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Putting the viewer in the frame: Greuze as sentimentalist

Barker, Emma (2007). Putting the viewer in the frame: Greuze as sentimentalist. In: Conisbee, Philip ed. French Genre Painting in the Eighteenth Century. Studies in the History of Art, National Gallery of Art, Washington, DC, 72. New Haven, US: Yale University Press, pp. 105–127.

URL: http://yalepress.yale.edu/yupbooks/book.asp?isbn=9...
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Abstract

About the book: Imagined scenes of daily life by Watteau, Chardin, Fragonard, Greuze, and other 18th-century French artists are the subject of this important new study. The wide range of these artists’ works encompasses domestic subjects, portraits and fashion plates, and depictions of stylish entertainments, seductions, and sentimental tales. Examples span the century, from the time of Louis XIV to the French Revolution.
Fifteen distinguished scholars present their latest research into the contexts and meanings of French genre painting during this period. The authors offer a variety of critical and historical perspectives, covering such topics as the relationship of genre painting to contemporary life and to sexuality, sentiment, and sensibilité; its patrons and collectors; its popularization through reproduction in the print trade; its contemporary critical reception; and its resonances through subsequent centuries, continuing to our own time.

Item Type: Book Chapter
ISBN: 0-300-12024-9, 978-0-300-12024-0
Academic Unit/Department: Arts > Art History
Item ID: 7464
Depositing User: Emma Barker
Date Deposited: 23 Apr 2007
Last Modified: 02 Dec 2010 19:59
URI: http://oro.open.ac.uk/id/eprint/7464
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