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Number of items at this level: 678.

Authored Book

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

Dobson, Michael and Watson, Nicola J. (2004). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Doloughan, Fiona (2011). Contemporary Narrative: Textual Production, Multimodality and Multiliteracies. London and New York: Continuum.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Doloughan, Fiona J. (2015). English as a Literature in Translation. London: Bloomsbury.

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

Fraser, Robert (2002). The Chameleon Poet: A Life of George Barker. Paperback edition [revised]. London, UK: Pimlico.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Fraser, Robert (2012). Night Thoughts: The Surreal Life of the Poet David Gascoyne. Oxford, UK: Oxford University Press.

Furbank, P. N. and Owens, W. R. (2006). A political biography of Daniel Defoe. Eighteenth century political biographies. London, UK: Pickering & Chatto.

Furbank, P. N. and Owens, W. R. (1988). The Canonisation of Daniel Defoe. New Haven and London: Yale University Press.

Furbank, P. N. and Owens, W. R. (1994). Defoe De-Attributions: A Critique of J. R. Moore's 'Checklist'. London and Rio Grande: The Hambledon Press.

Furbank, P. N. and Owens, W. R. (1998). A Critical Bibliography of Daniel Defoe. London: Pickering and Chatto.

Greenwell, Bill (2006). Impossible Objects. Blaenau Ffestiniog: Cinnamon Press.

Gupta, Suman (2009). Globalization and Literature. Cambridge: Polity.

Gupta, Suman (2003). Re-reading Harry Potter. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2006). Theory and reality of democracy: a case study in Iraq. UK: Continuum.

Gupta, Suman (2001). Corporate capitalism and political philosophy. London, UK: Pluto.

Gupta, Suman (2002). The replication of violence: thoughts on international terrorism after September 11th 2001. London, UK: Pluto Press.

Gupta, Suman (2007). Social constructionist identity politics and literary studies. Basingstoke, UK: Palgrave Macmillan.

Gupta, Suman (2009). Re-Reading Harry Potter (2nd Edn). Houndmills: Palgrave Macmillan.

Gupta, Suman (2011). Imagining Iraq: Literature in English and the Iraq Invasion. Basingstoke: Palgrave Macmillan.

Gupta, Suman (2011). Contemporary Literature: The Basics. Basics. London: Routledge.

Gupta, Suman (2015). Consumable Texts in Contemporary India: Uncultured Books and Bibliographical Sociology. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Gupta, Suman; Allen, Richard; Chattarji, Subarno and Chaudhuri, Supriya (2015). Reconsidering English Studies in Indian Higher Education. Routledge Research in Higher Education. Abingdon: Routledge.

Hammond, Mary (2006). Reading, publishing and the formation of literary taste in England, 1880-1914. The Nineteenth Century. London, UK: Ashgate.

Haslam, Sara (2002). Fragmenting modernism: Ford Madox Ford, the novel and the Great War. Manchester, UK: Manchester University Press.

Haslam, Sara and Neale, Derek (2009). Life writing. Abingdon: Routledge.

Heck, Thomas F.; Erenstein, Robert; Katritzky, M. A.; Peeters, Frank; Smith, William A. and de Vries, Lyckle (1999). Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press.

Hooper, Glenn (2005). Travel writing and Ireland, 1760-1860: culture, history, politics. Basingstoke, UK: Palgrave.

Johnson, David (2011). Imagining the Cape Colony. History, Literature and the South African Nation. Edinburgh: Edinburgh University Press.

Johnson, David; Pete, Steve and Du Plessis, Max (2001). Jurisprudence: a South African perspective. Durban, South Africa: Butterworths.

Jones, Richard J. (2011). Tobias Smollett in the Enlightenment: Travels through France, Italy and Scotland. Transits: Literature, Thought & Culture 1650-1850. Lewisburg: Bucknell University Press.

Katritzky, M. A. (2006). The art of commedia: a study in the commedia dell'arte 1560-1620 with special reference to the visual records. Internationale Forschungen zur Allgemeinen und Vergleichenden Literatur, 100. Amsterdam, Netherlands: Rodopi.

Katritzky, M. A. (2007). Women, medicine and theatre 1500-1750: literary mountebanks and performing quacks. Studies in performance and early modern drama. Aldershot, UK: Ashgate.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate. file

Lavery, Hannah (2014). The Impotency Poem from Ancient Latin to Restoration English Literature. Farnham: Ashgate.

Nasta, Susheila (2002). Home truths: fictions of the South Asian diaspora in Britain. Basingstoke, UK: Palgrave.

Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila and Stadtler, Florian (2013). Asian Britain: A Photographic History. London: Westbourne Press.

Neale, Derek (2012). The Book of Guardians. London: Salt.

Owens, W. R. and Furbank, P. N. (1985). A KWIC Concordance to Daniel Defoe's 'Moll Flanders'. Garland Reference Library of the Humanities. New York and London: Garland.

Pacheco, Anita (2007). William Shakespeare: Coriolanus. Writers and their Work. Tavistock, Devon: Northcote House.

Spackman, I. J.; Owens, W. R. and Furbank, P. N. (1987). A KWIC Concordance to Daniel Defoe's 'Robinson Crusoe'. New York and London: Garland Publishing.

Stadtler, Florian (2013). Fiction, Film, and Indian Popular Cinema: Salman Rushdie's Novels and the Cinematic Imagination. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Tickell, Alex (2007). Arundhati Roy's The God of Small Things. Routledge Guides to Literature. Abingdon: Routledge.

Tickell, Alex (2012). Terrorism, Insurgency and Indian-English Literature, 1830-1947. Routledge Research in Postcolonial Literatures. London: Routledge .

Walder, Dennis (2003). Athol Fugard. Writers and their work. Tavistock, UK: Northcote House.

Walder, Dennis (2011). Postcolonial Nostalgias: Writing, Representation, and Memory. Routledge Research in Postcolonial Literatures. Abingdon: Routledge.

Watson, Nicola (1994). Revolution and the Form of the British Novel 1790-1825: Intercepted Letters, Interrupted Seductions. Oxford: Clarendon Press.

Watson, Nicola J. (2006). The Literary tourist: readers and places in Romantic and Victorian Britain. Basingstoke, UK: Palgrave Macmillan.

Edited Book

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Asbee, Sue ed. (2013). Yellow Book Writers. The Women Aesthetes: British Writers, 1870 - 1900, 3. London: Pickering and Chatto.

Brewer, Derek and Gibson, Jonathan eds. (1997). A companion to the Gawain-poet. Arthurian Studies, 38. Cambridge: D.S. Brewer.

Burke, Victoria E. and Gibson, Jonathan eds. (2004). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan .

da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Davis, Caroline and Johnson, David eds. (2015). The Book in Africa: Critical Debates. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London : Routledge.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica . Mexico: Fondo de Cultura Economica .

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume Two: Perspectives from South Asia. Basingstoke: Palgrave.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi .

Henke, Robert and Katritzky, M. A. eds. (2014). European Theatre Performance Practice, 1580–1750. Critical Essays on European Theatre Performance Practice, 2. Farnham: Ashgate. file

Hewings, Ann; Prescott, Lynda and Seargeant, Philip eds. (2016). Futures for English Studies: Teaching language, literature and creative writing in Higher Education. Basingstoke: Palgrave Macmillan.

Hooper, Glenn ed. (2005). Landscape and Empire, 1770-2000. Aldershot, UK: Ashgate.

