Woods, Kim W.
|DOI (Digital Object Identifier) Link:||http://doi.org/10.1017/S0003581500073741|
|Google Scholar:||Look up in Google Scholar|
The remarkable late sixteenth-century account of Long Melford church written by former churchwarden Roger Martyn includes a description of the carved wooden altarpiece placed at the high altar from 1481 (when, according to the inscription on the exterior of the church, the altarpiece was made) until 1547–8. The author suggests that this altarpiece is likely to have been Netherlandish rather than English and relates its purchase to the cloth-producing Long Melford and the Low Countries. The painted altarpiece shutters are known to have survived into Queen Mary's reign, but their subsequent fate is unknown, if indeed they survived at all. In Queen's College Chapel, Cambridge, are three shutters from a Brussels-carved altarpiece dating from c 1480 and owned by the College at least since 1717. It is proposed that these could be the Long Melford shutters, perhaps donated to the college after the English Civil War by Master Anthony Sparrow, who as archdeacon of Sudbury had oversight of Long Melford.
|Item Type:||Journal Article|
|Copyright Holders:||2002 The Society of Antiquaries of London|
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Kim Woods|
|Date Deposited:||19 Jun 2006|
|Last Modified:||04 Oct 2016 09:48|
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