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Music in advertising and consumer identity: The search for Heideggerian authenticity

Abolhasani, Morteza; Oakes, Steve and Oakes, Helen (2017). Music in advertising and consumer identity: The search for Heideggerian authenticity. Marketing Theory, 17(4) pp. 473–490.

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DOI (Digital Object Identifier) Link: https://doi.org/10.1177/1470593117692021
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Abstract

This study discusses netnographic findings involving 472 YouTube postings categorized to identify themes regarding consumers’ experience of music in advertisements. Key themes relate to musical taste, musical indexicality, musical repetition and musical authenticity. Postings reveal how music conveys individual taste and is linked to personal memories and Heidegger’s coincidental time where moments of authenticity may be triggered in a melee of emotions, memories and projections. Identity protection is enabled as consumers frequently resist advertisers’ attempts to use musical repetition to impose normative identity. Critiques of repetition in the music produce Heideggerian anxiety leading to critically reflective resistance. Similarly, where advertising devalues the authenticity of iconic pieces of music, consumers often resist such authenticity transgressions as a threat to their own identity. The Heideggerian search for meaning in life emphasizes the significance of philosophically driven ideological authenticity in consumers’ responses to music in advertisements.

Item Type: Journal Item
Copyright Holders: 2017 The Authors
ISSN: 1470-5931
Keywords: advertising; authenticity; Heidegger; identity; indexicality; music; repetition; taste
Academic Unit/School: Faculty of Business and Law (FBL) > Business > Department for Strategy and Marketing
Faculty of Business and Law (FBL) > Business
Faculty of Business and Law (FBL)
Item ID: 50952
Depositing User: Morteza Abolhasani
Date Deposited: 20 Sep 2017 09:07
Last Modified: 17 Nov 2019 21:45
URI: http://oro.open.ac.uk/id/eprint/50952
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