Hooper, Glenn ed. (2001). Letters from Ireland: Harriet Martineau. Dublin, Ireland: Irish Academic Press.

Hooper, Glenn and Graham, Colin eds. (2002). Irish and postcolonial writing: history, theory, practice. Basingstoke, UK: Palgrave.

Katritzky, M. A. and Davis, Jim eds. (2014). Critical Essays on European Theatre Performance Practice: 4-Volume Set. Farnham: Ashgate. file

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Owens, W. R. ed. (1980). Seventeenth Century England: A Changing Culture Vol 2 Modern Studies. London, U.K.: Ward Lock Educational.

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Owens, W.R. and Johnson, Hamish eds. (1998). Romantic Writings: An Anthology. Milton Keynes, U.K.: The Open University.

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Saunders, Max and Haslam, Sara eds. (2015). Ford Madox Ford's The Good Soldier: Centenary Essays. International Ford Madox Ford Studies, 14. Leiden and Boston: Brill.

Tickell, Alex ed. (2005). Selections from 'Bengaliana' by Shoshee Chunder Dutt. Nottingham, UK: Trent Editions.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Towheed, Shafquat and King, Edmund eds. (2015). Reading and the First World War: Readers, Texts, Archives. New Directions in Book History. Basingstoke: Palgrave Macmillan.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Wilson, Janet; Kimber, Gerri and da Sousa Correa, Delia eds. (2013). Katherine Mansfield and the (Post)Colonial. Katherine Mansfield Studies, 5. Edinburgh: Edinburgh University Press.

Asbee, Sue ed. (2005). The Wooden Doctor by Margiad Evans. Honno Classics. Aberystwyth: Honno. file

Haslam, Sara ed. (2010). The Good Soldier by Ford Madox Ford. Ware, Hertfordshire: Wordsworth Editions. file

Nasta, Susheila ed. (2006). The Lonely Londoners by Sam Selvon. Penguin Modern Classics. London, U.K.: Penguin Books, v-xvii.

Owens, W. R. and Furbank, P. N. eds. (2000). Social Reform. Political and Economic Writings of Daniel Defoe, 8. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). The Works of Daniel Defoe. London: Pickering and Chatto.

Owens, W. R. and Furbank, P. N. eds. (2000). Dissent. Political and Economic Writings of Daniel Defoe, 3. London: Pickering and Chatto.

Owens, W.R. ed. (2003). John Bunyan,'The Pilgrim's Progress'. Oxford World's Classics. Oxford, UK: Oxford University Press.

Pacheco, Anita ed. (2002). A companion to early modern women's writing. Blackwells Companions to Literature and Culture. Oxford, UK: Blackwell.

Book Chapter

Allen, Richard (2001). Mary Shelley as editor of Percy Shelley. In: Bellamy, Joan; Laurence, Anne and Perry, Gillian eds. Women, Scholarship and Criticism: Gender & knowledge c.1790-1900. Manchester: Manchester University Press, pp. 77–90. file

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233. restricted access item, not available for direct download

Anderson, Linda (2005). Uneasy relations. In: ed. Write or Wrong?:Creative Writing in the Academy. Issues in English (3). Leicester: The English Association, pp. 21–28.

Anderson, Linda (2006). Stimulating creativity and imagination: What really works? In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 17–32.

Anderson, Linda (2006). Keeping a writer's notebook. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 33–43.

Anderson, Linda (2006). Character creation. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 70–85.

Anderson, Linda (2006). Setting. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 86–98.

Anderson, Linda (2006). Point of view:trying on voices. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 99–112.

Anderson, Linda (2006). Point of view: degrees of knowing. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 113–126.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda (2006). Narrative point of view: who tells the story? In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 78–95.

Anderson, Linda (2006). Bodily states. In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 212–227.

Asbee, Sue (2009). "To Write a Great Story": Margiad Evans' Illness Narratives. In: Bartoszko, Aleksandra and Vaccarella, Maria eds. The Patient: Probing Interdisciplinary Boundaries. Inter-Disciplinary Press, pp. 55–64. file

Asbee, Sue (2013). ‘Not quite every character is a living person in this story. And not quite the reverse.’ Margiad Evans: Memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans - Marginality, Gender and Illness. Cardiff: University of Wales Press.

Asbee, Sue (2004). Margiad Evans's The Wooden Doctor: Illness and Sexuality. In: Brown, Tony ed. Welsh Writing in English, Volume 9. University of Wales Press, pp. 33–49.

Bainbridge, Emma and Stadtler, Florian (2012). Calling from London, talking to India: South Asian networks at the BBC and the case of G.V. Desani. In: Nasta, Susheila ed. India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave Macmillan , pp. 164–178.

Burke, Victoria E. and Gibson, Jonathan (2004). Introduction. In: Burke, Victoria E. and Gibson, Jonathan eds. Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot: Ashgate, pp. 1–7.

Clarke, Elizabeth and Gibson, Jonathan (2005). Introduction. In: Seal Millman, Jill and Wright, Gillian eds. Early Modern Women's Manuscript Poetry. Manchester: Manchester University Press, pp. 1–10.

da Sousa Correa, Delia (2012). Musical performativity in the fiction of Katherine Mansfield. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: Essays on Performativity and on Surveying the Field. Word and Music Studies (12). Amsterdam: Rodopi, pp. 71–86.

da Sousa Correa, Delia (2014). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. On Voice. Word and Music Studies, 13. Amsterdam: Rodopi, pp. 105–116.

da Sousa Correa, Delia (1999). Goddesses of Instruction and Desire: Ruskin and Music. In: Birch, Dinah ed. Ruskin and the Dawn of the Modern. Oxford: Oxford University Press, pp. 111–130.

da Sousa Correa, Delia (2005). The stories of Katherine Mansfield. In: Brown, Richard Danson and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Twentieth-Century Literature: Texts and Debates. Abingdon, UK: Routledge, pp. 68–116. restricted access item, not available for direct download

da Sousa Correa, Delia (2006). Introduction. In: Da Sousa Correa, Delia ed. Phrase and subject: studies in literature and music. Oxford, UK: Legenda: MHRA/Maney Publishing, pp. 1–10.

da Sousa Correa, Delia (2000). Jane Eyre: inside and out. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 117–135.

da Sousa Correa, Delia (2000). Jane Eyre and Genre. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms, Volume 1. Routledge, pp. 87–116. restricted access item, not available for direct download

da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

da Sousa Correa, Delia (2015). Music and Literature. In: Felluga, Dino Franco; Gilbert, Pamela K. and Hughes, Linda K. eds. Blackwell Encyclopedia of Victorian Literature. Blackwell, (In Press).

da Sousa Correa, Delia (2013). Music. In: Harris, Margaret ed. George Eliot in Context. Cambridge: Cambridge University Press, pp. 206–213.

da Sousa Correa, Delia (2007). Victorian Soundscapes and the potential for interdisciplinary exchange. In: Hewitt, Martin and Cowgill, Rachel eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9. Leeds: Leeds Centre for Victorian Studies, pp. 9–36.

da Sousa Correa, Delia (2015). Katherine Mansfield’s Germany: “these pine trees provide most suitable accompaniment for a trombone!”. In: Kaščáková, Janka and Kimber, Gerri eds. Katherine Mansfield and Continental Europe: Connections and Influences. Basingstoke: Palgrave Macmillan, (In Press).

