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Open University Faculties (24208)
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  - Music (209)

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Number of items at this level: 209.

Burrows, Donald ed. (2009). Handel's Will: Facsimiles and Commentary. London: Gerald Coke Handel Foundation.

Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 2 1725-1734. Cambridge University Press (In Press).

Burrows, Donald; Coffey, Helen; Greenacombe, John and Hicks, Anthony eds. (2013). George Frideric Handel: collected documents: volume 1 1609-1725. Cambridge University Press (In Press).

Clayton, Martin ed. (2007). Music, words, and voice: A reader. Manchester: Manchester University Press.

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2003). The Cultural study of music: A critical introduction. Abingdon, UK,: Routledge.

Clayton, Martin and Zon, Bennett eds. (2007). Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate.

Clayton, Martin; Dueck, Byron and Leante, Laura eds. (2012). Experience and Meaning in Music Performance. Oxford University Press (forthcoming).

Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. (2011). The Cultural Study of Music: a Critical Introduction (2nd ed.). Abingdon: Routledge.

Doffman, Mark; Tackley, Catherine and Toynbee, Jason eds. (2014). Black British Jazz: Routes, Ownership and Performance. Ashgate (Pending review).

Herbert, Trevor ed. (2000). The British Brass Band: a Musical and Social History. Oxford: Oxford University Press .

Herbert, Trevor ed. (1991). Bands: the Brass Band Movement in the 19th and 20th Centuries. Popular Music in Britain. Buckingham: Open University Press.

Herbert, Trevor and Wallace, John eds. (1997). The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press.

Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; MacKay, Margaret A.; Moohan, Elaine and Hair, Graham eds. (2005). Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical studies of Scottish music. Glasgow, UK: Musica Scotica Trust.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Smith, Richard Langham and Potter, Caroline eds. (2006). French Music since Berlioz. UK: Ashgate.

Toynbee, Jason and Dueck, Byron eds. (2011). Migrating Music. CRESC. Abingdon: Routledge.

Toynbee, Jason and Dueck, Byron eds. (2012). Migrating Music. CRESC. Abingdon: Routledge.

Angelis, Vassilis; Holland, Simon; Upton, Paul J. and Clayton, Martin (2012). Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research, 42(1) pp. 47–60.

Barclay, Robert Leslie (1999). A critical analysis of actions taken upon historic musical instruments through the period of the early music revival from the beginning of the 20th century to the 1990s. PhD thesis The Open University.

Burrows, D. (2007). Perhaps Handel was right after all: some thoughts on editing 'Ariodante'. Musical Times, 148(1898) pp. 35–48.

Burrows, Donald (2005). Handel and the English Chapel Royal. Oxford Studies in British Church Music. Oxford, UK: Oxford University Press.

Burrows, Donald (2002). An edition with preface of G. F. Handel, Imeneo, HWV 41. Bärenreiter, Kassel, Germany.

Burrows, Donald (2005). The word-books for Handel's performances of 'Samson'. Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2003). An Inventory of Mid-Eighteenth-Century Oxford Musical Hands. Royal Musical Association Research Chronicle(35) pp. 61–139.

Burrows, Donald (2005). The Word-Books for Handel's Performances of "Samson". The Musical Times, 146(1890) pp. 7–15.

Burrows, Donald (2005). Mr Harris’s Score’: A new look at the ‘Mathews’ manuscript of Handel’s ‘Messiah’. Music & Letters, 86(4) pp. 560–572.

Burrows, Donald (2004). Orchestras in the new Cathedral. In: Keene, Derek; Burns, Arthur and Saint, Andrew eds. St Paul’s: The Cathedral Church of London, 604-2004. London: Yale University Press.

Burrows, Donald (2008). John Walsh and his Handel editions. In: Myers, Robin; Harris, Michael and Mandelbrote, Giles eds. Music and the Book Trade from the Sixteenth to the Twentieth Century. London: The British Library, pp. 69–104.

Burrows, Donald (2004). Musicians and music copyists in mid-eighteenth-century Oxford. In: Wollenberg, Susan and McVeigh, Simon eds. Concert Life in Eighteenth-Century Britain. Aldershot: Ashgate, pp. 115–140.

