Browse by Academic Unit/Department

Anderson, Linda ed. (2005). Creative writing: A workbook with readings. Abingdon, UK: Routledge and The Open University.

Crone, Rosalind; Halsey, Katie and Towheed, Shafquat eds. (2010). The History of Reading. Routledge Literature Readers. London: Routledge.

Crone, Rosalind and Towheed, Shafquat eds. (2011). The History of Reading, Volume 3: Methods, Strategies, Tactics. Basingstoke, UK: Palgrave Macmillan .

Da Sousa Correa, Delia ed. (2006). Phrase and subject: studies in literature and music. Oxford, UK: Modern Humanities Research Association and Maney Publishing.

Da Sousa Correa, Delia ed. (2000). The Nineteenth-Century Novel: Realisms. Routledge.

Da Sousa Correa, Delia and Owens, W. R. eds. (2010). The Handbook to Literary Research. Abingdon: Routledge.

Eliot, Simon and Owens, W.R. eds. (1998). A Handbook to Literary Research. London : Routledge.

Englander, David; Norman, Diana; O'Day, Rosemary and Owens, William eds. (1990). Culture and Belief in Europe 1450-1600: An Anthology of Sources. Oxford, U.K.: John Wiley and Sons Ltd.

Favret, Mary A. and Watson, Nicola eds. (1994). At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Bloomington, Indiana: Indiana University Press.

Fraser, Robert ed. (2011). La Rama Dorada: Magia y religion. Seccion de Obras de Antropologica . Mexico: Fondo de Cultura Economica .

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume 1: The Cross-national Dimension in Print Culture. Houndmills, Basingstoke, U.K.: Palgrave Macmillan.

Fraser, Robert and Hammond, Mary eds. (2008). Books Without Borders, Volume Two: Perspectives from South Asia. Basingstoke: Palgrave.

Gupta, Suman; Basu, Tapan and Chattarji, Subarno eds. (2009). Globalization in India: Contents and Discontents. Delhi: Pearson Education.

Gupta, Suman and Katsarska, Milena eds. (2010). English Studies On This Side: Post-2007 Reckonings. Plovdiv, Bulgaria: University of Plovdiv Press.

Gupta, Suman and Omoniyi, Tope eds. (2007). The cultures of economic migration: international perspectives. Studies in Migration and Diaspora. Aldershot, UK: Ashgate.

Hammond, Mary and Towheed, Shafquat eds. (2007). Publishing in the First World War: Essays in Book History. Basingstoke, UK: Palgrave Macmillan.

Haslam, Sara ed. (2005). Ford Madox Ford and the city. International Ford Madox Ford Studies, 4. Amsterdam, Netherlands: Rodopi.

Haslam, Sara ed. (2011). A Man Could Stand Up- by Ford Madox Ford. Parade's End, 3. Manchester: Carcanet.

Haslam, Sara and Asbee, Sue eds. (2012). The Twentieth Century. Reading and Studying Literature, 3. London: Bloomsbury Academic.

Haslam, Sara and O'Malley, Seamus eds. (2012). Ford Madox Ford and America. International Ford Madox Ford Studies, 11. Amsterdam: Rodopi .

Hooper, Glenn ed. (2005). Landscape and Empire, 1770-2000. Aldershot, UK: Ashgate.

Hooper, Glenn ed. (2001). Letters from Ireland: Harriet Martineau. Dublin, Ireland: Irish Academic Press.

Hooper, Glenn and Graham, Colin eds. (2002). Irish and postcolonial writing: history, theory, practice. Basingstoke, UK: Palgrave.

Laurence, Anne; Owens, W. R. and Sim, Stuart eds. (1990). John Bunyan and his England 1628-88. London: The Hambledon Press.

Martin, Graham and Owens, W. R. eds. (1988). Literature and Liberation: Selected Essays. Manchester, U.K.: Manchester University Press.

Montgomery, Heather and Watson, Nicola eds. (2009). Children's literature: Classic texts and contemporary trends. Houndmills, Basingstoke: Palgrave Macmillan.

Nasta, Susheila ed. (2004). Writing across worlds: contemporary writers talk. Abingdon, UK: Routledge.

Nasta, Susheila ed. (2005). Africa 05. London, UK: Wasafiri.

Nasta, Susheila ed. (1988). Critical Perspectives on Sam Selvon: A Collection of Essays, Reviews, Articles and Dialogues. Washington: Three Continents Press.

Nasta, Susheila ed. (1988). El Dorado West One. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (1991). Motherlands: Black Women's Writing from the Caribbean, Africa and South Asia. Rutgers University Press.

Nasta, Susheila ed. (1992). Highway in the Sun. Leeds: Peepal Tree Press.

Nasta, Susheila ed. (2000). Reading the New Literatures in a Postcolonial Era. Essays and Studies, 53. Cambridge: Boydell & Brewer.

Nasta, Susheila and Rutherford, Anna eds. (1995). Tiger's Triumph: Celebrating Sam Selvon. Sydney: Dangaroo Press.

Nasta, Susheila ed. (2012). India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave.

Neale, Derek ed. (2009). A creative writing handbook: developing dramatic technique, individual style and voice. London: A&C Black.

Owens, W. R. and Sim, Stuart eds. (2007). Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and Discourse, 33. Bern, Switzerland: Peter Lang.

Owens, W. R. ed. (1980). Seventeenth Century England: A Changing Culture Vol 2 Modern Studies. London, U.K.: Ward Lock Educational.

Owens, W. R. and Goodman, Lizbeth eds. (1996). Shakespeare, Aphra Behn and the Canon. London, U.K. and New York, NY, U.S.: Routledge.

Poddar, Prem and Johnson, David eds. (2005). A Historical Companion to Postcolonial Literatures in English. Edinburgh, UK: Edinburgh University Press.

Prescott, Lynda ed. (2008). A World of Difference - An Anthology of Short Stories from Five Continents. US: Palgrave Macmillan.

Ramchand, Kenneth and Nasta, Susheila eds. (1989). Foreday Morning: Selected Prose 1946-1986. Longman Caribbean writers. Harlow: Longman.

Ranasinha, Ruvani; Ahmed, Rehana; Mukherjee, Sumita and Stadtler, Florian eds. (2012). South Asians and the Shaping of Britain, 1870−1950: A Sourcebook. Manchester: Manchester University Press.

Tickell, Alex ed. (2005). Selections from 'Bengaliana' by Shoshee Chunder Dutt. Nottingham, UK: Trent Editions.

Towheed, Shafquat ed. (2007). The Correspondence of Edith Wharton and Macmillan, 1901-1930. Basingstoke, UK: Palgrave Macmillan.

