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Number of items at this level: 240.

2014

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2014). George Frideric Handel: collected documents: volume 2 1725-1734. Cambridge University Press (In Press).

Doffman, Mark; Tackley, Catherine and Toynbee, Jason eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate (Pending review).

Coffey, Helen (2014). City Life and Music for Secular Entertainment in Maximilian I’s Germany (1486-1519). In: Biddle, Ian and Gibson, Kirsten eds. Noise, Audition, Aurality: Histories of the Sonic Worlds of Europe, 1500–1918. Ashgate (In Press).

Coffey, Helen (2014). The Spanish Habsburgs in England: Music and Entertainment for Philip of Spain in Sixteenth-Century London. In: Checa Cremades, Fernando and Fernandez Gonzalez , Laura eds. Festival Culture in the Lands of the Spanish Habsburgs. Ashgate (In Press).

Dueck, Byron (2014). Race, standards, and success: a tangle in discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, (In Press).

Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 April 2014, London, UK (Forthcoming). file

Tackley, Catherine (2014). Tiger Bay and the roots/routes of black British jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership and Performance. Ashgate.

Winters, Ben (2014). The sound of satire; or, trading places with Mozart. In: Evans, Mark ed. Sounding Funny: Sound and Comedy Cinema. Genre, Music and Sound. Equinox Press, (In press).

Winters, Ben (2014). Swearing an oath: Korngold, film and the sound of resistance? In: Levi, Erik ed. The Impact of Nazism on Twentieth-Century Music. Exil.Arte-Schriften. Vienna: Böhlau Verlag, pp. 61–76.

Winters, Benjamin (2014). Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction. Routledge Research in Music. Abingdon: Routledge.

2013

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press (In Press).

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2013). Experience and Meaning in Music Performance. Oxford University Press.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2013). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60. filefile

Dueck, Byron (2013). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press.

Dueck, Byron (2013). Jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal, 33(1) pp. 91–115.

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2013). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press.

Golding, Rosemary (2013). Music and Academia in Victorian Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate .

Herbert, Trevor (2013). Brass and military bands in Britain - performance domains, the factors that construct them and their influence. In: Brucher, Kate and Reily, Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, pp. 33–54.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press .

Richards, Fiona (2013). Islands in the works of Randolph Stow (1935-2010). Southerly, 72(3) pp. 103–118.

Richards, Fiona (2013). Sound and music in the works of Randolph Stow. Antipodes, 27(2) pp. 177–183.

Tackley, Catherine (2013). Jazz, dance and black British identities. In: Dodds, Sherril and Cook, Susan eds. Bodies of Sound: Studies Across Popular Music and Dance. Ashgate Popular and Folk Music Series. Farnham: Ashgate, pp. 193–208.

Tackley, Catherine (2013). “Art or Debauchery?”: the reception of Ellington in the UK. In: Howland, John and Green, Edward eds. Ellington Studies. Cambridge University Press.

2012

Toynbee, Jason and Dueck, Byron eds. (2012). Migrating Music. CRESC. Abingdon: Routledge.

Barlow, Helen (2012). The military band images of George Scharf. Music in Art, XXXVII(1-2) 9-24 .

Burrows, Donald (2012). Handel. New York: Oxford University Press.

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 (In Press).

Herbert, Trevor (2012). Music in Words: A Guide to Researching and Writing about music. London: ABRSM Publishing.

Herbert, Trevor and Barlow, Helen (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, Paul ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 247–266.

Moohan, Elaine (2012). Eine der originellsten Stimmen in der Musik der heutigen Zeit Janet Beat zum 75 Geburtstag 2012. Tableau musical(14)

Richards, Fiona (2012). ''Rubbed by the warming violins'': music and Patrick White. Cercles: Revue Pluridiscipline du Monde Anglophone, 26 pp. 22–38.

Tackley, Catherine (2012). Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert. Studies in Recorded Jazz. New York: Oxford University Press.

