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This chapter takes its place in a huge new project on twentieth-century British and American war literature. It focuses on technology and sense perception in First World War writing in its account of the formal and contextual relationships between modernism and the war.
|Item Type:||Book Chapter|
|Copyright Holders:||2012 Edinburgh University Press|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Sara Haslam|
|Date Deposited:||12 Jan 2012 13:29|
|Last Modified:||02 Aug 2016 17:35|
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