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Gibson, Jonathan
(2011).
URL: http://www.palgrave.com/products/title.aspx?pid=47...
Abstract
In this chapter, I analyse the different 'hands' (or styles of handwriting) used by Elizabeth I: the italic hand in which her earliest texts were written, a later italic, and the rough, 'skrating' hand in which she wrote informal manuscripts after her accession to the throne. I link the second italic hand to exemplars in Giovambattista Palatino's Libro nuovo d'imparare a scrivere tutte sorte de lettere (1540), a handwriting manual owned by Elizabeth's brother, Edward VI, who, like Elizabeth, imitated its letter-forms. I show that the ornamentation in Elizabeth's famous signature derives from samples in Palatino's book. I also re-examine the gendering of handwriting in early modern England and the significance of the contrast between Elizabeth's 'skrating' hand and the formality of her signature.
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About
- Item ORO ID
- 36876
- Item Type
- Book Section
- ISBN
- 0-230-27817-5, 978-0-230-27817-2
- Keywords
- handwriting; early modern manuscripts; Elizabeth I; Giovambattista Palatino; Edward VI
- Academic Unit or School
-
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > English & Creative Writing
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS) - Research Group
- History of Books and Reading (HOBAR)
- Copyright Holders
- © 2011 Introduction, selection and editorial matter Alessandra Petrina and Laura Tosi, © 2011 Individual chapters the contributors
- Depositing User
- Jonathan Gibson