Towheed, Shafquat ed. (2007). New Readings in the Literature of British India, c.1780-1947. Studies in English Literatures, Koray Melikoglu (ed.), 9. Stuttgart, Germany: Ibidem Verlag.

Towheed, Shafquat and Owens, W. R. eds. (2011). The History of Reading, Volume 1: International Perspectives, c.1500-1990. Basingstoke, UK: Palgrave Macmillan.

Walder, Dennis ed. (2003). Literature in the modern world: critical essays and documents. 2nd edition. Oxford, UK: Oxford University Press.

Watson, Nicola J. ed. (2009). Literary Tourism and Nineteenth-Century Culture. Houndmills, Basingstoke: Palgrave Macmillan.

Watson, Nicola J. and Maybin, Janet eds. (2009). Children's Literature: Approaches and Territories. Basingstoke, England: Palgrave Macmillan in association with The Open University.

Watson, Nicola J. and Towheed, Shafquat eds. (2011). Romantics and Victorians. Reading and Studying Literature, 2. London: Bloomsbury Academic.

Allen, Richard (2010). Heritage and nationalism. In: Harrison, Rodney ed. Understanding the Politics of Heritage. Understanding global heritage. Manchester: Manchester University Press, pp. 197–233.

Anderson, Linda (2005). Uneasy relations. In: Not Set ed. Write or Wrong?:Creative Writing in the Academy. Issues in English (3). Leicester: The English Association, pp. 21–28.

Anderson, Linda (2009). Film technique in fiction. In: Neale, Derek ed. A Creative Writing Handbook. London: A & C Black/The Open University, pp. 149–163.

Anderson, Linda (2006). Narrative point of view: who tells the story? In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 78–95.

Anderson, Linda (2006). Bodily states. In: Steel, Jayne ed. Wordsmithery: The Writer's Craft and Practice. Basingstoke: Palgrave Macmillan, pp. 212–227.

Anderson, Linda and Neale, Derek (2009). Writing fiction. Abingdon: Routledge.

Anderson, Linda (2005). Write on the wild side: Flying. Mslexia(25) p. 45.

Anderson, Linda (2005). Write on the wild side: Being bold with poetry. Mslexia(24) p. 43.

Anderson, Linda (2006). Stimulating creativity and imagination: What really works? In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 17–32.

Anderson, Linda (2006). Keeping a writer's notebook. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 33–43.

Anderson, Linda (2006). Character creation. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 70–85.

Anderson, Linda (2006). Setting. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 86–98.

Anderson, Linda (2006). Point of view:trying on voices. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 99–112.

Anderson, Linda (2006). Point of view: degrees of knowing. In: Anderson, Linda ed. Creative Writing: A Workbook with Readings. Abingdon/Milton Keynes: Routledge/OU, pp. 113–126.

Asbee, Sue (2013). Margiad Evans: memory, fiction and autobiography. In: Bohata, Kirsti and Gramich, Katie eds. Rediscovering Margiad Evans: liminality, creativity and illness. University of Wales Press, (in press).

Atkinson, Susan D. (1998). A living life, a living death: a study of Bessie Head's writings as a survival strategy. PhD thesis The Open University.

Bainbridge, Emma and Stadtler, Florian (2012). Calling from London, talking to India: South Asian networks at the BBC and the case of G.V. Desani. In: Nasta, Susheila ed. India in Britain: South Asian Networks and Connections, 1858-1950. Basingstoke: Palgrave Macmillan , pp. 164–178.

Booth, James; Nasta, Susheila; Guptara, Prabhu; Thieme, John and Steele, Charles (1984). African, Caribbean, Indian, Australian, and Canadian Literature in English. The Year's Work in English Studies, 65(1) pp. 665–761.

Booth, James; Nasta, Susheila and Knowles, Owen (1982). African, Caribbean, and Canadian literature. The Year's Work in English Studies, 63(1) pp. 462–491.

Booth, James; Nasta, Susheila; Steele, Charles R.; Pollard, Arthur and Guptara, Prabhu (1983). African, Caribbean, Canadian, Indian, and Australian Literature in English. The Year's Work in English Studies, 64(1) pp. 531–586.

Brown, Richard Danson (2002). 'Your thoughts make shape like snow': Louis MacNeice on Stephen Spender. Twentieth-Century Literature, 48(3) pp. 292–323.

Brown, Richard Danson (2005). Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War. Journal of Modern Literature, 28(3) pp. 109–129.

Brown, Richard Danson (2009). Louis MacNeice and the Poetry of the 1930s. Writers and their Work. Tavistock, UK: Northcote House Publishers Ltd.

Brown, Richard Danson (2010). ‘I would abate the sternenesse of my stile’: diction and poetic subversion in Two Cantos of Mutabilitie’. In: Grogan, Jane ed. Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos. Manchester Spenser. Manchester: Manchester University Press, pp. 275–294.

Brown, Richard Danson (2005). His lights are not ours: W. B. Yeats and the wartime poems of Louis MacNeice. In: Harte, Liam; Whelan, Yvonne and Crotty, Patrick eds. Ireland: space, text, time. Dublin, Ireland: Liffey Press, pp. 113–123.

Brown, Richard Danson (2006). MacNeice in Fairy Land. In: Lethbridge, J. B. ed. Edmund Spenser: New and Renewed Directions. Madison, U.S.A.: Fairleigh Dickinson University Press, pp. 352–369.

Brown, Richard Danson (2007). Everyman’s progresses: Louis MacNeice’s dialogues with Bunyan. In: Owens, W. R. and Sim, Stuart eds. Reception, Appropriation, Recollection: Bunyan's Pilgrim's Progress. Religions and discourse (33). Oxford, UK: Peter Lang, pp. 147–163.

Brown, Richard (2012). Review of Richard A. McCabe, ed. The Oxford Handbook of Edmund Spenser. Modern Language Review, 107(1) pp. 271–272.

Brown, Richard (2013). Call you ’em stanzos? Stanza form and reading poetry. The English Review, 23(4) pp. 32–34.

Brown, Richard (2013). ‘Such ungodly terms’: style, taste, verse satire and epigram in The Dutch Courtesan. Department of Theatre, Film and Television, University of York, York.

Brown, Richard (2011). 'Can't we ever, my love, speak in the same language?': everyday language and creative tension in the poetry of Louis MacNeice. In: Swann, Joan; Pope, Rob and Carter, Ronald eds. Creativity in Language and Literature: The State of the Art. Houndmills: Palgrave Macmillan, pp. 39–54.

Brown, Richard Danson (2010). “Modern Bondage” or reading for rhyme. The English Review, 20(4) pp. 2–5.

Brown, Richard Danson (2008). W.S. Graham: I Leave This At Your Ear. The English Review, 19(2) pp. 9–12.

Brown, Richard Danson (2010). C Day-Lewis: A Life. The Modern Language Review, 105(4) pp. 859–860.