Burrows, Donald and Dunhill, Rosemary (2002). Music and theatre in Handel's world : the family papers of James Harris 1732-1780. Oxford, UK: Oxford University Press.

Burrows, Donald (1991). Handel's Messiah (Korean edition). Cambridge music handbooks. Seoul: Imprima Korean Agency.

Burrows, Donald (2010). Bringing Europe to Britain: Handel’s first decade in London. Händel-Jahrbuch, 56 pp. 65–77.

Burrows, Donald (2008). Handel and the English Chapel Royal (revised paperback edition). Oxford Studies in British Church Music. Oxford: Oxford University Press.

Burrows, Donald (2011). Canticles and anthems with orchestra: William Croft. Stainer and Bell, London.

Burrows, Donald (2009). Händel: Arienalbum, Frauenrollen für hohe Stimme aus Händels opern. Bärenreiter, Kassel.

Burrows, Donald (2009). G. F. Handel, Ode for St Cecilia's Day - the New Novello Choral edition. Novello & Company.

Burrows, Donald (2011). G. F. Handel: Te Deum in A Major. Novello and Company, London.

Burrows, Donald (2011). G. F. Handel: Let God arise (Chapel Royal version). Novello and Company, London.

Burrows, Donald (2008). ‘The composition of three arias in Handel’s Ariodante’. Händel-Jahrbuch, 54 pp. 131–149.

Burrows, Donald (2009). The Royal Music Library and its Handel collection. The Electronic British Library Journal .

Burrows, Donald (2009). A Sacred Oratorio for the Theatre: an Experiment that nearly failed. Händel-Jahrbuch, 55 pp. 135–144.

Burrows, Donald (2009). Didn’t Handel go to Oxford in 1749? Musical Times, 150(1909) pp. 31–38.

Burrows, Donald (2011). HWV301 and all that: the history of Handel’s 'oboe concertos'. Musical Times, 152(1914) pp. 3–6.

Burrows, Donald (2012). Handel. New York: Oxford University Press (In Press).

Burrows, Donald (2005). An edition with preface of G. F. Handel, Samson. Novello & Co. Ltd., London, UK.

Burrows, Donald (2010). What we know – and what we don’t know – about Handel’s career in Rome. In: Ehrmann-Herfort, Sabine and Schnettger, Matthias eds. Georg Friedrich Händel in Rom. Analecta Musicologica (44). Barenreiter, pp. 97–108.

Burrows, Donald (2011). “Sometimes it is impossible to guess why Handel was so scrupulous”: Handel’s versions of the aria ‘Thou art gone up on high’ in "Messiah". In: Hirschmann, Wolfgang ed. Aria. Eine Festschrift für Wolklfgang Ruf. Studien und Materialien zur Musikwissenschaft (65). Hildesheim: Georg Olms , pp. 280–307.

Burrows, Donald (2009). Die Kastratenrollen in Händels Londoner Opern. In: Jacobshagen, Arnold and Mucke, Panja eds. Handels Opern. Das Handbuch. Das Händel-Handbuch (2). Laaber, pp. 143–163.

Burrows, Donald (2011). Good for the garden: the composition of Handel’s Ariodante. In: Joncus, Berta and Barlow, Jeremy eds. The Stage's Glory: John Rich 1692-1761. Newark / Lanham, MD.: University of Delaware Press / Rowman and Littlefield, pp. 149–156.

Burrows, Donald (2009). Who does what, when? On the instrumentation of the basso continuo and the use of the organ in Handel’s English oratorios. In: King, Richard G. ed. Handel Studies: a Gedenkschrift for Howard Serwer. Hillsdale, NY: Pendragon, pp. 107–126.

Burrows, Donald (2010). Lists of Musicians for Performances of Handel’s Messiah at the Foundling Hospital, 1754-1777. Royal Musical Association Research Chronicle, 43 pp. 85–109.

Clayton, Martin (2007). Music, time and place: Essays in comparative musicology. Delhi, India: B. R. Rhythms.

