledge, pp. 45–60.

Journal Article

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60. filefile

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) 9-24 .

Burrows, D. (2007). Perhaps Handel was right after all: some thoughts on editing 'Ariodante'. The Musical Times, 148(1898) pp. 35–48.

Burrows, Donald (2005). The word-books for Handel's performances of 'Samson'. Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). The Word-Books for Handel's Performances of "Samson". The Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). Mr Harris’s Score’: A new look at the ‘Mathews’ manuscript of Handel’s ‘Messiah’. Music & Letters, 86(4) pp. 560–572.

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2008). ‘The composition of three arias in Handel’s Ariodante’. Händel-Jahrbuch, 54 pp. 131–149.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009 . file

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2011). HWV301 and all that: the history of Handel’s 'oboe concertos'. Musical Times, 152(1914) pp. 3–6.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Clarke, Martin (2010). The Illingworth Moor Singers' Book: a snapshot of Methodist music in the early ninteenth century. Nineteenth-Century Music Review, 7(1) pp. 81–103. file

Clarke, Martin (2008). Spirituality and Practicality: John Wesley’s visit to America and Moravian Influences on Methodist Music and Worship. Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, 27 pp. 13–26. file

Clarke, Martin (2009). John Wesley’s “Directions for Singing”: Methodist Hymnody as an Expression of Methodist Beliefs in Thought and Practice. Methodist History, 47(4) pp. 196–209.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

Clayton, Martin (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). British Journal of Ethnomusicology, 10(1) pp. 1–18.

Clayton, Martin (2007). Time, gesture and attention in a khyāl performance. Asian Music, 38(2) pp. 71–96. restricted access item, not available for direct download

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41. file

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87. file

Clayton, Martin; Sager, Rebecca and Will, Udo (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11, pp. 3–142. file

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59. file

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332. file

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61. file

Dueck, Byron (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63.

Dueck, Byron (2006). 'Suddenly a sense of being a community': Aboriginal square dancing and the experience of collectivity. Musiké, 1(1) pp. 41–58.

Dueck, Byron (2013). Jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal, 33(1) pp. 91–115.

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 (In Press).

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Herbert, Trevor (2004). Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art, XXIX(1-2) pp. 213–226.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Herbert, Trevor (2010). Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22, pp. 1–18. file

Herbert, Trevor (2008). Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield. Studies in Musical Theatre, 2(3) pp. 295–297.

Herbert, Trevor (2011). “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1–23.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Herbert, Trevor (1996). Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes. Welsh Music History, 1 pp. 92–102.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Sarkissian, Margaret (1997). Victorian bands and their dissemination in the colonies. Popular Music, 16(2) pp. 165–179.

Jones, Nicholas (2002). Dominant logic: Peter Maxwell Davies’s basic unifying hypothesis. The Musical Times, 143(1878 (Spring)) pp. 37–45.

Jones, Nicholas (2003). Luminous, but with shadows: the music of Anthony Powers. The Musical Times, 144(1884 (Autumn)) pp. 26–35.

Jones, Nicholas (2006). 'Disparagement and invidious comparisons'? Assessing critical reactions to Mathias's First Symphony. Tempo, 60(238) pp. 8–14.

Jones, Nicholas J. (2005). Playing the 'Great Game'?: Peter Maxwell Davies, Sonata Form, and the Naxos Quartet No. 1. The Musical Times, 146(1892 (Autumn)) pp. 71–81.

Leante, Laura (2004). Shaping diasporic sounds: identity as meaning in Bhangra. The World of Music, 46(1) pp. 109–132.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Mateer, David (2006). New light on the Early History of the Theatre in Shoreditch [with texts]. English Literary Renaissance, 36(3) pp. 335–375.

Mateer, David (2001). Hugh Davis's Commonplace Book: A New Source of Seventeenth-Century Song. Royal Musical Association Research Chronicle, 32 pp. 63–87.

Mateer, David (2008). New sightings of Christopher Marlowe in London. Early Theatre, 11(2) pp. 13–38.

