Edwards, Steve (2006). The Making of English Photography, Allegories. Pennsylvania, USA: Pennsylvania State University Press.
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Bringing together an array of early photographs, recent historical and theoretical scholarship, and extensive archival sources, The Making of English Photography, Allegories sheds new light on the prevailing conceptions of photography as well as, more generally, the antimonies of art and work in a world marked by social division. This book examines the development of English photography from 1835 as an industrial, commercial and, most problematically, artistic enterprise. Concentrating on the first thirty-five years of the medium’s history, the book tracks the pivotal distinction between artwork and document as it emerged in the thought of the ‘men of science’ and professional photographers, suggesting that this key opposition is rooted in social fantasies of the worker. Through a close reading of the photographic press in the 1860s, I reconstruct the ideological world of photographers and employ the unstable category of photography to cast light on art, class, and industrial knowledge.
|Item Type:||Authored Book|
|Keywords:||photography; history; labour|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Stephen Edwards|
|Date Deposited:||14 Jun 2007|
|Last Modified:||04 Oct 2016 10:01|
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