da Sousa Correa, Delia (2011). Katherine Mansfield and music: nineteenth-century echoes. In: Kimber, Gerri and Wilson, Janet eds. Celebrating Katherine Mansfield: a Centenary Volume of Essays. Basingstoke: Palgrave MacMillan, pp. 84–98.

da Sousa Correa, Delia (1997). George Eliot and the Germanic 'Musical Magus'. In: Rignall, John ed. George Eliot and Europe. Warwick Studies in the European Humanities. Scolar Press, pp. 98–112.

da Sousa Correa, Delia (2001). The Portrait of a Lady and the “house of fiction”. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century novel. UK: Routledge, pp. 95–156. restricted access item, not available for direct download

da Sousa Correa, Delia (2001). The Portrait of a Lady: identity and gender. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 116–136. restricted access item, not available for direct download

da Sousa Correa, Delia (2001). The Portrait of a Lady: Henry James as critic. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 137–156. restricted access item, not available for direct download

da Sousa Correa, Delia (2011). 'Wuthering Heights at home'. In: Watson, Nicola and Towheed, Shafquat eds. Romantics and Victorians. London: Bloomsbury Academic, pp. 347–374.

da Sousa Correa, Delia (2011). 'Wuthering Heights abroad'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 375–408.

da Sousa Correa, Delia (2013). Katherine Mansfield and Ninteenth-Century Musicality. In: Weliver, Phyllis and Ellis, Katharine eds. Words and Notes in the Long Nineteenth-Century. Boydell and Brewer, pp. 103–118.

Doloughan, Fiona J. (2015). Translating culture: linguistic attachment, detachment and (self)-narration. In: Barta , Peter I. and Powrie, Phil eds. Bicultural Literature and Film in French and English. Routledge Studies in Comparative Literature. Abingdon: Routledge, pp. 237–247. restricted access item, not available for direct download

Doloughan, Fiona J. (2004). The myth of the great return: memory, longing and forgetting in Milan Kundera's Ignorance. In: Hanne, Michael ed. Creativity in Exile. Rodopi Perspectives on Modern Literature (29). Amsterdam and New York, NY, U.S.: Rodopi, pp. 141–150.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

Drábek, Pavel and Katritzky, M. A. (2016). Shakespearean players in early modern Europe. In: Smith, Bruce R. ed. The Cambridge Guide to the Worlds of Shakespeare, Volume 2. Cambridge: Cambridge University Press, pp. 1527–1533. restricted access item, not available for direct download

Florian, Stadtler (2013). Britain's forgotten volunteers: Indian contributions in the two World Wars. In: Ranasinha, Ruvani ed. South Asians and the Shaping of Britain: A sourcebook. Manchester: Manchester University Press.

Fraser, R. (2011). Leonard Bast's library: aspiration, emulation, and the imperial national tradition. In: Spiers, John ed. Nationalisms and the National Canon. The culture of the publisher's series (2). Basingstoke, U.K.: Palgrave Macmillan, pp. 116–133. restricted access item, not available for direct download

Fraser, Robert (2012). Kariba's last stand. In: Cairnie, Julie and Pucherova , Dobrota eds. Moving Spirit: The Legacy of Dambudzo Marechera in the 21st Century. Zurich: Lit Verlag, pp. 39–50.

Fraser, Robert (2003). The Lamp of Truth: Proust and George Eliot. In: Bloom, Harold ed. Marcel Proust. Modern Critical Views. Philadelphia, USA: Chelsea House Publishers, pp. 37–62.

Fraser, Robert (2007). Sir James Frazer and Marian McNeill. In: Brown, Ian; Clancy, Thomas Owen; Manning, Susan and Pittock, Murray G. eds. The Edinburgh History of Scottish Literature, Volume 3. Edinburgh: Edinburgh University Press, pp. 69–74.

Fraser, Robert (2011). Towards A new world order: literacy, democracy and literature in India and Africa, 1930-1965. In: Chakravorty, Swapan and Gupta, Abhijit eds. New Word Order: Transnational Themes in Book History. Delhi, India: Worldview Publications, pp. 53–64. restricted access item, not available for direct download

Fraser, Robert (2002). Charles Kingsley (1819-1875). In: Clark, Robert and Todd, Janet eds. The Literay Encycopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Sir James Frazer (1854-1941). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London, UK: The LIterary Dictionary.

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Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

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Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M .A. (2014). Historical and literary contexts for the Skimmington: impotence and Samuel Butler’s "Hudibras". In: Sara F., Matthews-Grieco ed. Cuckoldry, Impotence and Adultery in Europe, 15th–17th Century. Visual Culture in Early Modernity. Farnham: Ashgate, pp. 59–84. file

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116. restricted access item, not available for direct download

Katritzky, M. A. (2014). Images of the commedia dell'arte. In: Chaffee, Judith and Crick, Olly eds. The Routledge Companion to Commedia dell'Arte. Abingdon: Routledge, pp. 284–299. restricted access item, not available for direct download

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research, Volume 2nd editio. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244. restricted access item, not available for direct download

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (2014). Shakespeare’s “portrait of a blinking idiot”: transnational reflections. In: Henke, Robert and Nicholson, Eric eds. Transnational Mobilities in Early Modern Theater. Studies in Performance and Early Modern Drama. Ashgate, pp. 157–175. file

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118. restricted access item, not available for direct download

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509. restricted access item, not available for direct download

Katritzky, M. A. (2015). Lucas van Leyden's 'Toothdrawer', 1523: Passion play merchant scenes and the religious origins of quack depictions. In: Mueller, Juergen and Muench, Birgit Ulrike eds. Peiraikos' Erben: Die Genese der Genremalerei bis 1550. Trierer Beitraege zu den historischen Kulturwissenschaften (14). Wiesbaden: Reichert Verlag, pp. 125–148. restricted access item, not available for direct downloadrestricted access item, not available for direct download

Katritzky, M. A. (2016). German Patrons of Venetian Carnival Art: Archduke Ferdinand II of Tyrol’s Ambras Collections and the 1579 Travel Journal of Prince Ferdinand of Bavaria. In: Münch, Birgit Ulrike; Tacke, Andreas; Herzog, Markwart and Heudecker, Sylvia eds. Von kurzer Dauer? Fallbeispiele zu temporären Kunstzentren der Vormoderne. Kunsthistorisches Forum Irsee (3). Petersberg, Germany: Michael Imhof Verlag, pp. 126–142.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

Katritzky, M. A. (2014). Literary anthropologies and Pedro González, the “Wild Man” of Tenerife. In: Slater, John ; Pardo-Tomás, José and López-Terrada, Maríaluz eds. Medical Cultures of the Early Modern Spanish Empire. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate, pp. 107–128. file

Katritzky, M. A. (2016). Die Ikonografie der Commedia dell'arte bis 1750. In: Sommer-Mathis, Andrea; Franke, Daniela and Risatti, Rudi eds. Spettacolo barocco! Triumph des Theaters. Vienna: KHM-Museumsband, Theatermuseum Wien & Michael Imhoff Verlag, pp. 82–97. restricted access item, not available for direct download

Katritzky, M. A. (2013). Travelers’ tales: magic and superstition on early modern European and London stages. In: Theile, Verena and McCarthy, Andrew D. eds. Staging the Superstitions of Early Modern Europe. Studies in Performance and Early Modern Drama. Farnham; Burlington, VT: Ashgate, pp. 217–238. file

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: "Der Politische Quacksalber" (1693) und "Der Musicalische Qvack=salber" (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126. restricted access item, not available for direct download

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

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Journal Article

Allen, Richard (2012). Raja Rao and world literature. Summerhill: Journal of the Indian Institute for Advanced Study, 18(2)

Anderson, Linda (2005). Write on the wild side: Flying. Mslexia(25) p. 45.

