Baker-Bates, Piers
(2013).
| DOI (Digital Object Identifier) Link: | https://doi.org/10.1111/j.1477-4658.2011.00770.x |
|---|---|
| Google Scholar: | Look up in Google Scholar |
Abstract
The question of diplomatic gifts has become increasingly centre stage in studies of Renaissance art. Their importance has not, however, been considered before in relation to the career of Sebastiano del Piombo. From the very beginning of his time in the city, however, Sebastiano began to paint works of art that were intended as diplomatic gifts. The two major works examined in this light will be the Visitation commissioned, most likely, by the Venetian government for Queen Claude of France and the Pietà commissioned by Ferrante Gonzaga for Francesco de los Cobos. The argument will show both how central commissions became to Sebastiano's career and how they may have affected the development of that career.
| Item Type: | Journal Item |
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| Copyright Holders: | 2011 The Author, 2011 The Society for Renaissance Studies, Blackwell Publishing Ltd, Renaissance Studies |
| ISSN: | 0269-1213 |
| Keywords: | diplomatic gifts; Rome; Sebastiano del Piombo |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Art History Faculty of Arts and Social Sciences (FASS) > Arts and Humanities Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 30816 |
| Depositing User: | Piers Baker-Bates |
| Date Deposited: | 11 Jan 2012 15:38 |
| Last Modified: | 06 Aug 2019 08:38 |
| URI: | http://oro.open.ac.uk/id/eprint/30816 |
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