Burrows, Donald ed. (2009). Georg Friedrich Händel, ‘Messiah’. Documenta Musicologica, Zweite Reihe, Handschriften, xl. Kassel, Germany: Barenreiter.
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The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life.
14 April 2009 is the 250th anniversary of Handel’s death. To mark this jubilee year, the British Library and Bärenreiter are joining forces to make the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’s manuscript, describes the history of the work’s composition and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores.
A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.
|Item Type:||Edited Book|
|Copyright Holders:||2009 Barenreiter/The British Library|
|Extra Information:||Also published as Introduction to Handel, ‘Messiah’: the composer’s autograph manuscript…in facsimile (The British Library), pp. 7-21. ISBN 978 0 7123 5068 6.
|Academic Unit/Department:||Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
Faculty of Arts and Social Sciences (FASS)
|Depositing User:||Donald Burrows|
|Date Deposited:||08 Feb 2011 10:59|
|Last Modified:||04 Oct 2016 10:59|
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