Anderson, Linda (2005). Write on the wild side: Being bold with poetry. Mslexia(24) p. 43.

Asbee, Sue (2011). Substance into Shadow: starvation and death in Arnold Bennett's Riceyman Steps. Double Dialogues: The Hunger Artists, 2011(15)

Beswick, Katie; Parmar, Maya and Sil, Esha (2015). Towards a spatial practice of the postcolonial city: introducing the cultural producer. Interventions: International Journal of Postcolonial Studies, 17(6) pp. 789–801. file

Booth, James; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Steele, Charles (1984). African, Caribbean, Indian, Australian, and Canadian Literature in English. The Year's Work in English Studies, 65(1) pp. 665–761.

Booth, James; Nasta, Susheila and Knowles, Owen (1982). African, Caribbean, and Canadian literature. The Year's Work in English Studies, 63(1) pp. 462–491.

Booth, James; Nasta, Susheila; Steele, Charles R.; Pollard, Arthur and Guptara, Prabhu (1983). African, Caribbean, Canadian, Indian, and Australian Literature in English. The Year's Work in English Studies, 64(1) pp. 531–586.

Bullock, Emily; Harlow, Nicky; Richardson, Heather and Sweeney, Emma (2014). Articulating the Other. Writing in Education, 62 pp. 52–55. restricted access item, not available for direct download

da Sousa Correa, Delia (2000). 'The music vibrating in her still': Music and memory in George Eliot's the mill on the floss and Daniel Deronda. Nineteenth-Century Contexts, 21(4) pp. 541–563.

da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1

da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

da Sousa Correa, Delia; Chornik, Katia and Samuels, Robert (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Medieval and Modern Language, Literature and Drama, 5 pp. 50–61. file

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Introduction. Katherine Mansfield Studies

Dobson, Michael and Watson, Nicola (2002). Shakespeare en Elizabeth: Een liefdesgeschiedenis. Feit und Fictie, 5(3) pp. 62–81.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona (2005). Reflections on the concept of 'voice' in translation. In Other Words: The Journal for Literary Translators(26) pp. 26–33.

Doloughan, Fiona (2006). Narratives of travel and the travelling concept of narrative: genre blending and the art of transformation. The Travelling Concept of Narrative, 1 pp. 134–144.

Doloughan, Fiona (2005). "Reading Images, Telling Tales: Meaning-Making and the Culture of Narrativity". International Journal of Learning, 11 pp. 1697–1701.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203. restricted access item, not available for direct download

Doloughan, Fiona (2015). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory, 45(1) restricted access item, not available for direct download

Doloughan, Fiona J. (2002). Translating the self: Ariel Dorfman's bilingual journey. Language and Intercultural Communication, 2(2) pp. 147–152.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Doloughan, Fiona J. (2002). The language of reflective practice in art and design. Design Issues, 18(2) pp. 57–64.

Fraser, Robert (2001). "Not that fair field of Enna": Milton, Ruskin and Protestant Longing. The Long Poem Newsletter(10) pp. 3–4.

Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

Fraser, Robert (2002). "Is there a Gibbon in the house?": Migration, Postcoloniality and the Fall and Rise of Europe. Moving Worlds: A Journal of Transcultural Studies, 2(2) pp. 102–114.

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-Sep) pp. 116–120.

Fraser, Robert (2002). Hume, Sir James Frazer, Irony and Belief. The Edinburgh Review, 110(1) pp. 48–55.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2007). Letters of J.G.Frazer. The Classical Review, 57 (New Se(1) pp. 243–245.

Fraser, Robert (2010). Fiction and the other reader: the reception of imperial adventure romance in Africa. Angles on the English-Speaking World, 10, 99 -107.

Fraser, Robert (2010). Bugger the skylarks: Lawrence and Mansfield at war: a battle in ten scenes. Katherine Mansfield Studies, 2(1) pp. 100–163.

Fraser, Robert (2009). Mere Idle Calumnies: How Sir James Frazer's anthopological open-mindedness was misappropriated to support a Blood Libel - and how he responded. Times Literary Supplement pp. 13–15. file

Fraser, Robert (2011). Race and religion in the Victorian age: Charles Kingsley, Governor Eyre and the Morant Bay Rising. The Victorian Web file

Fraser, Robert (2011). Riddling soul: John Donne, Theatrical Performer of His Various Selves and Maker of an Oddly Modern Music. Times Literary Supplement(5653) pp. 3–4. file

Fraser, Robert (2010). Far removed. Times Literary Supplement(5614) p. 29. restricted access item, not available for direct download

Fraser, Robert (1996). The loneliness of the long-distance cyclist: cyclic form in Frazer and Proust. Yearbook of English Studies, 26 pp. 163–172. file

Fraser, Robert (2012). Surrealists in the Storm: David Gascoyne, Spain and Mass Observation. Times Literary Supplement(5679) 14 -15. restricted access item, not available for direct download

Furbank, P N and Owens, W R (1997). The Defoe that never was: a tale of de-attribution. The American Scholar, 66(2) pp. 276–284.

Furbank, P. N. and Owens, W. R. (1993). Defoe, Trent, and the 'Defection'. Review of English Studies, 44(173) pp. 70–76.

Furbank, P. N. and Owens, W. R. (1991). Dangerous Relations. The Scriblerian, 23 pp. 242–244.

Furbank, P. N. and Owens, W. R. (1984). "A Vindication of the Press" (1718): Not by Defoe? Papers of the Bibliographical Society of America, 78(3) pp. 355–360.

Furbank, P. N. and Owens, W. R. (1986). Defoe and the 'improvisatory' sentence. English Studies, 67(2) pp. 157–166.

Furbank, P. N. and Owens, W. R. (1986). What if Defoe did not write the "History of the Wars of Charles XII"? Papers of the Bibliographical Society of America, 80 pp. 333–347.

Furbank, P. N. and Owens, W. R. (1988). William Lee of Sheffield: Sanitary Reformer and Defoe Bibliographer. The Book Collector, 37(2) pp. 185–206.

Furbank, P. N. and Owens, W. R. (1992). Defoe and Francis Noble. Eighteenth-Century Fiction, 4(4) pp. 301–313.

Furbank, P. N. and Owens, W. R. (1992). The Lost Property Office: some Defoe attributions reconsidered. Papers of the Bibliographical Society of America, 86 pp. 245–267.

Furbank, P. N. and Owens, W. R. (1993). Defoe and A Curious Little Oration Deliver'd by Father Andrew. Notes and Queries, 238(3) p. 328.

Furbank, P. N. and Owens, W. R. (1993). Defoe and the 'Tippony Ale'. Scottish Historical Review, 72(1) pp. 86–89.

Furbank, P. N. and Owens, W. R. (1994). "A True Account of the Proceedings at Perth": The impact of an historical novel. Eighteenth-Century Fiction, 6(3) pp. 233–242.

Furbank, P. N. and Owens, W. R. (1994). Defoe and 'Sir Andrew Politick'. British Journal for Eighteenth-Century Studies, 17(1) pp. 27–39.

Furbank, P. N. and Owens, W. R. (1995). Daniel Defoe and A Letter from a Gentleman at the Court of St Germains (1710). Etudes Anglaises, 48 pp. 61–66.

