|Google Scholar:||Look up in Google Scholar|
This collection considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music.
In this context, the book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms.
|Item Type:||Edited Book|
|Copyright Holders:||2011 The Editors|
|Keywords:||music; migration; diaspora; world music; cosmopolitanism; mediation|
|Academic Unit/School:||Faculty of Arts and Social Sciences (FASS) > History, Religious Studies, Sociology, Social Policy and Criminology
Faculty of Arts and Social Sciences (FASS)
Faculty of Arts and Social Sciences (FASS) > Art History, Classical Studies, English and Creative Writing, Music
|Depositing User:||Jason Toynbee|
|Date Deposited:||15 Mar 2011 10:41|
|Last Modified:||29 Nov 2016 15:36|
|Share this page:|