Brown, Richard Danson (2010). Book review: Edmund Spenser, Selected Letters and Other Papers, Christopher Burlinson and Andrew Zurcher (eds). The Modern Language Review, 105(3) pp. 832–834.

Brown, Richard Danson (2010). Book Review: Gerald Dawe (ed) 'Earth Voices Whispering: An Anthology of Irish War Poetry 1914-1945'. Wasafiri, 62, http://www.wasafiri.org/.

Brown, Richard Danson (2009). Book review: Andrew Zurcher, Spenser's Legal Language: Law and Poetry in Early Modern England. The Modern Language Review, 104(2) pp. 546–548.

Brown, Richard Danson (2008). Book review: Richard Chamberlain, 'Radical Spenser: Pastoral, Politics and the New Aestheticism'. Yearbook of English Studies, 38(1 & 2) pp. 268–269.

Brown, Richard Danson (2008). Andrew Hadfield, ‘Shakespeare and Renaissance Politics’, and ‘Shakespeare, Spenser and the Matter of Britain’. Yearbook of English Studies, 38(1 & 2) pp. 269–271.

Brown, Richard Danson (2008). Book review: John Stubbs, 'Donne: The Reformed Soul'. Yearbook of English Studies, 38(1 & 2) pp. 272–274.

Brown, Richard Danson (2008). Book review: Louis MacNeice, ‘Collected Poems’, Peter McDonald (ed). The Modern Language Review, 103(1) pp. 213–214.

Brown, Richard Danson (2011). Reading iambic pentameter. English Review, 22(2) pp. 34–37.

Brown, Richard Danson and Lethbridge, Julian (2013). Concordance to the Rhymes of the Faerie Queene. The Manchester Spenser. Manchester, UK: Manchester University Press.

Da Sousa Correa, Delia (2003). George Eliot, music and Victorian culture. Basingstoke, UK: Palgrave Macmillan.

Da Sousa Correa, Delia (2000). 'The music vibrating in her still': Music and memory in George Eliot's the mill on the floss and Daniel Deronda. Nineteenth-Century Contexts, 21(4) pp. 541–563.

Da Sousa Correa, Delia (2009). Introduction. Katherine Mansfield Studies, 1

Da Sousa Correa, Delia (1999). Goddesses of Instruction and Desire: Ruskin and Music. In: Birch, Dinah ed. Ruskin and the Dawn of the Modern. Oxford: Oxford University Press, pp. 111–130.

Da Sousa Correa, Delia (2006). Introduction. In: Da Sousa Correa, Delia ed. Phrase and subject: studies in literature and music. Oxford, UK: Legenda: MHRA/Maney Publishing, pp. 1–10.

Da Sousa Correa, Delia (2000). Jane Eyre: inside and out. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms. Routledge, pp. 117–135.

Da Sousa Correa, Delia (2007). Victorian Soundscapes and the potential for interdisciplinary exchange. In: Hewitt, Martin and Cowgill, Rachel eds. Victorian Soundscapes Revisited. Leeds Working Papers in Victorian Studies, 9. Leeds: Leeds Centre for Victorian Studies, pp. 9–36.

Da Sousa Correa, Delia (1997). George Eliot and the Germanic 'Musical Magus'. In: Rignall, John ed. George Eliot and Europe. Warwick Studies in the European Humanities. Scolar Press, pp. 98–112.

Da Sousa Correa, Delia (2011). Performativity in words: musical performance in Katherine Mansfield's stories. Katherine Mansfield Studies, 3 pp. 84–98.

Da Sousa Correa, Delia (2012). George Eliot and the 'Expressiveness of Opera'. Forum for Modern Language Studies, 48(2) pp. 164–177.

Da Sousa Correa, Delia (2012). Musical performativity in the fiction of Katherine Mansfield. In: Bernhart, Walter and Halliwell, Michael eds. Word and Music Studies: Essays on Performativity and on Surveying the Field. Word and Music Studies (12). Amsterdam: Rodopi, pp. 71–86.

Da Sousa Correa, Delia (2013). Voice and vocation in the novels of George Eliot. In: Bernhart, Walter and Kramer, Lawrence eds. Word and Music Studies. Amsterdam: Rodopi, (In press).

Da Sousa Correa, Delia (2005). The stories of Katherine Mansfield. In: Brown, Richard Danson and Gupta, Suman eds. Aestheticism and Modernism: Debating Twentieth-Century Literature 1900-1960. Twentieth-Century Literature: Texts and Debates. Abingdon, UK: Routledge, pp. 68–116.

Da Sousa Correa, Delia (2010). Literary research and other media. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 148–166.

Da Sousa Correa, Delia (2000). Jane Eyre and Genre. In: Da Sousa Correa, Delia ed. The Nineteenth-Century Novel: Realisms. Routledge, pp. 87–116.

Da Sousa Correa, Delia (2013). 'Katherine Mansfield's Ninteenth-Century Musicality'. In: Ellis, Katharine and Weliver, Phyllis eds. Words and Notes in the Nineteenth-Century. Boydell and Brewer, (in press).

Da Sousa Correa, Delia (2013). Music. In: Harris, Margaret ed. George Eliot in Context. Cambridge: Cambridge University Press, (In Press).

Da Sousa Correa, Delia (2011). Katherine Mansfield and music: nineteenth-century echoes. In: Kimber, Gerri and Wilson, Janet eds. Celebrating Katherine Mansfield: a Centenary Volume of Essays. Basingstoke: Palgrave MacMillan, pp. 84–98.

Da Sousa Correa, Delia (2001). The Portrait of a Lady and the “house of fiction”. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century novel. UK: Routledge, pp. 95–156.

Da Sousa Correa, Delia (2001). The Portrait of a Lady: identity and gender. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 116–136.

Da Sousa Correa, Delia (2001). The Portrait of a Lady: Henry James as critic. In: Walder, Dennis ed. The Nineteenth-Century Novel: Identities. The Nineteenth-Century Novel. UK: Routledge, pp. 137–156.

Da Sousa Correa, Delia (2011). 'Wuthering Heights at home'. In: Watson, Nicola and Towheed, Shafquat eds. Romantics and Victorians. London: Bloomsbury Academic, pp. 347–374.

Da Sousa Correa, Delia (2011). 'Wuthering Heights abroad'. In: Watson, Nicola J. and Towheed, Shafquat eds. Romantics and Victorians. Reading and Studying Literature (2). London: Bloomsbury Academic, pp. 375–408.

Da Sousa Correa, Delia and Kimber, Gerri (2009). Katherine Mansfield Studies 1. Edinburgh University Press.

Da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Katherine Mansfield Studies 2. Edinburgh University Press.