Furbank, P. N. and Owens, W. R. (1996). On the attribution of periodicals and newspapers to Daniel Defoe. Publishing History, 40 pp. 83–98.

Furbank, P. N. and Owens, W. R. (1997). The dating of Defoe's "Atlantis Major". Notes and Queries, 242(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). Whence the Defoe Canon? Eighteenth-Century Fiction, 9(2) pp. 223–225.

Furbank, P. N. and Owens, W. R. (1997). The Dating of Defoe's Atalantis Major. Notes & Queries, 44(2) pp. 189–190.

Furbank, P. N. and Owens, W. R. (1997). The lost continuation of Defoe's Roxana. Eighteenth-Century Fiction, 9(3) pp. 229–308.

Furbank, P. N. and Owens, W. R. (1997). The Myth of Defoe as 'Applebee's Man'. Review of English Studies, 48(190) pp. 198–204.

Furbank, P. N. and Owens, W. R. (1998). Defoe and the sham Flying-Post. Publishing History, 43 pp. 5–15.

Furbank, P. N. and Owens, W. R. (2000). Defoe, the De la Faye letters and Mercurius Politicus. British Journal for Eighteenth-Century Studies, 23(1) pp. 13–19.

Furbank, P. N. and Owens, W. R. (2001). Defoe and King William: a sceptical enquiry. Review of English Studies, 52(206) pp. 227–232.

Furbank, P. N. and Owens, W. R. (2001). Defoe's South-Sea and North-Sea schemes: a footnote to A New Voyage Round the World. Eighteenth-Century Fiction, 13 pp. 501–508.

Furbank, P. N. and Owens, W. R. (2002). Defoe's £17,000 bankruptcy. Notes and Queries, 247(3) pp. 363–364.

Furbank, P. N. and Owens, W. R. (1988). The Defoe canon again. Papers of the Bibliographical Society of America, 82 pp. 95–98. restricted access item, not available for direct download

Furbank, P.N. and Owens, W. R. (1993). Defoe, William Hendley, and Charity Still a Christian Virtue (1719). Huntington Library Quarterly, 56(3) pp. 327–330.

Gibson, Jonathan (1997). Significant space in manuscript letters. The Seventeenth Century, 12(1) pp. 1–10.

Gibson, Jonathan (2004). The legal context of Spenser's Daphnaïda. The Review of English Studies, 55(218) pp. 24–44.

Gibson, Jonathan (2012). Synchrony and process: editing manuscript miscellanies. Studies in English Literature 1500-1900 (SEL), 52(1) pp. 85–100.

Gibson, Jonathan (1999). King Lear and the patronage system. The Seventeenth Century, 14(2) pp. 95–114.

Gupta, Suman (2005). Sociological speculations on the professions of children’s literature. The Lion and the Unicorn, 29(3) pp. 299–323.

Gupta, Suman (2003). In search of genius: T.S. Eliot as publisher. Journal of Modern Literature, 27(1-2) pp. 26–35.

Gupta, Suman (2008). Editorial: Writing China. Wasafiri, 23(3) pp. 1–4.

Gupta, Suman (2009). From crowds to transnational massing: presence and representation. Storia della Storiografia, 55 pp. 128–143. restricted access item, not available for direct download

Gupta, Suman (2010). Conceptualising the art of communist times. Third Text, 24(5) pp. 571–582.

Gupta, Suman (2010). Critical practice in the English Studies classroom: observations in Bulgaria. English Studies, 91(3) pp. 328–343.

Gupta, Suman (2010). Conceptualising classroom observations for a project on higher education English studies in non-Anglophone contexts. American, British and Canadian Studies, 14 pp. 151–167. restricted access item, not available for direct download

Gupta, Suman (2008). Li Rui, Mo Yan, Yan Lianke and Lin Bai: four contemporary Chinese writers interviewed. Wasafiri, 23(3) pp. 28–36.

Gupta, Suman (2012). On the Indian readers of Hitler's Mein Kampf. Economic & Political Weekly, 47(46) pp. 51–58. restricted access item, not available for direct download

Gupta, Suman (2013). Big issues around a small-scale phenomenon: vernacular pulp fiction in English translation for Indian readers. Journal of Commonwealth Literature, 48(1) pp. 159–175.

Gupta, Suman (2015). Pixação and Tourist Appraisal. Wasafiri: International Contemporary Writing , 30(2) pp. 40–46. restricted access item, not available for direct download

Gupta, Suman (2015). Crisis and Representation: Notes on Media and Media Studies. Cyprus Review, 27(1) pp. 293–310. file

Gupta, Suman (2012). Indian ‘commercial’ fiction in English, the publishing industry, and youth culture. Economic and Political Weekly, 46(5) pp. 46–53. file

Gupta, Suman (2015). Crisis of the Novel and the Novel of Crisis. Canadian Review of Comparative Literature, 42(4) pp. 454–467.

Gupta, Suman and Katsarska, Milena (2010). The official record and the receptive field: Zlatyu Boyadzhiev in Communist times. Konsthistorisk Tidskrift/Journal of Arts History, 79(1) pp. 1–17.

Hammond, Mary (2004). Hall Caine and the Melodrama on page, stage and screen. Nineteenth Century Theatre and Film, 31(1) pp. 39–57.

Hammond, Mary (2002). Thackeray's Waterloo: History and War in Vanity Fair. Literature and History, 11(2) pp. 19–38.

Hammond, Mary (2002). 'The Great Fiction Bore': free Libraries and the construction of a reading public in England, 1880-1914. Libraries and Culture: a journal of library history, 37(2) pp. 83–108.

Haslam, Sara (2002). Written in blood: Family, sex and violence in Wuthering Heights and Jane Eyre. The English Review, 13(1) pp. 8–11. file

Haslam, Sara (2000). A question of knowledge: James, Ford, "The Beast in the Jungle" and A Call. The Henry James Review, 21(1) pp. 72–82.

Haslam, Sara (2000). Modern Knowledge and Ford's Modern Novel. Precursors and Aftermaths: Literature in English 1914-1945, 1(1) pp. 49–63.

Haslam, Sara (2013). A literary intervention: writing alcohol in British literature 1915–1930. First World War Studies, 4(2) pp. 219–239.

Howell, Anthony (2011). Southey and itinerancy. Wordsworth Circle, 42(1) pp. 68–72.

Hutchison, Yvette and Walder, Dennis (2011). Editorial. Contemporary Theatre Review, 21(1) pp. 3–7.

Johnson, David (2001). Literatures of nation and migration: Charles Mungoshi, Nadine Gordimer, and the postcolonial. Alternation, 8(2) pp. 36–54.

Johnson, David (2001). Editorial: Travellers' tales: alternative traditions. Wasafiri(34) pp. 1–2.

Johnson, David (2007). Representing the Cape 'Hottentots', from the French Enlightenment to post-apartheid South Africa. Eighteenth-Century Studies, 40(4) pp. 525–552.

Johnson, David (2009). Remembering the Khoikhoi victory over Dom Francisco Almeida at the Cape in 1510. Postcolonial Studies, 12(1) pp. 107–130.

Johnson, David (2010). British models of colonial governance: Adam Smith and John Bruce on the Cape Colony. The Eighteenth Century: Theory and Interpretation, 51(1-2) pp. 103–127.

Johnson, David (2010). Historical and literary re-iterations of Dutch settler Republicanism. South African Historical Journal, 62(3) pp. 463–486.