Clayton, Martin (2008). Time in Indian Music: Rhythm, Metre, and Form in North Indian Rag Performance. Oxford Monographs on Music. New York: Oxford University Press.

Clayton, Martin (2009). Crossing boundaries and bridging gaps: Thoughts on relationships between ethnomusicology and music psychology. Empirical Musicology Review, 4(2) pp. 75–77.

Clayton, Martin (1999). A. H. Fox Strangways and the music of Hindostan: Revisiting historical field recordings. Journal of the Royal Musical Association, 124 pp. 86–118.

Clayton, Martin (1997). Le mètre et le tâl dans la musique de l'Inde du Nord (Metre and tal in North Indian music). Cahiers de Musiques Traditionelles, 10 pp. 169–189.

Clayton, Martin (1996). Ethnographic wax cylinders at the British Library National Sound Archive: A brief history and description of the collection. British Journal of Ethnomusicology, 5 pp. 67–92.

Clayton, Martin (1993). Two gat forms for the sitār: A case study in the rhythmic analysis of North Indian music. British Journal of Ethnomusicology, 2 pp. 75–98.

Clayton, Martin (2001). Introduction: towards a theory of musical meaning (in India and elsewhere). British Journal of Ethnomusicology, 10(1) pp. 1–18.

Clayton, Martin (2007). Time, gesture and attention in a khyal performance. Asian Music, 38(2) pp. 71–96.

Clayton, Martin (2002). Teaching Indian music at a distance: A perspective from the UK. Journal of the Indian Musicological Society, 33 pp. 36–41.

Clayton, Martin (1998). “You can't fuse yourself”: contemporary British-Asian music and the musical expression of identity. East European Meetings in Ethnomusicology, 5(1998) pp. 73–87.

Clayton, Martin (2001). Rock to Raga: the many lives of the Indian guitar. In: Bennett, Andy and Dawe, Kevin eds. Guitar cultures. Oxford, UK: Berg Publishers Ltd, pp. 179–208.

Clayton, Martin (2003). Comparing music, comparing musicology. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction. New York: Routledge, pp. 57–68.

Clayton, Martin (2007). Musical Renaissance and its margins in England and India, 1874–1914. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in 19th-Century Britain. Aldershot, UK: Ashgate, pp. 71–93.

Clayton, Martin (2008). The social and personal functions of music in cross-cultural perspective. In: Hallam, Susan; Cross, Ian and Thaut, Michael eds. The Oxford Handbook of Music Psychology. Oxford, UK: Oxford University Press, pp. 35–44.

Clayton, Martin (2005). Communication in Indian Raga performance. In: Miell, Dorothy; Hargreaves, David J. and MacDonald, Raymond eds. Musical Communication. Oxford, UK: Oxford University Press, pp. 361–381.

Clayton, Martin (2008). Toward an ethnomusicology of sound experience. In: Stobart, Henry ed. The New (Ethno)musicologies. Lanham, MA: Scarecrow Press, pp. 135–169.

Clayton, Martin (2009). Local practice, global network: The guitar in India as a case study. In: Wolf, Richard ed. Theorizing the local: Music, practice and experience in South Asia and beyond. New York: Oxford University Press, pp. 65–78.

Clayton, Martin; Sager, Rebecca and Will, Udo (2005). In time with the music: the concept of entrainment and its significance for ethnomusicology. European Meetings in Ethnomusicology, 11, pp. 3–142.

Clayton, Martin R. L. (2007). Observing entrainment in music performance: Video-based observational analysis of Indian musicians’ tanpura playing and beat marking. Musicae Scientiae, 11(1) pp. 27–59.

Clayton, Martin R. L. (1996). Free rhythm: ethnomusicology and the study of music without metre. Bulletin of the School of Oriental and African Studies, 59(2) pp. 323–332.

Coffey, Helen (2014). City Life and Music for Secular Entertainment in Maximilian I’s Germany (1486-1519). In: Biddle, Ian and Gibson, Kirsten eds. Noise, Audition, Aurality: Histories of the Sonic Worlds of Europe, 1500–1918. Ashgate (In Press).

