The Open UniversitySkip to content
 

A Critical Analysis of Synthesizer User Interfaces for Timbre

Seago, Allan; Holland, Simon and Mulholland, Paul (2004). A Critical Analysis of Synthesizer User Interfaces for Timbre. In: Dearden, Andy and Watt, Leon eds. Proceedings of the XVIII British HCI Group Annual Conference HCI 2004, Volume 2. Bristol, UK: Research Press International, pp. 105–108.

Google Scholar: Look up in Google Scholar

Abstract

In this paper, we review and analyse categories of user interface used in hardware and software electronic music synthesizers. Problems with the user specification and modification of timbre are discussed. Three principal types of user interface for controlling timbre are distinguished. A problem common to all three categories is identified: that the core language of each category has no well-defined mapping onto the task languages of subjective timbre categories as used by musicians.

Item Type: Book Chapter
ISBN: 1-897851-13-8, 978-1-897851-13-5
Keywords: Music; Synthesis; Synthesizers; Timbre; Semantic Directness; Usability;
Academic Unit/Department: Mathematics, Computing and Technology > Computing & Communications
Knowledge Media Institute
Interdisciplinary Research Centre: Centre for Research in Computing (CRC)
Item ID: 5688
Depositing User: Simon Holland
Date Deposited: 30 Oct 2006
Last Modified: 02 Dec 2010 19:54
URI: http://oro.open.ac.uk/id/eprint/5688
Share this page:

Actions (login may be required)

View Item
Report issue / request change

Policies | Disclaimer

© The Open University   + 44 (0)870 333 4340   general-enquiries@open.ac.uk