Tackley, Catherine (2012). Benny Carter in Britain, 1936-37. In: Cerchiari, Luca; Cugny, Laurent and Kerschbaumer , Franz eds. Eurojazzland: Jazz and European Sources, Dynamics and Contexts. Lebanon, NH: Northeastern University Press.

Winters, Ben (2012). Strangling blondes: nineteenth-century femininity and Korngold's Die tote Stadt. Cambridge Opera Journal, 23(1-2) pp. 51–82.

Winters, Ben (2012). 'Music and Narrative', Music, Sound, and the Moving Image Special Issue Vol. 6 Issue 1 (Spring 2012). Liverpool University Press.

Winters, Ben (2012). Musical Wallpaper? Towards an Appreciation of Non-narrating Music in Film. Music, Sound, and the Moving Image, 6(1) pp. 39–54.

Winters, Ben (2012). Superman as mythic narrative: music, romanticism, and the ‘oneiric climate’. In: Halfyard, Janet K. ed. The Music of Fantasy Cinema. Genre, Music and Sound. Sheffield: Equinox Press, pp. 111–131.

Winters, Ben (2012). ‘It’s all really happening’: sonic shaping in the films of Wes Anderson. In: Wierzbicki, James ed. Music, Sound, and Filmmakers: Sonic Style in Cinema. Routledge Music and Screen Media Series. Abingdon: Routledge, pp. 45–60.

Winters, Benjamin (2012). Music and Narrative: An Introduction. Music, Sound, and the Moving Image, 6(1) pp. 3–7.

2011

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Burrows, Donald (2011). Canticles and anthems with orchestra: William Croft. Stainer and Bell, London.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). G. F. Handel: Let God arise (Chapel Royal version). Novello and Company, London.

Burrows, Donald (2011). HWV301 and all that: the history of Handel’s 'oboe concertos'. Musical Times, 152(1914) pp. 3–6.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms , pp. 280–307.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2011). “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1–23.

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Samuels, Robert (2011). The act of performance as Mahlerian topic. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: essays on performativity and on surveying the field. Words and Music Studies (12). Amsterdam: Rodopi , pp. 35–52. file

Toynbee, Jason and Dueck, Byron (2011). Migrating Music. In: Toynbee, Jason and Dueck, Byron eds. Migrating Music. Routledge, pp. 1–18.

Winters, Ben (2011). Silencing the truth: music and identity in The Unforgiven. In: Kalinak, Kathryn ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series. Abingdon, UK: Routledge, pp. 77–93.

2010

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Herbert, Trevor (2010). Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22, pp. 1–18. file

Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

Samuels, Robert (2010). Mahler within Mahler: allusion as quotation, self-reference, and metareference. In: Bernhart, Walter and Wolf, Werner eds. Self-Reference in Literature and Other Media. Word and Music Studies (11). Amsterdam: Rodopi, pp. 33–50. file

Tackley, Catherine (2010). Jazz recordings as social texts. In: Bayley, Amanda ed. Recorded Music: Performance, Culture and Technology. Cambridge: Cambridge University Press, pp. 167–186. file

Winters, Ben (2010). The non-diegetic fallacy: film, music, and narrative space. Music & Letters, 91(2) pp. 224–244. file

2009

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal, 2009 . file

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78. file

Da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61. file

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller , Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 July 2009, Salzburg Universität, Austria.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Mateer, David (2009). The Gyffard Partbooks II. Stainer & Bell, London.

Winters, Ben (2009). Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image, 2(1) pp. 3–26. file

Winters, Ben (2009). ‘There have been developments’: Frankenstein’s Monster finds a (Mahlerian) voice. Interdisciplinary Humanities, 26(2) pp. 116–127. file

Winters, Ben and Mera, Miguel (2009). Screen Music Sources in the UK and Ireland. Brio, 46(2) pp. 37–65.

2008

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2008). ‘The composition of three arias in Handel’s Ariodante’. Händel-Jahrbuch, 54 pp. 131–149.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169. file

Herbert, Trevor (2008). Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield. Studies in Musical Theatre, 2(3) pp. 295–297.

Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University.

Mateer, David (2008). New sightings of Christopher Marlowe in London. Early Theatre, 11(2) pp. 13–38.

Samuels, Robert (2008). Entendez-vous la musique? Review of Peter Dayan: Music Writing Literature, from Sand via Debussy to Derrida. Aldershot: Ashgate, 2006. Intégral: The Journal of Applied Musical Thought, Volume file

2007

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Burrows, D. (2007). Perhaps Handel was right after all: some thoughts on editing 'Ariodante'. The Musical Times, 148(1898) pp. 35–48.

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin (2007). Time, gesture and attention in a khyal performance. Asian Music, 38(2) pp. 71–96. file

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93. file

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59. file

Dueck, Byron (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63.

Herbert, Trevor (2007). The History of Brass Band Music: Classical Arrangements. Doyen.

Leante, Laura (2007). L'incontro tra popular music e tradizione indiana: processi e modalita' di appropriazione. In: Etnomusicologia e studi di popular music: quale possibile convergenza?, 27-29 Jan 2005, Venice, Italy.

Mateer, David (2007). An edition with preface of The Gyffard Partbooks, I. Stainer & Bell (for the British Academy), London, UK.

Moran, Nicola (2007). Measuring musical interaction: analysing communication in embodied musical behaviour. PhD thesis The Open University. file

Parsonage, Catherine (2007). Fascination and fear: Responses to early jazz in Britain. In: Wynn, Neil A. ed. Cross the Water Blues: African American Music in Europe. University Press of Mississippi, pp. 89–105. file

Parsonage, Catherine and Dyson, Kathy (2007). The history of women in jazz in Britain. In: Adkins Chiti, Patricia ed. Women in Jazz/Donne in Jazz. Rome: Editore Columbo, pp. 129–140. file

Parsonage, Catherine; Fadnes, Petter Frost and Taylor, James (2007). Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation. British Journal of Music Education, 24(3) pp. 295–312. file

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Samuels, Robert (2007). Music as Narrative's Limit and Supplement. In: Mazanas, Ana and Benito, Jesus eds. The Dynamics of the Threshold. Studies in Liminality and Literature 5. Madrid: The Gateway Press, pp. 149–163. file

Smith, Richard Langham (2007). ‘Taming two Spanish Women: reflections on editing Opera.’. In: Kelly, Barbara and Murphy, Kerry eds. Berlioz and Debussy: sources, contexts, legacies. (Essays in honour of François Lesure). Aldershot, UK: Ashgate, pp. 83–102.

Winters, Ben (2007). Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide. Scarecrow Film Score Guides, 6. Lanham, MD: Scarecrow Press.

Winters, Ben (2007). Catching Dreams: Editing Film Scores for Publication. Journal of the Royal Musical Association, 132(1) pp. 115–140. file

2006

Smith, Richard Langham and Potter, Caroline eds. (2006). French Music since Berlioz. UK: Ashgate.

Dueck, Byron (2006). 'Suddenly a sense of being a community': Aboriginal square dancing and the experience of collectivity. Musiké, 1(1) pp. 41–58.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Jones, Nicholas (2006). 'Disparagement and invidious comparisons'? Assessing critical reactions to Mathias's First Symphony. Tempo, 60(238) pp. 8–14.

Mateer, David (2006). New light on the Early History of the Theatre in Shoreditch [with texts]. English Literary Renaissance, 36(3) pp. 335–375.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2006). Journeys across Australia: Ealing film scores of the 1940s and '50s. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Rowland, David (2006). Viotti and Clementi: Friendship, publishing, the Philharmonic Society and the Royal Academy of Music. In: Sala, Massimiliano ed. Giovanni Battista Viotti: A composer between the two revolutions. Bologna, Italy: Ut Orpheus Edizioni, pp. 377–394.

Samuels, Robert (2006). Narratives of masculinity and femininity: two Schumann song cycles. In: Da Sousa Correa, Delia ed. Phrase and subject: Studies in Literature and Music. Oxford, UK: Legenda, pp. 135–145.

