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Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

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Abstract

I offer a perspective on authorship and copyright seen from the perspective of the members of the Cologne Ensemble, (later called the Stockhausen Ensemble), in the context of their difficulties with performing structured improvisations as interpreters rather than as co-authors.

Item Type: Conference or Workshop Item
Academic Unit/School: Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Music
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS)
Item ID: 48758
Depositing User: Sean Williams
Date Deposited: 21 Mar 2017 10:57
Last Modified: 06 Aug 2019 08:50
URI: http://oro.open.ac.uk/id/eprint/48758
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