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James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London, Not applicable.

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Abstract

This piece analyses the way in which Ward's portrait of Napoleon's charger, Marengo, was the product of the congruence of a number of textual, pictorial and discursive elements cocnerning the sublime,traditions of facial expression, post-Waterloo nationalism and theories of the relationship of man to other animals.

Item Type: Conference Item
Copyright Holders: 2012 The Author
Academic Unit/Department: Arts > Art History
Item ID: 31397
Depositing User: Linda Walsh
Date Deposited: 16 Jan 2012 12:07
Last Modified: 25 Oct 2012 14:52
URI: http://oro.open.ac.uk/id/eprint/31397
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