Smith, Richard Langham (2006). Elsewhere and erstwhile. Musical Times, 147(1896) pp. 93–101.

Smith, Richard Langham (2006). French operatic spectacle in the twentieth century. In: Smith, Richard Langham and Potter, Caroline eds. French music since Berlioz. Aldershot, UK: Ashgate, pp. 117–159.

2005

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (2005). The word-books for Handel's performances of 'Samson'. Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). The Word-Books for Handel's Performances of "Samson". The Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). Mr Harris’s Score’: A new look at the ‘Mathews’ manuscript of Handel’s ‘Messiah’. Music & Letters, 86(4) pp. 560–572.

Burrows, Donald (2005). An edition with preface of G. F. Handel, Samson. Novello & Co. Ltd., London, UK.

Clayton, Martin (2005). Communication in Indian Raga performance. In: Miell, Dorothy; Hargreaves, David J. and MacDonald, Raymond eds. Musical Communication. Oxford, UK: Oxford University Press, pp. 361–381. file

Clayton, Martin; Sager, Rebecca and Will, Udo (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11, pp. 3–142. file

Herbert, Trevor (2005). Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence'. In: Polk, Keith ed. Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Renaissance into the Nineteenth Century. Utrecht, Netherlands: STIMU, pp. 57–67.

Herbert, Trevor (2005). Susato's colleagues: the trombonists of the Tudor court. In: Polk, Keith ed. Tielman Susato and the music of his time: print culture, compositional technique and instrumental music in the Renaissance. Bucina: The Historic Brass Society Series (5). Hillsdale, New York: Pendragon Press, pp. 117–132.

Jones, Nicholas J. (2005). Playing the 'Great Game'?: Peter Maxwell Davies, Sonata Form, and the Naxos Quartet No. 1. The Musical Times, 146(1892 (Autumn)) pp. 71–81.

Leante, Laura (2005). Transcultural reception and meaning in world music: the case of British-Asian musics. In: Astrauskas, Rimantas ed. Traditional music and research in the Baltic area: New approaches in ethnomusicology. Vilnius, Lithuania: Lithuanian Academy of Music and Theatre, pp. 122–130.

Moohan, Elaine (2005). The Sacred Music Institution in Glasgow, 1796-1805. In: Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; Mackay, Margaret A.; Moohan, Elaine and Hair, Graham eds. Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical Studies of Scottish Music. Glasgow: Musica Scotica Trust, pp. 231–250.

Parsonage, Catherine (2005). The Evolution of Jazz in Britain, 1880-1935. Ashgate Popular and Folk Music Series. Aldershot: Ashgate.

Philip, Robert (2005). Freedom and restraint in recordings of Mozart. In: Link, Dorothea and Nagley, Judith eds. Words about Mozart: essays in honour of Stanley Sadie. Woodbridge, UK: Boydell Press, pp. 121–138.

Rowland, David (2005). Performance practices in the nineteenth-century concerto. In: Keefe, Simon ed. The Cambridge companion to the concerto. Cambridge Companions Series. Cambridge, UK: Cambridge University Press, pp. 227–246.

Rowland, David (2005). The Performance of Chopin's works for piano and orchestra. In: Szklener, Artur ed. Chopin in performance: History, theory, practice. Warsaw, Poland: Narodowy Instytut Fryderyka Chopina, pp. 169–183.

Weber, William and Burrows, Donald (2005). Henry Purcell and The Universal Journal: the building of musical canon in the 1720s. In: Jackson, Jeffrey H and Pelkey, Stanley C eds. Music and History: Bridging the Disciplines. Jackson: University Press of Mississippi, pp. 181–199.

2004

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Herbert, Trevor (2004). Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art, XXIX(1-2) pp. 213–226.

Leante, Laura (2004). Shaping diasporic sounds: identity as meaning in Bhangra. The World of Music, 46(1) pp. 109–132.

Mateer, David (2004). William Byrd, Songs of sundrie natures (1589), Byrd Edition 13. Stainer & Bell, London, UK.

