Katritzky, M. A.
(2018).
| Google Scholar: | Look up in Google Scholar |
|---|
Abstract
Drawing on sixteenth and seventeenth century texts and images, this article for the first time brings together three distinct types of commedia dell’arte related glass. It examines enamelled glassware decorated with masked Zanni and old masters, connects the enamelled decoration of certain Germanic three-pot glasses (‘Stangengläser’) to Italian stage lovers, and assesses known and newly identified lampwork glass figures of the masked, morra-playing commedia dell’arte military captain (Capitano). Rather than offering any kind of direct insight into stage practice, such glassware draws on a complex mix of influences from the commedia dell’arte, carnival costume, and longstanding iconographic, textual and festival traditions.
| Item Type: | Journal Item |
|---|---|
| Copyright Holders: | 2018 Edizioni Polistampa |
| ISSN: | 1974-1294 |
| Extra Information: | ISBN: 978-88-596-1798-3 |
| Keywords: | commedia dell'arte; glass; Venice; Murano; early modern; morra; history of collecting; souvenirs; Praun family; carnival; theatre; comedy |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > English & Creative Writing Faculty of Arts and Social Sciences (FASS) > Arts and Humanities Faculty of Arts and Social Sciences (FASS) |
| Research Group: | History of Books and Reading (HOBAR) Language & Literacies Postcolonial and Global Literatures Research Group (PGL) |
| Related URLs: | |
| Item ID: | 55588 |
| Depositing User: | M. A. Katritzky |
| Date Deposited: | 26 Jun 2018 09:52 |
| Last Modified: | 06 Aug 2019 08:52 |
| URI: | http://oro.open.ac.uk/id/eprint/55588 |
| Share this page: |     |
CORE (COnnecting REpositories)
CORE (COnnecting REpositories)