Hysterical nostalgia in the postcolony: from Coming Home to District 9

Walder, Dennis (2013). Hysterical nostalgia in the postcolony: from Coming Home to District 9. Consumption Markets & Culture, 17(2) pp. 143–157.

DOI: https://doi.org/10.1080/10253866.2013.776306

Abstract

Much of the remembering of recent years in South Africa has involved nostalgia, but a nostalgia of excess and morbidity, or what might be called hysteria. The endangered body stands as a memorial to the distortions of apartheid, and there are many manifestations in the culture of the country. Here I analyse two performative works by expatriate South Africans who in contrasting but related ways express through them a hysterical-nostalgic relation to their country’s past: Coming Home, a memory-play by Athol Fugard, and Neill Blomkamp’s dystopian film District 9, both of which touch on the country’s HIV/AIDS crisis. Resisting inadmissible yearnings for the apartheid past leads to revealing versions of nostalgia, in terms of broader cultural aesthetics, and the politics of the present – a time of continuing turbulence and uncertainty.

Viewing alternatives

Look up in Google Scholar

Metrics

Public Attention

Altmetrics from Altmetric

Number of Citations

Citations from Dimensions
No digital document available to download for this item

Item Actions

Export

About

CORE (COnnecting REpositories)

Recommendations