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An essay translated into Catalan originally presented at a conference in Tarragona, Spain. An English version will appear late in 2013.
Based around a study of the classic street photography of John Thompson, published a Street Life In Photography (1877) and the contemporaneous debate about photography that took place in the journal The Photographic News, this essay proposes a new account of photography.
Thompson, and others how worked in a similar mode, have been seen as exercising a vision of power that displays the poor for the attention of the state and middle-class reformers. In contrast, I suggest that Thompson's images are much more ambivalent about the figures depicted. Thompson's book is drawn to street life and he finds his own enterprise implicated in these trades. Through an analysis of WJ Stillman's writings and photographs in Street Life in London, I consider the agency that speaks back in these photographs.
This essay is a product of extensive archival research on nineteenth-century photographic debate and conjoined this historical research with critical approaches (here drawing on Jacques Ranciere's philosophy of equality, to propose a novel approach to photographic history.
|Item Type:||Book Chapter|
|Copyright Holders:||2012 author|
|Extra Information:||Text in Catalán
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Stephen Edwards|
|Date Deposited:||10 Dec 2012 09:56|
|Last Modified:||04 Oct 2016 11:23|
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