Coffey, Helen (2013). The Spanish Habsburgs in England: Music and Entertainment for Philip of Spain in Sixteenth-Century London. In: Checa Cremades, Fernando and Fernandez Gonzalez , Laura eds. Festival Culture in the Lands of the Spanish Habsburgs. Ashgate (In Press).

Da Sousa Correa, Delia; Samuels, Robert and Chornik, Katia (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Modern and Medieval Language, Literature and Drama, 5 pp. 50–61.

Dudgeon, Ralph T.; Eastop, Phillip; Herbert, Trevor and Wallace, John (1997). Playing, learning and teaching brass. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 193–206.

Dueck, Byron (2007). Public and intimate sociability in first nations and Métis fiddling. Ethnomusicology, 51(1) pp. 30–63.

Dueck, Byron (2006). 'Suddenly a sense of being a community': Aboriginal square dancing and the experience of collectivity. Musiké, 1(1) pp. 41–58.

Dueck, Byron (2012). Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance in Manitoba. New York: Oxford University Press (Forthcoming).

Dueck, Byron (2013). [The Ellington ending]: jazz endings, aesthetic discourse, and musical publics. Black Music Research Journal (In Press).

Dueck, Byron (2013). Civil twilight: country music, alcohol, and the spaces of Manitoban aboriginal sociability. In: Born, Georgina ed. Music, Sound and Space: Transformations of Public and Private Experience. Cambridge, UK: Cambridge University Press, pp. 239–256.

Dueck, Byron (2012). Rhythm and role recruitment in Manitoban aboriginal music. In: Clayton, Martin; Dueck, Byron and Leante, Laura eds. Experience and Meaning in Music Performance. Oxford: Oxford University Press, (In press).

Dueck, Byron (2012). 'No heartaches in Heaven': a response to aboriginal suicide. In: Hoefnagels, Anna and Diamond, Beverley eds. Aboriginal Music in Contemporary Canada: Echoes and Exchanges. McGill-Queen's Native and Northern Series (66). Montreal: McGill-Queen's University Press.

Dueck, Byron (2013). Race, standards, and success: a tangle in discourse about jazz. In: Toynbee, Jason; Tackley, Catherine and Doffman, Mark eds. Black British Jazz: Routes, Ownership, and Performance. Ashgate (Pending review), (In Press).

Finnegan, Ruth (2003). Music, experience and the anthropology of emotion. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The cultural study of music: a critical introduction. New York, USA: Routledge, pp. 181–192.

Golding, Rosemary (2009). Musical Chairs: the Construction of ‘Music’ in Nineteenth-Century British Universities. Nineteenth-Century Music Review, 6(2) pp. 19–39.

Golding, Rosemary (2013). Music and Academia in Nineteenth-Century Britain. Farnham: Ashgate (In press).

Golding, Rosemary (2012). (Re)-configuring the idea of the Conservatoire in late-nineteenth-century London. In: Sirch, Licia; Sità, Maria Grazia and Vaccarini, Marina eds. L´insegnamento dei conservatori, la composizione e la vita musicale nell´Europa dell´Ottocento. Strumenti della Ricerca Musicale (19). Lucca: Libreria Musicale Italiana.

Green, Helen (2011). Defining the city “trumpeter”: German civic identity and the employment of brass instrumentalists, c.1500. Journal of the Royal Musical Association, 136(1) pp. 1–31.

Green, Helen (2012). Wind instrumentalists in the churches of Maximilian I’s Augsburg. Historic Brass Society Journal, 24 (In Press).

Green, Helen (2009). Meetings of City and Court: Music and Ceremony in the Imperial Cities of Maximilian I. In: Hartmann, Sieglinde and Müller , Ulrich eds. Kaiser Maximilian I. (1459 bis 1519) und die Hofkultur seiner Zeit. Jahrbuch Der Oswald Von Wolkenstein Gesellschaft, 17. Reichert, pp. 261–274.

Hall, Mark M. and Hamer, Laura A. (2009). Der Einfluss der Eisenbahn auf das Konzertwesen des 19. Jahrhunderts. In: Angewandte Geoinformatik 2009 - Beiträge zum 21. AGIT-Symposium Salzburg, 8-10 July 2009, Salzburg Universität, Austria.

