Walsh, Linda
(2011).
Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits.
Invited paper.
(
Click here to request a copy from the OU Author.)
Abstract
This paper analyses Coppola's film in relation to modern theories of myth and identity. The film itself includes a sequence based on three eighteenth-century portraits of the French Queen, which are discussed as examples of her attempts to reclaim control of public perceptions of her.
| Item Type: |
Other
|
| Extra Information: |
Invited paper delivered at the Open University Graduation Ceremony, Harrogate 09/04/2011 |
| Academic Unit/Department: |
Arts > Art History |
| Item ID: |
31190 |
| Depositing User: |
Linda Walsh
|
| Date Deposited: |
16 Jan 2012 12:12 |
| Last Modified: |
25 Oct 2012 14:52 |
| URI: |
http://oro.open.ac.uk/id/eprint/31190 |
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