Samuels, Robert
(2010).
The Double Articulation of Schubert: Reflections on Der Doppelgänger.
The Musical Quarterly, 93(2),
pp. 192–233.
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Abstract
To present a discussion of Der Doppelgänger, the thirteenth song from Schubert's Schwanengesang, might seem a redundant enterprise. Richard Kramer comments of its sixty-three sparsely textured bars that “no other song has provoked quite as much hermeneutical exercise.”1 Yet it is precisely this status as a shibboleth of analytical literature that makes the song inexhaustible as a source for reflection, both upon the business of representing words in music and upon the business of representing music in words.
| Item Type: |
Journal Article
|
| Copyright Holders: |
2010 Oxford University Press |
| ISSN: |
0027-4631 |
| Academic Unit/Department: |
Arts > Music |
| Item ID: |
3914 |
| Depositing User: |
Robert Samuels
|
| Date Deposited: |
04 Nov 2010 10:06 |
| Last Modified: |
23 Oct 2012 14:28 |
| URI: |
http://oro.open.ac.uk/id/eprint/3914 |
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