Hamer, Laura (2010). Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet? Studies in Musical Theatre, 4(1) pp. 113–120.

Herbert, Trevor (2006). The Trombone. Yale Musical Instrument Series. Yale University Press.

Herbert, Trevor (2004). Selling brass instruments: the commercial imaging of brass instruments (1830-1930) and its cultural messages. Music in Art: International Journal for Music Iconography, XXIX(1-2) pp. 213–226.

Herbert, Trevor (2005). Matthew Locke and the cornett and sackbut ensemble in England after the Restoration: the 'labelled evidence'. In: Polk, Keith ed. Brass Music at the Cross Roads of Europe: The Low Countries and Contexts of Brass Musicians from the Renaissance into the Nineteenth Century. Utrecht, Netherlands: STIMU, pp. 57–67.

Herbert, Trevor (2005). Susato's colleagues: the trombonists of the Tudor court. In: Polk, Keith ed. Tielman Susato and the music of his time: print culture, compositional technique and instrumental music in the Renaissance. Bucina: The Historic Brass Society Series (5). Hillsdale, New York: Pendragon Press, pp. 117–132.

Herbert, Trevor (2009). Trombone idiom in the twentieth century: classical, jazz, and hybrid influences. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz. Lanham, MD, USA: Scarecrow Press.

Herbert, Trevor (2010). Sousa, the band and the 'American century'. Journal of the Royal Musical Association, 135(1) pp. 183–190.

Herbert, Trevor (2011). Brass instruments. Oxford Bibliographies Online: Music.

Herbert, Trevor (2009). Music in Words: A Guide to Researching and Writing about Music. UK: Oxford University Press.

Herbert, Trevor (2010). Trombone glissando: a case study in continuity and change in brass instrument performance idioms. Historic Brass Society Journal, 22, pp. 1–18.

Herbert, Trevor (2008). Reviews - Sigmund Romberg, William A. Everett; Jerome Kern, Stephen Banfield. Studies in Musical Theatre, 2(3) pp. 295–297.

Herbert, Trevor (2011). “…men of great perfection in their science…”: the trumpeter as musician and diplomat in England in the later fifteenth and sixteenth centuries. Historic Brass Society Journal, 23 pp. 1–23.

Herbert, Trevor (2012). Music in Words: A Guide to Researching and Writing about music. London: ABRSM Publishing.

Herbert, Trevor (2008). The Robert Minter collection: a handlist of seventeenth and eighteenth century trumpet repertory. The Open University.

Herbert, Trevor (1988). The virtuosi of Merthyr. Llafur: the Journal of the Society for the Study of Welsh Labour History, 5(1) pp. 60–69.

Herbert, Trevor (1990). The repertory of a Victorian provincial brass band. Popular Music, 9(1) pp. 117–132.

Herbert, Trevor (1990). The sackbut in England in the 17th and 18th centuries. Early Music, 18(4) pp. 609–616.

Herbert, Trevor (1992). Victorian brass bands: the establishment of a ‘working class musical tradition’. Historic Brass Society Journal, 4 pp. 1–11.

Herbert, Trevor (1993). The sackbut and pre-Reformation English church music. Historic Brass Society Journal, 5 pp. 146–158.

Herbert, Trevor (2013). ‘Performance domains: band performance conventions and the factors that create them’. In: Brucher , Kate and Reily , Suzel eds. Brass Bands of the World: Bands: Militarism, Colonial Legacies, and Local Music Making. SOAS Musicology Series. Farnham: Ashgate, (In press).

Herbert, Trevor (2011). Social history and music history. In: Clayton, Martin; Herbert, Trevor and Middleton, Richard eds. The Cultural Study of Music: A Critical Introduction (2nd ed). Abingdon: Routledge, pp. 49–58.

Herbert, Trevor (2000). Nineteenth-century bands: making a movement. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press , pp. 10–67.

Herbert, Trevor (2000). Introduction. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 1–9.

