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  - Classical Studies (291)

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Number of items at this level: 291.

Authored Book

Bakogianni, Anastasia (2011). Electra Ancient and Modern: Aspects of the Reception of the Tragic Heroine. Bulletin of the Institute of Classical Studies Supplement , 113. London: Institute of Classical Studies.

Barker, Elton (2009). Entering the Agon: Dissent and authority in Homer, historiography and tragedy. Oxford, UK: Oxford University Press.

Barker, Elton and Christensen, Joel (2013). A Beginner’s Guide to Homer. London: One World (In press).

Graham, Emma-Jayne (2006). The Burial of the Urban Poor in Italy in the Late Roman Republic and Early Empire. BAR international series (1565). Oxford: Archaeopress.

Hardwick, Lorna (2003). Reception Studies. Greece and Rome: New Surveys in the Classics (33). Oxford, U.K.: Oxford University Press.

Hardwick, Lorna (2004). Translating words, Translating Cultures. Classical Inter/Faces. London, U.K.: Duckworth.

Hope, Valerie (2007). Death in Ancient Rome: A sourcebook. London, UK: Routledge.

Hope, Valerie (2009). Roman Death. The Dying and the Dead in Ancient Rome. London: Continuum.

Hope, Valerie M. (2001). Constructing identity: the Roman funerary monuments of Aquileia, Mainz and Nimes. British Archaeological Reports, International Series (960). Oxford, UK: Archaeopress.

James, Paula (2011). Ovid's Myth of Pygmalion on Screen: In Pursuit of the Perfect Woman. Continuum Studies in Classical Reception. London: Continuum.

King, Helen (2004). The Disease of Virgins: Green Sickness, Chlorosis and the Problems of Puberty. London: Routledge.

King, Helen (2007). Midwifery, Obstetrics and the Rise of Gynaecology: The Uses of a Sixteenth-Century Compendium. Women and Gender in the Early Modern World. Aldershot: Ashgate.

King, Helen (1998). Hippocrates' Woman: Reading the Female Body in Ancient Greece. London: Routledge.

King, Helen (2013). The One-Sex Body on Trial: The Classical and Early Modern Evidence. Farnham: Ashgate.

King, Helen and Dasen, Véronique (2008). La Médecine dans l' Antiquité grecque et romaine. Lausanne: Editions BHMS.

Llewellyn-Jones, Lloyd and Robson, James (2009). Ctesias' History of Persia: Tales of the Orient. Routledge Classical Translations. Abingdon, Oxon: Routledge.

Paul, Joanna (2013). Film and the Classical Epic Tradition. Classical Presences. Oxford: Oxford University Press (forthcoming).

Perkins, Philip (2007). Etruscan Bucchero in the British Museum. British Museum Research Publication, 165. London, UK: The British Museum Press.

Perkins, Phil (1999). Etruscan Settlement, Society and Material Culture in Central Coastal Etruria. British Archaeological Reports International Series (788). Oxford: J. and E. Hedges.

Ravenhill-Johnson , Annie and James , Paula (2013). The Art and Ideology of the Trade Union Emblem, 1850-1925. London : Anthem Press (In Press).

Robson, James (2006). Humour, obscenity and Aristophanes. Drama - studien zum antiken drama und seiner rezeption, 1. Tuebingen, Germany: Gunter Narr Verlag.

Robson, James (2009). Aristophanes: An Introduction. London: Duckworth.

Robson, James (2013). Sex and Sexuality in Classical Athens. Debates and Documents. Edinburgh: Edinburgh University Press (forthcoming).

Rothe, Ursula (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire. British Archaeological Reports, 2009 (S2038). Oxford: Archaeopress.

Swift, L. A. (2010). The Hidden Chorus: Echoes of Genre in Tragic Lyric. Oxford Classical Monographs. Oxford: Oxford University Press.

Swift, Laura (2008). Euripides: Ion. Duckworth Companions to Greek and Roman Drama. London: Duckworth.

Yamagata, Naoko (1994). Homeric Morality. Mnemosyne, Bibliotheca Classica Batava Supplementum. Brill Academic Publishers.

Edited Book

Alzola Romero, Aarón ed. (2011). Archaeology for the Masses: Theoretical and Methodological Approaches to a Neglected Identity Category. Oxford, UK: British Archaeological Reports (In Press).

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. (2013). New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford: Oxford University Press (forthcoming).

Courtney, Julia and James, Paula eds. (2006). The Role of the Parrot in Selected Texts from Ovid to Jean Rhys: Telling a Story from an Alternative Viewpoint. Lampeter: Edwin Mellen Press.

Devlin, Zoe and Graham, Emma-Jayne eds. (2013). Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Oxford: Oxbow (In press).

Emlyn-Jones, Chris ed. (2007). Plato, Republic 1-2.368c4. Aris and Phillips Classical Commenatries Series. Oxford, UK: Oxbow Books.

Graham, Emma-Jayne and Carroll, Maureen eds. (2013). Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series. Ann Arbor: Journal of Roman Archaeology (In press).

Hales, Shelley and Paul, Joanna eds. (2011). Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Hardwick, Lorna and Gillespie, Carol eds. (2007). Classics in Post-Colonial Worlds. Classical Presences. Oxford, UK: Oxford University Press.

Hope, Valerie M. and Huskinson, Janet eds. (2011). Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books.

Horstmansoff, Manfred; King, Helen and Zittel, Claus eds. (2012). Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture, 25. Leiden: Brill.

Rebay-Salisbury, Katharina; Sorensen, Marie Louise Stig and Hughes, Jessica eds. (2010). Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford: Oxbow.

Sandwell, Isabella and Huskinson, Janet eds. (2003). Culture and Society in late Roman Antioch. Oxford, UK: Oxbow.

Swaddling, Judith and Perkins, Philip eds. (2009). Etruscan by Definition: The Cultural, Regional and Personal Identity of the Etruscans. The British Museum Research Publications (173). London: The British Museum Press.

King, Helen ed. (2005). Health in Antiquity. Abingdon: Routledge.

Book Chapter

Not Set (2005). The mathematics of sex: one to two, or two to one? In: Not Set ed. Sexuality and culture in medieval and renaissance Europe. Studies in Medieval and Renaissance History, 2 (3). New York, NY U.S.: AMS Press, pp. 47–58.

Alzola Romero, Aaron (2008). Los sitios de cada cosa: propuesta intercontextual para el estudio de las interacciones sociales en la protohistoria de la Cataluña Meridional. In: Miñarro Casas, Marta and Valenzuela-Lamas, Silvia eds. Actes del I Congrés de Joves Investigadors en Arqueologia dels Països Catalans: La Protohistòria als Països Catalans. Arqueomediterrània (10). Barcelona: Universidad de Barcelona, pp. 205–214.

Alzola Romero, Aaron (2005). ¿Colonizadores colonizados? Acercamientos teóricos recientes al papel fenicio en el sur de la Península Ibérica. In: Blanco, Antonio; Cancelo, Carlos and Esparza, Ángel eds. Bronce Final y Edad del Hierro en la Península Ibérica: Encuentro de Jóvenes Investigadores. Aquilafuente (86). Salamanca: Universidad de Salamanca, pp. 469–478.

Bakogianni, Anastasia (2009). Electra in Sylvia Plath’s poetry: a case of identification. In: Harrison, Stephen J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Oxford: OUP, pp. 194–217.

Bakogianni, Anastasia (2013). The triumph of dimotiki: the triumph of Medea. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A Democratic Turn? Classical Presences. Oxford: Oxford University Press, (In Press).

Bakogianni, Anastasia (2013). Annihilating Clytemnestra: the severing of the mother-daughter bond in Michael Cacoyannis’ Iphigenia (1977). In: Nikoloutsos , Konstantinos P. ed. Ancient Greek Women in Film. Classical Presences . Oxford: Oxford University Press, (In Press).

Barker, Elton (2011). Possessing an unbridled tongue’: speaking back in Euripides’ Orestes. In: Carter, David ed. Why Athens? A Reappraisal of Tragic Politics. Oxford: Oxford University Press.

