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Williams, Sean
(2014).
Abstract
I offer a perspective on authorship and copyright seen from the perspective of the members of the Cologne Ensemble, (later called the Stockhausen Ensemble), in the context of their difficulties with performing structured improvisations as interpreters rather than as co-authors.
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- Item ORO ID
- 48758
- Item Type
- Conference or Workshop Item
- Academic Unit or School
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Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Music
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS) - Depositing User
- Sean Williams