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Linson, Adam
(2011).
Abstract
The enormous range of possibilities for digital musical instrument (DMI) design is often limited by the adoption of unnecessary conceptual constraints. When considered in relation to DMIs, a careful analysis of the underlying concepts makes it possible to reject certain assumptions and thereby to expand the current range of acceptable possibilities for future designs.
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- Item ORO ID
- 30015
- Item Type
- Conference or Workshop Item
- Extra Information
-
Proceedings of the International Computer Music Conference :
Huddersfield, UK : 31st July - 5th August, 2011 : Centre for Research in New Music University of Huddersfield /proceeding co-editors: Monty Adkins, Ben Isaacs.
ISBN: 978-0-9845274-0-3 - Keywords
- digital musical instrument (DMI); interactive systems; phenomenology; human-computer interaction (HCI); design
- Academic Unit or School
-
Faculty of Science, Technology, Engineering and Mathematics (STEM) > Computing and Communications
Faculty of Science, Technology, Engineering and Mathematics (STEM) - Copyright Holders
- © 2011 Adam Linson
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- Adam Linson