Parsonage, Catherine (2004). The popularity of jazz–an unpopular problem: the significance of 'Swing when you're winning'. The Source: Challenging Jazz Criticism, 1 pp. 60–80. file

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Rowland, David (2004). Clementi's early business career: new documents. In: Bösel, Richard and Sala, Massimiliano eds. Muzio Clementi. Cosmopolita della Musica. Atti del convegno internazionale in occasione del 250° anniversario della nascita (1752-2002). Roma, 4-6 dicembre 2002. Bologna, Italy: Ut Orpheus Edizioni, pp. 49–59.

Smith, Richard Langham (2004). Quelques aspects du langage musical d'Alfred Bruneau. In: Branger, Jean-Christophe and Ramaut, Alban eds. Le naturalisme sur la scène lyrique. Saint-Etienne, France: Publications de l'université de Saint-Etienne, pp. 80–93.

2003

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68. file

Finnegan, Ruth (2003). Music, experience and the anthropology of emotion. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The cultural study of music: a critical introduction. New York, USA: Routledge, pp. 181–192.

Jones, Nicholas (2003). Luminous, but with shadows: the music of Anthony Powers. The Musical Times, 144(1884 (Autumn)) pp. 26–35.

Parsonage, Catherine (2003). A critical reassessment of the reception of early jazz in Britain. Popular Music, 22(3) pp. 315–336. file

Parsonage, Catherine (2003). Approaching jazz-influenced wind music. Journal of the World Association for Symphonic Bands and Wind Ensembles, 10 pp. 79–94. file

Philip, Robert (2003). Historical recordings of orchestras. In: Lawson, Colin ed. The Cambridge companion to the orchestra. Cambridge companions to music. Cambridge, UK: Cambridge University Press, pp. 203–217.

Philip, Robert (2003). Brahms's musical world: balancing the evidence. In: Musgrave, Michael and Sherman, Bernard D. eds. Performing Brahms: early evidence of performance style. Musical performance and reception. Cambridge, UK: Cambridge University Press, pp. 349–372.

Smith, Richard (2003). An edition with preface of Debussy's Rodrigue et Chimène. Éditions Durand, Paris, France.

Toynbee, Jason (2003). Music, culture and creativity. In: Clayton, Martin; Middleton, Richard and Herbert, Trevor eds. The cultural study of music. New York, NY, USA: Routledge, pp. 102–112.

Ward Jones, Peter and Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

2002

Burrows, Donald (2002). An edition with preface of G. F. Handel, Imeneo, HWV 41. Bärenreiter, Kassel, Germany.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41. file

Jones, Nicholas (2002). Dominant logic: Peter Maxwell Davies’s basic unifying hypothesis. The Musical Times, 143(1878 (Spring)) pp. 37–45.

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Rowland, David (2002). Clementi and the British concerto tradition. In: Illiano, Roberto; Sala, Luca and Sala, Massimiliano eds. Muzio Clementi: studies and prospects. Muzio Clementi Omnia Opera (61). Bologna, Italy: Ut Orpheus Edizioni, pp. 179–190.

Smith, Richard Langham (2002). Francis Poulenc outre-manche : séjours, concerts, réception. In: Ramaut, Albert ed. Francis Poulenc et la voix: Texte et contexte: actes du colloque tenu les 19, 20 et 21 Avril 2001 au Musée d'art moderne de Saint-Étienne (France). Musicologie. Saint-Étienne/Lyon, France: Publications de l'Université de Saint-Étienne/Symétrie, pp. 11–21.

2001

Not Set (2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208. file

Herbert, Trevor and Stead, Peter eds. (2001). Hymns and Arias: Great Welsh Voices. Cardiff: University of Wales Press.

Clayton, Martin (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). British Journal of Ethnomusicology, 10(1) pp. 1–18.

Herbert, Trevor (2001). Baltic Brass. Deux-Elles.

Mateer, David (2001). Hugh Davis's Commonplace Book: A New Source of Seventeenth-Century Song. Royal Musical Association Research Chronicle, 32 pp. 63–87.