Barker, Elton (2013). All mod cons: power, openness and text in a digital turn. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A ‘Democratic Turn’? Oxford: Oxford University Press, (In press).

Barker, Elton and Bouzarovski, Stefan (2013). Towards a qualitative network analysis of Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford: Oxford University Press, (In press).

Barker, Elton; Bouzarovski, Stefan and Isaksen, Leif (2013). New worlds out of old texts. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford: Oxford University Press, (In press).

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2013). Writing space, living space: time, agency and place relations in Herodotus’s Histories. In: Heirman, J. G. M. and Klooster , J. J. H. eds. The Ideologies of Lived Space: Ancient and Modern. Leiden: Leiden University Press, (In press).

Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris (2012). On using a digital text in modern humanities research: the case of Herodotus’s Histories. In: Mahony, Simon and Dunn, Stuart eds. Digital Classicist Supplement: Bulletin of the Institute of Classical Studies. Wiley-Blackwell , (In Press).

Barker, Elton and Isaksen, Leif (2013). Digital approaches to analysing spatial relationships in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford: Oxford University Press, (In press).

Barker, Elton and Pelling, Chris (2013). Space-Travelling in Herodotus 5. In: Barker, Elton; Bouzarovski, Stefan; Isaksen, Leif and Pelling, Chris eds. New Worlds out of Old Texts: Approaches to the Spatial Analysis of Ancient Greek Literature. Oxford University Press, (forthcoming).

Barker, Elton T. E. (2008). Momos advises Zeus: changing representations of “Cypria” fragment. In: Cingano, Ettore and Milano, Lucio eds. Papers on Ancient Literatures: Greece, Rome and the Near East: Proceedings of the “Advanced Seminar in the Humanities”, Venice International University 2004-2005. Padova: S.A.R.G.O.N. Editrice e Libreria, pp. 33–73.

Betts, Eleanor (2011). Towards a multisensory experience of movement in the City of Rome. In: Laurence, Ray and Newsome, David J. eds. Rome, Ostia and Pompeii: Movement and Space. Oxford: Oxford University Press, pp. 118–132.

Betts, Eleanor (2003). The sacred landscape of Picenum (900-100 BC): towards a phenomenology of cult places. In: Wilkins, John B. and Herring, Edward eds. Inhabiting Symbols: symbol and image in the ancient Mediterranean. Accordia Specialist Studies on the Mediterranean (5). London: Accordia Research Institute, University of London, pp. 101–120.

Budelmann, Felix (2001). Sound and text: the rhythm and metre of archaic and classical Greek poetry in ancient and Byzantine scholarship. In: Budelmann, Felix and Michelakis, Pantelis eds. Homer, tragedy and beyond: studies in honour of P. E. Easterling. London, UK: Society for the Promotion of Hellenic Studies, pp. 209–240.

Budelmann, Felix (2007). Trojan Women in Yorubaland: Femi Osofisan's Women of Owu. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Oxford: Oxford University Press, pp. 15–39.

Budelmann, Felix (2006). Körper und Geist in tragischen Schmerz-Szenen. In: Seidensticker, Bernd and Vöhler, Martin eds. Gewalt und Ästhetik: Zur Gewalt und ihrer Darstellung in der griechischen Klassik. Berlin, Germany: De Gruyter, pp. 123–148.

Emlyn-Jones, Chris (2007). Poets on Socrates' stage: Plato's reception of dramatic art. In: Hardwick, Lorna and Stray, Christopher eds. Companion to Classical Receptions. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell Publishing, pp. 38–49.

Fear, Trevor (2005). Propertian closure: the elegiac inscription of the liminal male and ideological contestation in Augustan Rome. In: Ancona, Ronnie and Greene, Ellen eds. Gendered Dynamics in Latin Love Poetry. Arethusa Books. Baltimore, US: The John Hopkins University Press, pp. 13–40.

Fentress, Elizabeth; Fontana, Sergio; Hitchner, R. Bruce and Perkins, Philip (2004). Accounting for ARS: fineware and sites in Sicily and Africa. In: Alcock, Susan E. and Cherry, John F. eds. Side-by-side survey: comparative regional studies in the Mediterranean world. Oxford, UK: Oxbow Books, pp. 147–162.

Graham, Emma-Jayne (2005). The quick and the dead in the extra-urban landscape: the Roman cemetery at Ostia/Portus as a lived environment. In: Bruhn, James; Croxford, Ben and Grigoropoulos, Dimitris eds. TRAC 2004: Proceedings of the Fourteenth Annual Theoretical Roman Archaeology Conference, Durham 2004. Oxford: Oxbow Books, pp. 133–143.

Graham, Emma-Jayne (2005). Dining al fresco with the living and the dead in Roman Italy. In: Carroll, Maureen; Hadley, D. M. and Willmott, Hugh eds. Consuming Passions: Dining from Antiquity to the Eighteenth Century. Revealing history. Stroud: Tempus, pp. 49–65.

Graham, Emma-Jayne (2011). From fragments to ancestors: re-defining the role of os resectum in rituals of purification and commemoration in Republican Rome. In: Carroll, Maureen and Rempel, Jane eds. Living through the Dead: Burial and Commemoration in the Classical World. Studies in Funerary Archaeology (5). Oxford: Oxbow, pp. 91–109.

Graham, Emma-Jayne (2006). Discarding the destitute: ancient and modern attitudes towards burial practice and memory preservation amongst the lower classes of Rome. In: Croxford, Ben; Goodchild, Helen; Lucas, Jason and Nick, Ray eds. TRAC 2005: Proceedings of the Fifteenth Annual Theoretical Roman Archaeology Conference. Birmingham 2005. Oxford: Oxbow, pp. 57–71.

Graham, Emma-Jayne (2013). ‘There buds the laurel’: Approaching nature and place in the cemeteries of Roman Italy. In: Croxford, Ben and Lucas, Jason eds. Experiencing Space and Place in the Roman World. Oxford: Oxbow, (In press).

Graham, Emma-Jayne (2013). Corporeal concerns: the role of the body in the transformation of Roman mortuary practices. In: Devlin, Zoe and Graham, Emma-Jayne eds. Death Embodied: Archaeological Approaches to the Treatment of the Corpse. Oxford: Oxbow, (In press).

Graham, Emma-Jayne (2013). Infant votives and swaddling in Hellenistic Italy. In: Graham, Emma-Jayne and Carroll, Maureen eds. Infant Health and Death in Roman Italy and Beyond. Journal of Roman Archaeology Supplementary Series. Ann Arbor: Journal of Roman Archaeology (In press).

Graham, Emma-Jayne (2011). Memory and materiality: re-embodying the Roman funeral. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow, pp. 21–39.

Graham, Emma-Jayne (2013). Disparate lives or disparate deaths? Post-mortem treatment of the body and the articulation of difference. In: Laes, Christian; Goodey, Chris and Rose, M. Lynn eds. Disabilities in Roman Antiquity: Disparate Bodies ‘A Capite ad Calcem’. Leiden: Brill, pp. 249–274.

Graham, Emma-Jayne and Hope, Valerie (2013). Funerary practices. In: Cooley, Alison ed. A Companion to Roman Italy. Wiley-Blackwell, (In press).

Green, Monica and King, Helen (2007). Structures and subjectivities in 16th-century gynaecology, or how the father of medicine reclaimed his paternity. In: Hartman, Joan E. and Seeff, Adele eds. Structures and subjectivities: Attending to early modern women. Center for Renaissance & Baroque Studies. Newark, DE: University of Delaware Press, pp. 100–101.

Hardwick, Lorna (2004). Shards and suckers: modern receptions of homer. In: Fowler, Robert ed. The Cambridge companion to homer. The Cambridge Companion. Cambridge: Cambridge University Press, pp. 344–362.

Hardwick, Lorna (2005). Refiguring Classical Texts: Aspects of the Postcolonial Condition. In: Goff, Barbara ed. Classics and Colonialism. London, UK: Duckworth, pp. 107–117.

