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Fryers, Mark
(2019).
DOI: https://doi.org/10.1386/jptv_00001_1
Abstract
This article explores the manner in which an extremely popular yet consequently (certainly critically) neglected television programme both represents the sociopolitical-economic culture that produced it and that is imbricated within these prevailing attitudes. Specifically, it explores the drama/soap Howards’ Way (1985–90) and the manner in which its narrative logic and its aesthetic display and use of space, place and landscape is guided by the era’s economic logic of excess, aspiration and hyper-monetization, and anxieties surrounding shifting gender roles. This article will explore the show’s production history and the subsequent ethical ramifications as a show produced by a publically funded institution (the BBC). Drawing on specific textual analysis alongside critical reception and other contextualizing materials this article will demonstrate how popular television narrative makes meaningful the cultural context of its own production.
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About
- Item ORO ID
- 87672
- Item Type
- Journal Item
- ISSN
- 2046-9861
- Project Funding Details
-
Funded Project Name Project ID Funding Body PhD Thesis Not Set Arts and Humanities Research Council - Keywords
- 1980s British culture; BBC; Gerard Glaister; Howards’ Way; landscape and maritime; television serial drama; Thatcherism
- Academic Unit or School
-
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > English & Creative Writing
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS) - Copyright Holders
- © 2019 Intellect Ltd
- Depositing User
- Mark Fryers