(2003). A 'pariah in the world of art': Richter in Reverse Gear.
In: Green, D.; Lowry, J. and Campany, D. eds.
Where is the Photograph?
Brighton, UK: Photoforum, pp. 31–46.
This book chapter draws on archival work, and posits a morphological link between 19th-century debates on photography and colour and some issues in post-conceptual art. I suggest that in the nineteenth century A.H. Wall and others developed an account of colouring on photographs that confirmed the photograph as a work of art on the condition that it became invisible. The essay traces the residues of this conception in the accounts of Gerhard Richter, John Baldassari and others.
A Spanish edition appeared in 2007
||19th century photography; colour photography; contemporary art; A.H. Wall
||Arts > Art History
||14 Jun 2007
||02 Dec 2010 20:00
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