Herbert, Trevor (1997). ‘Sackbut’: the early trombone. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 68–83.

Herbert, Trevor (1997). Brass bands and other vernacular brass traditions. In: Herbert, Trevor and Wallace, John eds. The Cambridge Companion to Brass Instruments. Cambridge Companions to Music. Cambridge: Cambridge University Press, pp. 177–192.

Herbert, Trevor (1998). Victorian brass bands: class, taste and space. In: Leyshon, Andrew; Matless, David and Revill, George eds. The Place of Music. New York: The Guilford Press, pp. 104–128.

Herbert, Trevor (2000). Trombones and the English court, c. 1480-c.1680. In: Lustig, Monika and Weiner, Howard T. eds. Posaunen und Trompeten: Geschichte, Akustik, Spieltechnik: 19. Musikinstrumentenbau-Symposium in Michaelstein, 20. bis 22. November 1998. Michaelsteiner Konferenzberichte (60). Blankenburg: Stiftung Kloster Michaelstein, pp. 31–38.

Herbert, Trevor (2009). Introduction: Brass playing in the early twentieth century: idioms and cultures of performance. In: Weiner, Howard T. ed. Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions. Studies in Jazz (58). Lanham, MD: Scarecrow Press, xi-xvii.

Herbert, Trevor (1999). The practice and context of a private Victorian brass band. In: Zon, Bennett ed. Nineteenth-Century British Music Studies. Aldershot: Ashgate, pp. 105–118.

Herbert, Trevor and Barlow, Helen (2013). Music and the British Military in the Long Nineteenth Century. New York: Oxford University Press (In Press).

Herbert, Trevor and Barlow, Helen (2012). The British military as a musical institution, c.1780-c.1860. In: Rodmell, Paul ed. Music and Institutions in Nineteenth-Century Britain. Music in Nineteenth-Century Britain. Farnham: Ashgate, pp. 247–266.

Herbert, Trevor and Myers, Arnold (2010). Music for the multitude: accounts of bands entering Enderby Jackson's Crystal Palace contests in the 1860s. Early Music, 38(4) pp. 571–584.

Herbert, Trevor and Myers, Arnold (1988). Instruments of the Cyfarthfa Band. Galpin Society Journal, 41 pp. 2–10.

Herbert, Trevor and Wallace, John (2000). Aspects of performance practices: the brass band and its influence on other brass-playing styles. In: Herbert, Trevor ed. The British Brass Band: a Musical and Social History. Oxford: Oxford University Press, pp. 278–305.

Jones, Nicholas (2002). Dominant logic: Peter Maxwell Davies’s basic unifying hypothesis. The Musical Times, 143(1878 (Spring)) pp. 37–45.

Jones, Nicholas (2003). Luminous, but with shadows: the music of Anthony Powers. The Musical Times, 144(1884 (Autumn)) pp. 26–35.

Jones, Nicholas (2006). 'Disparagement and invidious comparisons'? Assessing critical reactions to Mathias's First Symphony. Tempo, 60(238) pp. 8–14.

Jones, Nicholas J. (2005). Playing the 'Great Game'?: Peter Maxwell Davies, Sonata Form, and the Naxos Quartet No. 1. The Musical Times, 146(1892 (Autumn)) pp. 71–81.

Leante, Laura (2004). Shaping diasporic sounds: identity as meaning in Bhangra. The World of Music, 46(1) pp. 109–132.

Leante, Laura (2007). L'incontro tra popular music e tradizione indiana: processi e modalita' di appropriazione. In: Etnomusicologia e studi di popular music: quale possibile convergenza?, 27-29 Jan 2005, Venice, Italy.

Leante, Laura (2009). The Lotus and the King: Imagery, Gesture and Meaning in a Hindustani Rāg. Ethnomusicology Forum, 18(2) pp. 185–206.

Leante, Laura (2005). Transcultural reception and meaning in world music: the case of British-Asian musics. In: Astrauskas, Rimantas ed. Traditional music and research in the Baltic area: New approaches in ethnomusicology. Vilnius, Lithuania: Lithuanian Academy of Music and Theatre, pp. 122–130.

