Barker, Emma
(2010).
| DOI (Digital Object Identifier) Link: | https://doi.org/10.1111/j.1754-0208.2009.00185.x |
|---|---|
| Google Scholar: | Look up in Google Scholar |
Abstract
This article explores the proliferation of engraved images of good deeds on behalf of the poor in late eighteenth-century France. This phenomenon testifies to the vogue for bienfaisance, a newly coined term that played a central role in the moral and social discourse of the period. The aim here is to demonstrate how such images at once exemplified the humanitarian and utilitarian ideals of bienfaisance and contributed to their exploitation by the wealthy and powerful for purposes of self-legitimation. Among the examples discussed are images celebrating the bienfaisance of Mme Necker, Beaumarchais, Louis XVI and the duc d'Orléans.
| Item Type: | Journal Item |
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| Copyright Holders: | 2009 British Society for Eighteenth-Century Studies |
| ISSN: | 1754-0208 |
| Keywords: | Greuze; prints; bienfaisance; charity; humanity; gender; Necker; duc d'Orléans |
| Academic Unit/School: | Faculty of Arts and Social Sciences (FASS) > Arts and Humanities > Art History Faculty of Arts and Social Sciences (FASS) > Arts and Humanities Faculty of Arts and Social Sciences (FASS) |
| Item ID: | 22435 |
| Depositing User: | Emma Barker |
| Date Deposited: | 28 Jul 2010 14:49 |
| Last Modified: | 06 Aug 2019 08:34 |
| URI: | http://oro.open.ac.uk/id/eprint/22435 |
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