Hardwick, Lorna (2007). Singing across the faultlines: cultural shifts in twentieth century receptions of Homer. In: Graziosi, Barbara and Greenwood, Emily eds. Homer in the 20th Century: Between World Literature and the Western Canon. Oxford, UK: Oxford University Press, pp. 47–71.

Hardwick, Lorna (2004). Greek drama and anti-colonialism: de-colonising classics. In: Hall, E.; Macintosh, F. and Wrigley, A. eds. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford, UK: Oxford University Press, pp. 219–242.

Hardwick, Lorna (2010). Negotiating Translation for the Stage. In: Hall, Edith and Harrop, Stephe eds. Theorising Performance: Greek drama, cultural history and critical practice. London: Duckworth, pp. 192–207.

Hardwick, Lorna (2007). Shades of multi-lingualism and multi-vocalism in modern performances of Greek tragedy in post-colonial contexts. In: Hardwick, Lorna and Gillespie, Carol eds. Classics in Post-Colonial Worlds. Classical Presences. Oxford: Oxford University Press, pp. 305–338.

Hardwick, Lorna (2009). Is 'the Frail Silken Line' worth more than 'a Fart in a Bearskin'? or, how translation practice matters in poetry and drama. In: Harrison, S. J. ed. Living Classics: Greece and Rome in Contemporary Poetry in English. Classical presences. Oxford: Oxford University Press, pp. 172–193.

Hardwick, Lorna (2007). Contests and Continuities in Classical Traditions: African Migrations in Greek Drama. In: Hilton, John and Gosling, Anne eds. Alma Parens Originalis? The Receptions of Classical Literature and Thought in Africa, Europe, the United States, and Cuba. Oxford, UK: Peter Lang, pp. 43–72.

Hardwick, Lorna (2006). Post-colonial studies. In: Kallendorf, Craig ed. A Companion to the Classical Tradition. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell, pp. 312–327.

Hardwick, Lorna (2008). Translated Classics: Vibrant Hybrids or Shattered Icons? In: lianeri, Alexandra and Zajko, Vanda eds. Translation and the Classics: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 341–366.

Hardwick, Lorna (2005). Staging Agamemnon: the languages of translation. In: Macintosh, F.; Michelakis, P.; Hall, E. and Taplin, O. eds. Agamemnon in Performance 458 BC to AD 2004. Oxford, UK: Oxford University Press, pp. 207–222.

Hardwick, Lorna (2006). Remodelling receptions: Greek drama as diaspora in performance. In: Martindale, C. and Thomas, R. eds. Classics and the uses of reception. Classical Receptions. Oxford, UK: Blackwell, pp. 204–215.

Hardwick, Lorna (2009). Can (modern) poets do classical drama? The case of Ted Hughes. In: Rees, Roger ed. Ted Hughes and the Classics. Classical Presences. Oxford, UK: Oxford University Press, pp. 39–61.

Hardwick, Lorna (2006). Staging Sophocles in post-colonial contexts. In: Shiafkalis, Nicos ed. The Influence of Sophocles on Contemporary Theatre. Nicosia: International Theatre Institute, pp. 258–276.

Hardwick, Lorna (2007). Decolonising the mind?: Controversial productions of Greek Drama in late Twentieth-Century Britain and Ireland. In: Stray, Christopher ed. Remaking the Classics: literature, genre and media in Britain 1800-2000. London, UK: Duckworth, pp. 89–105.

Hardwick, Lorna (2010). Lysistratas on the modern stage. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 80–89.

Hardwick, Lorna (2007). Text and Performance in Ancient Greek Plays on the Modern Stage: The Case of Aristophanes 'Ecclesiazusai'. In: Vivilakis, I. ed. Stephanos: Tribute to Walter Puchner. Athens: Ergo Editions, pp. 493–500.

Hardwick, Lorna (1999). Placing Prometheus. In: Hardwick, Lorna ed. Tony Harrison's Poetry, Drama and Film: The Classical Dimension. Milton Keynes, U.K.: Dept of Classical Studies, the Open University, pp. 1–15.

Hardwick, Lorna (2000). Theatres of the mind: Greek tragedy in women's writings in English in the nineteenth century. In: Hardwick, Lorna; Easterling, P.E.; Ireland, S.; Lowe, N. and Macintosh, F. eds. Theatre Ancient and Modern. Milton Keynes, U.K.: Dept of Classical Studies, The Open University, pp. 68–81.

Hardwick, Lorna (2011). Antigone's journey: from Athens to Edinburgh via Athens and Tbilisi. In: Mee, Erin B. and Foley, Helene P. eds. Antigone on the Contemporary World Stage. Classical Presences. Oxford: Oxford University Press, pp. 392–406.

Hardwick, Lorna (2011). Fuzzy connections: classical texts and modern poetry in English. In: Parker, Jan and Mathews, Timothy eds. Tradition,Translation,Trauma: The Classic and the Modern. Classical Presences. Oxford: Oxford University Press, pp. 39–60.

Hope, Valerie (2010). The end is to the beginning as the beginning is to the end. Birth, death and the classical body. In: Garrison, Daniel H. ed. A Cultural History of the Human Body in Antiquity. A Cultural History of the Human Body, 1. Oxford and New York: Berg Publishers, pp. 25–44.

Hope, Valerie (2009). At home with the dead: Roman funeral traditions and Trimalchio's tomb. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: a Handbook. Chichester: John Wiley and Sons Ltd, pp. 140–160.

Hope, Valerie M. (2003). Remembering Rome: memory, funerary monuments and the Roman soldier. In: Williams, Howard ed. Archaeologies of remembrance: death and memory in past societies. New York, USA: Kluwer Academic/Plenum Publishers, pp. 113–140.

Hope, Valerie (2011). Remembering to mourn: personal mementos of the dead in ancient Rome. In: Hope, Valerie and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, pp. 176–195.

Hope, Valerie (2011). Livia's tears: the presentation of Roman mourning. In: Whittaker, Helène ed. In Memoriam: Commemoration, Communal Memory and Gender Values in the Ancient Graeco-Roman World. Newcastle upon Tyne: Cambridge Scholars Press, pp. 91–125.

Hope, Valerie M. (2007). Age and the Roman soldier: the evidence of tombstones. In: Harlow, Mary and Laurence, Ray eds. Age and Ageing in the Roman Empire. Journal of Roman Archaeology, Supplementary Series (65). Portsmouth, RI, USA: Journal of Roman Archaeology, pp. 111–129.

Hope, Valerie M. (2011). Introduction. In: Hope, Valerie M. and Huskinson, Janet eds. Memory and Mourning: Studies on Roman Death. Oxford: Oxbow Books, xi-xxiv.

Hughes, Jessica (2010). Dissecting the classical hybrid. In: Rebay-Salisbury, K.; Sorensen, M. L. S. and Hughes, J. eds. Body Parts and Bodies Whole. Changing Relations and Meanings. Oxford, UK: Oxbow.

Hughes, Jessica (2013). Memory and the Roman viewer: looking at the Arch of Constantine. In: Galinsky, Karl ed. Memoria Romana: Memory in Rome and Rome in Memory. Ann Arbor, MI: University of Michigan Press, (In press).

Huskinson, Janet (2007). Constructing childhood on Roman funerary memorials. In: Cohen, Ada and Rutter, Jeremy B eds. Constructions of Childhood in Greek and Roman Antiquity. USA: American School of Classical Studies at Athens, pp. 323–338.

Huskinson, Janet (2007). Growing up in Ravenna: evidence from the decoration of children's sarcophagi. In: Harlow, Mary and Laurence, Ray eds. Age and aging in the Roman empire. Journal of Roman Archaeology, Supplement 65. USA: John Humphreys, pp. 55–79.

Huskinson, Janet (2002). Representing Women on Roman sarcophagi. In: McClanan, Anne l. and Encarnacion, Karen Rosoff eds. The material culture of sex, procreation and marriage in pre-modern Europe. New York, USA: Palgrave/St Martin's Press, pp. 11–31.