Parsonage, Catherine (2001). The evolving image of jazz in Britain in sheet music. British Postgraduate Musicology, 4 file

Richards, Fiona (2001). The music of John Ireland. UK: Ashgate.

2000

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press.

Herbert, Trevor (2000). Hammered Brass. Linn.

Herbert, Trevor (2000). Popular nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh choral tradition. In: Bashford, Christina and Langley, Leanne eds. Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich. Oxford: Oxford University Press, pp. 255–274.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press , pp. 10–67.

Herbert, Trevor (2000). God's perfect minstrels: the bands of the Salvation Army. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 187–216.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

1999

Barclay, Robert Leslie (1999). A critical analysis of actions taken upon historic musical instruments through the period of the early music revival from the beginning of the 20th century to the 1990s. PhD thesis The Open University. file

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

Herbert, Trevor (1999). Volunteers, salvationists and committees: consensus versus regulation in amateur Victorian brass bands. In: Chastagner, Claude ed. La musique populaire des Iles Britanniques, 1835-1915. Cahiers Victoriens et Édouardiens (50). Montpellier: Centre d'Études et de Recherches Victoriennes et Édouardiennes de l'Université Paul-Valéry, pp. 105–121.

Herbert, Trevor (1999). Military music articles in the Farmer Collection. In: Cowl, Carl and Craik, Sheila M. eds. Henry George Farmer: A Bibliography. Glasgow: Glasgow University Library, xvii-xxi.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies, Volume 1. Aldershot: Ashgate, pp. 105–118.

1998

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87. file

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

1997

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Herbert, Trevor (1997). Virtuosi: Ian Bousfield. EMI.

Herbert, Trevor (1997). Reconstruction of nineteenth-century band repertory: towards a protocol. In: Carter, Stewart ed. Persepctives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995. Bucina: The Historic Brass Society Series (2). Stuyvesant, NY: Pendragon Press, pp. 185–213.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor and Sarkissian, Margaret (1997). Victorian bands and their dissemination in the colonies. Popular Music, 16(2) pp. 165–179.

1996

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332. file

Herbert, Trevor (1996). Late Victorian Welsh bands: taste, viruosity and Cymmrodorion attitudes. Welsh Music History, 1 pp. 92–102.

Herbert, Trevor (1996). The Origin of the Species: The Cyfarthfa Repertory on Period Instruments. Nimbus.

Herbert, Trevor (1996). The Victorian Christmas. JVC.

1995

Herbert, Trevor and Jones , Gareth Elwyn eds. (1995). Post-War Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

1993

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

1992

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1992). A softening influence: R. T. Crawshay and the Cyfarthfa Band. In: Holley, T. F. ed. Merthyr Historian , Volume 5. Merthyr Tydfil : Merthyr Tydfil Historical Society, pp. 35–42.

1991

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Herbert, Trevor (1991). A lament for Sam Hughes: the last Ophicleidist. Planet: the Welsh Internationalist, 87 pp. 66–75.

Warnaby, John Surtees (1991). The music of Peter Maxwell Davies based on the writings of George MacKay Brown. PhD thesis The Open University. file

1990

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor and Myers, Arnold (1990). Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection. Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery.

1989

Herbert, Trevor (1989). The trombone in 19th-century Italian opera. Welsh National Opera.

Sondheim, Stephen and Herbert, Trevor (1989). Sondheim's technique. Contemporary Music Review, 5(1) pp. 199–214.

1988

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Tudor Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones, Gareth Elwyn eds. (1988). Wales 1880-1914. Welsh History adnd its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). People and Protest: Wales 1815-1880. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Wales Between the Wars. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). The Remaking of Wales in the Eighteenth Century. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor and Jones , Gareth Elwyn eds. (1988). Edward I and Wales. Welsh History and its Sources. Cardiff: University of Wales Press.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Wallace , John (1988). Divertimento in D: (Trumpet and Piano) by Josef Fiala. Faber Music, London.

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