Johnson, David (2010). Representing Cape slavery: Literature, law, and history. Journal of Postcolonial Writing, 46(5) pp. 504–516.

Johnson, David (2011). Introduction. English in Africa, 38(1) pp. 9–15.

Johnson, David (2012). Representations of Cape Slavery in South African Literature. History Compass, 10(8) pp. 549–561.

Johnson, David (2013). Fanon’s travels in postcolonial theory and post-apartheid politics. College Literature, 40(2) pp. 52–80.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232. restricted access item, not available for direct download

Katritzky, M. A. (2004). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15(Shakespear) pp. 113–140.

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155. file

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81. file

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254. restricted access item, not available for direct download

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53. restricted access item, not available for direct download

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215. restricted access item, not available for direct download

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120. restricted access item, not available for direct download

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173. restricted access item, not available for direct download

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419. restricted access item, not available for direct download

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52(1) pp. 63–93. restricted access item, not available for direct download

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103. file

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125. restricted access item, not available for direct download

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: divadelní ko?ovníci v ran? novov?ké Evrop? Divaldelni Revue, 2(1) pp. 48–61. restricted access item, not available for direct download

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M. A. (2014). A wonderfull monster borne in Germany’: hairy girls in medieval and early modern German book, court and performance culture. German Life and Letters, 67(4) pp. 467–480. file

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152. file

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125. restricted access item, not available for direct download

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167. restricted access item, not available for direct download

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153. restricted access item, not available for direct download

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

Katritzky, M.A. (2003). What did medieval stages look like? Times Higher Education Supplement(1570) p. 13.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra, 70(9) pp. 24–27.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13. file

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53. restricted access item, not available for direct download

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 pp. 246–271. file

King, Edmund (2014). E. W. Hornung’s unpublished “Diary,” the YMCA, and the reading soldier in the First World War. English Literature in Transition, 1880-1920, 57(3) pp. 361–387. restricted access item, not available for direct download

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86. restricted access item, not available for direct download

King, Edmund (2014). “A priceless book to have out here”: soldiers reading Shakespeare in the first world war. Shakespeare, 10(3) pp. 230–244. restricted access item, not available for direct download

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57. restricted access item, not available for direct download

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19. file

Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3), article no. 3.

Lavery, Hannah (2013). The development of the later English Restoration impotency poems. Papers on Language and Literature, 49(2) pp. 172–202.

Lavery, Hannah (2012). Breaking down barriers with tablet technology for teaching. Educause Review Online file

Lavery, Hannah (2013). From image to word: the making of Pietro Aretino's satire in I sonetti lussoriosi (c. 1527). Genre, 33 pp. 117–148. restricted access item, not available for direct download

Nasta, Susheila (2006). Blake Morrison and Hanif Kureishi with Susheila Nasta. Wasafiri, 22(48) pp. 19–27.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (1983). Samuel Selvon: a preliminary bibliography. Journal of Commonwealth Literature, 18(1) pp. 131–143.

Nasta, Susheila (1996). Githa Hariharan talks to Susheila Nasta. Wasafiri, 12(24) pp. 22–25.

Nasta, Susheila (2000). Beyond the millennium: Black women's writing. Women: A Cultural Review, 11(1-2) pp. 71–76.

Nasta, Susheila (2006). Writing a Life: Hanif Kureishi and Blake Morrison in Conversation. Wasafiri, 21(2) pp. 40–52.

Nasta, Susheila (2009). Everything to declare. Wasafiri, 24(3) pp. 1–3.

Nasta, Susheila (2012). End of empire and the English novel. British Academy Review, 19 pp. 46–49.

Nasta, Susheila (2013). An unexpected encounter with Sam Selvon at the National Portrait Gallery. Wasafiri, 28(2) pp. 33–35.

Nasta, Susheila (2011). Sealing a friendship: George Orwell and Mulk Raj Anand at the BBC (1941-43). Wasafiri, 26(4) pp. 14–21. restricted access item, not available for direct download

Nasta, Susheila (2004). Editorial: Making tracks: Wasafiri 1984-2004. Wasafiri(42)

Nasta, Susheila and Boehmer, Elleke (2007). Editorial: 'Cultures of Terror'. Wasafiri, 22(2) pp. 1–3.

Neale, Derek (2007). Writing a wicked commentary. Writing in Education(41) pp. 28–31.

Neale, Derek (2011). Writing and remembering: paradoxes of memory, imagination and fiction in stories about lives. Literature Compass, 8(12) pp. 951–961. file

Neale, Derek (2011). Adaptation and Montage. Writing in Education(53) pp. 33–37. restricted access item, not available for direct download

Neale, Derek (2012). Short stories in the academy: mimesis, diegesis and the role of drama and film. Short Fiction in Theory and Practice, 2(1-2) pp. 43–58. file

Neale, Derek (2012). Being in uncertainties, mysteries and doubts: negative capability and the place of the imagination in the academy today. Writing in Education(56) pp. 49–53. restricted access item, not available for direct download

Neale, Derek (2012). Writing and dreaming primary and primal scenes. New Writing: The International Journal for the Practice and Theory of Creative Writing, 10(1) pp. 39–51. file

Owens, W. R. (1986). The date of Bunyan's "Treatise of Antichrist". The Seventeenth Century, 1(2) pp. 153–157.

Owens, W. R. and Furbank, P. N. (1986). Defoe and the Dutch Alliance: some attributions examined. British Journal for Eighteenth-Century Studies, 9(1) pp. 169–182.

Owens, W. R. and Furbank, P. N. (1986). Defoe and imprisonment for debt: Some attributions reviewed. Review of English Studies, 37(148) pp. 495–502.

Owens, W. R. and Furbank, P. N. (1993). Defoe as secret agent: three unpublished letters. The Scriblerian, 25(2) pp. 145–153.

Owens, W. R. and Furbank, P. N. (1995). Sir Alexander Cumming and Defoe's Mercator. Notes and Queries, 42(4) pp. 454–455.

Owens, W. R. and Furbank, P. N. (1998). New light on John Pierce, Defoe's agent in Scotland. Edinburgh Bibliographical Society Transactions, 6(4) pp. 134–143.

Owens, W.R. and Furbank, P. N. (2002). Stylometry and the Defoe canon: a reply to Irving Rothman. Papers of the Bibliographical Society of America, 96(3) pp. 463–465.

Pacheco, Anita (2006). 'Swearing knaves and believing fools': false swearing in John Crowne's City Politiques. Restoration, 30(2) pp. 21–37.

Pacheco, Anita (2004). Reading Toryism in Aphra Behn's cit-cuckolding comedies. Review of English Studies, 55(222) pp. 690–708.

Pacheco, Anita (2013). '"Little Religion" but "Admirable Morals": Christianity and Honor in Aphra Behn's Oroonoko'. Modern Philology, 111(2) pp. 253–280.

Pacheco, Anita (2014). Festive comedy in the widdow ranter: Behn's clowns and Falstaff. Restoration: Studies in English Literary Culture, 1660-1700, 38(2) pp. 43–61. restricted access item, not available for direct download

Pacheco, Anita (1994). Royalism and Honor in Aphra Behn's Oroonoko. Studies in English Literature 1500-1900 , 34(3) pp. 491–506.

Pacheco, Anita (1998). Rape and the female subject in Aphra Behn's The Rover. ELH, 65(2) pp. 323–345.

Pacheco, Anita (2015). 'Where Lies this Power Divine?': The Representation of Kingship in Aphra Behn's Early Tragicomedies. Journal for Eighteenth-Century Studies, 38(3) pp. 317–334.

