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|DOI (Digital Object Identifier) Link:||http://doi.org/10.1017/S0018246X06005735|
|Google Scholar:||Look up in Google Scholar|
This article examines the changes and continuities in the depiction of the violent relationship between the popular glove puppets, Punch and Judy, over the course of the nineteenth century. While the puppet show emerged as a low-brow street entertainment during the first decades of the nineteenth century, by 1850 it had been hijacked by the middle and upper classes, and began to appear with increasing frequency in fashionable drawing rooms. At the same time, the relationship between the two central characters, Punch and Judy, was substantially modified. On the streets, during the first half of the century, the Punches' marriage had both reflected the continuing popularity of the early modern theme of the 'struggle for the breeches' and encapsulated familial tensions that resulted from the pressures of industrialisation and urbanisation. However, from 1850 the middle classes attempted to reshape the relationship into a moral tale in order to teach their children valuable lessons about marital behaviour. Yet, at the same time, the maintenance of violence in the portrayal of the Punches' conjugal life exposed crucial patterns of continuity in attitudes towards marriage, masculinity, and femininity in Victorian England.
|Item Type:||Journal Article|
|Keywords:||violence; marriage; gender; popular culture; entertainment|
|Academic Unit/Department:||Arts > History
|Interdisciplinary Research Centre:||Harm and Evidence Research Collaborative (HERC)|
|Depositing User:||Rosalind Crone|
|Date Deposited:||16 Apr 2007|
|Last Modified:||15 Jul 2016 22:01|
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