Da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Katherine Mansfield Studies 3: Katherine Mansfield and the Arts. Edinburgh University Press, Edinburgh.

Da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2010). Introduction. Katherine Mansfield Studies, 2(1) pp. 1–3.

Da Sousa Correa, Delia; Kimber, Gerri and Reid, Susan (2011). Introduction. Katherine Mansfield Studies

Da Sousa Correa, Delia; Samuels, Robert and Chornik, Katia (2009). Literature and music: Interdisciplinary research and teaching at the Open University. Working With English: Modern and Medieval Language, Literature and Drama, 5 pp. 50–61.

Dobson, Michael and Watson, Nicola (2002). Shakespeare en Elizabeth: Een liefdesgeschiedenis. Feit und Fictie, 5(3) pp. 62–81.

Dobson, Michael and Watson, Nicola J. (2004). England's Elizabeth: an afterlife in fame and fantasy. Oxford, UK: Oxford University Press.

Doloughan, Fiona (2010). Bottling the Imagination: writing as metamorphosis in Ali Smith's Girl Meets Boy. New Writing: The International Journal for the Practice and Theory of Creative Writing, 7(3) pp. 241–251.

Doloughan, Fiona (2011). Contemporary Narrative: Textual Production, Multimodality and Multiliteracies. London and New York: Continuum.

Doloughan, Fiona (2005). Reflections on the concept of 'voice' in translation. In Other Words: The Journal for Literary Translators(26) pp. 26–33.

Doloughan, Fiona (2001). Communication Skills and the Knowledge Economy: language, literacy and the production of meaning. Perspectives on Education Policy (11). London, U.K.: Institute of Education.

Doloughan, Fiona (2006). Narratives of travel and the travelling concept of narrative: genre blending and the art of transformation. The Travelling Concept of Narrative, 1 pp. 134–144.

Doloughan, Fiona (2005). "Reading Images, Telling Tales: Meaning-Making and the Culture of Narrativity". International Journal of Learning, 11 pp. 1697–1701.

Doloughan, Fiona (2012). Transforming texts: learning to become a (creative) writer through reading. New Writing: The International Journal For the Practice and Theory of Creative Writing, 9(2) pp. 182–203.

Doloughan, Fiona (2013). The construction of space in contemporary narrative: a case study. Journal of Narrative Theory (In Press).

Doloughan, Fiona J. (2002). Translating the self: Ariel Dorfman's bilingual journey. Language and Intercultural Communication, 2(2) pp. 147–152.

Doloughan, Fiona J. (2009). Text design and acts of translation: the art of textual remaking and generic transformation. Translation and Interpreting Studies, 4(1) pp. 101–115.

Doloughan, Fiona J. (2002). The language of reflective practice in art and design. Design Issues, 18(2) pp. 57–64.

Doloughan, Fiona J. (2004). The myth of the great return: memory, longing and forgetting in Milan Kundera's Ignorance. In: Hanne, Michael ed. Creativity in Exile. Rodopi Perspectives on Modern Literature (29). Amsterdam and New York, NY, U.S.: Rodopi, pp. 141–150.

Doloughan, Fiona J. (2010). Multimodal storytelling: performance and inscription in the narration of art history. In: Page, Ruth ed. New Perspectives on Narrative and Multimodality. Routledge Studies in Multimodality (1). New York and Abingdon, Oxon.: Routledge, pp. 14–30.

Florian, Stadtler (2012). Britain's forgotten volunteers: Indian contributions in the two World Wars. In: Ranasinha, Ruvani ed. South Asians and the Shaping of Britain: A sourcebook. Manchester: Manchester University Press, (In press).

Forsyth, Michael (1999). Julia Kavanagh in her times : novelist and biographer, 1824-1877. PhD thesis The Open University.

Fraser, Robert (2001). The chameleon poet: a life of George Barker. London, UK: Jonathan Cape.

Fraser, Robert (2002). The Chameleon Poet: A Life of George Barker. Paperback edition [revised]. London, UK: Pimlico.

Fraser, Robert (2002). Ben Okri: Towards the Invisible City. Writers and their work. Tavistock, UK: Northcote House.

Fraser, Robert (2001). "Not that fair field of Enna": Milton, Ruskin and Protestant Longing. The Long Poem Newsletter(10) pp. 3–4.

Fraser, Robert (2001). Lonely Londoners 1890's style: Joseph Casely-Hayford's Ethiopia Unbound. Wasafiri, 34 52 -55.

Fraser, Robert (2001). Postcolonial Cities: Michael Ondaatje's Toronto and Yvonne Vera's Bulawayo. Studies in Canadian Literature/ Etudes en litterature canadienne, 26(2) pp. 40–48.

Fraser, Robert (2002). "Is there a Gibbon in the house?": Migration, Postcoloniality and the Fall and Rise of Europe. Moving Worlds: A Journal of Transcultural Studies, 2(2) pp. 102–114.

Fraser, Robert (2003). Mapping the Mind: Borders, Migration and Myth. Wasafiri(39) pp. 47–54.

Fraser, Robert (2004). "Have fair fallen": Gerard Manley Hopkins and Henry Purcell. The London Magazine(April-May) pp. 58–66.

Fraser, Robert (2003). "Whatever is, is right": Handel's penultimate oratorio and the pity of war. Times Literary Supplement(5207) pp. 13–14.

Fraser, Robert (2003). Songs of a Tadpole. Times Literary Supplement p. 20.

Fraser, Robert (2004). Proust's Cup of Tea: Homoeroticism and Victorian Culture. Victorian Studies, 46(2 [Winter]) pp. 370–372.

Fraser, Robert (2004). Write disobediently. The London Magazine(August-September 2004) pp. 116–120.

Fraser, Robert (2002). Hume, Sir James Frazer, Irony and Belief. The Edinburgh Review, 110(1) pp. 48–55.

Fraser, Robert (2005). War and the colonial book trade: the case of OUP India. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 29 pp. 93–104.

Fraser, Robert (2007). Letters of J.G.Frazer. The Classical Review, 57 (New Series)(1) pp. 243–245.

Fraser, Robert (2008). Book History Through Postcolonial Eyes: Rewriting the Script. London, UK: Routledge.

Fraser, Robert (2003). The Lamp of Truth: Proust and George Eliot. In: Bloom, Harold ed. Marcel Proust. Modern Critical Views. Philadelphia, USA: Chelsea House Publishers, pp. 37–62.

Fraser, Robert (2007). Sir James Frazer and Marian McNeill. In: Brown, Ian; Clancy, Thomas Owen; Manning, Susan and Pittock, Murray G. eds. The Edinburgh History of Scottish Literature. Edinburgh: Edinburgh University Press, pp. 69–74.