Parmar, Maya (2013). Reading the double diaspora: representing Gujarati East African identity in Britain. Atlantis, 35(1) pp. 137–155. file

Parmar, Maya (2014). Memorialising 40 years since Idi Amin's expulsion: digital ‘memory mania’ to the ‘right to be forgotten’. South Asian Popular Culture, 12(1) pp. 1–14. restricted access item, not available for direct download

Pollard, Phyllis; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Hoeppner, Kenneth (1986). African, Caribbean, Indian, Australian, and Canadian literatures in English. The Year's Work in English Studies, 67 pp. 701–775.

Pollard, Phyllis; Nasta, Susheila; Thieme, John; Steele, Charles R. and Guptara, Prabhu S. (1985). African, Caribbean, Australian, Canadian, and Indian Literatures in English. The Year's Work in English Studies, 66 pp. 646–725.

Prescott, Lynda (2006). Encounters with Conrad: self-experience and narrativity. Life Writing, 3(2) pp. 79–96.

Prescott, Lynda (2004). Autobiography as evasion: Joseph Conrad's 'A Personal Record'. Journal of Modern Literature, 28(1) pp. 177–188.

Prescott, Lynda (2005). Evelyn Waugh, Morris, and the ideal of craftsmanship. Journal of William Morris Studies, XVI(2-3) pp. 80–91.

Prescott, Lynda (2003). The Indian Connection in J.G.Farrell's 'Troubles'. Irish Studies Review, 11(2) pp. 165–173.

Prescott, Lynda (2002). 'Coming to London' in the 1950s. Wasafiri(35) pp. 19–23.

Prescott, Lynda (2008). Pat Barker's Regeneration trilogy: fiction and history. The English Review, 19(2) pp. 17–20.

Prescott, Lynda (2010). How to read a short story. The English Review, 20(4) pp. 32–34.

Prescott, Lynda (2012). Life writing and life-learning: an analysis of creative writing students' work. Studies in Continuing Education, 34(2) pp. 145–147.

Prescott, Lynda (2013). ‘Hard Times and history’. The English Review, 23(4) pp. 6–9.

Richardson, Heather (2011). The plot thickens. Writing in Education(53) pp. 26–29. file

Richardson, Heather (2014). Sparta. Incubator Journal(3) pp. 18–25.

Richardson, Heather (2015). Waving at soldiers. European Journal of Life Writing, 4 C7-C18. file

Richardson, Heather (2012). ‘Texts of Poetics’ and historical fiction: authors’ critical reflections on their work. Writing in Education(56) pp. 34–37. restricted access item, not available for direct download

Simpson, Ormond and Asbee, Sue (1998). Partners, Families and Friends: Student support of the closest kind. Open Learning, 13(3) pp. 56–59.

Simpson, Ormond; Asbee, Sue and Woodall, Sue (1999). Student-student mentoring in distance education. Journal of Access and Credit Studies, 2(2) pp. 220–232.

Stadtler, Florian (2009). Terror, globalization and the individual in Salman Rushdie's Shalimar the Clown. Journal of Postcolonial Writing, 45(2) pp. 191–199.

Tickell, Alex (2009). Kipling's famine-romance: masculinity, gender and colonial biopolitics in “William the Conqueror”. Journal of Postcolonial Writing, 45(3) pp. 251–263. restricted access item, not available for direct download

Tickell, Alex (2005). Writing the nation's destiny: Indian fiction in English before 1910. Third World Quarterly, 26(3) pp. 525–541.

Tickell, Alex (2004). Negotiating the landscape: travel, transaction and the mapping of colonial India. Yearbook of English Studies, 34 pp. 18–30.

Tickell, Alex (2001). "How many Pakistans?" questions of space and identity in the writing of partition. Ariel: A Review of International English Literature, 32(3) pp. 155–179.

Tickell, Alex (2009). Cawnpore, Kipling and Charivari: 1857 and the politics of commemoration. Literature and History, 18(2) pp. 1–19. file

Tickell, Alex (2000). The road less travelled: Pather Panchali in translation. Journal of Commonwealth Literature, 35(1) pp. 147–162.

Tickell, Alex (2013). The Perils of Certain English Prisoners: Charles Dickens, Wilkie Collins and the limits of colonial government. Nineteenth-Century Literature, 67(4) pp. 457–489.

Towheed, Shafquat (2006). The Creative Evolution of Scientific Paradigms: Vernon Lee and the Debate over the Hereditary Transmission of Acquired Characters. Victorian Studies, 49(1) pp. 33–61.

Towheed, Shafquat (2007). Geneva v. Saint Petersburg: Two Concepts of Literary Property and the Material Lives of Books in Under Western Eyes. Book History, 10 pp. 169–191.

Towheed, Shafquat (2005). Determining 'Fluctuating Opinions': Vernon Lee, Popular Fiction, and Theories of Reading. Nineteenth-Century Literature, 60(2) pp. 199–236.

Towheed, Shafquat (2005). “An appreciative and grateful author”: Edith Wharton and the House of Macmillan. Publishing History, 58 pp. 43–77. file

Towheed, Shafquat (2005). Rudyard Kipling's Literary Property, International Copyright Law and The Naulahka. English Literature in Transition, 1880-1920, 48(4) pp. 420–435.

Towheed, Shafquat (2009). Reading History and Nation: Robert Louis Stevenson's Reading of William Forbes-Mitchell's Reminiscences of the Great Mutiny 1857-9. Nineteenth-Century Contexts, 31(1) pp. 3–17.

Towheed, Shafquat (2010). Reading in the digital archive. Journal of Victorian Culture, 15(1) pp. 139–143. restricted access item, not available for direct download

Towheed, Shafquat (2010). ‘Music is not merely for musicians’: Vernon Lee's musical reading and response. Yearbook of English Studies, 40(1-2) pp. 273–294. restricted access item, not available for direct download

Towheed, Shafquat (2012). South Asian writing between the wars: publishers, reviewers, readers. Wasafiri, 27(2) pp. 80–82.

Towheed, Shafquat (2011). Locating the reader, or what do we do with the man in the hat? Methodological perspectives and evidence from the United Kingdom Reading Experience Database, 1450-1945 (UK RED). Primerjalna knizevnost (Comparative Literature), 34(2) pp. 173–186.

Walder, Dennis (2005). A grand boyhood. EnterText: an interdisciplinary humanities e-journal, 4(2) pp. 163–176. file

Walder, Dennis (2002). 'The fitful muse': Fugard's plays of memory. The European Legacy, 7(6) pp. 697–708.

Walder, Dennis (2003). ‘How is it going, Mr Naipaul?’ Identity, Memory and the Ethics of Post-Colonial Literatures. Journal of Commonwealth Literature, 38(3) pp. 5–18. file

Walder, Dennis (2005). Remembering Rousseau: nostalgia and the responsibilities of the self. Third World Quarterly, 26(3) pp. 423–430.

Walder, Dennis (2007). Decolonizing the (distance) curriculum. Arts and Humanities in Higher Education, 6(2) pp. 187–196.

Walder, Dennis (2008). "Alone in a landscape": Lessing's African stories remembered. Journal of Commonwealth Literature, 43(2) pp. 99–115.

Walder, Dennis (2011). "There is no first reading": (re)-reading nineteenth-century realist novels and their critics. Synthesis, 3 pp. 55–68.

