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Winters, Ben
(2007).
DOI: https://doi.org/10.1093/jrma/fkm001
URL: http://www.tandfonline.com/toc/rrma20/132/1
Abstract
There is a need for published film score editions in film musicology, both to preserve the contents of manuscripts and to aid critical readings of films. How to accomplish this, without re-inscribing the romantic conceptions of authorship commonly associated with edition creation, is the subject of this article. After considering the relevant editorial problems and models, a postmodern ‘anti-edition’ is proposed, using examples drawn from Korngold’s score for The Adventures of Robin Hood (1938).
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About
- Item ORO ID
- 29642
- Item Type
- Journal Item
- ISSN
- 1471-6933
- Academic Unit or School
-
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Music
Faculty of Arts and Social Sciences (FASS) > Arts and Humanities
Faculty of Arts and Social Sciences (FASS) - Copyright Holders
- © 2007 Ben Winters
- Depositing User
- Ben Winters