Huskinson, Janet (2005). Disappearing children?: Children on Roman funerary monuments of the second to Fourth Century AD. In: Mustakallio, Katariina; Hanska, Jussi; Sainio, Hanna-Leena and Vuolanto, Ville eds. Hoping for continuity: Childhood, education and death in Antiquity and the Middle Ages. Acta Instituti Romani Finlandiae (33). Rome, Italy: Institutum Romanum Finlandiae, pp. 91–104.

Huskinson, Janet (2003). Surveying the scene: Antioch mosaic pavements as a source of historical evidence. In: Sandwell, Isabella and Huskinson, Janet eds. Culture and Society in Late Roman Antioch. Oxford, UK: Oxbow Publications, pp. 134–152.

Huskinson, Janet (2005). Rivers of Roman Antioch. In: Stafford, Emma and Herrin, Judith eds. Personifications in the Greek World: From Antiquity to Byzantium. Publications for the Centre for Hellenic Studies, King’s College London (7). Surrey, UK: Ashgate Press, pp. 247–264.

James, Paula (2006). Ritualistic behaviour in THE WICKER MAN: a classical and carnivalesque perspective on the 'true nature of sacrifice'. In: Franks, Benjamin; Harper, Stephen; Murray, Jonathan and Stevenson, Lesley eds. The Quest for the Wicker Man: history, folklore and Pagan perspectives. Edinburgh: Luath Press, pp. 44–55.

James, Paula (2005). Real and metaphorical mimicking birds in the Metamorphoses of Apuleius. In: Harrison, Stephen; Paschalis, Michael and Frangoulidis, Stavros eds. Metaphor in the Ancient Novel. Ancient narrative (Suppementum 4). Netherlands: Barkhuis Publishing, pp. 210–224.

James, Paula (2001). From prologue to story: metaphor and narrative construction in the opening of the Metamorphoses. In: Kahane, Ahuvia and Laird, Andrew eds. Companion to the prologue to Apuleius' Metamorphoses. Oxford: Oxford University press, pp. 256–266.

James, Paula (2004). What lies beneath: fluid subtexts in Ovid's Metamorphoses. In: Zimmerman, Maaike and Van der Paardt, Rudi eds. Metamorphic Reflections: essays presented to Ben Hijmans on his 75th birthday. Leuwen: Peeters, pp. 1–19.

James, Paula (2002). Keeping Apuleius in the Picture: a dialogue between Apuleius' Metamorphoses and the Luis Bunuel's Discreet Charm of the Bourgeoisie. In: Zimmerman de Graaf, M and Van Der Paard t, R eds. Ancient Narrative. Groningen: Roelf Barkhuis, pp. 185–207.

James, Paula and O'Brien, Maeve (2006). To baldly go: a last look at Lucius and his counter-humiliation strategies. In: Keulen, W.H.; Nauta, R.R. and Panayotakis, S. eds. Lectiones Scrupulosae: Essays on the Text and Interpretation of Apuleius’ Metamorphoses in Honour of Maaike Zimmerman. Ancient Narrative Series, Ancient Narrative (Supplementum 6). Groningen, Netherlands: Barkhuis Publishing, pp. 234–251.

James, P. (2013). Kiss Me Deadly (1955): Pandora and Prometheus in Robert Aldrich's cinematic subversion of Spillane. In: Cyrino , Monica S. ed. Screening Love and Sex in the Ancient World. Basingstoke, UK: Palgrave Macmillan, pp. 25–38.

James, Paula (2009). Crossing classical thresholds: Gods, monsters and Hell dimensions in the Whedon universe. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Cambridge, UK: Cambridge Scholars Publishing, pp. 237–260.

King, Helen (1994). Producing woman: Hippocratic gynaecology. In: Archer, Leonie; Fischler, Susan and Wyke, Maria eds. Women in Ancient Societies: an Illusion of the Night:. New York: Macmillan, pp. 102–114.

King, Helen (2011). Inside and outside, cavities and containers: the organs of generation in seventeenth-century English medicine. In: Baker, Patricia A.; Nijdam, Han and van 't Land, Karine eds. Medicine and Space: Body, Surroundings and Borders in Antiquity and the Middle Ages. Visualising the Middle Ages (4). Leiden: Brill, pp. 37–60.

King, Helen (1995). Conversion disorder and hysteria. In: Berrios, G. E. and Porter, Roy eds. History of Clinical Psychiatry: the Origin and History of Psychiatric Disorders. London: Athlone Press, pp. 442–450.

King, Helen (2012). Midwifery, 1700-1800: the man-midwife as competitor. In: Borsay, Anne and Hunter, Billie eds. Nursing and Midwifery in Britain Since 1700. Basingstoke: Palgrave Macmillan, pp. 107–127.

King, Helen (2002). The power of paternity: the Father of Medicine meets the Prince of Physicians. In: Cantor, David ed. Reinventing Hippocrates. The History of Medicine in Context. Aldershot: Ashgate, pp. 21–36.

King, Helen (1995). Half-human creatures. In: Cherry, John ed. Mythical Beasts. London: British Museum Press, pp. 138–166.

King, Helen (2007). When is a foetus not a foetus? Diagnosing false conceptions in early modern France. In: Dasen, Veronique ed. L' Embryon humain à travers l' histoire: Images, savoirs et rites. Testimonia. Gollion: Infolio, pp. 223–238.

King, Helen (2009). Medicine. In: Erskine, Andrew ed. A Companion to Ancient History. London: Wiley-Blackwell, pp. 403–413.

King, Helen (2011). Sex, medicine and disease. In: Golden, Mark and Toohey, Peter eds. A Cultural History of Sexuality in the Classical World. A Cultural History of Sexuality (1). Oxford and New York: Berg, pp. 107–124.

King, Helen (2006). The origins of medicine in the second century AD. In: Goldhill, Simon and Osborne, Robin eds. Rethinking revolutions through Ancient Greece. Cambridge: Cambridge University Press, pp. 246–263.

King, Helen (2010). Gynecology. In: Grafton, Anthony; Most, Glenn W. and Settis, Salvatore eds. The classical tradition. Cambridge, MA: Harvard University Press, pp. 416–417.

King, Helen (2001). Recovering hysteria from history: Herodotus and “the first case of shell shock”. In: Halligan, Peter; Bass, Christopher and Marshall, John eds. Contemporary Approaches to the Science of Hysteria: Clinical and Theoretical Perspectives. Oxford University Press, pp. 36–48.

King, Helen (2013). Fear of flute girls, fear of falling. In: Harris, William V. ed. Mental Disorders in the Classical World. Columbia Studies in the Classical Tradition (38). Brill, pp. 265–282.

King, Helen (1999). Comparative perspectives on medicine and religion in the ancient world. In: Hinnells, John R. and Porter, Roy eds. Religion, Health and Suffering: a Cross-Cultural Study of Attitudes to Suffering and the Implications for Medicine in a Multi-Religious Society. London: Kegan Paul International, pp. 276–294.

King, Helen (2013). Female fluids in the Hippocratic corpus: how solid was the humoral body? In: Horden, Peregrine and Hsu, Elisabeth eds. The Body in Balance: Humoral Medicines in Practice. Epistemologies of Healing (13). Oxford: Berghahn Books, (In press).

King, Helen (2012). Introduction. In: Horstmanshoff, Manfred; King, Helen and Zittel, Claus eds. Blood, Sweat and Tears – The Changing Concepts of Physiology from Antiquity into Early Modern Europe. Intersections Interdisciplinary Studies in Early Modern Culture (25). Leiden: Brill, pp. 1–17.

King, Helen (2004). Illness and other personal crises in Greek and Roman religions. In: Johnston, Sarah Iles ed. Religions of the ancient world: A guide. Harvard: Harvard University Press, pp. 464–467.

King, Helen (2005). Women's health and recovery in the Hippocratic corpus. In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 150–161.

King, Helen (2005). Introduction: what is health? In: King, Helen ed. Health in Antiquity. Abingdon: Routledge, pp. 1–11.

King, Helen (2007). Ancient medicine. In: Malti-Douglas, Fedwa ed. Encyclopedia of sex and gender. Detroit: Macmillan Reference USA, pp. 982–985.