Fraser, Robert (2002). Charles Kingsley (1819-1875). In: Clark, Robert and Todd, Janet eds. The Literay Encycopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Sir James Frazer (1854-1941). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London, UK: The LIterary Dictionary.

Fraser, Robert (2002). George Barker (1913-1991). In: Clark, Robert and Todd, Janet eds. The Literay Encyclopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2002). Ben Okri (1959-). In: Clark, Robert and Todd, Janet eds. The Literary Encyclopaedia and Dictionary. London: The Literary Dictionary.

Fraser, Robert (2007). George Barker's Sonnet of Fishes. In: Hanke, Michael ed. Fourteen English sonnets: critical essays. Studien Zur Anglistischen Literatur-und-Sprach-Wissenschaft (28). Trier, Germany: Wissenschaftlicher Verlag, pp. 145–157.

Fraser, Robert (2004). George Granville Barker (1913-1991). In: Harrison, Brian ed. The Oxford Dictionary of National Biography. Oxford: Oxford University Press, pp. 373–374.

Fraser, Robert (2004). Marina Warner with Robert Fraser. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. London and New York: Routledge, pp. 365–376.

Fraser, Robert (2005). Frantz Fanon. In: Poddar, Prem and Johnson, David eds. A Historical Companion to Postcolonial Literatures in English. Edinburgh: Edinburgh University Press, pp. 152–154.

Fraser, Robert (2005). Mapping the mind: borders, migration and myth. In: Ponzanesi, Sandra and Merolla, Daniela eds. Migrant cartographies: new cultural and literary spaces in post-colonial Europe. Oxford, UK: Lexington Books, pp. 55–66.

Fraser, Robert (2004). Nineteenth-century adventure and fantasy: James Morier, George Meredith, Lewis Carroll and Robert Louis Stevenson. In: Saunders, Corrine ed. A Companion to Romance: from Classical to Contemporary. Blackwell Companions to Literature and Culture. Oxford, UK: Blackwell, pp. 389–406.

Fraser, Robert (2003). New York. In: Speake, Jennifer ed. Literature of Travel and Exploration. New York and London: Fitzroy Dearbourn/Routledge, pp. 846–848.

Fraser, Robert (2003). Mungo Park. In: Speake, Jennifer ed. Literature of Travel and Exploration. New York and London: Fitzroy Dearbourn/Routledge, pp. 924–926.

Fraser, Robert (2003). Sahel. In: Speake, Jennifer ed. Literature of Travel and Exploration. New York and London: Fitzroy Dearbourn/Routledge, pp. 1044–1046.

Fraser, Robert (2003). Timbuctoo. In: Speake, Jennifer ed. LIterature of Travel and Exploration. New York and London: Fitzroy Dearbourn/Routledge, pp. 1181–1183.

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Katritzky, M. A. (2004). Pickelhering and Hamlet in Dutch art: The English comedians of Robert Browne, John Green, and Robert Reynolds. Shakespeare Yearbook, 15(Shakespeare and the Low Countries) pp. 113–140.

Katritzky, M. A. (2001). Gendering tooth-drawers on the stage. Ludica, annali di storia e civilta del gioco, 5-6 (2000) pp. 144–181.

Katritzky, M. A. (2006). Improvisation in the arts of the middle ages and renaissance. Early Theatre, 9(1) pp. 149–152.

Katritzky, M. A. (2008). Secrets of women: Gender, generation and the origins of human dissection. Social History of Medicine, 21(1) pp. 198–199.

Katritzky, M. A. (1987). Italian comedians in renaissance prints. The Print Quarterly, 4(3) pp. 236–254.

Katritzky, M. A. (1988). A renaissance commedia dell'arte performance: towards a definitive sequence of Sieur Fossard's woodcuts? Nationalmuseum Bulletin, 12(1) pp. 37–53.

Katritzky, M. A. (1997). A German description of the Florentine intermedi of 1565. Italian Studies, 52 pp. 63–93.

Katritzky, M. A. (1998). A court festival set in the garden of an Italian villa. Trinity Fine Art, London.

Katritzky, M. A. (1999). Hippolytus Guarinonius's descriptions of commedia dell'arte lazzi in Padua, 1594-97. Quaderni Veneti, 30, pp. 61–126.

Katritzky, M. A. (2009). Book review: From Physick to Pharmacology: Five Hundred Years of British Drug Retailing. The Sixteenth Century Journal, 40(4) pp. 1167–1169.

Katritzky, M. A. (2008). Guarinonius' lazzi: English comedians, Italian charlatans, and German quacks in a medical treatise of 1610. In: Amann, Klaus and Siller, Max eds. Hippolytus Guarinonius. Akten des 5. Symposiums der Sterzinger Osterspiele (5.-7. 4. 2004) "Die Greuel der Verwüstung menschlichen Geschlechts." Zur 350. Wiederkehr des Todesjahres von Hippolytus Guarinonius (1571-1654). Schlern-Schriften (340). Innsbruck: Universitätsverlag Wagner, pp. 107–137.

Katritzky, M. A. (2008). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England, 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M. A. (1996). Scenery, setting and stages in late renaissance commedia dell'arte performances: some pictorial evidence. In: Cairns, Christopher ed. Scenery, set and staging in the Italian renaissance: studies in the practice of theatre. Lewiston, New York: Edwin Mellen Press, pp. 209–288.

Katritzky, M. A. (1989). The Recueil Fossard 1928-88: a review and three reconstructions. In: Cairns, Christopher ed. The commedia dell'arte from the renaissance to Dario Fo. The Italian origins of European theatre (VI). Lewiston/Queenston/Lampeter: Edwin Mellen Press, pp. 99–116.

Katritzky, M. A. (1999). Mountebanks, mummers and masqueraders in Thomas Platter's diary (1595-1600). In: Cairns, Christopher ed. The Renaissance Theatre: Texts, Performance, Design. Aldershot: Ashgate, pp. 12–29.

Katritzky, M. A. (2010). Checklist of libraries, print, online and other research resources. In: Da Sousa Correa, Delia and Owens, W. R. eds. The Handbook to Literary Research. Abingdon: Routledge, pp. 224–249.

Katritzky, M. A. (2008). English troupes in early modern Germany: the women. In: Henke, Robert and Nicholson, Eric eds. Transnational exchange in early modern theater. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 35–46.

Katritzky, M. A. (1998). Special Issue of Theatre Research International: The Commedia dell'Arte. Cambridge University Press.

Katritzky, M. A. (2008). Special section of [the journal] Early Theatre. Issues in Review Essays: New Developments in Commedia Research. Centre for Reformation and Renaissance Studies.

Katritzky, M. A. (2000). Carnival and comedy in Georg Straub of St Gallen's printed album amicorum of 1600. In: Laufhuette, Hartmut ed. Kuenste und Natur in Diskursen der Fruehen Neuzeit. Wolfenbuetteler ARbeiten zur Barockforschung (35). Wiesbaden: Harrassowitz Verlag, pp. 603–633.