Walder, Dennis (2009). Writing, representation, and postcolonial nostalgia. Textual Practice, 23(6) pp. 935–946.

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

Walder, Dennis (2014). Remembering trauma: Fugard's The Train Driver. South African Theatre Journal, 27(1) pp. 32–47.

Walder, Dennis (2016). Bart Moore-Gilbert (1952-2015). The Journal of Commonwealth Literature, 51(1) pp. 182–185.

Walder, Dennis (2015). Editorial. Journal of Southern African Studies, 41(6) pp. 1147–1150.

Watson, Nicola (2010). Lady of the Lake Colloquium: The Trossachs: 23rd May 2010. Edinburgh Sir Walter Scott Club Annual Bulletin, MMX pp. 48–51.

Watson, Nicola (2011). Fandom mapped: Rousseau, Scott and Byron on the itinerary of Lady Frances Shelley. Romantic Circles Praxis Series: Romantic Fandom, article no. , article 2. file

Watson, Nicola (2012). Afterword: ‘Dear Shakespeare-land’: investing in Stratford. Critical Survey, 24(2) pp. 88–98.

Conference Item

Haslam, Sara (2002). 'These fragments I have shored against my ruins': Memory and Modernism. In: Modernism and the Individual Talent: Re-Canonizing Ford Madox Ford, 25-27 June 1999, Munster, Westphalia, Germany.

Katritzky, M. A. (2014). “A plague o’ these pickle herring”: from London drinkers to European stage clown. In: Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress, World Shakespeare Congress Proceedings, University of Delaware Press; copublished with Rowman & Littlefield, pp. 159–168.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 February 2008, University of Otago, Dunedin, New Zealand.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading andthe First World War, 12 February 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference , 28-30 April 2011, University of Queensland, Brisbane, Australia.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 July 2011, Washington, D.C., USA.

Thesis

Atkinson, Susan D. (1998). A living life, a living death: a study of Bessie Head's writings as a survival strategy. PhD thesis The Open University. file

Forsyth, Michael (1999). Julia Kavanagh In Her Times: Novelist And Biographer, 1824-1877. PhD thesis The Open University. file

Green, Peter Geoffrey (2010). 'All Job's stock of asses': The fiction of Laurence Sterne and the theodicy debate. PhD thesis The Open University. file

Humphrey, Judith Ann (2000). Liberating images: A feminist analysis of the girls' school-story. PhD thesis The Open University. file

Tarling, Barbara Frances (2010). Representations of the American War of Independence in the late eighteenth-century English novel. PhD thesis The Open University. file

Tomlinson, Nora (1996). The achievement of Ford Madox Ford as editor. PhD thesis The Open University. file

Scholarly Edition

Owens, W., ed. Grace Abounding to the Chief of Sinners. By John Bunyan (1666). Harmondsworth, Penguin Books (1987).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan: Volume XII. By John Bunyan . Oxford, Clarendon Press (1994).

Owens, W. R., ed. The Miscellaneous Works of John Bunyan, Vol.13. By John Bunyan (1692). Oxford, Clarendon Press (1994).

Towheed, Shafquat, ed. The Sign of Four. By Arthur Conan Doyle (1890). Peterborough, Ontario, Canada, Broadview Press (2010).

Furbank, P. N.; Owens, W. R. and Coulson, A. J., eds. A Tour Through the Whole Island of Great Britain. By Daniel Defoe (1724). New Haven, Yale University Press (1991).

Furbank, Philip Nicholas and Owens, W. R., eds. The True-Born Englishman and Other Writings. By Daniel Defoe . London, Penguin Books (1997).

Owens, W. R., ed. The true-born Englishman and other poems. By Daniel Defoe . London, Pickering & Chatto (2003).

Owens, W. R., ed. A New Family Instructor. By Daniel Defoe (1727). London, Pickering & Chatto (2006).

Owens, W. R., ed. Daniel Defoe, The Compleat English Gentleman and Of Royal Education. By Daniel Defoe (1729). London, UK, Pickering & Chatto (2007).

Owens, W. R., ed. Daniel Defoe, The Life and Strange Surprizing Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Owens, W. R., ed. Daniel Defoe, The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2007).

Owens, W. R., ed. The Farther Adventures of Robinson Crusoe. By Daniel Defoe (1719). London, Pickering & Chatto (2008).

Haslam, Sara, ed. England and the English. By Madox Ford Ford (1905). Manchester, UK, Carcanet Press (2003).

Watson, Nicola, ed. The Antiquary. By Walter Scott (1816). Oxford, UK, Oxford University Press (2002).

Nasta, Susheila, ed. Introduction. By Sam Selvon (1956). London, UK, Penguin (2006).

Nasta, Susheila, ed. Moses Migrating: A Novel (new edition). By Samuel Selvon (1983). Boulder, Colorado, Lynne Reiner (2009).

Other

da Sousa Correa, Delia and Kimber, Gerri (2009). Katherine Mansfield Studies 1. Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. Edinburgh University Press.

da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

da Sousa Correa, Delia; Kimber, Gerri; Reid, Susan and Walker, Gina (2012). Katherine Mansfield Studies 4: Katherine Mansfield and the Fantastic. Edinburgh University Press, Edinburgh.

Greenwell, Bill (2009). 156 satirical poems 1998-2002. New Statesman.

Gupta, Suman and Schneider, Ana-Karina (2010). American, British and Canadian Studies. Vol. 14: Special Issue, English Studies in Romania. The Academic Anglophone Society of Romania, Lucian Blaga University, Sibiu, Romania.

Haslam, Sara (2015). Contested Ground: alcohol, attachment, and the hut habit at war. University College, Dublin. Humanities Institute. file

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. Centre for Reformation and Renaissance Studies. file

Kimber, Gerri; Todd, Martin; da Sousa Correa, Delia; Kelly, Alice and Maddison, Isabel (2014). Katherine Mansfield Studies 6: Katherine Mansfield and the First World War. Edinburgh University Press, Edinburgh.

Nasta, Susheila (2002). Special Issue of Wasafiri: Writing in Britain: Shifting geographies. Routledge, Abingdon.

Nasta, Susheila and Fraser, Robert (2007). Special Issue of Wasafiri: The Book in the World. Routledge, Abingdon.

Nasta, Susheila (2002). Romesh Gunesekera. British Council Arts Group.

Nasta, Susheila (2002). V.S.Naipaul. British Council Arts Group.

Nasta, Susheila (2002). Earl Lovelace. British Council Arts Group.

Nasta, Susheila (2011). Editorship of Wasafiri General Issue No. 67 (Summer 2011). Wasafiri, 26(3), Abingdon.

Nasta, Susheila (2006). Special Issue of Wasafiri: Life-writing. Routledge, Abingdon.

Nasta, Susheila; Stadtler, Florian and Visram, Rozina (2011). Asians in Britain, 1858-1950. The British Library.

Nasta, Susheila; Stadtler, Florian; Visram, Rozina; Pulham, Sheila and Villani, Lisa (2010). South Asians making Britain: timeline. Guardian Newspapers, UK.

Richardson, Heather (2015). Outbound/Inbound. Australian Association of Writing Programmes, Australia.

Stadtler, Florian (2012). Britain and India: Cross-cultural Encounters. Wasafiri 27(2).

Tickell, Alex (2010). Introduction to 'Beyond the Law: Postcolonial Writing, Legality and Legitimacy'. Journal of Postcolonial Writing, 46(5), pp. 439-445.

Research Dataset Record

Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University.

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