Linson, Adam
(2011).
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Abstract
The enormous range of possibilities for digital musical instrument (DMI) design is often limited by the adoption of unnecessary conceptual constraints. When considered in relation to DMIs, a careful analysis of the underlying concepts makes it possible to reject certain assumptions and thereby to expand the current range of acceptable possibilities for future designs.
| Item Type: | Conference Item |
|---|---|
| Copyright Holders: | 2011 Adam Linson |
| Extra Information: | Proceedings of the International Computer Music Conference :
Huddersfield, UK : 31st July - 5th August, 2011 : Centre for Research in New Music University of Huddersfield /proceeding co-editors: Monty Adkins, Ben Isaacs. ISBN: 978-0-9845274-0-3 |
| Keywords: | digital musical instrument (DMI); interactive systems; phenomenology; human-computer interaction (HCI); design |
| Academic Unit/Department: | Mathematics, Computing and Technology > Computing |
| Related URLs: | |
| Item ID: | 30015 |
| Depositing User: | Adam Linson |
| Date Deposited: | 25 Nov 2011 09:17 |
| Last Modified: | 11 Dec 2012 14:27 |
| URI: | http://oro.open.ac.uk/id/eprint/30015 |
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