Katritzky, M. A. (1998). Harlekin demaskerad - en upptackt av Agne Beijer [Harlequin revealed: a discovery by Agne Beijer]. In: Lundgren, Eva ed. Drottningholms Slottsteater: Program 1998. Strangnas: Expo Print AB, pp. 92–103.

Katritzky, M. A. (1992). The diaries of Prince Ferdinand of Bavaria: commedia dell'arte at the wedding festivals of Florence (1565) and Munich (1568). In: Mulryne, J. R. and Shewring, Margaret eds. Italian renaissance festivals and their European influence. Studies in Italian Theatre and Commedia dell'Arte (3). Lewiston / Queenston / Lampeter: Edwin Mellen Press, pp. 143–172.

Katritzky, M. A. and Heck, Thomas F. (1999). Selected iconographic research resources. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 163–186.

Katritzky, M.A. (2005). The commedia dell'arte: a theatre-iconographical perspective. Maske und Kothurn, 50(3) pp. 19–43.

Katritzky, M.A. (2002). 'Unser sind drey': the quacks of Beer, Printz and Weise. Maske und Kothurn, 48(1-4) pp. 117–142.

Katritzky, M.A. (1988). Commedia dell'arte och kvinnornas debut pa teaterscenen. Astra [now published in Helsinki as: Tidskriften Astra Nova], 70(9) pp. 24–27.

Katritzky, M.A. (2002). Theatre iconography in costume series: the "New York" friendship album. In: Balme, Christopher; Erenstein, Robert and Molinari, Cesare eds. European Theatre Iconography. Rome: Bulzoni Editore, pp. 171–196.

Katritzky, M.A. (2005). Reading the actress in commedia imagery. In: Brown, Pamela Allen and Parolin, Peter eds. Women players in England 1500-1660: beyond the all-male stage. Studies in performance and early modern drama. Aldershot, UK: Ashgate, pp. 109–143.

Katritzky, M.A. (2004). The autobiographical writings of Felix and Thomas II Platter: court festivals and commedia dell'arte. In: Eversmann, Peter; van Gaal, Rob and van der Zalm, Rob eds. Theaterwetenschap spelenderwijs: theatre studies at play. Amsterdam: Pallas Publications, pp. 34–56.

Katritzky, M.A. (2004). What did Vigil Raber's stage really look like? Questions of authenticity and integrity in medieval theatre iconography. In: Gebhardt, Michael and Siller, Max eds. Vigil Raber: zur 450. Wiederkehr seines Todesjahres. Schlern-Schriften, 326. Innsbruck: Universitaetsverlag Wagner.

Katritzky, M.A. (1999). Performing-arts iconography: tradition, techniques, and trends. In: Heck, Thomas F. ed. Picturing Performance: The Iconography of the Performing Arts in Concept and Practice. Rochester, NY: University of Rochester Press, pp. 68–90.

Katritzky, M.A. (2009). Quacksalber in den Schriften Christian Weises und Johann Kuhnaus: "Der Politische Quacksalber" (1693) und "Der Musicalische Qvack=salber" (1700). In: Hesse, Peter ed. Poet und Praeceptor Christian Weise (1642 - 1708) zum 300. Todestag; Tagungsband. Dresden: Neisse Verlag, pp. 319–340.

Katritzky, M.A. (2007). Text and performance: medieval religious stage quacks and the commedia dell'arte. In: Kasten, Ingrid and Fischer-Lichte, Erika eds. Transformationen des Religioesen. Performativitaet und Textualitaet im geistlichen Spiel. Trends in Medieval Philology, 11. Berlin: Walter de Gruyter, pp. 99–126.

Katritzky, M.A. (2007). 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals. In: Nichols, Tom ed. Others and Outcasts in Early Modern Europe: Picturing the Social Margins. UK: Ashgate, pp. 197–214.

Katritzky, M.A. (2001). Franco Bertelli's "Carnevale Italiano Mascherato" of 1642 and other printed influences on theatrical pictures in alba amicorum. In: Pelc, Milan ed. Klovicev Zbornik: minijatura - crtez - grafika 1450. - 1700. Zagreb, Croatia: Hrvatska akademiha znanosti i umjetnosti - Institut za povijest umjetnosti, pp. 217–229.

Katritzky, M.A. (2003). The mountebank: a case study in early modern theater iconography. In: Twining, William and Hampsher-Monk, Ian eds. Evidence and inference in history and law: interdisciplinary dialogues. Evanston, U.S.A.: Northwestern University Press, pp. 231–286.

Katritzky, M.A. (2001). Aby Warburg and the Florentine intermedi of 1589: extending the boundaries of art history. In: Woodfield, Richard ed. Art history as cultural history: Warburg's projects. Amsterdam: G+B Arts International, pp. 209–258.

Katritzky, M. A. (2000). Comic stage routines in Guarinonius's medical treatise of 1610. Theatre Research International, 25(3) pp. 217–232.

Katritzky, M. A. (2008). Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents. Early Theatre, 11(2) pp. 141–155.

Katritzky, M. A. (2004). Book reviews: Performance and Literature in the commedia dell'arte (Robert Henke); Music and Women of the commedia dell'arte in the Late Sixteenth Century (Anne MacNeil); Das Spiel mit Gattungen bei Isabella Canali Andreini: Band 1, zum Verhältnis von Improvisation und Schriftkultur in der Commedia dell'arte, Band II, Lettere (1607) (Britta Brandt); La Mirtilla: a pastoral (Isabella Andreini); Improvisation in the Arts of the Middle Ages and Renaissance (Timothy J. McGee); Theater am Hof und für das Volk. Beiträge zur vergleichenden Theater und Kulturgeschichte. Festschrift für Otto G Schindler zum 60. Geburtstag (Brigitte Marschall). Theatre Research International, 29(1) pp. 78–81.

Katritzky, M. A. (1987). Lodewyk Toeput: Some pictures related to the commedia dell'arte. Renaissance Studies, 1(1) pp. 71–125.

Katritzky, M. A. (1991). How did the Commedia dell'arte cross the Alps to Bavaria? Theatre Research International, 16(3) pp. 201–215.

Katritzky, M. A. (1999). Aby Warburg's 'Costumi teatrali' (1895) and the art historical foundations of theatre iconography. Theatre Research International, 24(2) pp. 160–167.

Katritzky, M. A. (1996). Eight portraits of Gelosi actors in 1589? Theatre Research International, 21(2) pp. 108–120.

Katritzky, M. A. (1996). The Florentine entrata of Joanna of Austria and other entrate described in a German diary. Journal of the Warburg and Courtauld Institutes, 59 pp. 148–173.

