Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen

Williams, Sean (2014). Distributed creativity in Karlheinz Stockhausen's Aus den Sieben Tagen. In: (Dis-)Owning the Sound: A Workshop on the Historical Development of Music Property & Authorship, 16 Jun 2014, Edinburgh, United Kingdom.

Abstract

I offer a perspective on authorship and copyright seen from the perspective of the members of the Cologne Ensemble, (later called the Stockhausen Ensemble), in the context of their difficulties with performing structured improvisations as interpreters rather than as co-authors.

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