Mateer, David (2004). William Byrd, Songs of sundrie natures (1589), Byrd Edition 13. Stainer & Bell, London, UK.

Mateer, David (2007). An edition with preface of The Gyffard Partbooks, I. Stainer & Bell (for the British Academy), London, UK.

Mateer, David (2006). New light on the Early History of the Theatre in Shoreditch [with texts]. English Literary Renaissance, 36(3) pp. 335–375.

Mateer, David (2001). Hugh Davis's Commonplace Book: A New Source of Seventeenth-Century Song. The Royal Musical Association Research Chronicle, 32 pp. 63–87.

Mateer, David (2008). New sightings of Christopher Marlowe in London. Early Theatre, 11(2) pp. 13–38.

Mateer, David (2009). The Gyffard Partbooks II. Stainer & Bell, London.

Moohan, Elaine (2005). The Sacred Music Institution in Glasgow, 1796-1805. In: Munro, Gordon; Campbell, Stuart; Hair, Greta-Mary; Mackay, Margaret A.; Moohan, Elaine and Hair, Graham eds. Notis Musycall: Essays on Music and Scottish Culture in Honour of Kenneth Elliott. Historical Studies of Scottish Music. Glasgow: Musica Scotica Trust, pp. 231–250.

Moohan, Elaine (2012). Eine der originellsten Stimmen in der Musik der heutigen Zeit Janet Beat zum 75 Geburtstag 2012. Tableau musical(14)

Nixon, Mark (2008). The Construction of Closure and Cadence in Gustav Mahlerï¿½s Ninth Symphony and Das Lied von der Erde. PhD thesis The Open University.

Parsonage, Catherine (2005). The Evolution of Jazz in Britain, 1880-1935. Ashgate Popular and Folk Music Series. Aldershot: Ashgate.

Parsonage, Catherine (2004). The popularity of jazz–an unpopular problem: the significance of 'Swing when you're winning'. The Source: Challenging Jazz Criticism, 1 pp. 60–80.

Parsonage, Catherine (2003). Approaching jazz-influenced wind music. Journal of the World Association for Symphonic Bands and Wind Ensembles, 10 pp. 79–94.

Parsonage, Catherine (2003). A critical reassessment of the reception of early jazz in Britain. Popular Music, 22(3) pp. 315–336.

Parsonage, Catherine (2001). The evolving image of jazz in Britain in sheet music. British Postgraduate Musicology, 4

Parsonage, Catherine (2007). Fascination and fear: Responses to early jazz in Britain. In: Wynn, Neil A. ed. Cross the Water Blues: African American Music in Europe. University Press of Mississippi, pp. 89–105.

Parsonage, Catherine and Dyson, Kathy (2007). The history of women in jazz in Britain. In: Adkins Chiti, Patricia ed. Women in Jazz/Donne in Jazz. Rome: Editore Columbo, pp. 129–140.

Parsonage, Catherine; Fadnes, Petter Frost and Taylor, James (2007). Integrating theory and practice in conservatoires: formulating holistic models for teaching and learning improvisation. British Journal of Music Education, 24(3) pp. 295–312.

Philip, Robert (2004). Performing music in the age of recording. New Haven, USA: Yale University Press.

Philip, Robert (2003). Historical recordings of orchestras. In: Lawson, Colin ed. The Cambridge companion to the orchestra. Cambridge companions to music. Cambridge, UK: Cambridge University Press, pp. 203–217.

Philip, Robert (2005). Freedom and restraint in recordings of Mozart. In: Link, Dorothea and Nagley, Judith eds. Words about Mozart: essays in honour of Stanley Sadie. Woodbridge, UK: Boydell Press, pp. 121–138.

Philip, Robert (2003). Brahms's musical world: balancing the evidence. In: Musgrave, Michael and Sherman, Bernard D. eds. Performing Brahms: early evidence of performance style. Musical performance and reception. Cambridge, UK: Cambridge University Press, pp. 349–372.

Richards, Fiona (2001). The music of John Ireland. UK: Ashgate.

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

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This list was generated on Fri May 24 21:09:15 2013 BST.

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