PDF (Version of Record)
- Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader
|Google Scholar:||Look up in Google Scholar|
The enormous range of possibilities for digital musical instrument (DMI) design is often limited by the adoption of unnecessary conceptual constraints. When considered in relation to DMIs, a careful analysis of the underlying concepts makes it possible to reject certain assumptions and thereby to expand the current range of acceptable possibilities for future designs.
|Item Type:||Conference Item|
|Copyright Holders:||2011 Adam Linson|
|Extra Information:||Proceedings of the International Computer Music Conference :
Huddersfield, UK : 31st July - 5th August, 2011 : Centre for Research in New Music University of Huddersfield /proceeding co-editors: Monty Adkins, Ben Isaacs.
|Keywords:||digital musical instrument (DMI); interactive systems; phenomenology; human-computer interaction (HCI); design|
|Academic Unit/Department:||Faculty of Science, Technology, Engineering and Mathematics (STEM)|
|Depositing User:||Adam Linson|
|Date Deposited:||25 Nov 2011 09:17|
|Last Modified:||06 Oct 2016 17:03|
|Share this page:|
Download history for this item
These details should be considered as only a guide to the number of downloads performed manually. Algorithmic methods have been applied in an attempt to remove automated downloads from the displayed statistics but no guarantee can be made as to the accuracy of the figures.