Katritzky, M. A.
(1996). Orlando di Lasso and the commedia dell'arte.
In: Schmid, Bernhold ed.
Orlando di Lasso in der Musikgeschichte. Bericht über das Symposium der Bayerischen Akademie der Wissenschaften München, 4-6. Juli 1994.
Bayerischen Akademie der Wissenschaften, Philosophisch-Historische Klasse, Abhandlungen, Neue Folge (111).
München, Germany: Verlag der Bayerischen Akademie der Wissenschaften / C. H. Beck Verlag, pp. 133–155.
Abstract
In addition to his prodigious musical achievements, Orlando di Lasso has earned a significant place in theatre history through his involvement with the commedia dell'arte, as director, composer and writer, but also as a comic actor who mastered several demanding stage roles. This article examines Lasso's contribution to the early history of the commedia dell'arte and suggests ways in which a Flemish musician based in Bavaria might have acquired, as early as the 1560s, acting skills which evidently did not compare unfavourably with those of contemporary Italian professionals. (Language: English)
| Item Type: |
Book Chapter
|
| Copyright Holders: |
1996 Bayerische Akademie der Wissenschaften, München |
| ISBN: |
3-7696-0106-8, 978-3-7696-0106-0 |
| Academic Unit/Department: |
Arts > English |
| Related URLs: |
|
| Item ID: |
22361 |
| Depositing User: |
M.A. Katritzky
|
| Date Deposited: |
27 Jul 2010 10:44 |
| Last Modified: |
26 Sep 2012 13:37 |
| URI: |
http://oro.open.ac.uk/id/eprint/22361 |
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