Winters, Ben
(2007).
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| URL: | http://www.tandfonline.com/toc/rrma20/132/1 |
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| DOI (Digital Object Identifier) Link: | http://doi.org/10.1093/jrma/fkm001 |
| Google Scholar: | Look up in Google Scholar |
Abstract
There is a need for published film score editions in film musicology, both to preserve the contents of manuscripts and to aid critical readings of films. How to accomplish this, without re-inscribing the romantic conceptions of authorship commonly associated with edition creation, is the subject of this article. After considering the relevant editorial problems and models, a postmodern ‘anti-edition’ is proposed, using examples drawn from Korngold’s score for The Adventures of Robin Hood (1938).
| Item Type: | Journal Article |
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| Copyright Holders: | 2007 Ben Winters |
| ISSN: | 1471-6933 |
| Academic Unit/Department: | Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 29642 |
| Depositing User: | Benjamin Winters |
| Date Deposited: | 30 Sep 2011 15:20 |
| Last Modified: | 02 Aug 2016 14:05 |
| URI: | http://oro.open.ac.uk/id/eprint/29642 |
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