King, Helen (1993). The politick midwife: models of midwifery in the work of Elizabeth Cellier. In: Marland, Hilary ed. The Art of Midwifery: Early Modern Midwives in Europe. Wellcome Institute Series in the History of Medicine. London: Routledge, pp. 115–130.

King, Helen (2004). Hodges, Nathaniel (1629–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography. Oxford, UK: Oxford University Press, p. 456.

King, Helen (2004). Cellier, Elizabeth (fl. 1668–1688). In: Matthews, Henry Colin Gray and Harrison, Brian Howard eds. Oxford Dictionary of National Biography. Oxford, UK: Oxford University Press, pp. 807–808.

King, Helen (2010). Engendrer "la femme": Jacques Dubois et Diane de Poitiers. In: McClive, Cathy and Pellegrin, Nicole eds. Femmes en Fleurs, Femmes en Corps : Sang, Santé, Sexualité du Moyen Âge aux Lumières. L'école de Genre. Nouvelles Recherches (4). Saint-Étienne: Publications de l'Université de Saint-Etienne, pp. 125–138.

King, Helen (1995). 'As if none understood the art that cannot understand Greek': the education of midwives in seventeenth century England. In: Nutton, Vivian and Porter, Roy eds. The History of Medical Education in Britain. Clio Medica: Perspectives in Medical Humanities (30). Atlanta, GA: Editions Rodopi B. V., pp. 184–198.

King, Helen (2012). Knowing the body: renaissance medicine and the classics. In: Olmos, Paula ed. Greek Science in the Long Run: Essays on the Greek Scientific Tradition (4th c. BCE – 16th c. CE). Newcastle-upon-Tyne: Cambridge Scholars Publishing, pp. 281–300.

King, Helen (1999). Chronic pain and the creation of narrative. In: Porter, James I. ed. Constructions of the Classical Body. Michigan: University of Michigan Press, pp. 269–286.

King, Helen (1994). Sowing the field: Greek and Roman sexology. In: Porter, Roy and Teich, Mikulas eds. Sexual Knowledge, Sexual Science: the History of Attitudes to Sexuality. Cambridge: Cambridge University Press, pp. 29–46.

King, Helen (1995). Medical texts as a source for women's history. In: Powell, Anton ed. The Greek World. Routledge Worlds. London: Routledge, pp. 199–218.

King, Helen (2002). The limits of normality in Hippocratic gynaecology. In: Thivel, Antoine and Zucker, Arnaud eds. Le normal et le pathologique dans la Collection hippocratique. Nice: Publications de le Faculté des Lettres, Arts et Sciences Humaines de Nice, pp. 563–574.

King, Helen (2008). Barbes, sang et genre: afficher la différence dans le monde antique. In: Wilgaux, Jérôme and Dasen, Véronique eds. Languages et Métaphores du Corps dans le Monde Antique. Rennes: Presses universitaires de Rennes, pp. 153–168.

King, Helen (1995). Food and blood in Hippokratic gynaecology. In: Wilkins, John; Harvey, David and Dobson, Michael J. eds. Food in Antiquity. Exeter: University of Exeter Press, pp. 351–358.

Paul, Jo (2008). Homer and Cinema: Translation and Adaptation in Le Mépris. In: Lianeri, Alekandra and Zajko, Vanda eds. Translation & The Classic: Identity as Change in the History of Culture. Classical Presences. Oxford, UK: Oxford University Press, pp. 148–165.

Paul, Joanna (2009). Oliver Stone’s Alexander and the cinematic epic tradition. In: Cartledge, Paul and Greenland, Fiona Rose eds. Responses to Oliver Stone’s Alexander: Film, History and Culture Studies. Madison, Wisconsin, USA: University of Wisconsin Press, pp. 15–35.

Paul, Joanna (2013). Subverting sex and love in Alejandro Amenabar's 'Agora'. In: Cyrino, Monica ed. Screening Sex and Love in the Ancient World. Palgrave Macmillan, p. 227.

Paul, Joanna (2011). Pompeii, the Holocaust, and World War Two. In: Hales, Shelley and Paul, Joanna eds. Pompeii in the Public Imagination from its Rediscovery to Today. Classical Presences. Oxford: Oxford University Press.

Paul, Joanna (2013). The Democratic Turn in (and through) pedagogy: a case study of the Cambridge Latin Course. In: Hardwick, Lorna and Harrison, Stephen eds. Classics in the Modern World: A 'Democratic Turn'? Oxford University Press, (In Press).

Paul, Joanna (2007). Working with film: theories and methodologies. In: Hardwick, Lorna and Stray, Christopher eds. A Companion to Classical Receptions. Oxford, UK: Wiley - Blackwell, pp. 303–314.

Paul, Joanna (2009). 'I fear it's potentially like Pompeii’: disaster, mass media and the ancient city. In: Lowe, Dunstan and Shahabudin, Kim eds. Classics for All: Reworking Antiquity in Mass Culture. Newcastle-upon-Tyne, UK: Cambridge Scholars Publishing, pp. 91–108.

Paul, Joanna (2013). Madonna and whore: the many faces of Penelope in Camerini’s Ulysses. In: Nikoloutsos, Konstantinos ed. Ancient Greek Women in Film. Oxford: Oxford University Press, (In press).

Paul, Joanna (2009). Fellini-Satyricon: Petronius and Film. In: Prag, Jonathan R. W. and Repath, Ian D. eds. Petronius: A Handbook. Oxford, UK: Wiley - Blackwell, pp. 198–217.

Paul, Joanna (2008). Rome ruined and fragmented: the cinematic city in Fellini-Satyricon and Roma. In: Wrigley, Richard ed. Cinematic Rome. Leicester, UK: Troubadour Publishing Ltd, pp. 109–120.

Perkins, Phil (2005). Who lived in the Etruscan Albegna Valley? In: Attema, Peter; Nijboer, Albert and Zifferero, Andrea eds. Papers in Italian Archaeology VI: Communities and settlements from the Neolithic to the Early Medieval Period. British Archaeological Reports Series (1452 (1)). Oxford: Archaeopress, pp. 109–117.

Perkins, Philip (2007). Aliud in Sicilia? Cultural development in Rome's first Province. In: Van Dommelen, P. and Terranato, N. eds. Articulating Local Cultures: Power and identity under the expanding Roman Republic. International Roman Archaeology Conference Series, Journal of Roman Archaeology Supplement (63). Rhode Island, USA: Journal of Roman Archaeology, pp. 33–53.

Perkins, P. (2011). The Etruscans, their DNA and the Orient. In: Duistermaat , Kim and Regulski, Ilona eds. Intercultural Contacts in the Ancient Mediterranean: Proceedings of the International Conference at the Netherlands-Flemish Institute in Cairo, 25th to 29th October 2008. Orientalia Lovaniensia Analecta (202). Leuven: Peeters, pp. 171–180.

Perkins, Phil (2010). The cultural and political landscape of the Ager Caletranus, North-West of Vulci. In: Fontaine, P. ed. L'Etrurie et l'ombrie avant Rome: Cité et Territoire. Institut Historique Belge de Rome Artes (1). Brussels, Belgium / Romr, Italy: Institut Historique Belge de Rome, pp. 103–121.

Perkins, Phil (2009). Sicily. In: Gagarin, Michael ed. The Oxford Encyclopedia of Ancient Greece and Rome. New York, USA: Oxford University Press.

Perkins, Philip (2009). DNA and Etruscan Identity. In: Perkins, Philip and Swaddling, Judith eds. Etruscan by Definition: Papers in Honour of Sybille Haynes. The British Museum Research Publications (173). London, UK: The British Museum Press, pp. 95–111.

Perkins, Philip (2012). Production and commercialization of Etruscan wine in the Albegna Valley. In: Zifferero, Andrea; Ciacci, Andrea and Rendini, Paola eds. Archeologia della vite e del vino in Toscana e nel Lazio. dalle tecniche dell’indagine archeologica alle prospettive della biologia molecolare. Florence: All’Insegna dell’ Giglio, pp. 413–416.