Moohan, Elaine (2012). Eine der originellsten Stimmen in der Musik der heutigen Zeit Janet Beat zum 75 Geburtstag 2012. Tableau musical(14)

Parsonage, Catherine (2004). The popularity of jazz–an unpopular problem: the significance of 'Swing when you're winning'. The Source: Challenging Jazz Criticism, 1 pp. 60–80. file

Parsonage, Catherine (2003). A critical reassessment of the reception of early jazz in Britain. Popular Music, 22(3) pp. 315–336. file

Parsonage, Catherine (2001). The evolving image of jazz in Britain in sheet music. British Postgraduate Musicology, 4 file

Parsonage, Catherine (2003). Approaching jazz-influenced wind music. Journal of the World Association for Symphonic Bands and Wind Ensembles, 10 pp. 79–94. file

Parsonage, Catherine; Fadnes, Petter Frost and Taylor, James (2007). Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation. British Journal of Music Education, 24(3) pp. 295–312. file

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

Richards, Fiona (2012). ''Rubbed by the warming violins'': music and Patrick White. Cercles: Revue Pluridiscipline du Monde Anglophone, 26 pp. 22–38.

Richards, Fiona (2013). Islands in the works of Randolph Stow (1935-2010). Southerly, 72(3) pp. 103–118.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

Samuels, Robert (2008). Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. Intégral: The Journal of Applied Musical Thought, Volume file

Samuels, Robert (1989). Derrida and Snarrenberg. In Theory Only, 11(1-2) pp. 45–58.

Smith, Richard Langham (2006). Elsewhere and erstwhile. Musical Times, 147(1896) pp. 93–101.

Sondheim, Stephen and Herbert, Trevor (1989). Sondheim's technique. Contemporary Music Review, 5(1) pp. 199–214.

Ward Jones, Peter and Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140. file

Winters, Ben (2009). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26. file

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127. file

Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244. file

Winters, Ben (2012). Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt. Cambridge Opera Journal, 23(1-2) pp. 51–82.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

Winters, Benjamin (2012). Music and Narrative: An Introduction. Music, Sound, and the Moving Image, 6(1) pp. 3–7.

Conference Item

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 July 2009, Salzburg Universität, Austria.

Leante, Laura (2007). L'incontro tra popular music e tradizione indiana: processi e modalita' di appropriazione. In: Etnomusicologia e studi di popular music: quale possibile convergenza?, 27-29 Jan 2005, Venice, Italy.

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 April 2014, London, UK (Forthcoming). file

Thesis

Barclay, Robert Leslie (1999). A Critical Analysis Of Actions Taken Upon Historic Musical Instruments Through The Period Of The Early Music Revival From The Beginning Of The 20th Century To The 1990s. PhD thesis The Open University. file

Moran, Nicola (2007). Measuring musical interaction: analysing communication in embodied musical behaviour. PhD thesis The Open University. file

Warnaby, John Surtees (1991). The Music Of Peter Maxwell Davies Based On The Writings Of George Mackay Brown. PhD thesis The Open University. file

Other

Burrows, Donald (2002). An edition with preface of G. F. Handel, Imeneo, HWV 41. Bärenreiter, Kassel, Germany.

Burrows, Donald (2011). Canticles and anthems with orchestra: William Croft. Stainer and Bell, London.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). G. F. Handel: Let God arise (Chapel Royal version). Novello and Company, London.

Burrows, Donald (2005). An edition with preface of G. F. Handel, Samson. Novello & Co. Ltd., London, UK.

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University.

Herbert, Trevor (1989). The trombone in 19th-century Italian opera. Welsh National Opera.

Herbert, Trevor (1996). The Origin of the Species: The Cyfarthfa Repertory on Period Instruments. Nimbus.

Herbert, Trevor (1996). The Victorian Christmas. JVC.

Herbert, Trevor (1997). Virtuosi: Ian Bousfield. EMI.

Herbert, Trevor (2000). Hammered Brass. Linn.

Herbert, Trevor (2001). Baltic Brass. Deux-Elles.

Herbert, Trevor (2007). The History of Brass Band Music: Classical Arrangements. Doyen.

Herbert, Trevor and Wallace , John (1988). Divertimento in D: (Trumpet and Piano) by Josef Fiala. Faber Music, London.

Mateer, David (2004). William Byrd, Songs of sundrie natures (1589), Byrd Edition 13. Stainer & Bell, London, UK.

Mateer, David (2007). An edition with preface of The Gyffard Partbooks, I. Stainer & Bell (for the British Academy), London, UK.

Mateer, David (2009). The Gyffard Partbooks II. Stainer & Bell, London.

Smith, Richard (2003). An edition with preface of Debussy's Rodrigue et Chimène. Éditions Durand, Paris, France.

Winters, Ben (2012). 'Music and Narrative', Music, Sound, and the Moving Image Special Issue Vol. 6 Issue 1 (Spring 2012). Liverpool University Press.

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