Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.
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This paper analyses Coppola's film in relation to modern theories of myth and identity. The film itself includes a sequence based on three eighteenth-century portraits of the French Queen, which are discussed as examples of her attempts to reclaim control of public perceptions of her.
|Extra Information:||Invited paper delivered at the Open University Graduation Ceremony, Harrogate 09/04/2011|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Linda Walsh|
|Date Deposited:||16 Jan 2012 12:12|
|Last Modified:||02 Aug 2016 14:10|
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