Robson, James (2005). New clothes, a new you: clothing and character in Aristophanes. In: Cleland, Liza; Harlow, Mary and Llewellyn-Jones, Lloyd eds. The Clothed Body in the Ancient World. Oxford, UK: Oxbow Books, pp. 65–74.

Robson, James (1997). Bestiality and Bestial Rape in Greek Myth. In: Deacy, S and Pearce, K eds. Rape in Antiquity: Sexual Violence in the Greek and Roman Worlds. London: Duckworth, pp. 65–96.

Robson, James (2004). 'Night was departing ...': using translations in post-beginners' language teaching. In: Fitzpatrick, David ed. Different lights, different hands: working with translations in classics and ancient history at university. Milton Keynes, UK: The Open University, pp. 85–100.

Robson, James (2007). Lost in Translation? The problem of (Aristophanic) humour. In: Hardwick, Lorna and Stray, Christopher eds. A Companion to Classical Receptions. Blackwell Companions to the Ancient World. Oxford, UK: Blackwell Publishing, pp. 168–182.

Robson, James (2005). Aristophanes on how to write tragedy: what you wear is what you are. In: McHardy, Fiona; Robson, James and Harvey, David eds. Lost dramas of classical Athens: Greek tragic fragments. Exeter, UK: Exeter University Press, pp. 171–186.

Robson, James (2010). Friends and foes: the people of Lysistrata. In: Stuttard, David ed. Looking at Lysistrata. London: Duckworth, pp. 49–60.

Robson, James (2002). Commentaries and post-beginners' language teaching. In: Fitzpatrick, David; Hardwick, Lorna; Ireland, Stanley and Montserrat, Dominic eds. Old wine, new bottles: texts for classics in a changed learning environment at university. Milton Keynes, UK: The Open University, pp. 51–60.

Robson, James (2013). The language(s) of love in Aristophanes. In: Sanders, Ed.; Thumiger, Chiara; Carey, Christopher and Lowe , Nick eds. Eros in Ancient Greece. Oxford: Oxford University Press, (In press).

Rothe, Ursula (2012). Romanization. In: Bagnall, R.S.; Brodersen, K.; Champion, C.B.; Erskine, A. and Huebner, S. eds. The Encyclopedia of Ancient History. Wiley-Blackwell, pp. 5875–5881.

Rothe, Ursula (2012). Roman Empire, regional cultures. In: Bagnall, R.S.; Brodersen, K.; Champion, C.B.; Erskine, A. and Huebner , S. eds. The Encyclopedia of Ancient History. Wiley-Blackwell, pp. 5866–5870.

Rothe, Ursula (2012). Rome, resistance to (cultural). In: Bagnall, Roger S.; Broderson, Kai; Champion, Craige B.; Erskine, Andrew and Huebner, Sabine R. eds. The Encyclopedia of Ancient History. Wiley-Blackwell, pp. 5950–5953.

Rothe, Ursula (2012). Dress and cultural identity in the Roman Empire. In: Harlow, Mary ed. Dress and Identity. University of Birmingham IAA Interdisciplinary Series: Studies in Archaeology, History, Literature and Art (2). Oxford: Archaeopress, pp. 59–68.

Rothe, Ursula (2013). Die norisch-pannonische Tracht: gab es sie wirklich? In: Schierl, Thomas and Grabherr, Gerald eds. Relations Abroad? Brooches and Other Elements of Dress as Sources for Reconstructing Interregional Movement and Group Boundaries from the Punic Wars to the Decline of the Western Empire. Ikarus. Innsbruck: Innsbruck University Press, (In press).

Rothe, Ursula (2005). Die Anfänge der Romanisierungsforschung. In: Schoerner, Günther ed. Romanisierung - Romanisation. Theoretische Modelle und praktische Fallbeispiele. British Archaeological Reports (BAR) (S1427). Oxford: Archaeopress, pp. 1–13.

Rothe, Ursula (2005). Kleidung und Romanisierung: der Raum Rhein-Mosel. In: Schörner, Günther ed. Romanisierung - Romanisation. Theoretische Modelle und praktische Fallbeispiele. British Archaeological Reports (B.A.R.) (S1427 ). Oxford: Archaeopress, pp. 169–178.

Rothe, Ursula (2007). The comparative and interdisciplinary approach and Romanisation studies. In: Schroeder, H.; Bray, P.; Gardner, P.; Jefferson, V. and Macaulay-Lewis, E. eds. Crossing Frontiers: The Opportunities and Challenges of Interdisciplinary Approaches to Archaeology. Proceedings of a Conference held at the University of Oxford, 25-26 June 2005. Oxford University School of Archaeology monograph (66). Oxford: Oxford University School of Archaeology, pp. 99–110.

Swift, Laura (2013). Conflicting identities in the Euripidean chorus. In: Gagné, Renaud and Hopman, Marianne eds. Choral mediations in Greek tragedy. Cambridge: Cambridge University Press, (In press).

Swift, Laura (2012). Paeanic and Epinician healing in Euripides' Alcestis. In: Rosenbloom, David and Davidson, John eds. Greek Drama IV: Texts, Contexts, Performance. Oxford: Oxbow Books, pp. 149–168.

Swift, Laura A. (2011). Epinician and tragic worlds: the case of Sophocles' Trachiniae. In: Athanassaki, Lucia and Bowie, Ewen eds. Archaic and Classical Choral Song: Performance, Politics and Dissemination. Trends in Classics: Supplementary Volumes (10). Berlin: Walter de Gruyter, pp. 391–413.

Yamagata, Naoko (2010). Hesiod in Plato - Second fiddle to Homer? In: Boys-Stones, G. and Haubold, J. eds. Plato and Hesiod. Oxford: Oxford University Press, pp. 68–88.

Yamagata, Naoko (2003). Hesiod: the cosmology of a farmer-poet. In: Kawashima, S and Takada, Y eds. Ennepe Mousa: an invitation to the Ancient Greek Literature. Tokyo: Sanriku Publishing, pp. 63–78.

Yamagata, Naoko (2000). Linear B. In: Speake, G ed. Encyclopedia of Greece and the Hellenic Tradition. Fitzroy Dearborn Publishers, pp. 950–952.

Yamagata, Naoko (2005). Disaster revisited - Ate and the Litai in Homer's Iliad. In: Stafford, Emma and Herrin, Judith eds. Personification in the Greek world: from Antiquity to Byzantium. Aldershot, UK: Ashgate, pp. 21–28.

Yamagata, Naoko (2012). Epithets with echoes: A study on formula-narrative interaction. In: Montanari, Franco; Rengakos, Antonios and Tsagalis, Christos C. eds. Homeric Contexts: Neoanalysis and the Interpretation of Oral Poetry. Trends in Classics: Supplementary Volumes (12). Berlin, Germany & New York, USA: Walter de Gruyter, pp. 445–468.

Zuccolin, Gabriella (2007). Princely Virtues in De felici progressu of Michele Savonarola, Court Physician of the House of Este. In: Bejczy, István P. and Nederman, Cary J. eds. Princely Virtues in the Middle Ages. Disputatio (9). Turnhout, Belgium: Brepols Publishers, pp. 237–258.

Journal Article

Alzola Romero, Aaron (2006). Adaptación y aplicación del sistema de cuantificación PIE-Slice, un método para el estudio estadístico de covarianza. Kalathos: Revista del seminario de arqueología y etnología turolense, 24-25 pp. 47–67.

Alzola Romero, Aaron (2003). /Whois? Identity: collectivity and the self in IRC. PsychNology Journal, 1(2) pp. 87–130.

Alzola Romero, Aaron (2012). One laptop per college student? Exploring the links between access to IT hardware and academic performance in higher education e-learning programs. Journal of Distance Education, 26(1)

Bakogianni, Anastasia (2008). All is well that ends tragically: filming Greek tragedy in modern Greece. The Bulletin of the Institute of Classical Studies, 51 pp. 119–167.

Bakogianni, Anastasia (2009). The taming of a tragic heroine: Electra in eighteenth-century art. International Journal of the Classical Tradition, 16(1) pp. 19–57.

