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The Double Articulation of Schubert: Reflections on Der Doppelgänger

Samuels, Robert (2010). The Double Articulation of Schubert: Reflections on Der Doppelgänger. The Musical Quarterly, 93(2) pp. 192–233.

DOI (Digital Object Identifier) Link: http://dx.doi.org/10.1093/musqtl/gdq008
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Abstract

To present a discussion of Der Doppelgänger, the thirteenth song from Schubert's Schwanengesang, might seem a redundant enterprise. Richard Kramer comments of its sixty-three sparsely textured bars that “no other song has provoked quite as much hermeneutical exercise.”1 Yet it is precisely this status as a shibboleth of analytical literature that makes the song inexhaustible as a source for reflection, both upon the business of representing words in music and upon the business of representing music in words.

Item Type: Journal Article
Copyright Holders: 2010 Oxford University Press
ISSN: 0027-4631
Academic Unit/Department: Arts > Music
Item ID: 3914
Depositing User: Robert Samuels
Date Deposited: 04 Nov 2010 10:06
Last Modified: 23 Oct 2012 14:28
URI: http://oro.open.ac.uk/id/eprint/3914
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