|DOI (Digital Object Identifier) Link:||http://doi.org/10.1093/jrma/fkm001|
|Google Scholar:||Look up in Google Scholar|
There is a need for published film score editions in film musicology, both to preserve the contents of manuscripts and to aid critical readings of films. How to accomplish this, without re-inscribing the romantic conceptions of authorship commonly associated with edition creation, is the subject of this article. After considering the relevant editorial problems and models, a postmodern ‘anti-edition’ is proposed, using examples drawn from Korngold’s score for The Adventures of Robin Hood (1938).
|Item Type:||Journal Article|
|Copyright Holders:||2007 Ben Winters|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Benjamin Winters|
|Date Deposited:||30 Sep 2011 15:20|
|Last Modified:||02 Aug 2016 14:05|
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