Bakogianni, Anastasia (2009). Voices of resistance: Michael Cacoyannis’ The Trojan Women (1971). The Bulletin of the Institute of Classical Studies, 52(1) pp. 45–68.

Bakogianni, Anastasia (2007). An eighteenth-century jealous woman and a twentieth-century hysterical diva: the case of Mozart's Idomeneo (1781) and Strauss' Elektra (1909). New Voices in Classical Reception Studies, 2 pp. 1–32.

Barker, Elton (2004). The fall-out from dissent: hero and audience in Sophocles' Ajax. Greece & Rome, 51(1) pp. 1–20.

Barker, Elton (2006). Paging the oracle: interpretation, identity and performance in Herodotus’ History. Greece & Rome, 53(1) pp. 1–28.

Barker, Elton (2004). Achilles' last stand: Institutionalising dissent in Homer's Iliad. Proceedings of the Cambridge Philological Society pp. 92–120.

Barker, Elton (2011). The Iliad’s big swoon: a case of innovation within the epic tradition. Trends in Classics, 3(1) pp. 1–17.

Barker, Elton; Bissell, Christopher; Hardwick, Lorna; Jones, Allan; Ridge, Mia and Wolffe, John (2012). Digital technologies: help or hindrance for the humanities? Arts and Humanities in Higher Education, 11(1-2) pp. 185–200.

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2010). Mapping an ancient historian in a digital age: the Herodotus Encoded Space-Text-Image Archive (HESTIA). Leeds International Classical Studies, 9(2010) article no. 1.

Barker, Elton and Christensen, Joel (2006). Flight club: the new Archilochus and its resonance with Homeric epic. Materiali e discussioni per l'analisi dei testi classici, 57(2) pp. 9–41.

Barker, Elton and Christensen, Joel (2011). On not remembering Tydeus: Diomedes and the contest for Thebes. Materiali e discussioni per l’analisi dei testi classici, 66(1) pp. 9–44.

Barker, Elton T. E. and Christensen, Joel P. (2008). Oedipus of many pains: Strategies of contest in Homeric poetry. Leeds International Classical Studies, 7/2008(2) article no. 7.2.

Betts, Eleanor (2013). Cubrar matrer: goddess of the Picenes? Accordia Research Papers, 12 pp. 119–147.

Brown, Jo (2011). The Athenian harem: Orientalism and the historiography of Athenian women in the nineteenth century. New Voices in Classical Reception Studies, 6 pp. 1–12.

Budelmann, Felix (2004). Greek tragedies in West African adaptations. Proceedings of the Cambridge Philological Society, 50 pp. 1–28.

Budelmann, Felix (2006). The mediated ending of Sophocles' Oedipus Tyrannus. Materiali e discussioni per l'analisi dei testi classici, 57 pp. 43–62.

Budelmann, Felix (2007). The reception of Sophocles' representation of physical pain. American Journal of Philology, 128

Burillo Mozota, Francisco and Alzola Romero, Aarón (2005). Food, drink and the Other in the Celtiberian city-state of Segeda I (Zaragoza, Spain). Archaeological Review from Cambridge, 20(2) pp. 69–81.

Emlyn-Jones, Chris (2004). The dramatic poet and his audience: Agathon and Socrates in Plato's "Symposium". Hermes: Zeitschrift für klassische philologie, 132(4) pp. 389–405.

Fear, Trevor (2007). Of Aristocrats and Courtesans: Seneca, De Beneficiis 1.14. Hermes: Zeitschrift für klassische philologie, 135(4) pp. 460–468.

Fear, Trevor (2010). Interdictiones domo et ingenio: Timagenes and Propertius: a reading in the dynamics of Augustan exclusion. Arethusa, 43(3) pp. 429–438.

Fear, Trevor (2012). Ah pereant, si quos ianua clausa iuvat: Propertius 2.23 and the revision of the elegiac code. Classica et Mediaevalia, 63

Feldherr, Andrew and James, Paula (2004). Making the most of Marsyas. Arethusa, 37(1) pp. 75–104.

Graham, Emma-Jayne (2009). Becoming persons, becoming ancestors: personhood, memory and the corpse in Roman rituals of social remembrance. Archaeological Dialogues, 16(1) pp. 51–74.

Graham, Emma-Jayne (2013). The making of infants in Hellenistic and early Roman Italy: a votive perspective. World Archaeology, 45(2) (In press).

Hardwick, Lorna (2001). Who owns the plays?: Issues in the translation and performance of Greek drama on the modern stage. Eirene (Studia Graeca et Latina, Theatralia)(XXXVll, Theatralia special edition) pp. 23–29.

Hardwick, Lorna (2002). Electra and the Theatre of Affliction: towards a textual turn? Didaskalia, 5(3)

Hardwick, Lorna (2002). Classical texts in post-colonial literatures: consolation, redress and new beginnings in the work of Derek Walcott and Seamus Heaney. International Journal of the Classical Tradition, 9(2) pp. 236–256.

Hardwick, Lorna (2006). Murmurs in the Cathedral: the impact of translations from Greek poetry and drama on modern work in English by Michael Longley and Seamus Heaney. Yearbook of English Studies, 36(1) pp. 204–215.

Hardwick, Lorna (2007). Translating greek tragedy to the modern stage. Theatre Journal, 59(3) pp. 358–361.

Hardwick, Lorna (2009). Book Review: Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination (Shanyn Fiske). Romanticism and Victorianism on the Net, 55,

Hardwick, Lorna (2005). The comic in the tragic: parody and critique in modern productions of Euripides’ Hecuba. Documenta (Special issue: The Performance of the Comic - eds Kolk, M. and Decreus, F.)), 23(3) pp. 306–315.

Hardwick, Lorna (2004). Sophocles’ Oedipus and conflicts of identity in post-colonial contexts. Documenta, 22(4) pp. 376–386.

Hope, Valerie M. (2003). Trophies and tombstones: commemorating the Roman soldier. World Archaeology, 35(1) pp. 79–97.

Hughes, Jessica (2009). Personifications and the Ancient Viewer: The Case of the Hadrianeum 'Nations'. Art History, 32(1) pp. 1–20.

Hughes, Jessica (2008). Fragmentation as metaphor in the Classical healing sanctuary. Social History of Medicine, 21(2) pp. 217–236.

Hughes, Jessica (2011). The myth of return: restoration as reception in eighteenth-century Rome. Classical Receptions Journal, 3(1) pp. 1–28.

Huskinson, Janet (2003). Theatre, performance and theatricality in some mosaic pavements from Antioch. Bulletin of the Institute of Classical Studies, 46 pp. 131–165.

James, Paula (2001). Kicking the Habit:the Significance of Consuetudo in interpreting the Fable of Cupid and Psyche. Ramus, 30(2) pp. 152–168.

James, Paula (2003). She's All That: Ovid's ivory statue and the legacy of Pygmalion on film. Classical Bulletin, 79(1) pp. 63–91.

James, Paula (2007). R.May. Apuleius and drama: The Ass on stage. Ancient Narrative, 6

James, P. (2010). How classical is Ariadne's parrot? Southall's painting and its literary registers. Ramus: Critical Studies in Greek and Roman Literature, 39(1) pp. 53–72.

James, Paula (2009). Paideia at Play: Learning and Wit in Apuleius - Reviewed by Paula James. Ancient Narrative, 8, pp. 167–179.

King, Helen (2012). History without historians? Medical history and the internet. Social History of Medicine, 25(1) pp. 212–221.

King, Helen (2012). Response to Shelton. Social History of Medicine, 25(1) pp. 232–238.

King, Helen (2011). Galen and the widow. Towards a history of therapeutic masturbation in ancient gynaecology. EuGeStA: Journal on Gender Studies in Antiquity, 1 pp. 205–235.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

King, Helen (2002). De dokter aan het sterfbed. Raster, 99 pp. 90–106.

King, Helen (2002). Creating the world: the origins of all things in ancient Greek myth and medicine. Interdisciplinary Science Reviews, 27(4) pp. 271–277.