Katritzky, M. A. (1997). Harlequin in renaissance pictures. Renaissance Studies, 11(4) pp. 381–419.

Katritzky, M. A. (1998). The Commedia dell'arte: An introduction. Theatre Research International, 23(2) pp. 99–103.

Katritzky, M. A. (1998). Was Commedia dell'arte performed by mountebanks? Album amicorum illustrations and Thomas Platter's description of 1598. Theatre Research International, 23(2) pp. 104–125.

Katritzky, M. A. (2010). Zan Bragetta a Jean Potage: divadelní ko?ovníci v ran? novov?ké Evrop? Divaldelni Revue, 2(1) pp. 48–61.

Katritzky, M. A. (2012). “‘The picture of “We three”’: a transnational visual and verbal formula before, during and after the lifetime of Shakespeare. In: Filatkina, Natalia; Muench, Birgit Ulrike and Kleine-Engel, Ane eds. Formelhaftigkeit in Text und Bild. Trierer Beitraege zu den historischen Kulturwissenschaften (2). Wiesbaden: Reichert Verlag, pp. 223–244.

Katritzky, M. A. (2011). Images of “monsters” and performers: J A Comenius's Orbis pictus and Aristotle's Masterpiece. In: Kümper , Hiram and Simić , Vladimir eds. Practicing new editions: transformation and transfer of the early modern book, 1450-1800. Bibliothemata (26). Nordhausen: Bautz, pp. 77–118.

Katritzky, M. A. (2010). I costumi della commedia dell–arte Italiana negli alba amicorum tedeschi. In: Martino, Alberto and De Michele, Fausto eds. La Ricezione Della Commedia Dell'Arte Nell'Europa Centrale, 1568-1769 : Storia, Testi, Iconografia. Pisa, Italy: Fabrizio Serra Editore, pp. 461–509.

Katritzky, M.A. (2001). Marketing medicine: the image of the early modern mountebank. Renaissance Studies, 15(2) pp. 121–153.

Katritzky, M.A. (2012). Healing, performance and ceremony in the writings of three early modern physicians: Hippolytus Guarinonius and the brothers Felix and Thomas Platter. The history of medicine in context. Ashgate.

Katritzky, M. A. (1996). Orlando di Lasso and the commedia dell'arte. In: Schmid, Bernhold ed. Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994. Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111). München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.

King, Edmund (2008). Pope's 1723–25 Shakespear, classical editing, and humanistic reading practices. Eighteenth-Century Life, 32(2) pp. 3–13.

King, Edmund (2004). “Small-scale copyrights”?: Quotation marks in theory and in practice. Papers of the Bibliographical Society of America, 98(1) pp. 39–53.

King, Edmund (2010). Alexander Turnbull's ‘dream imperial’: collecting Shakespeare in the colonial antipodes. Script and Print: Bulletin of the Bibliographical Society of Australia and New Zealand, 34(2) pp. 69–86.

King, Edmund (2009). Lewis Theobald, Double Falshood, and the 1733 Works of Shakespeare. In: International Cardenio Colloquium, 22-24 May 2009, Victoria University of Wellington, New Zealand.

King, Edmund (2008). Jacob’s Sons in the South Pacific: The Geoeschatology of Edwin Fairburn’s "Ships of Tarshish". In: Flogging a Dead Horse: Are National Literatures Finished? A Stout Research Centre in the Humanities Conference, 10-13 Dec 2008, Victoria University of Wellington, New Zealand.

King, Edmund (2008). The Shakespearean Book in the Colonial Antipodes: The Case of Alexander Turnbull. In: Bibliographical Society of Australia and New Zealand Conference, 2008, 2-3 Oct 2008, University of Sydney, Australia.

King, Edmund (2008). "Fragments minutely broken": text, paratext, and authorship in the eighteenth-century Shakespeare edition. In: Australia and New Zealand Shakespeare Association Conference, 2008, 6-9 February 2008, University of Otago, Dunedin, New Zealand.

King, Edmund (2011). A captive audience? The reading lives of Australian prisoners of war, 1914–18. In: Open University Book History and Bibliography Research Group Seminars: Reading andthe First World War, 12 February 2011, London, UK.

King, Edmund (2011). Reading the Great War through Wilfrid Scawen Blunt: J. A. Fallows, MA, and His Copy of My Diaries, 1900–1914. In: Society for the History of Authorship, Reading and Publishing Regional Conference , 28-30 April 2011, University of Queensland, Brisbane, Australia.

King, Edmund (2013). “Books are more to me than food”: British prisoners of war as readers, 1914-1918. Book History, 16 (In press).

King, Edmund (2010). Narratives about collaborating playwrights: the new bibliography, “disintegration”, and the problem of multiple authorship in Shakespeare. In: Johnson, Laurie and Chalk, Darryl eds. “Rapt in Secret Studies”: Emerging Shakespeares. Newcastle Upon Tyne: Cambridge Scholars Publishing, pp. 249–268.

King, Edmund C. G. (2011). Man of science, man of religion: the reading of a medical missionary in Uganda, 1896-1918. In: SHARP 2011: The Book in Art and Science, 14-17 July 2011, Washington, D.C., USA.

King, Edmund G. C. (2010). Fragmenting authorship in the eighteenth-century Shakespeare edition. Shakespeare, 6(1) pp. 1–19.

King, Edmund G. C. (2010). Towards a prehistory of the gothic mode in nineteenth-century New Zealand writing. Journal of New Zealand Literature, 28(2) pp. 35–57.

King, Edmund G. C. (2012). Cardenio and the Eighteenth-century Shakespeare Canon. In: Carnegie, David and Taylor, Gary eds. The Quest for Cardenio: Shakespeare, Fletcher, Cervantes and the Lost Play. Oxford: Oxford University Press, pp. 81–94.

Lavery, Hannah (2011). Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. Early Modern Literary Studies, 15(3)

Lavery, Hannah (2012). Breaking down barriers with tablet technology for teaching. Educause Review Online

Nasta, Susheila (2002). Home truths: fictions of the South Asian diaspora in Britain. Basingstoke, UK: Palgrave.

Nasta, Susheila (2006). Blake Morrison and Hanif Kureishi with Susheila Nasta. Wasafiri, 22(48) pp. 19–27.

Nasta, Susheila (2009). Moses Migrating: A Novel (new edition) by Sam Selvon, with an introduction by Susheila Nasta. Lynne Reiner, Boulder, Colorado.

Nasta, Susheila (2009). "Beyond the frame": Writing a life and Jamaica Kincaid's family album. Contemporary Women's Writing, 3(1) pp. 64–86.

Nasta, Susheila (2009). Special Issue: Everything to declare: 25th anniversary issue of Wasafiri. Routledge, Abingdon.

