Edwards, Stephen
(2003).
| URL: | http://www.photo-forum.org.uk/html/publications.ht... |
|---|---|
| Google Scholar: | Look up in Google Scholar |
Abstract
This book chapter draws on archival work, and posits a morphological link between 19th-century debates on photography and colour and some issues in post-conceptual art. I suggest that in the nineteenth century A.H. Wall and others developed an account of colouring on photographs that confirmed the photograph as a work of art on the condition that it became invisible. The essay traces the residues of this conception in the accounts of Gerhard Richter, John Baldassari and others.
A Spanish edition appeared in 2007
| Item Type: | Book Section |
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| ISBN: | 1-903796-08-3, 978-1-903796-08-5 |
| Keywords: | 19th century photography; colour photography; contemporary art; A.H. Wall |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 8019 |
| Depositing User: | Stephen Edwards |
| Date Deposited: | 14 Jun 2007 |
| Last Modified: | 04 Oct 2016 10:01 |
| URI: | http://oro.open.ac.uk/id/eprint/8019 |
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