Mays, S.; Robson-Brown, K.; Vincent, S.; Eyers, J.; King, H. and Roberts, A. (2012). An infant femur bearing cut marks from Roman Hambleden, England. International Journal of Osteoarchaeology (Early View).

Paul, Joanna (2010). Cinematic receptions of antiquity: the current state of play. Classical Receptions Journal, 2(1) pp. 136–155.

Perkins, Phil and Schafer, Sally (2009). The Villa Pigneto Sacchetti excavation: a new interpretation. Papers of the British School at Rome, 77(2009) pp. 273–290.

Perkins, Phil (2012). Fantastic animal stamps on bucchero from Poggio Colla. Aristonothos - Scritti per il Mediterraneo antico, 5 (in press).

Perkins, Phil (2012). The bucchero childbirth stamp on a late Orientalizing period shard from Poggio Colla. Etruscan Studies, 15(2) pp. 146–201.

Robson, James (2007). Catullus 22: Suffenus iste – A Catullan Riddle? Classica et Mediaevalia, 58 pp. 209–214.

Robson, James (2012). Transposing Aristophanic lyric: the theory and practice of translating Aristophanic lyric. Greece & Rome, 59(2) pp. 214–244.

Rothe, Ursula (2010). Gallische Frauenkleidung in römischer Zeit. Mannheimer Geschichtsblätter , 19 pp. 65–80.

Rothe, Ursula (2012). The “Third Way”: Treveran women’s dress and the “Gallic Ensemble”. American Journal of Archaeology, 116(2) pp. 235–252.

Rothe, Ursula (2013). Der Grabstein der Severina Nutrix aus Köln: eine neue Deutung. Germania (In press).

Rothe, Ursula (2013). Dress in the middle Danube provinces: the garments, their origins and their distribution. Jahreshefte des Österreichischen Archäologischen Instituts (In press).

Swift, L. A. (2006). Mixed choruses and marriage songs: a new interpretation of the third stasimon of the Hippolytos. Journal of Hellenic Studies, 126 pp. 125–40.

Swift, L. A. (2009). The symbolism of space in Euripidean choral fantasy (Hipp. 732-85, Med. 824-65, Bacch. 370-433). Classical Quarterly, 59(2) pp. 364–382.

Swift, L. A. (2009). Sexual and familial distortion in Euripides' Phoenissae. Transactions of the American Philological Association, 139(1) pp. 53–87.

Swift, L. A. (2012). Archilochus the ‘anti-hero’? Heroism, flight and values in Homer and the new Archilochus fragment (P.Oxy. LXIX 4708). Journal of Hellenic Studies, 132 pp. 139–155.

Swift, Laura (2009). How to make a goddess angry: making sense of the Demeter Ode in Euripides' Helen. Classical Philology, 104(4) pp. 418–438.

Van de Noort, Robert; Whitehouse, David; Becker, Marshall; Blagg, Thomas; Burnett, Douglas; Caruso, Ida; Claridge, Amanda; Clark, Gill; Costantini, Loredana; Costantini, Lorenzo; Hall Burke, Belinda; Lyttelton, Margaret; Napolitani, Gilberto; Patterson, Helen; Perkins, Philip; Rovelli, Alessia and Sutherland, Sheila (2009). Excavations at Le Mura di Santo Stefano, Anguillara Sabazia. Papers of the British School at Rome, 77(2009) pp. 159–223.

Yamagata, Naoko (2003). Locating power: spatial signs of social ranking in Homer and the Tale of the Heike. Scholia, 12 pp. 34–44.

Yamagata, Naoko (2005). Plato, memory, and performance. Oral Tradition, 20(1) pp. 111–129.

Yamagata, Naoko (2005). Clothing and identity in Homer: the case of Penelope's web. Mnemosyne, 58(4) pp. 539–546.

Yamagata, Naoko (1989). The apostrophe in Homer as part of the oral technique. Bulletin of the Institute of Classical Studies, 36(1) pp. 91–103.

Yamagata, Naoko (1990). Aisima pareipon - A moral judgement by the poet? Parola del Passato, 45 pp. 420–430.

Yamagata, Naoko (1991). Phoenix's speech - Is Achilles punished? Classical Quarterly, 41(1) pp. 1–15.

Yamagata, Naoko (1993). Young and Old in Homer and in 'Heike Monogatari'. Greece & Rome, 40(1) pp. 1–10.

Yamagata, Naoko (1995). Why Classics today - and tomorrow? Scholia(4) pp. 108–109.

Yamagata, Naoko (1997). Classics for multilingual Europe. Kleos(2) pp. 275–284.

Yamagata, Naoko (1997). Anax and basileus in Homer. Classical Quarterly, 47(1) pp. 1–14.

Yamagata, Naoko (1995). Ritual offerings in Homer and in Linear B. Studi Micenei ed Egeo-Anatolici(35) pp. 57–68.

Yamagata, Naoko (2012). Use of Homeric references in Plato and Xenophon. The Classical Quarterly, 62(1) pp. 130–144.

Yamagata, Naoko (2011). Male and female spaces in Homer and in Heike monogatari. Japan Studies in Classical Antiquity, 1 pp. 27–41.

Yamagata, Naoko (2011). Penelope and early recognition: Vlahos, Harsh, and Eustathius. College Literature, 38(2) pp. 122–130.

Conference Item

Alzola Romero, Aaron and Sánchez Moreno, Eduardo (2011). Fabricating Celts: how Iron Age Iberians became Indo-Europeanized during the Franco regime. In: Proceedings of the Harvard Celtic Colloquium 2009, 9-11 October 2009, Harvard University, Boston.

Barker, Elton (2004). Between a rock and a safe place: the chorus becoming citizens in Sophocles’ Ajax. In: Actas del Congreso Internacional con motivo del XXV Centenario del nacimiento de Sófocles , 2003, Málaga.

King, Helen (1999). Hippocratic gynaecological therapy in the sixteenth and seventeenth centuries. In: Aspetti della Terapia nel Corpus Hippocraticum (Atti del IXe Colloque hippocratique), 25-29 September 1996, Pisa, Italy.

Simon, Rainer; Barker, Elton and Isaksen, Leif (2012). Exploring Pelagios: a visual browser for geo-tagged datasets. In: International Workshop on Supporting Users' Exploration of Digital Libraries, 23-27 September 2012, Paphos, Cyprus.

Yamagata, Naoko (1996). Quotations in Plato's Symposium. In: Classical Receptions in Drama Poetry in English from c.1970 to the resent, 3-4 January 1996, Open University, Milton Keynes, UK.

Zuccolin, Gabriella (2012). The Speculum phisionomie by Michele Savonarola. In: Universality of Reason. Plurality of Philosophies, 16-22 September 2007, Palermo, Italy.

Thesis

Hazel, Ruth Mary (1999). The mediation in late twentieth-century English theatres of selected ancient Greek tragedy texts and themes concerned with women and power. PhD thesis The Open University.

Other

Barker, Elton; Bouzarovski, Stefan; Pelling, Chris and Isaksen, Leif (2011). HESTIA (the Herodotus Encoded Space-Text-Imaging Archive): An Interdisciplinary Project. European Science Foundation, Strasbourg.

Fear, Trevor (2011). New Voices In Classical Reception Studies Vol. 6 (2011). The Open University.

Fear, Trevor (2012). New Voices in Classical Reception Studies Vol. 7 (2012). The Open University.

Hamilton, Walter and Emlyn-Jones, Chris (2004). Gorgias: revised edition translated by Walter Hamilton and Chris Emlyn-Jones: Introduction, commentary, and notes by Chris Emlyn-Jones. Penguin Books, UK.

Hardwick, Lorna (2001). The Reception of the texts and images of ancient Greece in late twentieth-century drama and poetry in English. Not Set, Milton Keynes, UK.

King, Helen (2004). Chamberlen, Peter (1601–1683). Oxford University Press, Oxford, UK.

King, Helen (2004). Chamberlen, Hugh, the elder (b. 1630x34, d. after 1720). Oxford University Press, Oxford, UK.

This list was generated on Sun May 19 21:13:18 2013 BST.

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