Wilkinson, Robert
(2011). La créativité dans la peinture chinoise de tradition classique.
In: Alexandre Journeau, Véronique ed.
Le Surgissement Créateur: Jeu, Hasard ou Inconscient.
L'Univers Esthétique.
Paris: L'Harmattan.
(
Click here to request a copy from the OU Author.)
Abstract
This essay is an interpretation of the phrase qiyun shengdong shi ye, recognised as the key to the aesthetics of classical Chinese painting. It is compared to the aesthetics of European Romanticism and of the eminent contemporary French poet, Yves Bonnefoy, all instances of a common logical pattern in aesthetics which tends to recur against a common metaphysical background.
| Item Type: |
Book Chapter
|
| Copyright Holders: |
2011 L'Harmattan |
| ISBN: |
2-296-55609-4, 978-2-296-55609-6 |
| Academic Unit/Department: |
Arts > Philosophy |
| Item ID: |
30545 |
| Depositing User: |
Bob Wilkinson
|
| Date Deposited: |
25 Jan 2012 13:58 |
| Last Modified: |
23 Oct 2012 14:21 |
| URI: |
http://oro.open.ac.uk/id/eprint/30545 |
Actions (login may be required)