Nasta, Susheila (2002). Romesh Gunesekera. British Council Arts Group.

Nasta, Susheila (2002). V.S.Naipaul. British Council Arts Group.

Nasta, Susheila (2002). Earl Lovelace. British Council Arts Group.

Nasta, Susheila (2002). Special Issue of Wasafiri: Writing in Britain: Shifting geographies. Routledge, Abingdon.

Nasta, Susheila (1992). An Annotated Bibliography of Novelists from Africa, the Caribbean and South Asia. London, UK: British Council Publications.

Nasta, Susheila (1983). Samuel Selvon: a preliminary bibliography. Journal of Commonwealth Literature, 18(1) pp. 131–143.

Nasta, Susheila (1996). Githa Hariharan talks to Susheila Nasta. Wasafiri, 12(24) pp. 22–25.

Nasta, Susheila (2000). Beyond the millennium: Black women's writing. Women: A Cultural Review, 11(1-2) pp. 71–76.

Nasta, Susheila (2006). Writing a Life: Hanif Kureishi and Blake Morrison in Conversation. Wasafiri, 21(2) pp. 40–52.

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Nasta, Susheila (2000). Homes without walls: new South Asian voices in Britain. In: Crane, Ralph and Mohanran, Radhika eds. Shifting Continents/Colliding Cultures:Diaspora Writing of the Indian Subcontinent. Amsterdam: Rodopi Press, pp. 18–27.

Nasta, Susheila (1988). Teaching the lonely Londoners. In: Dabydeen, David ed. A Handbook for the Teaching of Caribbean Literature. Heinemann, pp. 25–35.

Nasta, Susheila (2004). Abdulrazak Gurnah's 'paradise'. In: Johnson, David ed. The popular and the canonical: debating twentieth-century literature 1940-2000. Twentieth-century literature: texts and debates. Abingdon, UK: Routledge, pp. 294–343.

Nasta, Susheila (1995). Setting up home in the City of Words: Sam Selvon's London novels. In: Lee, R ed. Other Britain, other British : contemporary multicultural fiction. London: Pluto Press, pp. 48–69.

Nasta, Susheila (1996). Wasafiri: history, politics and post-colonial literature. In: Maes-Jelinek, Hena; Collier, Gordon and Davis, Geoffrey V. eds. A Talent(ed) Digger: Creations, Cameos, and Essays in Honour of Anna Rutherford. Amsterdam: Rodopi, pp. 127–133.

Nasta, Susheila (2005). 'Voyaging in': colonialism and migration. In: Marcus, Laura and Nicholls, Peter eds. The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge, UK: Cambridge University Press, pp. 563–582.

Nasta, Susheila (2006). Special Issue of Wasafiri: Life-writing. Routledge, Abingdon.

Nasta, Susheila (2004). Editorial: Making tracks: Wasafiri 1984-2004. Wasafiri(42)

Nasta, Susheila (2004). Sam Selvon with Susheila Nasta. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. Abingdon: Routledge, pp. 1–12.

Nasta, Susheila (2004). Moyez Vassanji with Susheila Nasta. In: Nasta, Susheila ed. Writing Across Worlds: Contemporary Writers Talk. Abingdon: Routledge, pp. 69–80.

Nasta, Susheila (2000). Stepping out: reading the new literatures in a postcolonial era. In: Nasta, Susheila ed. Reading the New Literatures in a Postcolonial Era. Essays and Studies. Cambridge: Boydell & Brewer, pp. 2–16.

Nasta, Susheila (2004). Interview with Abdulrazak Gurnah. In: Nasta, Susheila ed. Writing Across Worlds. London: Routledge, pp. 352–363.

Nasta, Susheila (1996). The story of motherlands. In: Newell, Stephanie ed. Images of African and Caribbean Women: Migration, Displacement, Diaspora. Stirling: University of Stirling, pp. 52–62.

Nasta, Susheila (2006). Introduction. Penguin, London, UK.

Nasta, Susheila and Boehmer, Elleke (2007). Editorial to Special Issue of Wasafiri: Cultures of Terror. Wasafiri, 22(51) pp. 1–4.

Nasta, Susheila and Fraser, Robert (2007). Special Issue of Wasafiri: The Book in the World. Routledge, Abingdon.

Nasta, Susheila (2011). Sealing a friendship: George Orwell and Mulk Raj Anand at the BBC (1941-43). Wasafiri, 26(4) pp. 14–21.

Nasta, Susheila (2011). Editorship of Wasafiri General Issue No. 67 (Summer 2011). Wasafiri, 26(3), Abingdon.

Nasta, Susheila (2012). End of empire and the English novel. British Academy Review, 19 pp. 46–49.

Nasta, Susheila (2011). Negotiating a ‘New World Order’: Mulk Raj Anand as a public intellectual at the heart of Empire (1925-1945). In: Ahmed, Rehana and Mukherjee, Sumita eds. South Asian Resistances in Britain, 1858-1947. London: Continuum, pp. 140–161.

Nasta, Susheila (1992). The English-speaking Caribbean. In: Buck, Claire ed. The Bloomsbury Guide to Women's Literature. New York: Prentice Hall General Reference, pp. 155–163.

Nasta, Susheila (2008). Between Bloomsbury, Gandhi and transcultural modernities: The publication and reception of Mulk Raj Anand's Untouchable. In: Fraser, Robert and Hammond, Mary eds. Books Without Borders. Basingstoke, UK: Macmillan, pp. 151–170.

Nasta, Susheila ed. (2006). The Lonely Londoners by Sam Selvon. Penguin Modern Classics. London, U.K.: Penguin Books, v-xvii.

Nasta, Susheila; Ahmed, Rehana; Stadtler, Florian; Mukherjee, Sumita; Boehmer, Elleke and Ranasinha, Ruvani (2010). Making Britain: discover how South Asians shaped the nation, 1870-1950. The Open University, Milton Keynes, UK.

Nasta, Susheila; Stadtler, Florian and Visram, Rozina (2011). Asians in Britain, 1858-1950. The British Library.

Nasta, Susheila; Stadtler, Florian; Visram, Rozina; Pulham, Sheila and Villani, Lisa (2010). South Asians making Britain: timeline. Guardian Newspapers, UK.

Neale, Derek (2007). Writing a wicked commentary. Writing in Education(41) pp. 28–31.

Neale, Derek (2006). The creative process: writing what you know. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon: Routledge, pp. 44–55.

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Neale, Derek (2005). Life writing: using memory. In: Anderson, Linda ed. Creative writing: a workbook with readings. Abingdon, UK: Routledge, pp. 316–330.

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Neale, Derek (2011). Writing and remembering: paradoxes of memory, imagination and fiction in stories about lives. Literature Compass, 8(12) pp. 951–961.

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