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In this article I shall argue that understandings of what constitutes narrative, how it functions, and the contexts in which it applies have broadened in line with cultural, social and intellectual trends which have seen a blurring, if not the dissolution, of boundaries between ‘fact’ and ‘fiction’; ‘literary’ and ‘non-literary’ narrative spaces; history and story; concepts of time and space, text and image, teller and tale, representation and reality.
To illustrate some of the ways in which the concept of narrative has travelled across disciplinary and generic boundaries, I shall look at The Art of Travel (de Botton 2003), with a view to demonstrating how the blending of genres works to produce a narrative that is at once personal and philosophical; visual and verbal; didactic and poetic. I shall show that such a text constitutes a site of interrogation of concepts of narrative, even as it depends on the reader’s ability to narrativize experience.
|Item Type:||Journal Article|
|Copyright Holders:||2006 author and volume editors|
|Extra Information:||COLLeGIUM: Studies Across Disciplines in the Humanities and Social Sciences, Volume 1: The Travelling Concept of Narrative|
|Keywords:||genre blending; textual transformation|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Fiona Doloughan|
|Date Deposited:||21 Jun 2011 08:11|
|Last Modified:||02 Aug 2016 14:02|
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