PDF (Accepted Manuscript)
- Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader
|DOI (Digital Object Identifier) Link:||http://doi.org/10.1111/j.1467-954X.2011.02016.x|
|Google Scholar:||Look up in Google Scholar|
Foucault’s work on the museum is partial and fragmentary but provides an interesting opportunity through which to explore issues of power, subjectivity and imagination. Following a discussion of Deleuze’s reading of Foucault and his introduction of the issue of diagram as a way of understanding the discursive and visual operation of power, the paper explores some of Foucault’s work from the period around 1967-9 on the non-relation to explore how he engaged with the question of seeing/saying that Deleuze identifies as a key problematic in his work. Through analysis of Foucault’s discussions of the themes of the outside, heterotopia and the work of the painter Manet, in the context of the museum, the paper explores how power operating through the diagram of the museum allows us to understand the space of imagination as one in which subjectivity is constituted.
|Item Type:||Journal Article|
|Copyright Holders:||2011 The Author|
|Keywords:||Foucault; diagram; heterotopia; museum; imagination; subjectivity|
|Academic Unit/Department:||Other Departments > Vice-Chancellor's Office
|Interdisciplinary Research Centre:||OpenSpace Research Centre (OSRC)|
|Depositing User:||Kevin Hetherington|
|Date Deposited:||07 Oct 2011 08:40|
|Last Modified:||24 Feb 2016 02:54|
|Share this page:|
Download history for this item
These details should be considered as only a guide to the number of downloads performed manually. Algorithmic methods have been applied in an attempt to remove automated downloads from the displayed statistics but no guarantee can be made as to the accuracy of the figures.